After a few days had passed pleasantly enough, Aurelia sent to inquire for our friend. He hastened to her: she was lying on a sofa; she seemed to be suffering from headache; her whole frame had visibly a feverish movement. Her eye lighted up as she noticed Wilhelm. “Pardon me!” she cried, as he entered: “the trust you have inspired me with has made me weak. Till now I have contrived to bear up against my woes in secret; nay, they gave me strength and consolation: but now, I know not how it is, you have loosened the bands of silence. You will now, even against your will, take part in the battle I am fighting with myself!”
Wilhelm answered her in kind and obliging terms. He declared that her image and her sorrows had not ceased to hover in his thoughts; that he longed for her confidence, and devoted himself to be her friend.
While he spoke, his eyes were attracted to the boy, who sat before her on the floor, and was busy rattling a multitude of playthings. This child, as Philina had observed, might be about three years of age; and Wilhelm now conceived how that giddy creature, seldom elevated in her phraseology, had likened it to the sun. For its cheerful eyes and full countenance were shaded by the finest golden locks, which flowed round in copious curls; dark, slender, softly bending eyebrows showed themselves upon a brow of dazzling whiteness; and the living tinge of health was glancing on its cheeks. “Sit by me,” said Aurelia: “you are looking at the happy child with admiration; in truth, I took it into my arms with joy; I keep it carefully; yet, by it, too, I can measure the extent of my sufferings; for they seldom let me feel the worth of such a gift.
“Allow me,” she continued, “to speak to you about myself and my destiny; for I have it much at heart that you should not misunderstand me. I thought I should have a few calm instants; and, accordingly, I sent for you. You are now here, and the thread of my narrative is lost.
“‘One more forsaken woman in the world!’ you will say. You are a man. You are thinking, ‘What a noise she makes, the fool, about a necessary evil; which, certainly as death, awaits a woman, when such is the fidelity of men!’ O my friend! if my fate were common, I would gladly undergo a common evil; but it is so singular! why cannot I present it to you in a mirror, — why not command some one to tell it you? Oh! had I, had I been seduced, surprised, and afterwards forsaken, there would then still be comfort in despair; but I am far more miserable. I have been my own deceiver; I have wittingly betrayed myself; and this, this, is what shall never be forgiven me.”
“With noble feelings, such as yours,” said Wilhelm, “you cannot be entirely unhappy.”
“And do you know to what I am indebted for my feelings?” asked Aurelia. “To the worst education that ever threatened to contaminate a girl; to the vilest examples for misleading the senses and inclinations.
“My mother dying early, the fairest years of my youth were spent with an aunt, whose principle it was to despise the laws of decency. She resigned herself headlong to every impulse, careless whether the object of it proved her tyrant or her slave, so she might forget herself in wild enjoyment.
“By children, with the pure, clear vision of innocence, what ideas of men were necessarily formed in such a scene! How stolid, brutally bold, importunate, unmannerly, was every one she allured! How sated, empty, insolent, and insipid, as soon as he had had his wishes gratified! I have seen this woman live, for years, humbled under the control of the meanest creatures. What incidents she had to undergo! With what a front she contrived to accommodate herself to her destiny; nay, with how much skill, to wear these shameful fetters!
“It was thus, my friend, that I became acquainted with your sex; and deeply did I hate it, when, as I imagined, I observed that even tolerable men, in their conduct to ours, appeared to renounce every honest feeling, of which nature might otherwise have made them capable.
“Unhappily, moreover, on such occasions, a multitude of painful discoveries about my own sex were forced upon me; and, in truth, I was then wiser, as a girl of sixteen, than I now am, now that I scarcely understand myself. Why are we so wise when young, — so wise, and ever growing less so?”
The boy began to make a noise: Aurelia became impatient, and rang. An old woman came to take him out. “Hast thou toothache still?” said Aurelia to the crone, whose face was wrapped in cloth. “Unsufferable,” said the other, with a muffled voice, then lifted the boy, who seemed to like going with her, and carried him away.
Scarcely was he gone, when Aurelia began bitterly to weep. “I am good for nothing,” cried she, “but lamenting and complaining; and I feel ashamed to lie before you like a miserable worm. My recollection is already fled: I can relate no more.” She faltered, and was silent. Her friend, unwilling to reply with a commonplace, and unable to reply with any thing particularly applicable, pressed her hand, and looked at her for some time without speaking. Thus embarrassed, he at length took up a book, which he noticed lying on the table before him: it was Shakspeare’s works, and open at “Hamlet.”
Serlo, at this moment entering, inquired about his sister, and, looking in the book which our friend had hold of, cried, “So you are again at ‘Hamlet’? Very good! Many doubts have arisen in me, which seem not a little to impair the canonical aspect of the play as you would have it viewed. The English themselves have admitted that its chief interest concludes with the third act; the last two lagging sorrily on, and scarcely uniting with the rest: and certainly about the end it seems to stand stock-still.”
“It is very possible,” said Wilhelm, “that some individuals of a nation, which has so many masterpieces to feel proud of, may be led by prejudice and narrowness of mind to form false judgments; but this cannot hinder us from looking with our own eyes, and doing justice where we see it due. I am very far from censuring the plan of ‘Hamlet’: on the other hand, I believe there never was a grander one invented; nay, it is not invented, it is real.”
“How do you demonstrate that?” inquired Serlo.
“I will not demonstrate any thing,” said Wilhelm: “I will merely show you what my own conceptions of it are.”
Aurelia raised herself from her cushion, leaned upon her hand, and looked at Wilhelm, who, with the firmest assurance that he was in the right, went on as follows: “It pleases us, it flatters us, to see a hero acting on his own strength, loving and hating at the bidding of his heart, undertaking and completing, casting every obstacle aside, and attaining some great end. Poets and historians would willingly persuade us that so proud a lot may fall to man. In ‘Hamlet’ we are taught another lesson: the hero is without a plan, but the play is full of plan. Here we have no villain punished on some self-conceived and rigidly accomplished scheme of vengeance: a horrid deed is done; it rolls along with all its consequences, dragging with it even the guiltless: the guilty perpetrator would, as it seems, evade the abyss made ready for him; yet he plunges in, at the very point by which he thinks he shall escape, and happily complete his course.
“For it is the property of crime to extend its mischief over innocence, as it is of virtue to extend its blessings over many that deserve them not; while frequently the author of the one or of the other is not punished or rewarded at all. Here in this play of ours, how strange! The Pit of darkness sends its spirit and demands revenge: in vain! All circumstances tend one way, and hurry to revenge: in vain! Neither earthly nor infernal thing may bring about what is reserved for Fate alone. The hour of judgment comes; the wicked falls with the good; one race is mowed away, that another may spring up.”
After a pause, in which they looked at one another, Serlo said, “You pay no great compliment to Providence, in thus exalting Shakspeare; and besides, it appears to me, that for the honor of your poet, as others for the honor of Providence, you ascribe to him an object and a plan such as he himself had never thought of.”
CHAPTER XVI.
“Let me also put a question,” said Aurelia. “I have looked at Ophelia’s part again: I am contented with it, and confident, that, under certain circumstances, I could play it. But tell me, should not the poet have furnished th
e insane maiden with another sort of songs? Could not some fragments out of melancholy ballads be selected for this purpose? Why put double meanings and lascivious insipidities in the mouth of this noble-minded girl?”
“Dear friend,” said Wilhelm, “even here I cannot yield you one iota. In these singularities, in this apparent impropriety, a deep sense is hid. Do we not understand from the very first what the mind of the good, soft-hearted girl was busied with? Silently she lived within herself, yet she scarce concealed her wishes, her longing: the tones of desire were in secret ringing through her soul; and how often may she have attempted, like an unskilful nurse, to lull her senses to repose with songs which only kept them more awake? But at last, when her self-command is altogether gone, when the secrets of her heart are hovering on her tongue, that tongue betrays her; and in the innocence of insanity she solaces herself, unmindful of king or queen, with the echo of her loose and well-beloved songs, — ‘To-morrow is Saint Valentine’s Day,’ and ‘By Gis and by Saint Charity.’“
He had not finished speaking, when all at once an extraordinary scene took place before him, which he could not in any way explain.
Serlo had walked once or twice up and down the room, without evincing any special object. On a sudden, he stepped forward to Aurelia’s dressing-table, caught hastily at something that was lying there, and hastened to the door with his booty. No sooner did Aurelia notice this, than, springing up, she threw herself in his way, laid hold of him with boundless vehemence, and had dexterity enough to clutch an end of the article he was carrying off. They struggled and wrestled with great obstinacy, twisted and threw each other sharply round; he laughed; she exerted all her strength; and as Wilhelm hastened towards them, to separate and soothe them, Aurelia sprang aside with a naked dagger in her hand; while Serlo cast the scabbard, which had staid with him, angrily upon the floor. Wilhelm started back astonished; and his dumb wonder seemed to ask the cause why so violent a strife, about so strange an implement, had taken place between them.
“You shall judge betwixt us,” said the brother. “What business she with sharp steel? Do but look at it. That dagger is unfit for any actress, — point like a needle’s, edge like a razor’s! What good’s the farce? Passionate as she is, she will one day chance to do herself a mischief. I have a heart’s hatred at such singularities: a serious thought of that sort is insane, and so dangerous a plaything is not in taste.”
“I have it back!” exclaimed Aurelia, and held the polished blade aloft: “I will now keep my faithful friend more carefully. Pardon me,” she cried, and kissed the steel, “that I have so neglected thee.”
Serlo was like to grow seriously angry. “Take it as thou wilt, brother,” she continued: “how knowest thou but, under this form, a precious talisman may have been given me, so that, in extreme need, I may find help and counsel in it? Must all be hurtful that looks dangerous?”
“Such talk without a meaning might drive one mad,” said Serlo, and left the room with suppressed indignation. Aurelia put the dagger carefully into its sheath, and placed it in her bosom. “Let us now resume the conversation which our foolish brother has disturbed,” said she, as Wilhelm was beginning to put questions on the subject of this quarrel.
“I must admit your picture of Ophelia to be just,” continued she; “I cannot now misunderstand the object of the poet: I must pity; though, as you paint her, I shall rather pity her than sympathize with her. But allow me here to offer a remark, which in these few days you have frequently suggested to me. I observe with admiration the correct, keen, penetrating glance with which you judge of poetry, especially dramatic poetry: the deepest abysses of invention are not hidden from you, the finest touches of representation cannot escape you. Without ever having viewed the objects in nature, you recognize the truth of their images: there seems, as it were, a presentiment of all the universe to lie in you, which by the harmonious touch of poetry is awakened and unfolded. For in truth,” continued she, “from without, you receive not much: I have scarcely seen a person that so little knew, so totally misknew, the people he lived with, as you do. Allow me to say it: in hearing you expound the mysteries of Shakspeare, one would think you had just descended from a synod of the gods, and had listened there while they were taking counsel how to form men; in seeing you transact with your fellows, I could imagine you to be the first large-born child of the Creation, standing agape, and gazing with strange wonderment and edifying good nature at lions and apes and sheep and elephants, and true-heartedly addressing them as your equals, simply because they were there, and in motion like yourself.”
“The feeling of my ignorance in this respect,” said Wilhelm, “often gives me pain; and I should thank you, worthy friend, if you would help me to get a little better insight into life. From youth, I have been accustomed to direct the eyes of my spirit inwards rather than outwards; and hence it is very natural, that, to a certain extent, I should be acquainted with man, while of men I have not the smallest knowledge.”
“In truth,” said Aurelia, “I at first suspected, that, in giving such accounts of the people whom you sent to my brother, you meant to make sport of us: when I compared your letters with the merits of these persons, it seemed very strange.”
Aurelia’s remarks, well founded as they might be, and willing as our friend was to confess himself deficient in this matter, carried with them something painful, nay, offensive, to him; so that he grew silent, and retired within himself, partly to avoid showing any irritated feeling, partly to search his mind for the truth or error of the charge.
“Let not this alarm you,” said Aurelia: “the light of the understanding it is always in our power to reach, but this fulness of the heart no one can give us. If you are destined for an artist, you cannot long enough retain the dim-sightedness and innocence of which I speak; it is the beautiful hull upon the young bud; woe to us if we are forced too soon to burst it! Surely it were well, if we never knew what the people are for whom we work and study.
“Oh! I, too, was in that happy case, when I first betrod the stage, with the loftiest opinion of myself and of my nation. What a people, in my fancy, were the Germans! what a people might they yet become! I addressed this people, raised above them by a little joinery, separated from them by a row of lamps, whose glancing and vapor threw an indistinctness over every thing before me. How welcome was the tumult of applause which sounded to me from the crowd! how gratefully did I accept the present offered me unanimously by so many hands! For a time I rocked myself in these ideas: I affected the multitude, and was again affected by them. With my public I was on the fairest footing: I imagined that I felt a perfect harmony betwixt us, and that on each occasion I beheld before me the best and noblest of the land.
“Unhappily it was not the actress alone that inspired these friends of the stage with interest: they likewise made pretensions to the young and lively girl. They gave me to understand, in terms distinct enough, that my duty was, not only to excite emotion in them, but to share it with them personally. This, unluckily, was not my business: I wished to elevate their minds; but, to what they called their hearts, I had not the slightest claim. Yet now men of all ranks, ages, and characters, by turns afflicted me with their addresses; and it did seem hard that I could not, like an honest young woman, shut my door, and spare myself such a quantity of labor.
“The men appeared, for most part, much the same as I had been accustomed to about my aunt; and here again I should have felt disgusted with them, had not their peculiarities and insipidities amused me. As I was compelled to see them, in the theatre, in open places, in my house, I formed the project of spying out their follies; and my brother helped me with alacrity to execute it. And if you reflect, that up from the whisking shopman and the conceited merchant’s son, to the polished, calculating man of the world, the bold soldier, and the impetuous prince, all in succession passed in review before me, each in his way endeavoring to found his small romance, you will pardon me if I conceived that I had gained some acquaintanc
e with my nation.
“The fantastically dizened student; the awkward, humbly proud man of letters; the sleek-fed, gouty canon; the solemn, heedful man of office; the heavy country-baron; the smirking, vapid courtier; the young, erring parson; the cool as well as the quick and sharply speculating merchant, — all these I have seen in motion; and I swear to you, that there were few among them fitted to inspire me even with a sentiment of toleration: on the contrary, I felt it altogether irksome to collect, with tedium and annoyance, the suffrages of fools; to pocket those applauses in detail, which in their accumulated state had so delighted me, which in the gross I had appropriated with such pleasure.
“If I expected a rational compliment upon my acting, if I hoped that they would praise an author whom I valued, they were sure to make one empty observation on the back of another, and to name some vapid play in which they wished to see me act. If I listened in their company, to hear if some noble, brilliant, witty thought had met with a response among them, and would re-appear from some of them in proper season, it was rare that I could catch an echo of it. An error that had happened, a mispronunciation, a provincialism of some actor, such were the weighty points by which they held fast, beyond which they could not pass. I knew not, in the end, to what hand I should turn: themselves they thought too clever to be entertained; and me they imagined they were well entertaining, if they romped and made noise enough about me. I began very cordially to despise them all: I felt as if the whole nation had, on purpose, deputed these people to debase it in my eyes. They appeared to me so clownish, so ill-bred, so wretchedly instructed, so void of pleasing qualities, so tasteless, I frequently exclaimed, “No German can buckle his shoes, till he has learned to do it of some foreign nation!”
“You perceive how blind, how unjust and splenetic, I was; and, the longer it lasted, my spleen increased. I might have killed myself with these things, but I fell into the contrary extreme: I married, or, rather, let myself be married. My brother, who had undertaken to conduct the theatre, wished much to have a helper. His choice lighted on a young man, who was not offensive to me, who wanted all that my brother had, — genius, vivacity, spirit, and impetuosity of mind; but who also in return had all that my brother wanted, — love of order, diligence, and precious gifts in housekeeping, and the management of money.
Works of Johann Wolfgang von Goethe Page 40