He turned away, dismissing her. But as she went through the door, she heard him mutter, "Godspeed then, child."
***
The door to the library was cracked open, too powerful a lure to be resisted. Jessica inched open the door and slid through the opening into the reading room, breathing in the unique combination of dust and leather that meant old books. There was more dust than leather, unfortunately. She had spoken only the truth when she said that Wiley was no librarian.
Oh, here in the reading room, he made a good show of it, with the glass cases displaying the more picturesque of the manuscripts, and comfortable leather chairs with lamps positioned nearby for illumination. But though the room was dim, the lamps were unlit. There were no patrons to need light for reading. Alfred Wiley had continued his benefactor's policy of keeping the library closed even to scholars. Her father had been a shy man, reclusive by nature; Wiley, she thought, just wanted to keep all the Bacon artifacts to himself.
She moved quietly through the reading room and paused at the door that opened to the main collections area. Either the librarian had gone to dinner, or he was in the storeroom along the back of the second level. Otherwise, as he always did, he would have emerged from his office to ask her in that courteous voice whether she needed his assistance.
But the library remained silent, welcoming. Alone, if only for the moment, with her collection! She slipped into the main collection room, reaching into her reticule for a handkerchief as her passage stirred up a cloud of dust. A sunbeam from the distant window filtered through the motes, and her nose began to tickle. Sternly she ordered the sneeze away and walked purposefully if surreptitiously along the narrow corridor.
Here, where the books were kept, Wiley's deficiencies were most apparent. Disorder marked the vast room and its crisscrosses of mahogany bookcases, with boxes of documents heaped in the aisles. She bent to pick up a book on the top of a stack blocking her way. The title was spelled out in gilt on the leather cover: Moll Flanders, Volume One. She leaned against the end of a bookcase and leafed through the old book, smiling when she found the faint remains of a stain on the tenth page. How angry her parents had been when they found her at the breakfast table, reading this book out loud to Trevor! Her mother had warned her that the story was too advanced for a young girl, and too stimulating for a young boy. Her father was more concerned about the jelly that had dripped from Jessica's toast on to the page. He had made her clean it herself. It was her first restoration job, and not a very good one at that. She had learned a good deal since then.
She glanced around for Wiley, and when she reassured herself that she was quite alone, dusted the book and stuffed it into her reticule. Later, in the little laboratory that used to be her dressing room, she would daub at the spot with a special solution, and, while she was at it, oil the cover and check the binding. When it was pristine enough to have passed her father's stringent standards, she would replace it where it belonged on the Defoe shelf. While she was at it, she would reorganize the Defoe items and make a list of those needing repairs.
And with those few acts, she would be doing more curating in one day than Alfred Wiley did in a year.
It always broke her heart to come here and see the chaos and deterioration. Wiley might tell her ingenuous uncle that so many books were boxed because they were scheduled to be restored, and that the long-promised catalogue was only a few months away. Jessica knew better. As long as her father lived, Wiley had performed his duties well. But he had taken advantage of the laxer supervision of her uncle to focus his attention on one part of the collection. Now, if a book had nothing to do with Sir Francis Bacon, it had nothing to do with Alfred Wiley.
When I inherit, she thought fiercely, the first thing I will do is discharge Wiley. Without a reference! And then I will open it to scholars, especially other Bacon scholars. When I inherit—
If I inherit.
And she wouldn't, if her uncle remained unreasonable about her marriage.
And Alfred Wiley had to know that.
Absently she straightened out a shelf of sermon volumes, reorganizing her thoughts as she reorganized the titles. Alfred Wiley stood to gain only if she didn't marry before the deadline of her twenty-third birthday. He appeared to be a mild-mannered scholarly sort, but tenacious as he was about the Bacon holdings he considered his own, she couldn't imagine he would let them go without a struggle.
She located a white spot on her now-dusty handkerchief and applied it to the green leather cover of Dr. Donne's sermons. Staring unseeing at the gilt letters of the title, she recalled her uncle brandishing the poison-pen letter, only the latest of several he had received about her suitors. Uncle Emory hadn't let her read any of them. He persisted in thinking she was too innocent for such knowledge, and insisted on burning them. But she had caught glimpses of three of the notes, and knew enough from studying autograph manuscripts to make some suppositions. No two of the letters appeared to be written in the same hand. This last one about Damien, indeed, bore the spidery hand of a man of the previous century, while an earlier one had been a bold modern scrawl.
It was unlikely that four separate people would have reason to scotch her marriage chances, and just happen on the same way to do it. No, it would have to be someone who not only had a motive, but also knew enough about her uncle to manipulate his protective instincts. And it would have to be someone with access to different scribes—or the ability to write in different hands.
Suddenly she replaced the book on the shelf and used the last clean corner of the handkerchief to dust off her hands. Quietly she moved through the stacks of shelves to the staircase that led up to the second level. She stopped to pull off her shoes, hiding them behind a box of unbound papers. Then she crept up the steps, her hand braced lightly on the bannister. At the top she ducked down and peered through the iron railing, over the tops of bookshelves, methodically scanning the aisles. Mr. Wiley was nowhere to be seen in the sea of books.
Still hunched over, Jessica tiptoed along the landing to the storage room. She flattened herself against the wall and peeked in through the open door. The room was unoccupied. The vault along the back wall that held the most valuable items was, as always, locked up tight. Only the solicitors had the keys to that door, a fact, she imagined, of constant annoyance to Mr. Wiley.
Retrieving her shoes, she went through the main room to the workroom along the side of the library. The door to Mr. Wiley's office was closed. Bolder now, she knocked, and when she received no response, she pushed open the door. A wave of hot air rushed out.
Resisting the urge to open the window, Jessica closed her mouth tight against the dusty air and steered a path through the piles of monographs that led to to the desk. She couldn't touch the papers on the desk, for it wouldn't do to leave any trace of her presence here. Fortunately, Mr. Wiley had left them scattered about in such a random fashion that she was able to get a variety of views of his handwriting.
Nowhere did she see a hand to match any on the poison pen letters.
She knew only a moment's disappointment, however. One sheet half-covered by the blotter bore the distinctively cramped signature. "William Shakespeare."
For an instant she imagined it was really the hand of the great bard. Then she called her pounding heart back into order. It was only a copy, surely, like those currently adorning the covers of some editions of his plays. Her fingers itched to touch it nonetheless, especially the odd little "h" with its short shaft and long furbelowed tail.
Instead she edged around the desk so she could bend down and view it straight on. As she stared at it, she fumbled in her reticule for her magnifying lens. With that aid, she could tell that it was not a printed copy, but written in ink on the same writing paper that littered Mr. Wiley's desk.
Curiosity kills the cat, Aunt Martha was fond of saying. Fortunately, Jessica told herself as she eased the page from the under the blotter, cats have nine lives.
She read rapidly, unbelievingly as the lines eme
rged. "Sir Francis Shakespeare" was the heading, in Mr. Wiley's clear flowing script. "The Signature above is that of an Illiterate man, a man who could not spell his own Name, who never attended School, nor owned a book. This cannot, therefore, be the Signature of the man who so Eloquently crafted the plays and sonnets attributed to William Shakespeare."
A distant door opened. She paused only long enough to read the next impossible line—"There is but one solution to this Puzzle. The works of 'Shakespeare' are actually the Works of Bacon"—before shoving the page back under the blotter. Then she shoved her magnifier back in to her reticule, picked up her skirt, and dashed out of the office into the relative safety of the shelves.
When Mr. Wiley found her, she was kneeling on the floor between two stacks, assiduously reading a volume in the faint light. She assembled an expression of dismay and scrambled to her feet. "Mr. Wiley! I was just looking for you. I wondered if I could borrow this book of Herbert's religious poems. Reading them might bring a bit of comfort to my aunt."
Mr. Wiley had never been one for open displays of dislike, even for the young woman he must regard as a rival. But Jessica had noticed that, as her father's deadline approached, the librarian was taking fewer pains to disguise his triumph. "I thought you understood, Miss Seton, that I do not allow books to leave the collection." He paused slightly, so that Jessica could feel the weight of his authority, then added, "As you know, that was your father's policy."
Jessica cared naught for the Herbert volume, but knew that Mr. Wiley would expect her to argue. She let her lip droop in a debutante's pout. "But sir, it is for my aunt. My father would certainly understand my borrowing it."
Mr. Wiley reached out an imperative hand and gripped the disputed book. Jessica put up a token resistance, then surrendered. With a sniff and a flounce, she pushed past him and out the door, secretly gleeful each time her reticule, with the stolen Moll Flanders, banged against her leg.
It was only later, in the privacy of her laboratory, that she allowed herself to consider the implications of what she had learned in Wiley's office. As she painstakingly applied the cleaning solution to the old stain, those few lines chased each other across her mind. Shakespeare the illiterate. Sir Francis Shakespeare.
And to feed this insanity, Alfred Wiley was using her beloved collection.
CHAPTER THREE
Knowing I loved my books,
he furnished me from my own library
with volumes that I prize above my dukedom.
The Tempest, I, ii
Against the opulence of the blue-gray reception room, the Prince Regent's attire was unusually sober, a plain dark coat with a black mourning band around his arm. Recalling the death of Princess Charlotte half a year earlier, John made his belated condolences. The prince shook his head, raised his hand, murmured some dismissal. His somber eyes brightened only as they fixed on the parcel John carried.
Still the prince was ever a gentleman, and never put business before courtesy. "How good to see you, Captain. And how is my Cousin Tatiana? Well, I hope."
It was the Princess Tatiana who first introduced them, this art smuggler and the royal collector, and the prince's first question was always of her health and happiness. John was able to answer this, as her characteristically newsy seven-page letter had been awaiting him on his arrival in London. "She is well. Planning a great ball for one of her charities this summer."
"Ah, yes, the princess's charities. She will no doubt extort contributions from us both! But such a charming girl. I recall when she first came here to England, she told me that her cousin the tsar had no real claim to the throne. Sometimes I wish I might remind him of that, when he is at his most imperial. But I forget! You brought her here, didn't you?"
"On the Coronale, as a matter of fact." He glanced down at the leather portfolio he held, hiding a smile. "Devlyn, you'll recollect, was her escort."
"Yes, yes. Fine man, that Devlyn." He paused, frowned, shook his head. "She was supposed to marry one of my brothers, you know. Clarence? Cumberland? I can't recall. Wanted Devlyn instead."
"No accounting for taste, sir."
John's diplomacy wasn't necessary. The prince gave a bark of laughter. "Who can blame her, after all? Still, now it seems that it might have been better for us if she had taken one of them after all. Now that—"
He broke off. Princess Charlotte had been the king's only grandchild, the only legitimate one, at least. The other princes were in a frenzy of nuptials now, determined to get another heir birthed before the king and Prinny died. But the prince had ever been a romantic, fortunately for Devlyn, and now only smiled ruefully at what might have been. "You tell her, my cousin Tatiana, to come see me next she is in London. She can bring that reprobate husband of hers too."
John matched the prince's effort to restore the lightness of their converse. "Devlyn will be delighted to hear himself called a reprobate, sir. I used to call him the Archangel Michael, when we were boys."
"That's right, you were boys together, down there in Dorset, weren't you?"
The prince peered at him, waiting for some response.
But John only nodded and started to untie the split-end knot that secured the treasure.
After an awkward moment, Prinny added, "Was this voyage on that Coronale also? A pretty little vessel, I hear. You had a pleasant passage, I hope." The regent was unfailing in his courtesy, making the necessary pleasantries, calling to the footman to bring brandy, though he never took his eyes off the package John was opening. He even left unspoken the accusation that John's arrival was three weeks later than he had promised.
"Yes, sir. I stopped off in France, to pursue another manuscript, but it came to naught." With an effort, he forced the regret from his voice. "So I have only this to show you."
This was the Jerusalem. John opened the leather portfolio and withdrew the manuscript, the gold gilt pattern of the cover cool and smooth under his fingers. He placed it into the prince's hands, then crossed to a table to bring a lamp closer. During the long voyage he'd had time to start its restoration, and as the regent reverently turned the leaves, the illuminations on the first six pages glowed bright as a Tintoretto painting.
"It's very lovely. Very lovely." The prince lightly traced the ancient letters on one page, reading the text under his breath. Most of his subjects credited this man with small intelligence, but John knew better. The archaic Greek posed the prince no great difficulty. "It is a prize. Tell me, did you have very much trouble securing it?"
This, in the prince's polite parlance, was a request for a purchase price. He would pay it, whatever it was; John knew from long experience that the regent could refuse no beautiful thing once he had held it in his hands. It was no great sport to take advantage of him, and John never had, and wasn't likely to start now.
"No. The Vatican was straight on my heels—Alavieri'd gotten wind of my search somehow—but too late. I had no competition in the bidding, so I am able to offer it to you for 400 pounds." This was sixfold the actual price, but he had to pay for the voyage and leave a bit of room for profit.
Even so, the prince laughed with delight. "What a rogue you are. 400 pounds. You must have stolen it."
"I did my best not to," John replied dryly. "The sellers were not the worldly sort."
"Well, their naivete is my gain, I suppose. And you beat Alavieri, did you? Oh, this is a great find, Captain Dryden. And a great day! You have brightened my spirits." Then his mouth tightened, and he set the book on the marble table, keeping one hand gently on the gilt-laced cover. "I recall that there is something of—of a balance owing."
A thousand pounds, or thereabouts. There was an opulent Titian nude, and a sheaf of letters from Henry V to his bride Katherine, rescued from Napoleon's library after the first abdication. And a few other acquisitions, large and small, John had done on credit, without even his expenses covered.
The prince had never spoken of his troubles with Parliament, except an occasional muttering about the Commons' p
hilistinism. "They know nothing of art," he might say, "of the nation's interest in preserving it." John was an art dealer, not a politician, so he naturally agreed that acquiring a twelfth-century Bible was more important than outfitting some regiment for battle or purchasing new coaches for the Royal Mail. Anyway, Parliament usually paid Prinny's shot eventually, after making the largest possible fuss in the newspapers and stirring up radical sentiments among the populace. But lately it had all been getting ugly, with rumors that the Regent had gone as mad as his father and was bent on bankrupting the treasury on frivolous furbelows like paintings and old books.
John crossed to the window. One wasn't supposed to turn a back on the sovereign, so he stood sideways, looking out at the carriages maneuvering through the crowded Mall. The prince had always been a good customer, generous in his gratitude, profligate with his recommendations. His ministers had doubtlessly informed him of John's background, and counseled against doing business with such a one. The foreign secretary, until recently John's occasional if secret employer, would have been vigorous in his warnings against converse, though he needn't have worried. John was nothing if not careful to keep his several professions separate.
Despite these warnings, the prince, however, always greeted him with that easy charm that took no note of class or position or past. He had the regal manner, certainly, but not the regal disdain so common in John's royal customers. The Bourbons, for example, were as haughty as if a revolution, executions, exile, and twenty years of war had only proved their divine right to treat the rest of the world as serfs. But not the prince.
John liked him. That was the trouble. He liked him despite his extravagant absurdities and his quite glaring lack of common sense. Prinny had been kind to the princess and Devlyn when he had the power to ruin them. He had almost single-handedly made John a major player in the close-knit London art world, forcing through his election to the Royal Society of Antiquaries by the simple expedient of threatening to revoke the royal charter. He had given, if anything, too much publicity to the more impressive discoveries, so that now every other dealer knew to track John Dryden's movements and purchases. And he had a love of beauty, and the far-from-flawless but essentially good taste that made him the nation's premier collector, whether the nation welcomed it or no.
Poetic Justice, a Traditional Regency Romance (Regency Escapades) Page 3