Traditional Japanese Literature

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by Haruo Shirane




  Traditional Japanese Literature

  ABRIDGED EDITION

  TRANSLATIONS FROM THE ASIAN CLASSICS

  Translations from the Asian Classics

  EDITORIAL BOARD

  Wm. Theodore de Bary, Chairman

  Paul Anderer

  Donald Keene

  George A. Saliba

  Haruo Shirane

  Burton Watson

  Wei Shang

  Also by Haruo Shirane

  The Bridge of Dreams: A Poetics of The Tale of Genji Traces of Dreams: Landscape, Cultural Memory, and the Poetry of Bashō Inventing the Classics: Modernity, National Identity, and Japanese Literature Early Modern Japanese Literature: An Anthology, 1600–1900 Classical Japanese: A Grammar Traditional Japanese Literature: An Anthology, Beginnings to 1600 Classical Japanese Reader and Essential Dictionary Envisioning The Tale of Genji: Media, Gender, and Cultural Production Japan and the Culture of the Four Seasons: Nature, Literature, and the Arts

  Traditional Japanese Literature

  ABRIDGED EDITION

  AN ANTHOLOGY, BEGINNINGS TO 1600

  Edited by Haruo Shirane

  TRANSLATORS

  Sonja Arntzen, Robert Borgen, Karen Brazell, Steven Carter, Anthony H. Chambers, Anne Commons, Lewis Cook, Torquil Duthie, Michael Emmerich, Thomas Harper, Mack Horton, Donald Keene, Laurence Kominz, Herschel Miller, Douglas E. Mills, Jean Moore, Ivan Morris, Kyoko Nakamura, Jamie Newhard, Donald Philippi, Edward G. Seidensticker, Haruo Shirane, Virginia Skord, Jack Stoneman, Royall Tyler, Marian Ury, and Burton Watson

  COLUMBIA UNIVERSITY PRESS

  NEW YORK

  Columbia University Press wishes to express its appreciation for assistance given by the Pushkin Fund toward the cost of publishing this book.

  Columbia University Press

  Publishers Since 1893

  New York Chichester, West Sussex

  cup.columbia.edu

  Copyright © 2012 Columbia University Press

  All rights reserved

  E-ISBN 978-0-231-50453-9

  Library of Congress Cataloging-in-Publication Data

  Traditional Japanese literature, abridged edition : an anthology, beginnings to 1600 / edited by Haruo Shirane.—Abridged ed. p. cm.—(Translations from the Asian classics) Includes bibliographical references and index. ISBN 978-0-231-15730-8 (cloth : acid-free paper) ISBN 978-0-231-15731-5 (pbk. : acid-free paper) ISBN 978-0-231-50453-9 (ebook)

  1. Japanese literature—To 1600—Translations into English. I. Shirane, Haruo, 1951–PL782.E1T733 2012 895.6’08—dc23

  2011047618

  A Columbia University Press E-book.

  CUP would be pleased to hear about your reading experience with this e-book at [email protected].

  COVER IMAGE: Attributed to Tosa Mitsuyoshi (1539-1613), detail from Genji monogatari: Kochō (Butterflies), Momoyama period (1573–1615). Six-panel folding screen: ink, color, and gold on gilded paper. (By permission of the Mary and Jackson Burke Foundation)

  CONTENTS

  Acknowledgments

  Historical Periods and Key Terms

  Introduction

  Language and Writing

  Power and Courtship

  Loss and Integration

  Sociality

  Condensation and Intertextuality

  Attachment and Detachment

  Performance and Narration

  1. The Ancient Period

  The Beginnings of Japanese Literature

  Kojiki (Record of Ancient Matters)

  The Beginning

  Solidifying the Land

  Visit to the Land of Yomi

  Susano-o and Amaterasu

  Susano-o Slays the Eight-Tailed Serpent

  Luck of the Sea and Luck of the Mountain

  Yamato the Brave

  Man’yōshū (Collection of Myriad Leaves)

  First Period

  Emperor Yūryaku

  Your Basket, with Your Lovely Basket

  Emperor Jomei

  Climbing Mount Kagu and Looking upon the Land

  Lady Nukata

  On Spring and Autumn

  Second Period

  Kakinomoto no Hitomaro

  The Lament for Prince Kusakabe

  The Yoshino Praise Poems

  The Lament for Prince Takechi

  Poems on Passing the Ruined Capital of Ōmi

  Poems on Parting from His Wife in Iwami

  Poems on the Death of His Wife

  The Lament for Princess Asuka

  Third Period

  Yamabe no Akahito

  On Looking at Mount Fuji

  Yamanoue no Okura

  Dialogue with the Impoverished

  On Thinking of Children

  Poem on Departing a Banquet

  2. The Heian Period

  The Emergence of Kana Literature

  The Rise of Women’s Writing

  Late Heian Kana Histories and Anecdotal Literature

  Keikai

  Record of Miraculous Events in Japan (Nihon ryōiki)

  On the Death Penalty in This Life for an Evil Son Who Tried to Kill His Mother out of Love for His Wife

  On the Immediate Reward of Being Saved by Crabs for Saving the Lives of Crabs and a Frog

  On Receiving the Immediate Penalty of Violent Death for Collecting Debts by Force and with High Interest

  Ono no Komachi

  Selected Poems

  Sugawara no Michizane

  Children

  Speaking of My Children

  Career

  Through the Snow to Morning Duties

  Professorial Difficulties

  Exile

  Seeing the Plum Blossoms When Sentenced to Exile

  Autumn Night, the Fifteenth Day of the Ninth Month

  In Exile, Spring Snow

  Kokinshū (Collection of Ancient and Modern Poems)

  The Kana Preface

  Spring

  Summer

  Autumn

  Travel

  Love

  Mourning

  Miscellaneous Topics

  Miscellaneous Forms

  The Birth of Vernacular Prose Fiction

  The Tale of the Bamboo Cutter (Taketori monogatari)

  The Bamboo Cutter

  The Suitors

  The Stone Begging-Bowl of the Buddha

  The Easy-Delivery Charm of the Swallows

  The Imperial Hunt

  The Celestial Robe of Feathers

  The Tales of Ise (Ise monogatari)

  Journey to the Eastern Provinces

  The Imperial Huntsman

  Nagisa-no-in

  In the Shade of Wisteria Blooms

  Rain Test

  Deep Grasses

  The Road All Must Travel

  Sei Shōnagon

  The Pillow Book (Makura no sōshi)

  In Spring It Is the Dawn

  The Cat Who Lived in the Palace

  The Sliding Screen in the Back of the Hall

  Depressing Things

  Hateful Things

  Rare Things

  Embarrassing Things

  Things That Give a Hot Feeling

  Things That Have Lost Their Power

  Awkward Things

  Adorable Things

  Pleasing Things

  One Day, When the Snow Lay Thick on the Ground

  This Book

  Murasaki Shikibu

  The Tale of Genji (Genji monogatari)

  The Lady at the Bridge

  Beneath the Oak

  Trefoil Knots

  A Boat upon the Waters

  At Writing Practice

  Daughter of Takasue

  Sarashina Diary (Sarashina nikki)
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  Heian Literati

  Literary Essence of Our Country (Honchō monzui)

  Yoshishige no Yasutane

  “Record of a Pond Pavilion” (Chiteiki)

  Late Heian and Early Kamakura Monogatari

  The Stories of the Riverside Middle Counselor (Tsutsumi chūnagon monogatari)

  The Lady Who Preferred Insects

  The Mirror of the Present (Imakagami)

  The Progress of Fiction

  Collection of Tales of Times Now Past (Konjaku monogatari shū)

  Tales from India

  How the One-Horned Immortal Carried a Woman from the Mountains to the Palace

  Tales from China

  How Wang Zhaojun, Consort of the Han Emperor Yuan, Went to the Land of Hu

  Buddhist Tales from Japan

  How a Monk of the Dōjōji in the Province of Kii Copied the Lotus Sutra and Brought Salvation to Serpents

  How Kaya no Yoshifuji, of Bitchū Province, Became the Husband of a Fox and Was Saved by Kannon

  Secular Tales from Japan

  How a Thief Climbed to the Upper Story of Rashōmon Gate and Saw a Corpse

  How a Man Who Was Accompanying His Wife to Tanba Province Got Trussed Up at Ōeyama

  3. The Kamakura Period

  The Samurai and Literature

  The Spread of Buddhism and the Way of the Gods

  The Aristocracy and Literature

  The Priesthood and Literature

  Saigyō

  Selected Poems

  Fujiwara no Teika

  Essentials of Poetic Composition (Eiga no taigai)

  Shinkokinshū (New Collection of Ancient and Modern Poems)

  Spring

  Summer

  Autumn

  Winter

  Mourning

  Travel

  Love

  Miscellaneous Topics

  Recluse Literature (Sōan bungaku)

  Kamo no Chōmei

  An Account of a Ten-Foot-Square Hut (Hōjōki)

  Tales of Awakening (Hosshinshū)

  Rengejō’s Suicide by Drowning

  Anecdotes (Setsuwa)

  A Collection of Tales from Uji (Uji shūi monogatari)

  How Someone Had a Wen Removed by Demons

  About the Priest with the Long Nose

  How Yoshihide, a Painter of Buddhist Pictures, Took Pleasure in Seeing His House on Fire

  How a Sparrow Repaid Its Debt of Gratitude

  Tales of Renunciation (Senjūshō)

  The Venerable Zōga

  The Woman of Pleasure at Eguchi

  Warrior Tales (Gunki-mono)

  The Tales of the Heike (Heike monogatari)

  The Bells of Gion Monastery

  Kiyomori’s Flowering Fortunes

  Giō

  The Burning of Nara

  The Death of Kiyomori

  Tadanori Leaves the Capital

  The Death of Lord Kiso

  The Death of Atsumori

  The Drowning of the Former Emperor

  The Move to Ōhara

  The Death of the Imperial Lady

  Travel Diaries

  Lady Nijō

  The Confessions of Lady Nijō (Towazugatari)

  Book 1

  Kenkō

  Essays in Idleness (Tsurezuregusa)

  Preface

  If the Dews of Adashino Never Faded

  Leading the Heart Astray

  Beautiful Hair, of All Things

  A Proper Dwelling

  Changing of the Seasons

  World as Unstable as the Asuka River

  When I Sit Down in Quiet Meditation

  To Be Governed by a Desire for Fame and Profit

  A House Should Be Built for Summer

  Determined to Take the Great Step

  Gathering Like Ants

  Are We to Look at Cherry Blossoms Only in Full Bloom?

  4. The Muromachi Period

  The Patronage of the Ashikaga

  Zen and Samurai Culture

  The Rise of Provincial Culture

  Nō Drama

  Theatrical Elements

  Lady Aoi (Aoi no ue)

  Stupa Komachi (Sotoba Komachi)

  Pining Wind (Matsukaze)

  Atsumori

  Shrine in the Fields (Nonomiya)

  Comic Theater (Kyōgen)

  Delicious Poison (Busu)

  Linked Verse (Renga)

  Sōgi

  East Country Dialogues (Azuma mondō)

  Three Poets at Minase (Minase sangin hyakuin)

  Muromachi Tales (Otogi-zōshi)

  Lazy Tarō (Monogusa Tarō)

  Popular Linked Verse (Haikai)

  Hobbyhorse Collection of Mad Songs (Chikuba kyōginshū)

  Preface

  Autumn

  Love

  Miscellaneous

  Mongrel Tsukuba Collection (Inu Tsukubashū)

  Spring

  Love

  Miscellaneous

  Hokku

  English-Language Bibliography

  Index

  ACKNOWLEDGMENTS

  This abridged edition of Traditional Japanese Literature: An Anthology, Beginnings to 1600, is the companion volume to the abridged Early Modern Japanese Literature: An Anthology, 1600–1900. Like the Early Modern volume, this one was organized and written with several objectives. First was the need to select representative texts and subtexts to present a broader and more complex view of Japanese literature without sacrificing the familiar texts. Throughout the book, in the introductions to each text, in the special introductions to genres and periods, and in the notes and commentaries, I have provided sociohistorical, religious, cultural, and literary contexts.

  Most of the texts here have been translated for the first time, and many of the familiar texts have been retranslated specifically for this anthology. I strongly believe in the need for multiple translators, who can bring different voices to the texts. The quality and accuracy of the translations, the notes, and commentary are, of course, my responsibility, and unless otherwise noted, the introductions and commentary were written by me.

  I am indebted to the many scholars from North America and Japan who aided me in countless ways. I owe special thanks to Lewis Cook, who helped with the seemingly endless editing and corrections. I am grateful to Sonja Arntzen, Steven Carter, Wiebke Deneke, James Dobbins, Fujii Sadakazu, Mack Horton, Hyōdo Hiromi, Ii Haruki, Imai Masaharu, Kawahira Hitoshi, Donald Keene, Komine Yasuaki, Lawrence Kominz, Konoshi Takamitsu, David Lurie, Matsuoka Shinpei, Okuda Isao, Edward Seidensticker, Shinada Yoshikazu, Tomi Suzuki, Mari Takamatsu, Paul Varley, Burton Watson, Michael Watson, and Yamanaka Reiko. My special thanks to Anne Commons, Torquil Duthie, Linda Feng, Naomi Fukumori, Marco Gottardo, Satoko Naito, Jamie Newhard, Saeko Shibayama, Jack Stoneman, and Akiko Takeuchi. I want to thank the editorial director of Columbia University Press, Jennifer Crewe, who initiated the project, and Irene Pavitt, who did a great job for me at the press.

  HISTORICAL PERIODS AND KEY TERMS

  HISTORICAL PERIODS

  Ancient (to 784)

  Jōmon

  10,000–300 B.C.E.

  Yayoi

  300B.C.E.–300 C.E.

  Tomb

  300–552

  Asuka

  522–710

  Jinshin war

  672

  Nara

  710–784

  Heian (794–1185)

  Heian

  794–1185

  Medieval (1185–1600)

  Kamakura

  1183–1333

  Fall of the Heike

  1185

  Jōkyū rebellion

  1221

  Kenmu restoration

  1333–1336

  Northern and Southern

  Courts (Nanboku-chō)

  1336–1392

  Muromachi

  1392–1573

  Ōnin war

  1467–1477

  Warring States (Sengoku)

  1467–1573 />
  Azuchi–Momoyama

  1573–1598

  Battle of Sekigahara

  1600

  Early Modern and Modern (1600–Present)

  Edo (Tokugawa)

  1600–1867

  Meiji

  1868–1912

  KEY TERMS AND GENRES

  Japanese

  English

  chōka

  long poem

  engi-mono

  story of temple-shrine origins

  fudoki

  provincial gazetteer

  gunki-mono

  warrior tale

  haikai

  popular linked verse

  hōgo

  vernacular Buddhist literature

  imayō

  modern-style song

  jōruri

  puppet theater

  kagami-mono

  vernacular history (mirror piece)

  kanbun

  Chinese prose (written by Japanese)

  kangaku

  Chinese studies

  kanshi

  Chinese poetry (written by Japanese)

  katari-mono

  orally recited narrative

  kayō

  song

  kikōbun

  travel literature

  kodai kayō

  ancient song

  kouta

  little song

  kyōgen

  comic theater

  monogatari

  vernacular tale

  nō

  no drama

  norito

  prayer to the gods

  otogi-zōshi

  Muromachi tale

  renga

  classical linked verse

  sarugaku

  comic mime and skits

  sekkyōbushi

  sermon ballad

  setsuwa

  anecdote

  tanka

  short poem (thirty-one syllables), same as waka

  uta-awase

  poetry match

  uta-monogatari

  poem tale

 

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