Then I sat at my desk for a long time with my jackknife lying open in my hand. Not wanting to die—I've always been too afraid of death for that—but wanting to hurt myself. I wanted to make a fresh hurt, to take my attention off the terrible thing that is sucking me into my self like an imploding star. Or maybe just to punish myself, I don't know. But I considered the possibility of actually cutting myself quite calmly; while some separate part of me looked on in horror. I even pressed the knife against my flesh … and then I stopped and put it away. It hurts too much.
I can't go on like this. I have duties, obligations, and I can't face them. What would I do without the emergency automechs? … But it's the rest of my life, and they can't go on doing my job for me forever—
Later.
I just had a visitor. Strange as that sounds. Stranger yet—it was Donald Duck. I picked up half of a children's cartoon show today, the first coherent piece of nondirectional, unbeamed television broadcast I've recorded in months. And I don't think I've ever been happier to see anyone in my life. What a nice surprise, so glad you could drop by … Ozymandias loves him; he hangs upside down from his swing under the cabinet with a cracker in one foot, cackling away and saying, "Give us a kiss, smack-smack-smack" … We watched it three times. I even smiled, for a while; until I remembered myself. It helps. Maybe I'll watch it again until bedtime.
FRIDAY, THE 13TH
Friday the Thirteenth. Amusing. Poor Friday the Thirteenth, what did it ever do to deserve its reputation? Even if it had any power to make my life miserable, it couldn't hold a candle to the rest of this week. It seems like an eternity since last weekend.
I repaired the scope today; replaced the burned-out parts. Had to suit up and go outside for part of the work … I haven't done any outside maintenance for quite a while. Odd how both exhilarating and terrifying it always is when I first step out of the airlock, utterly alone, into space. You're entirely on your own, so far away from any possibility of help, so far away from anything at all. And at that moment you doubt yourself, suddenly, terribly … just for a moment.
But then you drag your umbilical out behind you and clank along the hull in your magnetized boots that feel so reassuringly like lead ballast. You turn on the lights and look for the trouble, find it and get to work; it doesn't bother you anymore … When your life seems to have torn loose and be drifting free, it creates a kind of sea anchor to work with your hands; whether it's doing some mindless routine chore or the most intricate of repairs.
There was a moment of panic, when I actually saw charred wires and melted metal, when I imagined the damage was so bad that I couldn't repair it again. It looked so final, so—masterful. I clung there by my feet and whimpered and clenched my hands inside my gloves, like a great shining baby, for a while. But then I pulled myself down and began to pry here and unscrew there and twist a component free … and little by little I replaced everything. One step at a time; the way we get through life.
By the time I'd finished I felt quite calm, for the first time in days; the thing that's been trying to choke me to death this past week seemed to falter a little at my demonstration of competence. I've been breathing easier since then; but I still don't have much strength. I used up all I had just overcoming my own inertia.
But I shut off the lights and hiked around the hull for a while, afterward—I couldn't face going back inside just then: looking at the black convex dish of the solar sail I'm embedded in, up at the radio antenna's smaller dish occluding stars as the observatory's cylinder wheels endlessly at the hub of the spinning parasol …
That made me dizzy, and so I looked out into the starfields that lie on every side. Even with my own poor, unaugmented senses there's so much more to see out here, unimpeded by atmosphere or dust, undominated by any sun's glare. The brilliance of the Milky Way, the depths of star and nebula and farthest galaxy breathlessly suspended … as I am. The realization that I'm lost for eternity in an uncharted sea.
Strangely, although that thought aroused a very powerful emotion when it struck me, it wasn't a negative one at all: It was from another scale of values entirely; like the universe itself. It was as if the universe itself stretched out its finger to touch me. And in touching me, singling me out, it only heightened my awareness of my own insignificance.
That was somehow very comforting. When you confront the absolute indifference of magnitudes and vistas so overwhelming, the swollen ego of your self-important suffering is diminished …
And I remembered one of the things that was always so important to me about space—that here anyone has to put on a spacesuit before they step outside. We're all aliens, no one better equipped to survive than another. I am as normal as anyone else, out here.
I must hold onto that thought.
SATURDAY, THE 14TH
There is a reason for my being here. There is a reason.
I was able to meditate earlier today. Not in the old way, the usual way, by emptying my mind. Rather by letting the questions fill up the space, not fighting them; letting them merge with my memories of all that's gone before. I put on music, that great mnemonic stimulator; letting the images that each tape evoked free-associate and interact.
And in the end I could believe again that my being here was the result of a free choice. No one forced me into this. My motives for volunteering were entirely my own. And I was given this position because NASA believed that I was more likely to be successful in it than anyone else they could have chosen.
It doesn't matter that some of my motives happened to be unresolved fear or wanting to escape from things I couldn't cope with. It really doesn't matter. Sometimes retreat is the only alternative to destruction, and only a madman can't recognize the truth of that. Only a madman … Is there anyone "sane" on Earth who isn't secretly a fugitive from something unbearable somewhere in their life? And yet they function normally.
If they ran, they ran toward something, too, not just away. And so did I. I had already chosen a career as an astrophysicist before I ever dreamed of being a part of this project. I could have become a medical researcher instead, worked on my own to find a cure for my condition. I could have grown up hating the whole idea of space and "spacemen," stumbling through life in my damned ugly sterile suit …
But I remember when I was six years old, the first time I saw a film of suited astronauts at work in space … they looked just like me! And no one was laughing. How could I help but love space, then?
(And how could I help but love Jeffrey, with his night-black hair, and his blue flightsuit with the starry patch on the shoulder. Poor Jeffrey, poor Jeffrey, who never even realized his own dream of space before they cut the program out from under him … I will not talk about Jeffrey. I will not.)
Yes, I could have stayed on Earth, and waited for a cure! I knew even then there would have to be one, someday. It was both easier and harder to choose space, instead of staying.
And I think the thing that really decided me was that those people had faith enough in me and my abilities to believe that I could run this observatory and my own life smoothly for as long as I lived. Billions of dollars and a thousand tons of equipment resting on me; like Atlas holding up his world.
Even Atlas tried to get rid of his burden; because no matter how vital his function was, the responsibility was still a burden to him. But he took his burden back again too, didn't he; for better or worse …
I worked today. I worked my butt off getting caught up on a week's worth of data processing and maintenance, and I'm still not finished. Discovered while I was at it that Ozymandias had used those missing five pages just like the daily news: crapped all over them. My sentiments exactly! I laughed and laughed.
I think I may live.
SUNDAY, THE 15TH
The clouds have parted.
That's not rhetorical—among my fresh processed data is a series of photo reconstructions in the ultra-long wavelengths. And there's a gap in the obscuring gas up ahead of me, a break in the clouds that exte
nds thirty or forty light-years. Maybe fifty! Fantastic. What a view. What a view I have from here of everything, with my infinitely extended vision: of the way ahead, of the passing scene—or looking back toward Earth.
Looking back. I'll never stop looking back, and wishing it could have been different. That at least there could have been two of me, one to be here, one who could have been normal, back on Earth; so I wouldn't have to be forever torn in two by regrets—
("Hello. What's up, doc? Avast!")
("Hey, watch it! If you drink, don't fly.")
Damn bird … If I'm getting maudlin, it's because I had a party today. Drank a whole bottle of champagne. Yes; I had the party … we did. Ozymandias and I. Our private 1000 AU celebration. Better late than never, I guess. At least we did have something concrete to celebrate—the photos. And if the celebration wasn't quite as merry as it could have been, still I guess it will probably seem like it was when I look back on it from the next one, at 2000 AUs. They'll be coming faster now, the celebrations. I may even live to celebrate 8000. What the hell, I'll shoot for 10,000 …
After we finished the champagne … Ozymandias thinks '98 was a great year, thank God he can't drink as fast as I can … I put on my Strauss waltzes, and the Barcarolle: Oh, the Berliner Philharmonic; their touch is what a lover's kiss must be. I threw the view outside onto the big screen, a ballroom of stars, and danced with my shadow. And part of the time I wasn't dancing above the abyss in a jumpsuit and headphones, but waltzing in yards of satin and lace across a ballroom floor in nineteenth-century Vienna. What I wouldn't give to be there for a moment out of time. Not for a lifetime, or even a year, but just for an evening; just for one waltz.
Another thing I shall never do. There are so many things we can't do, any of us, for whatever the reasons—time, talent, life's callous whims. We're all on a one-way trip into infinity. If we're lucky we're given some life's work we care about, or some person. Or both, if we're very lucky.
And I do have Weems. Sometimes I see us like an old married couple who have grown to a tolerant understanding over the years. We've never been soul mates, God knows, but we're comfortable with each other's silences …
I guess it's about time I answered him.
The End
© 1978 by the Condé Nast Publications, Inc. First appeared in ANALOG Science Fiction-Science Fact, June, 1978.
A Kingdom by the Sea
Gardner Dozois
Every day, Mason would stand with his hammer and kill cows. The place was big—a long, high-ceilinged room, one end open to daylight, the other end stretching back into the depths of the plant. It had white, featureless walls—painted concrete—that were swabbed down twice a day, once before lunch and once after work. The floor could be swabbed too—it was stone, and there was a faucet you could use to flood the floor with water. Then you used a stiff-bristled broom to swish the water around and get up the stains. That was known as GIing a floor in the Army. Mason had been in the Army. He called it GIing. So did the three or four other veterans who worked that shift, and they always got a laugh out of explaining to the college boys the plant hired as temporary help why the work they'd signed up to do was called that. The college boys never knew what GIing was until they'd been shown, and they never understood the joke either, or why it was called that. They were usually pretty dumb.
There was a drain in the floor to let all the water out after the place had been GIed. In spite of everything, though, the room would never scrub up quite clean; there'd always be some amount of blood left staining the walls and floor at the end of the day. About the best you could hope to do was grind it into the stone so it became unrecognizable. After a little of this, the white began to get dingy, dulling finally to a dirty, dishwater gray. Then they'd paint the room white again and start all over.
The cycle took a little longer than a year, and they were about halfway through it this time. The men who worked the shift didn't really give a shit whether the walls were white or not, but it was a company regulation. The regs insisted that the place be kept as clean as possible for health reasons, and also because that was supposed to make it a psychologically more attractive environment to function in. The workmen wouldn't have given a shit about their psychological environment either, even if they'd known what one was. It was inevitable that the place would get a little messy during a working day.
It was a slaughterhouse, although the company literature always referred to it as a meat-packing plant.
The man who did the actual killing was Mason: the focal point of the company, of all the meat lockers and trucks and canning sections and secretaries and stockholders; their lowest common denominator. It all started with him.
He would stand with his hammer at the open end of the room, right at the very beginning of the plant, and wait for the cows to come in from the train yard. He had a ten-pound sledgehammer, long and heavy, with serrated rubber around the handle to give him a better grip. He used it to hit the cows over the head. They would herd the cows in one at a time, into the chute, straight up to Mason, and Mason would swing his hammer down and hit the cow between the eyes with tremendous force, driving the hammer completely through the bone and into the brain, killing the cow instantly in its tracks. There would be a gush of warm, sticky blood, and a spatter of purplish brain matter; the cow would go to its front knees, as if it were curtsying, then its hindquarters would collapse and drag the whole body over onto one side with a thunderous crash—all in an eyeblink. One moment the cow would be being prodded in terror into the chute that led to Mason, its flanks lathered, its muzzle flecked with foam, and then—almost too fast to watch, the lightning would strike, and it would be a twitching ruin on the stone floor, blood oozing sluggishly from the smashed head.
After the first cow of the day, Mason would be covered with globs and spatters of blood, and his arms would be drenched red past the elbows. It didn't bother him—it was a condition of his job, and he hardly noticed it. He took two showers a day, changed clothes before and after lunch; the company laundered his white working uniforms and smocks at no expense. He worked quickly and efficiently, and never needed more than one blow to kill. Once Mason had killed the cow, it was hoisted on a hook, had its throat cut, and was left for a few minutes to bleed dry. Then another man came up with a long, heavy knife and quartered it. Then the carcass was further sliced into various portions; each portion was impaled on a hook and carried away by a clanking overhead conveyor belt toward the meat lockers and packing processes that were the concerns of the rest of the plant.
The cows always seemed to know what was about to happen to them—they would begin to moan nervously and roll their eyes in apprehension as soon as they were herded from the stock car on the siding. After the first cow was slaughtered, their apprehension would change to terror. The smell of the blood would drive them mad. They would plunge and bellow and snort and buck; they would jerk mindlessly back and forth, trying to escape. Their eyes would roll up to show the whites, and they would spray foam, and their sides would begin to lather. At this point, Mason would work faster, trying to kill them all before any had a chance to sweat off fat. After a while, they would begin to scream. Then they would have to be prodded harshly toward Mason's hammer. At the end, after they had exhausted themselves, the last few cows would grow silent, shivering and moaning softly until Mason had a chance to get around to them, and then they would die easily, with little thrashing or convulsing. Often, just for something to do, Mason and the other workmen would sarcastically talk to the cows, make jokes about them, call them by pet names, tell them—after the fashion of a TV variety-skit doctor—that everything was going to be all right and that it would only hurt for a minute, tell them what dumb fucking bastards they were—"That's right, sweetheart. Come here, you big dumb bastard. Papa's got a surprise for you"—tell them that they'd known goddamn well what they were letting themselves in for when they'd enlisted. Sometimes they would bet on how hard Mason could hit a cow with his big hammer, how high i
nto the air the brain matter would fly after the blow. Once Mason had won a buck from Kaplan by hitting a cow so hard that he had driven it to its knees. They were no more callous than ordinary men, but it was a basically dull, basically unpleasant job, and like all men with dull, unpleasant jobs, they needed something to spice it up, and to keep it far enough away. To Mason, it was just a job, no better or worse than any other. It was boring, but he'd never had a job that wasn't boring. And at least it paid well. He approached it with the same methodical uninterest he had brought to every other job he ever had. It was his job, it was what he did.
Every day, Mason would stand with his hammer and kill cows.
It is raining: a sooty, city rain that makes you dirty rather than wet. Mason is standing in the rain at the bus stop, waiting for the bus to come, as he does every day, as he has done every day for the past six years. He has his collar up against the wind, hands in pockets, no hat: his hair is damp, plastered to his forehead. He stands somewhat slouched, head slumped forward just the tiniest bit—he is tired, the muscles in his shoulders are knotted with strain, the back of his neck burns. He is puzzled by the excessive fatigue of his body; uneasy, he shifts his weight from foot to foot—standing here after a day spent on his feet is murder, it gets him in the thighs, the calves. He has forgotten his raincoat again. He is a big man, built thick through the chest and shoulders, huge arms, wide, thick-muscled wrists, heavy-featured, resigned face. He is showing the first traces of a future potbelly. His feet are beginning to splay. His personnel dossier (restricted) states that he is an unaggressive underachiever, energizing at low potential, anally oriented (plodding, painstaking, competent), highly compatible with his fellow workers, shirks decision-making but can be trusted with minor responsibility, functions best as part of a team, unlikely to cause trouble: a good worker. He often refers to himself as a slob, though he usually tempers it with laughter (as in: "Christ, don't ask a poor slob like me about stuff like that," or, "Shit, I'm only a dumb working slob"). He is beginning to slide into the downhill side of the middle thirties. He was born here, in an immigrant neighborhood, the only Protestant child in a sea of foreign Catholics—he had to walk two miles to Sunday school. He grew up in the gray factory city—sloughed through high school, the Army, drifted from job to job, town to town, dishwashing, waiting tables, working hardhat (jukeboxes, back-rooms, sawdust, sun, water from a tin pail), work four months, six, a year, take to the road, drift: back to his hometown again after eight years of this, to his old (pre-Army) job, full circle. This time when the restlessness comes, after a year, he gets all the way to the bus terminal (sitting in the station at three o'clock in the morning, colder than hell, the only other person in the huge, empty hall a drunk asleep on one of the benches) before he realizes that he has no place to go and nothing to do if he gets there. He does not leave. He stays: two years, three, four, six now, longer than he has ever stayed anywhere before. Six years, slipping up on him and past before he can realize it, suddenly gone (company picnics, Christmas, Christ—taxes again already?), time blurring into an oily gray knot, leaving only discarded calendars for fossils. He will never hit the road again; he is here to stay. His future has become his past without ever touching the present. He does not understand what has happened to him, but he is beginning to be afraid.
Sci Fiction Classics Volume 4 Page 10