by Sabaa Tahir
PRAISE FOR
“[An Ember in the Ashes] thrusts its readers into a world marred by violence and oppression, yet does so with simple prose that can offer moments of loveliness in its clarity. This complexity makes Ember a worthy novel—and one as brave as its characters.” —THE NEW YORK TIMES BOOK REVIEW
“There comes a moment when it’s impossible to put it down. Sabaa Tahir is a strong writer, but most of all, she’s a great storyteller.” —THE HUFFINGTON POST
“An Ember in the Ashes mixes The Hunger Games with Game of Thrones . . . and adds a dash of Romeo and Juliet.” —THE HOLLYWOOD REPORTER
“Fast-paced, well-structured and full of twists and turns, An Ember in the Ashes is an evocative debut that has left me invested in knowing what happens next.” —NPR
“This epic fantasy set in the Martial Empire has it all: danger and violence, secrets and lies, strong characters and forbidden romance and a touch of the supernatural.” —THE ATLANTA JOURNAL-CONSTITUTION
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY:
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PRAISE FOR
“Spectacular.” —ENTERTAINMENT WEEKLY
“Fresh and exciting. . . Tahir has shown a remarkable talent for penning complex villains.” —A.V. CLUB
“This sequel has a darker tone and even higher stakes than its predecessor, setting the stage for a thrilling conclusion.” —PUBLISHERS WEEKLY, STARRED REVIEW
“Tahir proves to be a master of suspense and a canny practitioner of the cliffhanger, riveting readers’ attention throughout . . . [An] action-packed, breathlessly paced story.” —BOOKLIST, STARRED REVIEW
“An adrenaline rush till the very last page.” —BUZZFEED
“A Torch Against the Night is an unabashed page-turner that scarcely ever pauses for breath.” —THE CHRISTIAN SCIENCE MONITOR
#1 NEW YORK TIMES BESTSELLER
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY:
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An imprint of Penguin Random House LLC, New York
First published in the United States of America by Razorbill, an imprint of Penguin Random House LLC, 2020
Copyright © 2020 by Sabaa Tahir
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LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA
Names: Tahir, Sabaa, author. Title: A sky beyond the storm : a novel / by Sabaa Tahir. Description: New York : Razorbill, 2020. | Series: An ember in the ashes ; [4] | Audience: Ages 14+. | Summary: “Laia, Elias, and Helene must risk everything to defeat their foes—both human and supernatural—and prevent the coming of an otherworldly maelstrom” — Provided by publisher. Identifiers: LCCN 2020040877 | ISBN 9780448494531 (hardcover) | ISBN 9780448494555 (ebook) Subjects: CYAC: Fantasy. Classification: LCC PZ7.1.T33 Sky 2020 | DDC [Fic]—dc23 LC record available at https://lccn.loc.gov/2020040877
Map by Jonathan Roberts
This book is a work of fiction. Any references to historical events, real people, or real places are used fictitiously. Other names, characters, places, and events are products of the author’s imagination, and any resemblance to actual events or places or persons, living or dead, is entirely coincidental.
The publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.
pid_prh_5.6.1_c0_r0
A dedication
in two parts
i.
For every child of war
Whose story will never be told.
ii.
For my own children
My falcon and my sword
Of all the worlds wherein I dwell
Yours is the most beautiful.
CONTENTS
Cover
Praise for Sabaa Tahir
Title Page
Copyright
Dedication
Map
Part I: Waking
I: The Nightbringer
II: Laia
III: The Soul Catcher
IV: Laia
V: The Soul Catcher
VI: The Blood Shrike
VII: Laia
VIII: The Soul Catcher
IX: The Blood Shrike
X: Laia
XI: The Soul Catcher
XII: The Blood Shrike
XIII: Laia
Part II: The Reaping
XIV: The Nightbringer
XV: The Soul Catcher
XVI: The Blood Shrike
XVII: Laia
XVIII: The Soul Catcher
XIX: The Blood Shrike
XX: Laia
XXI: The Soul Catcher
XXII: The Blood Shrike
XXIII: Laia
XXIV: The Soul Catcher
XXV: The Blood Shrike
XXVI: Laia
XXVII: The Soul Catcher
XXVIII: The Blood Shrike
XXIX: The Nightbringer
XXX: Laia
XXXI: The Soul Catcher
XXXII: The Blood Shrike
XXXIII: Laia
XXXIV: The Blood Shrike
Part III: The Jinn Queen
XXXV: The Nightbringer
XXXVI: Laia
XXXVII: The Soul Catcher
XXXVIII: The Blood Shrike
XXXIX: Laia
XL: The Soul Catcher
XLI: The Blood Shrike
XLII: Laia
XLIII: The Soul Catcher
XLIV: The Blood Shrike
XLV: Laia
XLVI: The Soul Catcher
XLVII: The Blood Shrike
XLVIII: Laia
XLIX: The Soul Catcher
L: The Blood Shrike
Part IV: The Sher Jinnaat
LI: The Nightbringer
LII: Laia
LIII: The Soul Catcher
LIV: The Blood Shrike
LV: Laia
LVI: The Soul Catcher
LVII: The Blood Shrike
LVIII: Laia
LIX: The Soul Catcher
LX: The Blood Shrike
LXI: Laia
LXII: The Nightbringer
Part V: The Mothers
LXIII: The Soul Catcher
LXIV: Laia
LXV: The Soul Catcher
LXVI: Keris Veturia
LXVII: Laia
LXVIII: The Soul Catcher
LXIX: The Blood Shrike
Part VI: The Tale
>
LXX: Elias
LXXI: Helene
LXXII: Laia
Acknowledgments
About the Author
Part I
Waking
I: The Nightbringer
I awoke in the glow of a young world, when man knew of hunting but not tilling, of stone but not steel. It smelled of rain and earth and life. It smelled of hope.
Arise, beloved.
The voice that spoke was laden with millennia beyond my ken. The voice of a father, a mother. A creator and a destroyer. The voice of Mauth, who is Death himself.
Arise, child of flame. Arise, for thy home awaits thee.
Would that I had not learned to cherish it, my home. Would that I had unearthed no magic, loved no wife, sparked no children, gentled no ghosts. Would that Mauth had never named me.
“Meherya.”
My name drags me out of the past to a rain-swept hilltop in the Mariner countryside. My old home is the Waiting Place—known to humans as the Forest of Dusk. I will make my new home upon the bones of my foes.
“Meherya.” Umber’s sun-bright eyes are the vermillion of ancient anger. “We await your orders.” She grips a glaive in her left hand, its blade white with heat.
“Have the ghuls reported in yet?”
Umber’s lip curls. “They scoured Delphinium. Antium. Even the Waiting Place,” she says. “They could not find the girl. Neither she nor the Blood Shrike has been seen for weeks.”
“Have the ghuls seek out Darin of Serra in Marinn,” I say. “He forges weapons in the port city of Adisa. Eventually, they will reunite.”
Umber inclines her head and we regard the village below us, a hodgepodge of stone homes that can withstand fire, adorned with wooden shingles that cannot. Though it is mostly identical to other hamlets we’ve destroyed, it has one distinction. It is the last settlement in our campaign. Our parting volley in Marinn before I send the Martials south to join the rest of Keris Veturia’s army.
“The humans are ready to attack, Meherya.” Umber’s glow reddens, her disgust of our Martial allies palpable.
“Give the order,” I tell her. Behind me, one by one, my kin transform from shadow to flame, lighting the cold sky.
A warning bell tolls in the village. The watchman has seen us, and bellows in panic. The front gates—hastily erected after attacks on neighboring communities—swing closed as lamps flare and shouts tinge the night air with terror.
“Seal the exits,” I tell Umber. “Leave the children to carry the tale. Maro.” I turn to a wisp of a jinn, his narrow shoulders belying the power within. “Are you strong enough for what you must do?”
Maro nods. He and the others pour past me, five rivers of fire, like those that spew from young mountains in the south. The jinn blast through the gates, leaving them smoking.
A half legion of Martials follow, and when the village is well aflame and my kin withdraw, the soldiers begin their butchery. The screams of the living fade quickly. Those of the dead echo for longer.
After the village is naught but ashes, Umber finds me. Like the other jinn, she now glows with only the barest flicker.
“The winds are fair,” I tell her. “You will reach home swiftly.”
“We wish to remain with you, Meherya,” she says. “We are strong.”
For a millennium, I believed that vengeance and wrath were my lot. Never would I witness the beauty of my kind moving through the world. Never would I feel the warmth of their flame.
But time and tenacity allowed me to reconstitute the Star—the weapon the Augurs used to imprison my people. The same weapon I used to set them free. Now the strongest of my kin gather near. And though it has been months since I destroyed the trees imprisoning them, my skin still trills at their presence.
“Go,” I order them gently. “For I will need you in the coming days.”
After they leave, I walk the cobbled streets of the village, sniffing for signs of life. Umber lost her children, her parents, and her lover in our long-ago war with the humans. Her rage has made her thorough.
A gust of wind carries me to the south wall of the village. The air tells of the violence wrought here. But there is another scent too.
A hiss escapes me. The smell is human, but layered with a fey sheen. The girl’s face rises in my mind. Laia of Serra. Her essence feels like this.
But why would she lurk in a Mariner village?
I consider donning my human skin, but decide against it. It is an arduous task, not undertaken without good reason. Instead I draw my cloak close against the rain and trace the scent to a hut tucked beside a tottering wall.
The ghuls trailing my ankles yip in excitement. They feed off pain, and the village is rife with it. I nudge them away and enter the hut alone.
The inside is lit by a tribal lamp and a merry fire, over which a pan of charred skillet bread smokes. Pink winter roses sit atop the dresser and a cup of well water sweats on the table.
Whoever was here left only moments ago.
Or rather, she wants it to look that way.
I steel myself, for a jinn’s love is no fickle thing. Laia of Serra has hooks in my heart yet. The pile of blankets at the foot of the bed disintegrates to ashes at my touch. Hidden beneath and shaking with terror is a child who is very obviously not Laia of Serra.
And yet he feels like her.
Not in his mien, for where Laia of Serra has sorrow coiled about her heart, this boy is gripped by fear. Where Laia’s soul is hardened by suffering, this boy is soft, his joy untrammeled until now. He’s a Mariner child, no more than twelve.
But it is what’s deep within that harkens to Laia. An unknowable darkness in his mind. His black eyes meet mine, and he holds up his hands.
“B-begone!” Perhaps he meant for it to be a shout. But his voice rasps, nails digging into wood. When I go to snap his neck, he holds his hands out again, and an unseen force nudges me back a few inches.
His power is wild and unsettlingly familiar. I wonder if it is jinn magic, but while jinn-human pairings occurred, no children can come of them.
“Begone, foul creature!” Emboldened by my retreat, the boy throws something at me. It has all the sting of rose petals. Salt.
My curiosity fades. Whatever lives within the child feels fey, so I reach for the scythe slung across my back. Before he understands what is happening, I draw the weapon across his throat and turn away, my mind already moving on.
The boy speaks, stopping me dead. His voice booms with the finality of a jinn spewing prophecy. But the words are garbled, a story told through water and rock.
“The seed that slumbered wakes, the fruit of its flowering consecrated within the body of man. And thus is thy doom begotten, Beloved, and with it the breaking—the—breaking—”
A jinn would have completed the prophecy, but the boy is only human, his body a frail vessel. Blood pours from the wound in his neck and he collapses, dead.
“What in the skies are you?” I speak to the darkness within the child, but it has fled, and taken the answer to my question with it.
II: Laia
The storyteller in the Ucaya Inn holds the packed common room in her thrall. The winter wind moans through Adisa’s streets, rattling the eaves outside, and the Tribal Kehanni trembles with equal intensity. She sings of a woman fighting to save her true love from a vengeful jinn. Even the most ale-soaked denizens are rapt.
As I watch the Kehanni from a table in the corner of the room, I wonder what it is like to be her. To offer the gift of story to those you meet, instead of suspecting that they might be enemies out to kill you.
At the thought, I scan the room again and feel for my dagger.
“You pull that hood any lower,” Musa of Adisa whispers from beside me, “and people will think you’re a jinn.” The Scholar man sprawls in a chair to my right. My brother, Darin,
sits on his other side. We are tucked by one of the inn’s foggy windows, where the warmth of the fire does not penetrate.
I do not release my weapon. My skin prickles, instinct telling me that unfriendly eyes are upon me. But everyone watches the Kehanni.
“Stop waving around your blade, aapan.” Musa uses the Mariner honorific that means “little sister” and speaks with the same exasperation I sometimes hear from Darin. The Beekeeper, as Musa is known, is twenty-eight—older than Darin and I. Perhaps that is why he delights in bossing us around.
“The innkeeper is a friend,” he says. “No enemies here. Relax. We can’t do anything until the Blood Shrike returns anyway.”
We are surrounded by Mariners, Scholars, and only a few Tribespeople. Still, when the Kehanni ends her tale, the room explodes into applause. It is so sudden that I half draw my blade.
Musa eases my hand off the hilt. “You break Elias Veturius out of Blackcliff, burn down Kauf Prison, deliver the Martial Emperor in the middle of a war, face down the Nightbringer more times than I can count,” he says, “and you jump at a loud noise? I thought you were fearless, aapan.”
“Leave off, Musa,” Darin says. “Better to be jumpy than dead. The Blood Shrike would agree.”
“She’s a Mask,” Musa says. “They’re born paranoid.” The Scholar watches the door, his mirth fading. “She should be back by now.”
It is strange to worry about the Shrike. Until a few months ago, I thought I would go to my grave hating her. But then Grímarr and his horde of Karkaun barbarians besieged Antium, and Keris Veturia betrayed the city. Thousands of Martials and Scholars, including me, the Shrike, and her newly born nephew, the Emperor, fled to Delphinium. The Shrike’s sister, Empress Regent Livia, freed those Scholars still bound in slavery.
And somehow, between then and now, we became allies.
The innkeeper, a young Scholar woman around Musa’s age, emerges from the kitchen with a tray of food. She sweeps toward us, the tantalizing scents of pumpkin stew and garlic flatbread preceding her.