‘But don’t you know? Your wife is on the chair!’
The men looked amused. There was still plenty of time, they said, making room for me on the bench and ordering coffee. Because a woman is on the chair – what does that signify? Good Lord, city women were the limit with their theatricals; their midwives, baths, and chairs! Now the bedouine! They reminded each other of how she drops out of the caravan, has her child, ties it to her hip, then presses on to overtake the others. I stayed only long enough to gulp down my coffee, my hands trembling so with nervous fury I could scarcely hold the cup, and left them still deprecating the hullabaloo of confinement.
Numéro Vingt looked somehow mysterious today, as if hinting, very subtly, of the event that was being enacted inside. I rattled the knocker, but no kop-kop-kop of clogs descended the stairs in answer. I rattled it again, this time a little louder. Nothing happened. So I pulled myself together and let it fall – it made, an awful noise. Then, as there was still no response, I thrust myself against the door. It yielded, shrieking. Prepared for the worst, I started up the stairs. Sounds came down to meet me – sounds that my ears absolutely refused to credit. I stepped into the court.
But this was a party! Here were romping children, a score of women togged in their garish best sitting about in little groups drinking tea! ‘Alla-la-een! Alla-la-een!’ all shrilly welcomed me. In the midst of the carnival sat Kadusha. Her face under the bizarre make-up was very grey, her ornamented eyes, sunken and sad, but at sight of me she tried to smile.
The natal chair – pale blue, gaudily decorated with the symbols of fertility in red and yellow paint – has sides but no back. There is a crescent-shaped opening in the seat to accommodate the descent of the child. The chair is ample enough for two and Kadusha was reclining in the arms of her young aunt, Shedlia, who sat behind her, with legs extended. Dangling within Kadusha’s reach was an orange rag that was attached to a beam overhead. The old midwife, Ummi Banena, was crouched at her feet. She kept up a droning chant while her hands were busy precipitating the delivery. Just what they were doing couldn’t be seen, for they worked under cover of a shawl that modestly covered her patient’s lap.
Dazed, bewildered, I was drawn into one of the little groups and plied with tea and fête cakes. In my ignorance I had hoped that I might be able to help! There was nothing, nothing I could do except sit myself among the spectators of Kadusha’s pain. She was terribly alone. Even Zorrah, who had been through this so recently herself, was paying little heed to her daughter, although she held her hand. The liveliness of the chatter did not diminish during those intermittent struggles when Kadusha groped for the rag and groaned ‘Ya Mo-ham-mud!’ This was a signal for Shedlia to tighten her embrace, for the midwife to invoke with a loud voice the compassion of Allah and His prophet until Kadusha, ceasing to moan and grimace, sank back exhausted.
Jannat smiled at my look of horror. ‘Ah yes,’ she nodded, twisting her hand in an inimitable little gesture, ‘it is like that.’ All of the women, with the exception of Ummulkeer and Eltifa, had been mothers many times, and most of them were pregnant.
Still the guests kept coming, blithely exchanging the compliments of the occasion as they doffed their haïks. Solicitude, anxiety, and fear were not to be found at this party. One or two of the women, in contrast to the others, sipped their tea in silence. Inscrutable, equally unmoved by the spectacle – after all, it was such an old story – they epitomized for me the gruesome acceptance that is the women of Islam.
Now a plate was being brought in. It had been prepared by Abdallah, and was covered with hieroglyphics traced in brown syrup. A little water was poured upon it, and when the script had dissolved the plate was held to Kadusha’s pale lips. But even the essence of holy writ did not bring an end to her suffering. It was inconceivable that she could bear much more.
In the meantime a vociferous discussion was on, the subject of which was, if I could trust my ears and feeble Arabic, a gramophone! Voices above voices clamoured to be heard. The excitement eventually culminated in the dispatch of Kalipha, who was discovered sitting on the stairs.
My mystification must have been apparent, for together and in turns they explained to me that a pre-natal craving allowed to go ungratified is liable to leave the direst effect upon the issue. Throughout her pregnancy, it seems, Kadusha had longed to listen to a gramophone.
Kalipha had returned with the owner of the instrument. Steps upon the stairs sent the women scuttling to the far wall, hastily wrapping their haïks about them lest they be seen. From the landing the painted horn was extended into the court. Sidi Middib in the doorway, but with eyes respectfully downcast, placed the disk and wound the handle. The thing began to twitter a monotonous falsetto on a theme of voluptuous love-making. The women sat entranced. And, as if the life in her womb responded, Kadusha’s paroxysms intensified. She had seized the midwife’s head in both hands. With all the strength she could summon she laboured, until, bending forward in the extremity of anguish, she yielded her child.
Before I realized it had come there was a concerted lunge toward the chair. The room was full of hysterical cries and confusion. The black disk whirled on, oblivious. Above the deafening lamentations and praises the voice of Ummi Banena announced, ‘B’Araby benáiya!’ (‘By God! A girl!’) whereupon felicitations, prolonged and piercing, must have roused the long dead, but Kadusha, the colour of death, did not stir. They poked and pinched her, screamed in her ears, drenched her face and head with vinegar, tried in vain to make her drink, and with the first flicker of the eyelids stormed her with congratulations.
Meanwhile the midwife, on her haunches, was trying to make herself heard. ‘Weni mousse?’ (‘Where’s the knife?’) she kept shouting. Much dashing about produced a rusty razor, Awisha was sent flying to a neighbour’s for a bit of cord, and at long last the tiny entity was inserted into her shirt. But she must wait again until they tore one of Ummi Sallah’s garments into strips, for it is propitious to swaddle the baby at first in the cast-off garment of an aged woman. So, all bound in cotton pieces, Kalipha’s daughter Habiba was handed up, blinking and mouthing, to be kissed all around, then stowed away in the bed.
The excitement subsided. Sidi Middib went away, the machine on his head. The midwife, having washed her smeared hands, was burning incense upon the fire-pot; her eerie incantation was to exorcise the djinns that all might go well with mother and child. Kadusha, still upon the chair, was acknowledging congratulations and giving directions for the old woman’s refreshment. Finally she rose and, without assistance, walked from the court into the room and got into bed, where she sat up arranging her dishevelled garments. As many of the women as could took seats beside her. Kadusha made room for me, insisting, until I too found myself on the bed. And as long as I remained she didn’t once lie back but sat up, unsupported, entering into the conversation with the energy of a convalescent of some slight indisposition!
While the midwife was eating in the corner, Ummulkeer and Shedlia cleared room for themselves on either side of Kadusha and began energetically kneading her loins and thighs. When they were satisfied that they had dislodged any djinn that might have lingered there, each of the girls placed a bare foot against Kadusha’s cheek and taking hold of her hands they pulled, straining backward as far as they could. Then they pulled her legs. Even a bedouine couldn’t have endured these exercises more stoically than Kadusha! The sweat stood out on her forehead and she smiled wearily when they told her that they had done. All that remained for her to do was to eat a small handful of camoon, or cloves, for the expedition of her recovery. Some cloves were sprinkled upon Habiba, and after her eyes and mouth were washed out, she was placed at Kadusha’s breast. The deep look of love she gave the little stranger as she tucked the nipple into that button mouth!
Her meal over, the midwife did not delay her departure. The guests each contributed a pittance toward the payment of her fee, as was customary; Ummi Banena put her withered lips to the baby’s brow and, after a
profusion of blessings, went her way. The natal chair would follow on donkey back. As if her exit was their cue, the guests began to don their haïks. ‘Inshallah mandiksow,’ they told Kadusha in farewell, ‘May Allah bless thee and thine.’ ‘Inshallah farhat Habiba!’ ‘If it be the will of Allah, may Habiba marry young and prosperously.’
About the Author
THIS PHOTOGRAPH shows Dahris Martin wearing a Tunisian burnous at the time of her stay in Kairouan, and was taken by the American photographer Louise Dahl-Wolfe in the late 1920s.
Dahris Martin was born in New York State around the turn of the century. She studied at Columbia University and worked for Doubleday before setting off for Europe to concentrate on her own writing. Among the Faithful was first published in London in 1937, but with the arrival of American troops in Tunisia during the Second World War, it was taken up and republished in New York as I Know Tunisia (1943). Dahris Martin wrote a number of Tunisian tales for children, including Awisha’s Carpet and The Wonder Cat. She met her future husband, the New England print-maker Harry Shokler, while living in Tunisia.
61 Exmouth Market, London EC1R 4QL
Email: [email protected]
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Copyright
First published by Michael Joseph in 1937
First published by Eland Publishing Limited
61 Exmouth Market, London EC1R 4QL in 2011
This ebook edition first published in 2012
All rights reserved
Copyright © the Estate of Dahris Martin
The right of Dahris Martin to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988
This ebook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the author’s and publisher’s rights, and those responsible may be liable in law accordingly
ISBN 978–1–78060–005–5
Cover Image: A Mozabite Family © Corbis
Among the Faithful Page 21