"Everything all right?" Berger asks when I return and shut the front door.
I don't answer her. Of course, everything isn't all right. "Where do you want me to start?" I remind her we have work to do.
She wants me to reconstruct exactly what happened the night Chandonne tried to murder me, and we wander into the great room. I begin with the white cotton sectional sofa in front of the fireplace. I was sitting there last Friday night, going through bills, the television turned down low. Periodically, a newsbreak would come on, warning the public about the serial killer who calls himself Le Loup-Garou. Information had been released about his supposed genetic disorder, his extreme deformity, and as I remember that evening it almost seems absurd to imagine a very serious anchor on a local channel talking about a man who is maybe six feet tall, has weird teeth and a body covered with long baby-fine hair. People were advised not to open the door if they weren't sure who was there.
"At about eleven," I tell Berger, "I switched over to NBC, I think, to watch the late news and moments later my burglar alarm went off. The zone for the garage had been violated, according to the display on the keypad, and when the service called, I told them they'd better dispatch the police because I had no idea why the thing had gone off."
"So your garage has an alarm system," Berger repeats. "Why the garage? Why do you think he tried to break into it?"
"To deliberately set off the alarm so the police would come," I repeat my belief. "They show up. They leave. Then he shows up. He impersonates the police and I open my door. No matter what anybody says or what I heard on the video- tape when you interviewed him, he spoke English, perfect English. He had no accent at all."
"Didn't sound like the man in the videotape," she agrees.
"No. Certainly not."
"So you didn't recognize his voice in that tape."
"I didn't," I reply.
"You don't think he was really trying to get inside your garage, then. That this was just for the purpose of setting off the alarm," Berger probes, as usual writing nothing down.
"I doubt it. I think he was trying to do exactly what I said."
"And how do you suppose he knew your garage had an alarm system?" Berger inquires. "Rather unusual. Most homes don't have an alarm system in the garage."
"I don't know if he knew or how he knew."
"He could have tried a back door instead, for example, and been assured that the alarm would go off, assuming you had it on. And I fully believe he knew you would have it on. We can assume he knows you are a very security-minded woman, especially in light of the murders going on around here."
"I have no clue what would go through his mind," I say-rather tersely.
Berger paces. She stops in front of the stone fireplace. It gapes empty and dark and makes my house seem unlived-in and neglected like Bray's. Berger points a finger at me, "You do know what he thinks," she confronts me. "Just as he was gathering intelligence on you and getting a feel for how you think and what your patterns are, you were doing the same thing to him. You read about him in the wounds of the bodies. You were communicating with him through his victims, through the crime scenes, through everything you learned in France."
Chapter 28
MY TRADITIONAL ITALIAN WHITE SOFA IS STAINED pink from formalin. There are footprints on a cushion, probably left by me when I jumped over the sofa to escape Chandonne. I will never sit on that sofa again and can't wait to have it hauled away. I perch on the edge of a nearby matching chair.
"I must know him to dismantle him in court," Berger goes on, her eyes reflecting her inner fire. "I can only know him through you. You must make that introduction, Kay. Take me to him. Show him to me." She sits on the hearth and dramatically lifts her hands. "'Who is Jean-Baptiste Chandonne? Why your garage? Why? What is special about your garage? What?"
I think for a moment. "I can't begin to say what might be special about it to him."
"All right. Then what's special about it to you?"
"It's where! keep rny scene clothes." I begin trying to figure out what might be special about my garage. "'And an industrial-size washer and dryer. I never wear scene clothes inside my house, so that's rather much my changing room, out there in the garage."
Something shines in Berger's eyes, a recognition, a connection. She gets up. "Show me," she says.
I turn on lights in the kitchen as we pass on through to the mud room, where a door leads into the garage.
"Your home locker room," Berger comments.
I flip on lights and my heart constricts as I realize the garage is empty. My Mercedes is gone.
"Where the hell's my car?" I ask. I scan walls of cabinets, and the specially ventilated cedar locker, and neatly stored yard and gardening supplies, the expected tools, and an alcove for the washer, dryer and a big steel sink. "No one has said anything about taking my car anywhere." I look accusingly at Berger and am rocked by instant distrust. But either she is quite an actor, or she has no clue. I walk out into the middle of the garage and look around, as if I might find something that will tell me what has happened to my car. I tell Berger my black Mercedes sedan was here last Saturday, the day I moved to Anna's. I haven't seen the car since. I haven't been here since. "But you have," I add. "Was my car here when you were here last? How many times have you been here?" I go ahead and ask her that.
She is walking around, too. She squats before the garage door and examines scrapes on the rubber strip where we believe Chandonne used some type of tool to pry the door up. "Could you open the door, please?" Berger is grim.
I press a button on the wall and the door loudly rolls up. The temperature inside the garage instantly drops.
"No, your car wasn't here when I was." Berger straightens up. "I've never seen it. In light of circumstances, I suspect you do know where it is," she adds.
The night fills the large empty space and I walk over to where Berger is standing. "Probably impounded," I say. "Jesus Christ."
She nods. "We'll get to the bottom of it." She turns to me and there is something in her eyes I've never before seen. Doubt. Berger is uneasy. Maybe it is wishful thinking on my part, but I sense she feels bad for me.
"So now what?" I mutter, looking around my garage as if I have never seen it before. "What am I supposed to drive?"
"Your alarm went off around eleven o'clock Friday night," Berger is all business again. She is firm and no-nonsense again. She returns to our mission of retracing Chandonne's steps. "The cops arrive. You take them in here and find the door open about eight inches." Obviously, she has seen the incident report of the attempted breaking and entering. "It was snowing and you found footprints on the other side of the door." She steps outside and I follow. "The footprints were covered with a dusting of snow, but you could tell they led around the side of the house, up to the street."
We stand on my driveway in the raw air, both of us without coats. I stare up at the murky sky and a few flakes of snow coldly touch my face. It has started again. Winter has become a hemophiliac. It can't seem to stop precipitating. Lights from my neighbor's house shine through magnolias and bare trees, and I wonder how much peace of mind the people of Lock-green have left. Chandonne has tainted life for them, too. I wouldn't be surprised if some people move.
"Can you remember where the footprints were?" Berger asks.
I show her. I follow my driveway around the side of the house and cut through the yard, straight out to the street.
"Which way did he go?" Berger looks up and down the dark, empty street.
"Don't know," I reply. "The snow was churned up and it was snowing again. We couldn't tell which way he went. But I didn't stay out here looking, either. I guess you'll have to ask the police." I think about Marino. I wish he would hurry up and get here, and 1 am reminded of why I called him. Fear and bewilderment crackle up my spine. I look around at my neighbors' houses. I have learned to read where I live and can tell, by windows lit up, by cars in the driveway and newspaper deliveries, when people are home,
which really isn't often. So much of the population here is retired and wintering in Florida and spending hot summer months on the water somewhere. It occurs to me that I have never really had friends in my neighborhood, only people who wave when we pass each other in our cars.
Berger walks back toward the garage, hugging herself to keep warm, the moisture in her breath freezing and puffing out white. I remember Lucy as a child coming to visit from Miami. Her only exposure to the cold was Richmond, and she would roll up notebook paper and stand out on the patio, pretending to smoke, tapping imaginary ashes, not knowing I was watching through a window. "Let's back up," Berger is saying as she walks. "To Monday, December sixth. The day the body was found in the container at the Richmond Port. The body that we believe was Thomas Chandonne, allegedly murdered by his brother, Jean-Baptiste. Tell me exactly what happened that Monday."
"I was notified about the body," I begin.
"By whom?"
"Marino. Then minutes later, my deputy chief, Jack Fielding, called. I said I would respond to the scene," I begin.
"But you didn't have to," she interrupts. "You're the chief. We have a stinky, nasty decomposing body on an unseasonably warm morning. You could have let, uh, Fielding or whoever respond."
"I could have."
"Why didn't you?"
"It was clearly going to be a complicated case. The ship was out of Belgium and we had to entertain the possibility that the body originated in Belgium, thus adding international difficulties. I tend to take the hard cases, the ones that will get a lot of publicity."
"Because you like the publicity?"
"Because I don't like it."
We are inside my garage now and both of us are thoroughly chilled. I shut the door.
"And maybe you wanted to take this case because you'd had an upsetting morning?" Berger walks over to the large cedar locker. "You mind?" I tell her to help herself as I marvel again at the details she seems to know about me.
Black Monday. That morning, Senator Frank Lord, chairman of the judiciary committee and an old, dear friend, came to see me. In his possession was a letter Benton had written to me. I knew nothing about this letter. It would never occur to me thai while Benton was on vacation at Lake Michigan some years ago, he had written me a letter and instructed Senator Lord to give it to me should he_Benton_die. I remember recognizing the penmanship when Senator Lord delivered the letter to me. I will never forget the shock. I was devastated. Grief finally caught up with me and seized my soul, and this was precisely what Benton had intended. He was the brilliant profiler to the end. He knew exactly how I would react should something happen to him, and he was forcing me out of my workaholic denial.
"How do you know about the letter?" I numbly ask Berger.
She is looking inside the locker at jumpsuits, rubber boots, waders, heavy leather gloves, long underwear, socks, tennis shoes. "Please bear with me," she says almost gently. "Just answer my questions for now. I'll answer yours later."
Later isn't good enough. "Why does the letter matter?"
"I'm not sure. But let's start with state of mind."
She lets that sink in. My state of mind is the bull's-eye of Caggiano's target, should I end up in New York. More immediately, it is what everyone else seems to be questioning.
"Let's assume if I know something, the opposing counsel does, too," she adds.
I nod.
"You get this letter out of the blue. From Benton." She pauses and emotion flickers across her face. "Let me just say…" She looks away from me. "That would have undone me, too, totally. I'm sorry for what you've been through." She meets my eyes. Another ploy to make me trust her, bond with her? "Benton is reminding you a year after his death that you've probably not dealt with his loss. You've run like hell from the pain."
"You can't have seen the letter." I am stunned and outraged. "It's locked in a safe. How do you know what it says?"
"You showed it to other people," she reasonably replies.
I realize with the little bit of objectivity I have left that if Berger hasn't talked to everyone around me, including Lucy and Marino, she will. It is her duty. She would be foolish and negligent if she didn't. "December the sixth," she resumes. "He wrote the letter on December the sixth, nineteen-ninety-six, and instructed Senator Lord to deliver it to you on the December the sixth following Benton's death. Why was that date special to Benton?"
I hesitate.
"Thick skin, Kay," she reminds me. "Thick skin."
"I don't know the significance of December the sixth, exactly_except Benton mentioned in the letter that he knew Christmas is hard for me," I reply. "He wanted me to get the letter close to Christmas."
"Christmas is hard for you?"
"Isn't it hard for everybody?"
Berger is silent. Then she asks, "When did your intimate relationship with him begin?"
"In the fall. Years ago."
"Okay. In the fall, years ago. That's when you began your sexual relationship with him." She says this as if I am avoiding reality. "When he was still married. When your affair with him began."
"That's right."
"Okay. This past December the sixth, you get the letter and later that morning responded to the scene at the Richmond port. Then you came back here. Tell me exactly what your routine is when you come straight home from a crime scene."
"My scene clothes were double-bagged in the trunk of my car," I explain. "A jumpsuit and tennis shoes." I keep staring at the empty space where my car should be. "The jumpsuit went into the washing machine, the shoes into a sink of scalding water with disinfectant." I show her the shoes. They are still parked on the shelf where I left them to dry more than two weeks ago.
"Then?" Berger walks over to the washing machine and dryer.
"Then I stripped," I tell her. "I took off everything and put it in the washing machine, started it up and went inside the house."
"Naked."
"Yes. I went back to my bedroom, to the shower, without stopping. That's how I disinfect if I come straight home from a scene," I conclude.
Berger is fascinated. She has a theory going, and whatever it is, I am feeling increasingly uncomfortable and exposed. "I just wonder," she muses. "Just wonder if he somehow knew."
"Somehow knew? And I really would like to go inside, if it's all right with you," I say. "I'm freezing."
"Somehow knew your routine," she persists. "If he was interested in your garage because of your routine. It was more than setting off the alarm. Maybe he really was trying to get in. The garage is where you take off your death clothes_in this instance, clothes sullied by a death he caused. You were nude and vulnerable, even if ever so briefly." She follows me back kiside and I shut the mud room door behind us. "He might have a real sexual fantasy about that."
"I can't see how he could know a damn thing about my routine." I resist her hypothesis. "He didn't witness what I did that day."
She raises an eyebrow as she looks at me. "Can you say that as fact? Any possibility he followed you home? We know he was at the port at some point, because that's how he got to Richmond_aboard the Sirius, where he'd covered himself with a white uniform, shaved visible areas of his body, and stayed in the galley most of the time, working as the cook and keeping to himself. Isn't that the theory? I certainly don't buy what he said when I interviewed him_that he stole a passport and wallet and flew coach."
"It's a theory that he arrived at the same time his brother's body showed up," I reply.
"So Jean-Baptiste, caring guy that he is, probably hung around in the ship and watched all you people scurrying around when the body was found. Greatest show on earth. These assholes love to watch us work their crimes."
"How could he have followed me?" I get back to that outrageous thought. "How? He had a car?"
"Maybe he did," she says. "I'm getting around to enter- taining the possibility that Chandonne wasn't the lone, wretched creature who just happened upon your city because it was convenient or even random. I'm no longe
r sure what his connections are, and I'm beginning to wonder if perhaps he might have been part of a grander scheme that has to do with the family business. Perhaps even with Bray herself, since she clearly was involved in an underworld of crime. And now we have other murders, one of the victims clearly involved in organized crime. An assassin. And an undercover FBI agent working a gun-smuggling case. And the hairs at the campground that might be Chandonne's. This is all adding up to something more than a man who killed his brother, took his place on a ship bound for Richmond_all to get out of Paris because his nasty little habit of murdering and mutilating women was becoming increasingly inconvenient to his powerful criminal family. Then he starts killing here because he can't control himself? Well." Berger leans against the kitchen counter. "There are just too many coincidences. And how did he get to the campground if he didn't have a car? Assuming those hairs turn out to be his," she repeats.
I sit down at the table. There are no windows inside my garage, but there are small windows in the garage door. I consider the possibility that Chandonne did follow me home and peeped through the garage door at me while I was cleaning up and undressing. Maybe he had help finding the abandoned house on the river, too. Maybe Berger is right. Maybe he isn't alone and never has been. It is almost midnight, almost Christmas, and Marino still isn't here and Berger's demeanor tells me she could keep going until dawn.
"Alarm goes off," she resumes. "Cops come and go. You return to the great room." She motions me to follow her there. "You're sitting where?"
"On the sofa."
"Right. TV on, going through bills, and around midnight what?"
"There's a knock on the front door," I reply.
"Describe the knock."
"A rapping with something hard." I try to remember every detail. "Like a flashlight or tactical baton. The way police knock. I get up and ask who's there. Or I think I ask. I'm not sure, but a male voice identifies himself as police. He says a prowler has been spotted on my property and asks if everything's okay."
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