In the living room, Sands tried the front door. It was locked. He fumbled to work the lock, but it was the dead bolt kind that requires a key. The woman on the phone seemed closer to him now, as she spoke briskly in the kitchen. His instinct was to flee, but his head throbbed and his ribs ached from the fall, and it angered him. And he realized coldly that there would be several minutes before he heard the sirens.
He turned from the door and peered into the shadowed dining room. He thought of the kitchen. He could still hear the woman back there, blocking his way. The light went out.
He moved slowly toward her. He imagined her up close. He could hear her voice on the phone. No police, yet. He had time. He’d take time. He held his left arm across his aching ribs, and, crouched over in pain, with his revolver still clutched in his right hand, he advanced toward the voice on the phone, unaware that he had been groaning all along.
He was in the living room. Now the dining room. Moving toward the kitchen. The phone receiver clattered onto the floor. He was at the swinging door into the kitchen, with a sense of menacing power surging through him.
Then, in a shattering instant in the dark, as he pushed through the swinging door, a wooden chair broke across his face, cutting and stunning him. He had not been prepared for the blow. It simply exploded in his face, and he knew she would fight. Again, before he could react, there came a second vicious blow from the chair, this time striking him across his chest. The pain surprised him. Rage enhanced the effect within him.
He staggered backward under her blows, into the dining room. She pursued him in the dark, swinging the chair furiously. He retreated into the living room, and still she pushed her attacks with the chair, screaming at him. For a brief moment he slipped free of her attack. He couldn’t see her, but he could hear her approaching again and raised his gun.
He fired a shot into the dining room, and the muzzle flash gave him his first view of a young woman in a yellow raincoat, hood down across her back, short hair wet, caught in the muzzle’s burst of blue and orange light, with the chair raised over her head, surprise on her face, stunned by the explosion. He had missed.
He could hear her backing up, now, against the dining room table. She tossed the chair into a corner and fled back to the phone. It was a mistake.
He advanced on her. He caught her in the dark and jerked her back into the dining room. She struggled in his grip, clawing, hammering, and pushing off to free herself. He could smell the new rain in her hair when he cracked the heavy revolver across her face, knocking her into the corner of the dining room. Broken glass and china showered over her as she sprawled against a hutch, and Sands figured for a brief moment that that would be the end of it.
But as he stepped free of her, wiping blood off the side of his face with the back of the hand that still held his revolver, she came at him again. And he shot her. Twice. In the chest.
The muzzle flares from his .44 magnum lit her up in two rapid flashes of light. The second one caught her stumbling backward, lifted nearly from her feet, shock and dismay on her dying face. As her body crashed into the shattered glass in the corner near the broken hutch, Jesse Sands’s eyes were imprinted with the glimpse of her seeming to hover in the air, his mind stunned by the horrific explosions from the magnum revolver in the confinement of the small, dark room. And she was dead before Jesse Sands had ripped his way through the back screen door.
But before he had cleared the steps on the back porch, while one foot still reached out for the lawn below him, with the image of crimson blood on vivid yellow lodged in his mind, and with the faint sounds of approaching sirens, Sands’s forehead exploded into an infinite brightness, where colors flashed brilliant behind his eyes and shattered to white, like crystal on a black marble floor.
PL Gaus Page 23