Gatlin went to his car, which was inside the tape enclosure, and opened the front door on the passenger side. He came back wearing cotton gloves and holding a few pages of folded newspaper as a butler might carry a tray of drinks. “We found this on his chest.” He held the newspaper out so Kit and Broussard could see what was on it.
“Scrabble letters?” Kit said.
Broussard leaned close and tilted his head so he could look at the letters through the bifocal part of his glasses. “KOJE—held together with transparent tape,” he observed. He looked at Gatlin. “They were just sittin’ on his chest?”
“Un-uh. They were on the newspaper.”
“I don’t like this,” Kit said.
“We should start a club,” Gatlin replied.
“Obviously, this was no spur-of-the-moment act,” Kit said. “Is the victim carrying money?”
“Twenty bucks and two credit cards.”
Kit glanced at the locker. “You know what this looks like?”
“Tell me.”
“Act One, more to follow.”
Gatlin’s face twisted into a scowl of disbelief or of anger at what it would mean if she was right—she wasn’t sure which.
“The killer’s trying to tell us something with those letters,” she said.
“What?”
“Maybe how to catch him.”
“Like ‘Stop me before I kill again . . .’?”
“Or maybe it’s an ego trip. . . . He leaves a clue thinking we’re too dumb to figure it out.”
“What about the eyelid?” Gatlin asked. “Why’d he do that?”
“To make the crime special. Sort of a signature. And I don’t think there’s any point looking for it. Most likely, he took it as a trophy, something he can look at to relive the moment.”
As she spoke, Kit found herself glancing at Broussard, trying to gauge his reaction to her comments. It was a part of herself she hated, this seeking of approval. If she’d been rejected by her father, it might make sense, but they’d always been close. So where did this come from? She found little consolation in the fact that she didn’t act like this with all authority figures, only Broussard. As usual, the old patholo-gist listened attentively, his face unreadable behind his beard.
“Doc, you’re describing one sick SOB,” Gatlin said.
“No argument there,” she replied.
“Anything else?”
“Since he brought his own weapon, chances are he came from another part of town and drove here.”
Gatlin’s weary expression clouded. “I don’t see the connection.”
“There’s not actually anything to see. They’re behavioral relationships discovered by analyzing large numbers of cases with similar features.”
“Similar how?”
“Ritualistic . . . items left at the scene, arranged in a particular way.”
“You’ve been saying ‘he’ did this or that. . . .”
“The odds are overwhelmingly in favor of it being an intelligent white male in his late twenties or early thirties.” She paused.
“Go on.”
“It’d help to know for sure if that single wound was the deathblow.”
“Let’s say it is.”
“Then he got in close, which means he’s confident and skilled at interpersonal relations, the kind of guy who’ll look you right in the eye when you talk to him. The absence of defensive wounds indicates that he didn’t look threatening. He might have used some ploy to get close . . . asking for a light, directions, that sort of thing.”
“Or the victim knew him,” Gatlin suggested.
“Unlikely,” Kit replied. “In these kinds of cases, the killer and the victim have rarely met previously.”
“So why’d he pick this guy?”
“Probably because of the way he’s dressed—tight T-shirt, open jacket, ideal for a single well-placed knife thrust.”
Gatlin nodded and made a rolling motion with one hand.
“There’s a chance the killer’s in that crowd over there,” Kit said. “Or he may come back here later, or he might even attend the funeral . . . they like to reminisce.” She could see by Gatlin’s drifting attention that she was now covering ground already familiar to him.
“And?” he said, his eyes wandering over the scene.
“He’ll likely have poor credit.”
That got him back with satisfying speed, but if he was expecting a new string of insightful comments, he was destined to be disappointed, for without further data, Kit had nothing more to say except, “End of analysis.”
“What about this locker?” Broussard said. “Was it abandoned?”
“No,” Gatlin replied. “Its owner discovered the body.”
“Why was it out here? Most of the artists roll ’em into a frame shop or somethin’ at night.”
“Apparently, the good spots are first come, first served. If you leave your cart out, you can keep a good one. Anyway, that’s what she said. But I had the feeling she just couldn’t afford to rent storage space. Said she forgot to lock it when she went home.”
“So somebody also stole her equipment,” Broussard observed.
“Looks that way.” Gatlin glanced at Kit.
“It wasn’t the killer.”
“I agree,” Gatlin said. “Andy, how long before you can give me the skinny on the victim.”
“Couple hours.”
“How about we all meet again in your office at, say, ten o’clock to hash this over. Sorry about it being Saturday.”
“You’ll just owe us a big favor,” Broussard said.
“How about I write you into my will.”
“I sorta hoped we’d collect in this lifetime.”
Watching the two old friends banter this way, Kit felt a twinge of envy. Broussard did it with her at times, but never as much as with Gatlin.
As the old detective turned to go, Broussard said, “Mind if I take those letters to my office?”
Gatlin turned, wearing a puzzled expression. “Why?”
“Look again.”
Gatlin held the newspaper up to his face and stared at the letters, then looked back at Broussard. “What?”
“There’s a hair caught in the tape holdin’ the letters together.”
Gatlin looked again and tilted the letters a little. “Damned if there isn’t. I’ll bag ’em for you.”
Broussard liked nothing better than getting one up on Gatlin, who was no slouch himself. Today, he’d gone two up. Seeing the glitter of delight in Broussard’s eyes, Gatlin added, “And you’re outta the will.” He glanced at Kit. “Not that I think you’re wrong,” he said, “but I’m gonna keep looking for that eyelid.”
With nothing further to contribute, Kit ducked under the crime-scene tape and headed for her car, which she’d parked as close to the action as the scene tape allowed, the puzzle of the Scrabble letters occupying her thoughts. KOJE . . . What was the killer’s purpose in leaving those letters? What was he trying to tell them?
She began rearranging the letters in her mind, trying to make them spell something recognizable. As she unlocked her car, she felt a touch on her arm.
“Dr. Franklyn . . .”
She turned and looked into clear eyes the color of the chalky green water in the quarry she used to swim in as a kid. The association of those eyes with a fond childhood memory was irritating, for she did not like Nick Lawson—not his eyes, not that stupid ponytail he wore, not what he did for a living. It was actually not so much what he did for a living that she resented but how he did it. From the paper’s viewpoint, he was probably considered an excellent reporter. He certainly knew how to write. But he couldn’t tell when to draw the line between the public’s right to know and the damage public disclosure could do to an ongoing homicide investigation. When leaks occurred, Nick Lawson, it seemed, was always there with a bucket.
“What’s in the box?” Lawson said, jerking his thumb toward the crime scene. “Or maybe I should say, Who’s in it?”
“We aren’t getting along.”
“I wonder why. How’d you get here?”
“Same as you, internal-combustion engine.”
“Such wit, and so early in the morning. What I meant was, how’d you know something was up?”
“Heard it on my scanner.”
Kit doubted that. Cops don’t like having to deal with reporters at murder scenes. And usually, at a typical generic murder, there aren’t any to worry about, the event being so commonplace that daily perusal of publicly available police reports suffice. The cops know this and likewise understand that the more unusual the crime, the more likely radio chatter is to bring out a reporter. They therefore try to keep radio talk about unusual cases pared to the basics, giving the details only over the telephone.
“You think you’re pretty clever, don’t you?” Kit said.
Lawson’s hands came up in a pleading gesture. “Just doing my job, like everybody else.”
Kit became aware that he was making a faint whirring sound. “You need a new tape recorder,” she said. “Your old one makes noise. I could probably have you arrested for that.”
Grinning, Lawson took a small recorder out of his back pocket and pressed a button. The whirring stopped. The recorder was connected to a wire that ran under his shirt, probably the cord to the mike. “Look, I’m gonna get it all eventually,” he said. “So why not make it easy on everybody.”
“Because you’re irresponsible.”
“Since when has telling the truth ever made someone irresponsible?”
“When it prevents a murderer’s slip of the tongue from being used as evidence against him because you had already made privileged information public.”
“So, that newspaper Gatlin got from his car was like that . . . or something that was on the paper?”
Kit felt her face redden. She yanked the car door open and got in, so anxious to leave she nearly backed into an old man in a beret who was crossing behind her on his way to see the reason for such a crowd.
She inched the car down St. Peter and backed onto Decatur, thankful the carriages and horses that usually blocked the view of oncoming traffic on Decatur had not yet appeared. She took Decatur to Canal, crossed over, and headed uptown on Magazine, replaying practically every word she’d said at the murder scene, finding most of her performance acceptable. But that fiasco with Lawson . . . He had worked her like he was the one with the Ph.D. in psych.
Finally, as she turned onto St. Charles with its venerable live oaks that formed a canopy overhead, she began to put things in perspective. She hadn’t really told Lawson a thing. Anybody standing outside the tape could have seen Gatlin get that newspaper from his car and could have concluded it was something significant by the way he carried it and how she and Broussard had gawked at it.
She looked at her watch. Teddy LaBiche always left Bayou Coteau at 5:00 A.M., which meant he’d be at her house in just a few minutes.
Teddy . . . She pictured him at the door—most likely in a pale blue shirt of brushed oxford cloth, jeans that showed his slim athletic build, alligator boots and belt, his trademark stylish straw hat shading delicate but firm features that spoke of his aristocratic French lineage. And smelling so good, you’d never know he made his living as the owner of an alligator farm.
What with the Forensic meetings starting Monday in the Hyatt and her responsibilities there, she’d briefly considered canceling out on Teddy, thinking that last-minute details might cause her to be too occupied to give him much attention. Lord knows, she didn’t want to cancel. They had precious little time together as it was—four weekends a month . . . certainly not the best basis for a relationship.
But then things had fallen together and she had not canceled. Now with this murder and a meeting scheduled for ten . . . Well, they’d just have to do the best they could. Teddy would understand.
Kit lived a few streets upriver from the Garden District, in what is known as the Uptown Section. Where only the very rich could live in the wonderful old mansions that lined St. Charles, people with modest means and a significant amount of patience and luck could occasionally find a bargain among the smaller old homes a few blocks off St. Charles. Kit was one of those people. She had been in her house less than a year now and still experienced a rush of pleasure every time she stepped into the large entry with the massive oak columns and Victorian scrollwork. Today that pleasure was short-lived because something was wrong.
Even if her little dog, Lucky, was in the backyard when she drove up, he would dash through the kitchen doggy door Teddy had installed for him and meet her in the entry. But today there was no Lucky. Puzzled, she walked toward the kitchen, calling his name. “Lucky . . . Where are you, boy? Lucky . . .”
He did not appear to be in the house. Thinking that perhaps he’d lost his collar and, with it, the transmitter that allowed his door to open, she went into the backyard and scanned it. “Lucky . . . Here, boy. . . .” She toured the yard, peeking between the azaleas large enough to provide a hiding place. No Lucky.
She hurried back into the house and began a room-by-room search. In her bedroom, she was alarmed to find that the footstool to her comfortable reading chair was soiled with vomit. And on the floor beyond the footstool, there was a small furry body.
With nausea thick in her own throat, she swiftly crossed the room to Lucky’s still form. She reached under him and put her hand on his small chest, detecting a heartbeat so feeble, she was afraid that each tenuous contraction would be the last.
The doorbell . . . Teddy.
She dashed into the hall and threw the front door open. “It’s Lucky,” she said, her lips trembling. “He’s dying.”
Kit led Teddy to the bedroom, where he gently picked the dog up. “He needs help fast.”
“My vet . . .” Kit said. “They open at seven.”
Teddy shook his head. “He may need special equipment. An animal hospital’d be better.”
“There’s one about two miles from here.”
“You take Lucky. I’ll drive.”
Teddy transferred the dog to Kit’s arms and they ran to Teddy’s shiny red pickup with the logo of the Bayou Coteau alligator farm on both doors. Because it was Saturday and traffic was light, they got to the South Carrollton Animal Hospital in under ten minutes.
Though Kit thought the vet on duty appeared far too young and had large, clumsy-looking hands, she let Lucky go into his care. Then she and Teddy sat on one of the waiting room’s molded plastic sofas to wait, murder and Scrabble letters forgotten.
Teddy focused his attention on his straw hat, which lay in his lap. But Kit’s eyes roamed to the plastic seats, the tile walls, the linoleum floor. . . . She shivered. Such a cold, uncompromising place. Her gaze drifted to the bulletin board on the opposite wall.
MIXED-BREED PUPPIES, FREE TO A GOOD HOME. NEW LITTER: AKC-REGISTERED SHELTIES. CALL . . .
Puppies. Replacement puppies. Nothing lives forever, the flyers were saying. Move on . . . adjust . . . replace. . . . Replace.
No. Kit silently shouted. No. Rejecting the message the board was sending, she tore her eyes from it and concentrated on a tuft of brown hair that lay against the chrome leg of the sofa under the bulletin board. As she watched it, she saw the hair pulse against the chrome like a furry heart beating in time to the ceiling fan lazily turning overhead. She was so tense that when Teddy slipped his hand into hers, her flesh quickened in exaggerated surprise.
Finally, the door where the vet had disappeared opened. He came out wearing a serious expression.
“He’s been poisoned,” the vet said. “Warfarin, I think.”
“Is he . . .”
“No, he’s doing okay and he’s going to be fine. But he’ll have to stay here for a few days. Did he vomit?”
“Yes.”
“That probably saved him.”
“Poisoned?” Kit said. “I don’t see how that’s possible. What’s warfarin?”
“The main ingredient in rat poison.”
“I don’t have any rat poison in the house.”
“Well, he got into it somehow. You might want to consider the possibility that . . .” he paused.
“What?”
“That one of your neighbors did it.”
Kit’s jaw dropped. “Why would someone do that?”
“Does he bark a lot?”
“Only when strangers try to come in the yard.”
The vet shrugged. “That could be it. Maybe you’ve got a neighbor who’s tired of the noise.”
“That’s despicable.”
“When you get right down to it,” the vet said, “most people are no damn good.”
2
Broussard left the morgue about half past nine, having had no time for breakfast. The half dozen lemon balls he’d consumed since getting up had not prevented a hollow from growing inside him all through the autopsy and it now threatened to engulf his mind. When there was time for a real meal, he chose his food carefully, which is not to say he counted calories or considered its fat or fiber content; he was swayed solely by taste and texture. He was both gourmet and gourmand—when there was time. When there was not, it was the snack machines by the elevator in the basement that sustained him, today providing him with a pack of chocolate cookies and a log roll.
Thus fortified, he returned to his office, entering by the hall door, and set to work on the hair he’d found. As a first step, he placed a drop of Protex onto a clean microscope slide, which he put into a large tissue-culture dish. It was not likely that someone who had arranged such an elaborate crime scene would have left prints on the letters, but at this point, they needed to be handled as though he had. With this in mind, Broussard took the joined letters from their evidence bag with a long pair of forceps and placed them in the dish with the microscope slide. He put the dish on the stage of his dissecting microscope and removed his glasses, letting them dangle against his chest by the lanyard attached to the temples.
New Orleans Requiem Page 2