Thorne stared at the television screen. He was thoroughly unengaged by the brash and jumpy images. Half past midnight, and the programme seemed to consist of a partially dressed woman shouting at complete strangers in the street. Thorne didn't connect with it on any level. He saw only a face that was vaguely familiar. A tired-looking, grey face, dimly glimpsed, floating behind the dusty screen, in the occasional, blessed moments of dark stillness. Outside, it was cold enough for snow.
Inside, Thorne sat staring at his own reflection. Wondering what Charlie Garner wanted for Christmas.
************
1986
Even later on, when winter came, he knew that he would prefer to be outdoors. On the street. There were bound to be a couple of days, he knew that, a couple of those really bad days when the cold made your balls ache, when he would need to get into a hostel for the night. He'd heard a couple of the really old ones, the stupid old fuckers, the drunks, talking about nights when your trousers would freeze stiff and stick to your legs, and you'd have to piss in your pants just to thaw them out. Then, maybe, he might go back to the shelter, back for the hot soup and Jesus bit. Otherwise though, unless the snow was at least a foot thick, he'd be sleeping outdoors. I mean that was why they called it 'rough' for fuck's sake.
And he'd always been able to put up with plenty of pain. This place was genuinely unique. A maze of walkways and underpasses and tunnels. A small city of concrete rat-runs for the human rats. It was only really at night that Cardboard City sprang fully formed to life. In order to appreciate the faces properly - the mad eyes, the running sores, and the matted beards - you needed to see them lit by the glow from a fire burning in an oil drum. By day, the skateboarders had the run of the place, but when darkness fell they would pick up their boards and drift away, home for dinner, and then the vermin would come out. The vermin like him.
He'd only arrived here recently. At first he'd been content with a doss-house and had usually made enough each day for a night in the Endell Street Spike in Covent Garden, but he didn't believe in doing things by halves. Outdoors was best, and besides, it tickled him to live here, down below the South Bank, with the Royal Festival Hall and the National Theatre right above his head, in a city built from boxes and fuelled by strong lager and despair.
Begging would do for the moment. There was plenty of time to work out an angle, but for the time being, a couple of quid a day was doing him handsomely. Enough to buy a paper, and a can of something, and always the chocolate to give him energy. He firmly believed in never doing anything unless you were going to give it absolutely your best shot. He was a very good beggar. He'd picked it up very quickly. He didn't just stand there looking like a puppy who's pissed himself, holding out his hand like some Ethiopian. He made an effort. Yes, he was brighter than most of the others, and him being only sixteen didn't hurt, but it wasn't rocket science was it?
It was all about making the punter think that they had no other choice. Not by being aggressive, no; that was stupid and a waste of energy. It just needed to be real, and looking like you had a sense of humour didn't hurt. If I can afford to laugh about this, mate, you can afford to put your hand in your pocket, and if all you've got in there is a pound coin then you might as well toss it my way. Gawd bless you guv'nor... These yuppie cunts could afford it anyway.
Leaving had been the best thing, he was certain of that now. Six months ago, chucking a few things in a bag, nicking the money he'd need to tide him over from his mum's purse. He'd not been a hundred per cent sure then, but he knew he didn't really belong there. Had to go.
He still thought about Palmer and about Karen. Thought about them far more often than he thought about his mum. He dreamed about his dad, once, but tried not to think about him. It was stupid really. He didn't exactly miss them, he missed the things he could do when they were there, and the feelings he got from doing those things. Palmer and Karen were just like his air pistol or his knives or his cricket bat. They were things he used. It was a warm night. He lay back, his head on his bag and stared up through the ramps and stairwells at the thing that flashed and moved on top of the Hayward Gallery. Somebody told him that the colours changed with the wind. Art, by all accounts. Wank, more like... The moon was full above Waterloo Bridge. He could see figures moving slowly across, staring left and right, marveling at the view up and down the river. Stupid tossers. The best view of London wasn't from up there. London was happening down where he was, among the dopers and the dogshit. It was a city that came alive the lower you went, and he was starting to fit right in.
Martin and Karen...
He pictured them, in that blackened shed by the railway line, or in the park or the shopping centre, or traipsing through darkening underpasses, following him, looking. Martin, his huge hands flapping in panic, needing to be soothed, needing to be coaxed. Karen, laughing at him, at his awkwardness and anxiety.
Nicklin drifted off to sleep and dreamed about fucking them both.
SIX
Baynham & Smout was a large accountancy firm whose glass-fronted premises on Shaftesbury Avenue nestled next to those of film companies and publishers, a stone's throw from Chinatown and Soho. If, having spent a hard morning number-crunching, an accountant wanted a bowl of hot and sour soup and a hand job at lunchtime, this was a fantastic place to work.
Thorne sat on a vast black leather sofa admiring the understated but classy artwork on the expansive white walls. He glanced at Holland on the chair opposite, leafing through the style magazine he'd picked up from the glass-topped coffee table in front of him. He wondered how much more it had cost to kit out this lobby, than it had cost to furnish his entire flat. Probably more than it had cost to buy his flat... He caught the eye of one of the two gorgeous young receptionists sitting at adjacent, walnut desks on the other side of the lobby. She smiled. 'Won't be much longer.' As the words echoed off the marble and glass, her colleague looked up and smiled as well. Thorne nodded. One of them would only have been there for five months...
He closed his eyes and saw an image from one of the photos in his ever expanding gallery. She was lying on her side, her right arm trapped beneath her, and her left thrown high above her head, like a schoolgirl eager to get a teacher's attention. One high-heeled shoe was missing; it lay a few feet away, in a patch of nettles, and the dew glistened on her thin summer skirt. She was yellowy white, like the bone of some giant dog, gnawed and then forgotten. Her clothes hung on her like scraps of flesh, her hair like pale strands of gristle. The single patch of colour - the blood that had poured from the wound in her chest and dried overnight to the shade of old meat. Thorne looked over at the two girls busy at their computer screens when they weren't answering the constantly trilling phones. He wondered which of them had replaced Jane Lovell.
'Sean Bracher... sorry.'
Thorne looked up to see a sharp suit, a proffered hand and a mouth with far too many teeth in it. Holland was already on his feet and Thorne stood up to join him. He picked up his battered leather jacket and moved to follow Bracher to his office, but Baynham & Smout's Assistant Director of Personnel was going to do his talking to the police right there in the lobby. He flopped into one of the chairs, tossed his mobile phone on to the coffee table and called across to the reception desk. 'Jo, a pot of coffee would be good...'
Bracher was in his mid-thirties, with rapidly thinning hair, which Thorne guessed he was not at all happy about. Clearly an Essex boy made good, he could probably turn on an acquired sophistication when it was needed. With Thorne and Holland, he'd obviously decided that matey was the way to play it: estuary vowels, laughter, innuendo. One of the boys.
The coffee arrived quickly, and Bracher said his piece. 'I can only really tell you what I told your colleague back in the summer. We're a big company and I tend to pick up on most things that are going on, but there's no way I can be on top of what the people here are up to in their own time. Having said that, there was no-one Jane had a problem with as far as I'm aware. I'm here for people
to tell me stuff like that and Jane and I were good mates, you know, so, I think she'd have said something.'
Holland placed his coffee cup back on the table. 'I get the impression that Jane was pretty much the life and soul round here. That she liked to enjoy herself.'
There was a resounding raspberry noise as Bracher shifted on the leather chair. 'I think that's why what happened hit everybody here so hard. It can get a bit dull around here if you're not careful, and since everything went so bloody PC, some people can get a bit touchy if people try to... liven things up.'
Thorne glanced across as a motorcycle courier came through the revolving doors, took off his helmet and strolled towards the reception desk.
'Liven things up?' Holland said.
Bracher leaned forward, elbows on knees, fingers intertwined. He had a serious point to make. 'Seventy-five per cent, at least, seventy five per cent of people meet their husbands, wives, or long-term partners at work. That's a fact. But if you so much as ask a woman out these days, you've got to be careful, you know? You used to be able to have some fun, men and women could wind each other up a bit, but now it's all got a bit po-faced. Nobody really talks to anybody else now, except for five minutes when they're making a coffee or whatever.
'Water-cooler time' I think they call it in America. Anyway, Jane didn't give a toss about any of that. She just enjoyed a laugh, and if people didn't like it, then sod 'em, you know?'
Thorne watched as the courier pulled a package from the bag over his shoulder and handed it to one of the girls at the desk. She laughed at something he said...
'Was there anybody who didn't like it?' Holland asked d in such a way as to imply that not liking it, whatever it was, would have been utterly stupid.
'Well, there's always a couple of arseholes anywhere isn't there? I bet you've got a few on the force haven't you?' Holland smiled, but only with his mouth. 'Yeah, there was the odd one, you know, couldn't see the joke, but we'd just take the piss. You've got to have a sense of humour haven't you? I mean, we're all fair game at the end of the day...'
Thorne tuned Bracher out. The courier and the girls on reception were still flirting. Jane Lovell might have been killed by a complete stranger, and she might have been killed by someone she knew well. A third option was that her murderer was someone with whom she was casually acquainted - someone she saw regularly without ever really knowing. A courier, a shop assistant, someone she met at the tube station every morning.
Call it a couple of thousand suspects...
'Jane was always up for it, you know? Up for the crack.' Bracher was still eulogising. 'As far as I know, she got on with almost everybody.'
Thorne spoke directly to him for the first time, his sarcasm undisguised.
'And, as far as you know, Mr. Bracher, did she ever get off with anybody?'
Bracher reddened. He picked up a teaspoon and tapped it against the side of the table for a few seconds. 'Look, I'm here to make sure that people can work together. Who they're sleeping with is really none of my business.'
'Even if it's someone in the same office? I find that hard to believe.'
Bracher's mobile rang and he grabbed for it gratefully. As he murmured into it, he raised his eyebrows at Thorne, an apology for the tiresome interruption. Thorne looked at Holland. Time to go. Bracher shrugged and stood up. 'I'm sorry, but unless there's anything else...'
As they all shook hands, gathering up jackets and overcoats, the thought crossed Thorne's mind that Bracher had primed a colleague to ring him after ten minutes, giving him an excuse to get away. As he and Holland pushed their way out through the revolving door, a second thought entered his mind. A question. Had he developed finely honed, razor-sharp instincts, or was he just a cynical bastard?
'What do you make of him, then?' Holland asked. They were walking along Shaftesbury Avenue, towards the Cambridge Circus NCP on Gerrard Street, where Thorne's F-reg Mondeo was busy lowering the tone. It was bright but freezing. Scarves and sunglasses weather...
'I think he was sleeping with Jane Lovell, or had been at some point.'
Holland nodded. 'Worth looking at d'you think?'
Thorne pulled a face. He was a cynical bastard, but those instincts he did have, told him that Bracher, though an arrogant, unpleasant sod, was probably no more than that. He wondered how many more of them he was going to have to deal with before this case was finished. Back at Becke House, Thorne walked past McEvoy who was on the phone in the Major Incident Room. She waved at him, indicating that she needed to talk. He nodded and carried on through to his own office.
He sat down at his desk, flicked the desktop calendar forward to Tue, Dec 11, and stared for a minute at the psychedelic screensaver that Holland had installed for him. The vivid colours swam and morphed and bled into one another, and he gazed at them until they began to blur and hurt his eyes. They were there, so he'd been told, to stop the computer screen burning out. Thorne wondered if they made something that could do the same for policemen. He stood up and marched briskly out of the office into the Incident Room, not looking at anybody, not speaking, grabbing a chair and taking it with him.
He wasn't burnt out yet...
If he disliked his office, his feelings for the Incident Room were closer to pure hatred. There was so much more of it. A room of sharp corners and dead air. A long, dirty window, the light diffused through an off-white vertical blind, one blade permanently broken and crumpled onto the windowsill, where it lay among the corpses of a hundred long-dead bluebottles. A dozen or more desks. Sharp corners waiting to catch a thigh or tear the back of a hand. There was one in particular that caught Thorne several times a week, no matter how hard he tried to avoid it. The room was a feng shui nightmare. Not that he had any truck whatsoever with that kind of rubbish. The only rearrangement of furniture and personal belongings that he had any belief in, involved burglars and fences.
He dragged the chair across the room behind him, steering well clear of the lethal desktop. He planted himself at the far end, in front of the wall, and stared.
Jane Lovell. Katie Choi. Ruth Murray. Carol Garner. Photocopies of photos on a ratty, cork pinboard.
And file names on a computer, sticky labels on jars in a mortuary... Arrows and swooping lines marked in thick, black felt-tip pen on a wipe-clean chart. Lines that linked grainy prints of the four victims to lists of dates, times and locations. Beneath these was another batch of names in a row of wonky columns. Margie Knight. Michael Murrell. Lyn Gibson.
Charlie Garner...
Witnesses. Friends. Family. Figures at the periphery of the case diagram. Thorne stared at the chart. A few nights before, he had sat and thought about the hundreds, the thousands of those whose livelihood depended on killing. Now, he thought about the more unwilling participants. Those who had not chosen to play any part in the process - a process that ended with their names scribbled on a wipe clean board.
Those hundreds of lives touched by a single death. Jane Lovell. Katie Choi. Ruth Murray. Carol Garner. Four single deaths. Two twisted killers. Thorne stared at the names and pictures on the wall in front of him and felt it slipping away. The case was going cold. They were losing it.
Thorne turned at a commotion behind him and saw Brigstocke marching across the office in his direction. A step or two behind the DCI was a man Thorne recognised from the press conference a few days earlier. He couldn't remember the name...
'Tom, this is Steve Norman, our new Senior Press Officer.'
Norman, that was it. Soberly suited and suitably respectful as he'd welcomed the ladies and gentlemen of the media into the briefing room at Scotland Yard, and smoothed the way for Trevor Jesmond with a few easy jokes. Nothing that might compromise the seriousness of the investigation of course, or distract the attention of the cameras from their intended target. Clearly he was someone who could tailor his demeanour to any occasion.
Thorne stood. Norman stepped smartly forward and reached for his hand. He was a smallish man, sinewy and energised. His
black hair was gelled and swept back, and his dark eyes held Thorne's as their hands met.
'Pleased to meet you, Tom.'
There were perhaps forty people in the room - detectives, uniforms and civilian auxiliaries. The hubbub, the noise of phones ringing and printers whirring, was not inconsiderable. Thorne, for reasons he couldn't explain, felt forty pairs of eyes upon him and imagined that the entire place had fallen silent.
Brigstocke gestured towards the other side of the room. 'Let's go into the office shall we. You can't hear yourself think in here...'
Thorne led the way. Brigstocke and Norman walked a few paces behind, and despite his best efforts, Thorne could hear nothing of their murmured conversation. As he glanced back over his shoulder, he caught his thigh on the sharp corner of the deadly desktop.
'Fuck!'
The stab of pain was intense. He kicked the leg of the desk. The eyes of the woman behind it widened in alarm, her arms spreading to prevent a tottering tower of paperwork from collapsing. When Thorne reached the door to his office, still rubbing the top of his thigh, Holland, who was on a coffee run, caught his eye. The DC's raised eyebrows asked the question. Thorne's tiny shrug gave the answer. Your guess is as good as mine, mate... Once inside, Thorne poured himself into a chair and was a little disconcerted to see that Brigstocke was still standing and Norman was leaning casually against a desk. They were both looking down at him.
'It's clear that the media are not giving up on this until we've got a result ...' Brigstocke said. It was the voice he usually reserved for superior officers. 'So it's important that we keep Steve up to speed with everything.' Thorne was hugely relieved that Brigstocke hadn't gone as far as mentioning the fabled hymn sheet that they were all supposed to be singing from.
Norman flashed the smile that Thorne had seen him use to such good effect when he'd introduced Jesmond at the press conference.
'Russell's already filled me in. I just wanted to introduce myself properly, and apologise in advance, because at some point I will become a pain in the arse.'
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