The Loop

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The Loop Page 21

by Anabel Donald

‘I suppose so,’ he said, looking slightly appalled. ‘What’s that?’

  ‘A list of the things you said to Polly last night.’

  ‘I was rather drunk, last night.’

  ‘In Ancient Rome, if you committed a crime when you were drunk you were punished twice. Once for the crime, once for being drunk.’

  ‘I didn’t know that.’

  ‘So I’m ignorant, huh?’ I said.

  ‘Are you going to marry me or not?’ he said. He sounded half-serious, half-amused.

  ‘I have to share your feelings, first,’ I said.

  ‘Another put-off,’ he said angrily.

  I put my hand out to take his reassuringly. At that moment our first course arrived and the hand I took was the waiter’s.

  When we’d sorted it out and the waiter’d gone, the moment had passed, but Barty wasn’t angry any more. ‘It isn’t another put-off,’ I said. ‘It’s a good point. You say you want to marry me, but there’s all these things you haven’t told me about.’

  ‘Because you haven’t asked.’

  ‘I’m asking now.’

  ‘What are you asking?’

  I glanced down the list:

  mother

  grandmother

  childhood

  dog who died

  first time he knew he loved me

  where live

  emeralds

  Comme des Garçons

  friend’s production company

  hinterlands

  the meaning of life

  I read it twice, and thought. Mostly I thought about why I felt so paralysingly shy.

  ‘Alex,’ he said, ‘are you doing this to hurt me?’

  ‘No. Really not. It’s – loops.’

  ‘Loops?’

  ‘Little toy-train circles, that everyone chugs round. Like Jacob. Obsessive. Had to know best. Didn’t trust anyone, so loneliness made him trust the wrong person.’

  ‘Only fifty per cent of the time,’ said Barty. ‘He was right to trust Jams.’

  ‘I suppose . . . But that was luck. Anyway, I think you want me to leave my loop. I can’t leave it, but I could broaden it. Put in branch lines, you know. And I’m trying, but it’s hard. So I make a list because I like lists and I make a sort of joke because it’s safer.’

  ‘You’re very honest,’ he said. ‘That’s one of the reasons I love you so much. Will you let me see the list?’

  ‘No. OK, I’m ready to start. We’ll start with – the dog you had, that died.’

  ‘Why start there?’ he said tenderly.

  I hesitated. But he’d said he liked my honesty, hadn’t he? ‘It’s probably the dullest,’ I said. ‘We can get it over with.’

  Anabel Donald

  Anabel Donald has been writing fiction since 1982 when her first novel, Hannah at Thirty-five, was published to great critical acclaim.

  In her thirty-six-year teaching career she has taught adolescent girls in private boarding schools, a comprehensive and an American university. Most recently, she has written the five Alex Tanner crime novels in the Notting Hill series.

  Bello

  hidden talent rediscovered

  Bello is a digital-only imprint of Pan Macmillan, established to breathe new life into previously published, classic books.

  At Bello we believe in the timeless power of the imagination, of a good story, narrative and entertainment, and we want to use digital technology to ensure that many more readers can enjoy these books into the future.

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  The Notting Hill Mysteries

  An Uncommon Murder

  In at the Deep End

  The Glass Ceiling

  The Loop

  Destroy Unopened

  Copyright

  First published 1996 by Macmillan

  This edition published 2015 by Bello

  an imprint of Pan Macmillan

  20 New Wharf Road, London N1 9RR

  Basingstoke and Oxford

  Associated companies throughout the world

  www.panmacmillan.co.uk/bello

  ISBN 978-1509-8134-69 EPUB

  ISBN 978-1509-8134-76 HB

  ISBN 978-1509-8134-83 PB

  Copyright © Anabel Donald 1996

  The right of Anabel Donald to be identified as the

  author of this work has been asserted by her

  in accordance with the Copyright, Designs and Patents Act 1988.

  All rights reserved. No part of this publication may be reproduced,

  stored in a retrieval system, or transmitted, in any form, or by any means

  (electronic, mechanical, photocopying, recording or otherwise)

  without the prior written permission of the publisher.

  This book is a work of fiction. Names, characters, places, organizations

  and incidents are either products of the author’s imagination or used fictitiously.

  Any resemblance to actual events, places, organizations or persons,

  living or dead, is entirely coincidental.

  This book remains true to the original in every way. Some aspects may appear

  out-of-date to modern-day readers. Bello makes no apology for this, as to retrospectively

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  A CIP catalogue record for this book is available from the British Library.

  Typeset by Ellipsis Digital Limited, Glasgow

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