by John Crowley
She dreamed, toward dawn, curled against him, of muscle; of the tensed legs of his wives bearing him, of the fine bones and muscles of his hands, of her own slim arms wrapped in his, struggling with his. The soreness of her own muscles entered her dream, her own sinews tightening and slackening. She dreamed: I did it I did it I did it. She awoke exulting then for a moment and curled herself tighter against his deathlike sleep. She dreamed of his purring dreaming breath; it grew huge and menacing, and she awoke to the fast tick of the searching helicopter growing quickly closer. She moved to awake him, but he was awake already; all his senses pointed toward the growing sound. It became a roar, and its wind stirred in the cabin. It had landed outside.
He had a hand on her that she knew meant keep still. He turned, crouched and silent, toward the door, which was locked. Feet came across the pine needles toward the door with a sound they wouldn’t have heard if they weren’t all attention. Someone tried the door, paused, knocked, waited, pounded impatiently, waited again, then kicked in the door with a sudden crack. For a moment she could see a man silhouetted against the morning, could see him hesitate, looking into the shuttered gloom of the cabin, could see the gun in his hands. Then Painter, beside her, exploded.
She didn’t see Painter move, nor did the one at the door, but there was a cry from his throat and a flurry of motion and he had seized the intruder, who made one sound, a sound Caddie would never forget—the desperate, shocked shriek of seized prey—and Painter had locked the man’s head between his forearms. The man sank suddenly, as though punctured, his head loose on his body.
Painter, legs wide apart, supported him roughly—worried him, she would think later, like a cat, turning him this way and that to see if there was any life left in him—and then dropped him. “Sunless bastard,” he said, or she thought he said. Beyond, in the tiny clearing, the copter’s blades rotated lazily, not quite done.
“Come in TK24,” the radio said. “Come in TK24. Have you achieved O1?” It spoke in quick, harsh bursts, all inflection lost in an aura of static. Getting no reply from TK24 (who was dead), it began a conversation with someone else; the someone else’s voice couldn’t be heard, was pauses only, long or short. “Roger your request to return to base.”… “No, that hasn’t been verified as yet. He doesn’t come in.”… “Negative, negative. Listen, you’d be the first to know.”… “That’s what I understand. The cabin was his O1. Then the wrecked plane.” A laugh, strangled in static. “Government. A real antique. He wouldn’t get far.”… “Positive, that is O2 of TK24 and we’ll hear soon.”… “Right, positive, over. Come in TK24, TK24…”
On the glossy seat of the copter were charts covered with clear plastic. On one of them were circles in red grease crayon: one circle was labeled O1. The other circle, from what Painter could read of the map, was about ten miles off, up a sharp elevation, and was labeled O2.
Caddie came toward him, passing slowly the folded body of TK24, and feeling as though she had entered somewhere else, somewhere totally other, and had no way to get back. “You killed him.”
“You’re staying here,” he said. “Up there on the mountain a plane’s crashed. It might be him. If it isn’t, I’ll be back tonight or tomorrow.”
“No.”
“Get my rifle.”
“I’ll get it. But I’m coming with you.”
He looked at her for a moment, looked at her—in a new way, with that new bond between them, looked—no. She felt a chill wave of something like despair. He looked the same. Nothing had changed, not for him. All her surrender had been for nothing, nothing…. He turned away. “Get the horses, then. We’ll take them as far as we can.”
If he wasn’t made for walking, he was made less for climbing. Only his strength hauled him up, his strength and a fierce resolve she didn’t dare break by speaking, except to tell him where she had found the easiest ways up. He followed. Once, she got too far ahead, lost sight of him, and couldn’t hear him coming after her. She retraced her steps and found him resting, panting, his back against a stone.
“Monkey,” he said. “A damned monkey. I haven’t got your strength.”
“Strength,” she said. “Two hours ago you killed somebody, with your hands, in about ten seconds.”
“I saw him first. It would’ve taken him even less. He had a gun.” For the first time since he had turned those yellow eyes on her at Hutt’s place the night she was being sold, she felt that he was trying to read her. “They want to kill us all, you know. They’re trying.”
“Who?”
“The government. Men. You.” Still his eyes searched her. “We’re no use to them. Worse than useless. Poachers. Thieves. Polygamists. We won’t be sterilized. There’s no good in us. We’re their creation, and they’re phasing us out. When they can catch us.”
“That’s not right!” She felt deep horror, and shame. “How can they… You’ve got a right to live.”
“I don’t know about a right.” He stood, breaking his look. “But I am alive. I mean to stay that way. Let’s go.”
The government. Men. You. What did she expect from him, then? Love? The leo had bought her as men hunt leos. They were not one kind; never, never could she and he be one. He could only use her, or not, as he liked. She climbed fiercely, tears (of rage or pity, for herself or for him, she didn’t know) breaking the chill morning into stars.
They found O2 fitted snugly into the trees at the end of a rocky pasture. Its wings were folded back, neatly, looking at rest like a bird’s; but bits of the plane were scattered over the pasture violently, and its wings were never made to bend. Painter went near it cautiously. The long shadows of the forest crept across the field, quicker as the sun sank further. One crazed window of the plane flared briefly in the last sun. There was an absolute stillness there; the wrecked plane was incongruous and yet proper, like a galleon at the bottom of the sea. There was no pilot, dead or alive; no one. Painter stood by it a long moment, turning his head slowly, utterly attentive; then, as though he had perceived a path, he plunged into the woods: She followed.
He didn’t go unerringly to the tree; it was as if he knew it must be there, but not exactly where it was. He stopped often, turned, and turned again. The long blue twilight barely entered here, and they must go slowly through the undergrowth. But he had it then: an ancient monarch, long dethroned, topless and hollow, amid upstart pines. Insects and animals had deposited the powdered guts of it at the narrow door.
“Good afternoon. Counselor,” he said softly.
“If you come any closer,” said a little voice within the tree, “I’ll shoot. I have a gun. Don’t try…”
“Gently, Counselor,” Painter said.
“Is that you? Painter? Good god…”
She had come up beside him and looked into the hollow. A tiny man was wedged into the narrow space. His spectacles, one lens cracked, glinted; so did the small pistol in his hands.
“Come out of there,” Painter said.
“I can’t. Something’s broken. My foot, somewhere.” From fear, exposure, something, his voice sounded faint and harsh, like fine sandpaper. “I’m cold.”
“We can’t light a fire.”
“There’s a cell heater in the plane. It might work.” She could hear in his voice that he was trembling. Painter withdrew into the trees toward the blue dimness of the pasture, leaving her alone by the tree. She squatted there, alert, a little afraid; whoever was looking for this counselor would come and find him soon.
“You don’t,” said the tree, “have a cigarette.” It was a remark only, without hope; and she almost laughed, because she did: the pack she had put in her shirt pocket, for Painter, a lifetime ago…. She gave them to him, and her tin of matches. He groaned with relief. In the brief, trembling light of the match she glimpsed a long, small face, thick, short red hair, a short red beard. His glasses flashed and went out again. “Who are you?” he said.
“His.” Yes. “Indentured, from now till…”
“Not a bit.”
“What?”
“Against the law. No leo could possibly employ a man. You’re not obliged. ‘No human being shall be suborned by or beholden and subservient to a member of another species.’” A tiny bark of a laugh, and he relapsed into exhausted silence.
Painter came back carrying the heater, its element already glowing dully. He put it before the tree’s mouth and sat; the tension had slipped from him like a garment, and he moved with huge grace to arrange himself on the ground. “Get warm,” he said softly. “We’ll get you out. Down the mountain. Then we’ll talk.” His eyes, jewellike in the heater’s glow, drifted closed, then opened slowly, feral and unseeing.
“He said,” Caddie said, “that you can’t own me. In the law.”
He could at that moment have been expressing rage, contempt, indifference, jealousy: she had no way to tell. His glower was as vast as it was meaningless. “Warm,” he said. He scratched, carefully. He slept.
“Of course,” said the little mocking voice inside the tree, “he is King of Beasts. Or Pretender anyway. But that never applied to men, did it? Men are the Lords of Creation.”
Painter was a shaggy shape utterly still. The law. What could it matter? The bond between them, which she had made out of total surrender since she had no other tool to forge it with, couldn’t be broken now; not even, she thought fiercely, by him. “I suppose,” he said, “a person could stop being a Lord of Creation. Surrender that. And be a beast.” There was a tiny hammer beating within her thigh where he had stretched her. She felt it flutter. “Only another beast of his.”
“I don’t know.” He was moving within the tree, trying to extricate himself. “Of course he has always been my king. No matter how often I have failed him.” A small cry of pain. “Or fooled him. Help me here.”
She went to the tree and he held out for her to take an impossibly tiny black-palmed hand, its wrist long and fine as a bunch of sticks tied, together. If he hadn’t gripped her hard, like a little child, she would have dropped the hand in fear. He pulled himself toward the opening, and she could see his long mouth grinning with effort; his yellow teeth shone.
“Who are you?” she said.
He ceased his efforts, but didn’t release her. His eyes, brown and tender behind the glasses, searched her. “That’s difficult to say, exactly.” Was he smiling? She was close to him now, and an odor that before had been only part of the woods odor grew distinct. Distinct and familiar. “Difficult to say. But you can call me Reynard.”
3
THE FLAYING OF ISENGRIM
The hardest work, Sten learned, was to carry the bird. Loren knew it was hard for a boy of fourteen to carry even a tiercel for the hours required, and he wore a glove, too, but Sten hated to give up the hawk; it was his hawk, he was the falconer, the hawk should be his alone to carry. If he rode, slowly, it was easier; but even on horseback Sten wanted desperately to lower his arm. Loren mustn’t know that; neither must the hawk. As he rode, he spoke quietly, confidentially, to Hawk—he had never given him any other name, though Mika had thought of many: kingly, fierce names. Somehow, it seemed to Sten, any other name would be an excrescence, a boast about power and authority that a man might need but this bird didn’t.
There had been a first frost that morning, and the leaves and brown grass they rode over were still painted with it; though the sun would be high soon and erase it, just for this moment it was lit with infinitesimal colored lights. Chet and Martha, the pointers, breathed out great clouds of frost as they studied the morning, padding with directness but no hurry toward the open fields that lay beyond the old stone farmhouse.
The farmhouse was mews, stable, and kennel, and Sten and Mika’s private place. Their tutor, Loren, was allowed inside, but no one else. When their father had bought the long brown mansion whose roofs were still visible to them over the ridge, he’d wanted to pull down the old farmhouse and fill in the fulsome, duck-weedy pond. Sten had asked for an interview, and presented to his father the reasons for keeping them—for nature study, a place of their own to be responsible for, a place for the animals outside the house. He did it so carefully and reasonably that his father laughed and relented.
What his father had feared, of course, was that the place could be used for cover in an attack. The sensors around the grounds couldn’t see through its walls. But he put aside his fears.
“Don’t, Mika!” Sten hissed, but Mika had already kicked her bay pony into the proper gait. She took the low stone wall with great ease, gently, almost secretly, and quickly pulled up on the other side.
“Damn you,” Sten said. His horse, seeing its cousin take off, had gotten restless to follow, and Sten had only one hand to settle him. Hawk bated on his wrist, the tassels of his hood nodding, his beak opening. He moved his feet on the glove, griping deeply; his bells rang. Furious, but careful, Sten picked his way through the fallen place in the wall. Mika was waiting for him; her brown eyes were laughing, though her mouth tried not to.
“Why did you do it? Can’t you see…”
“I wanted to,” she said, defensive suddenly, since he wasn’t going to be nice about it. She turned her horse and went after Loren and the dogs, who were getting on faster than they.
It’s Hawk, Sten thought. She’s jealous, is all. Because Hawk is mine, so she’s got to show off. Well, he is mine. He rode carefully after them, trying not to let any of this move Hawk, who was sensitive to any emotion of Sten’s. Hawk was an eyas—that is, he had never molted in the wild; he was a man’s bird, raised by men, fed by men. Eyases are sensitive to men’s moods far more than are passage hawks caught as adults. Sten had done everything he could to keep him wild—had even let him out “at hack,” after his first molt, though it was terrible to see him go, knowing he might not return to feed at the hack board. He tried to treat him, always with that gracious, cool authority his father used with his aides and officers. Still, Hawk was his, and Sten knew that Hawk loved him with a small, cool reflection of the passion Sten felt for him.
Loren called to him. Across the field, where the land sloped down to marshy places, Chet and Martha had stopped and were pointing to a ragged copse of brush and grapevine.
Sten dismounted, which took time because of Hawk; Mika held his horse’s head, and then took up the reins. Sten crossed the field toward the place the dogs indicated, a thick emotion rising in him. When Loren held up his hand, Sten stopped and slipped Hawk’s hood.
Hawk blinked, the great sweet eyes confused for a moment. The dogs were poised, unmoving. Loren watched him, and watched the dogs. This was the crucial part. A bad point from the dogs, bad serve from Sten, and Hawk would lose his game; if he missed it, he would sit glumly on the ground, or skim idly around just above the ground, looking for nothing; or fly up into a tree and stare at them all, furious and unbiddable; or just rake off and go, lost to them, perhaps forever.
Hawk shifted his stance on Sten’s wrist, which made his bells sound, and Sten thought: he knows, he’s ready. “Now!” he cried, and Loren sent the dogs into the bush. Hawk roused, and Sten, with all the careful swift strength he could put into his weary arm, served Hawk. Hawk rose, climbing a stair in the air, rose directly overhead till he was nearly as small as a swallow. He didn’t rake off, didn’t go sitting trees; it was too fine a morning for that; he hung, looking down, expecting to see something soon that he could kill.
“He’s waiting on,” Mika said, almost whispered. She shaded her eyes, trying to see the black neat shape against the hard blue sky. “He’s waiting on, look, look…”
“Why don’t they flush it?” Sten said. He was in an agony of anticipation. Had he served too soon? Was there nothing in the copse? They should have brought something bagged. What if it was a grouse, something too big…? He began to walk, steadily, with long steps, so that Hawk could see him. He had the lure in his pocket, and Hawk would have to come to that, if he would deign to, if…
Two woodcock burst noisily from the copse. Sten stopped. He looked overhead.
Hawk had seen. Already, Sten knew, he had chosen one of them; his cutout shape changed; he began to stoop. Sten didn’t breathe. The world had suddenly become ordered before his sight, everything had a point, every creature had a purpose—dogs, birds, horses, men—and the beautiful straight strength to accomplish it: the world, for this moment, had a plot.
Both the woodcock were skimming low to the ground, seeking cover again. Sten could hear the desperate beating of their wings. Hawk, though, fell silently, altering his fall as the cock he had chosen veered and fled. The other saw cover and dove into a brake as though flung there; the one Hawk had chosen missed the brake, and seemed to tumble through the air in avoidance, and it worked, too: Hawk misjudged, shot like a misaimed arrow below the woodcock.
Mika was racing after them. Sten, watching, had missed his stirrup and now clambered up into the saddle and kicked the horse savagely. Loren was whistling urgently to Chet and Martha to keep them out of it. The woodcock wouldn’t dare try for cover again. It could only hope to rise higher and faster than the falcon, so the falcon couldn’t stoop to it. The “field”—Sten, Mika, Loren on foot, and the dogs—chased after them.
Hawk rose in great circles around the climbing woodcock. Far faster and stronger, he outflew it easily, but must gain sufficient altitude for a second stoop. They were only marks in the sky, but their geometry was clear to Sten, who shaded his eyes with the big glove he wore, to see.
“He’s beaten, look!” Loren cried. “Look!”
The woodcock was losing altitude, dropping, exhausted, raking off. Beaten in the air, it was trying for cover again, falling fatally beneath the hawk, who gathered above it. There was a line of trees at the pasture edge and the woodcock plummeted toward it; but it was doomed. Sten wondered, in a moment of cold clarity, what the woodcock felt. Terror only? What?