“Sure! They call it the “one-and-one” case. It’s been worked out mathematically, but it’s the philosophical implications that interest me.”
“It’s nice to think about,” admitted Sheerin, “as a pretty abstraction -- like a perfect gas, or absolute zero.”
“Of course,” continued Beenay, “there’s the catch that life would be impossible on such a planet. It wouldn’t get enough heat and light, and if it rotated there would be total Darkness half of each day. You couldn’t expect life -- which is fundamentally dependent upon light -- to develop under those conditions. Besides –“
Sheerin’s chair went over backward as he sprang to his feet in a rude interruption. “Aton’s brought out the lights.”
Beenay said, “Huh,” turned to stare, and then grinned halfway around his head in open relief.
There were half a dozen foot-long, inch-thick rods cradled in Aton’s arms. He glared over them at the assembled staff members.
“Get back to work, all of you. Sheerin, come here and help me!” Sheerin trotted to the older man’s side and, one by one, in utter silence, the two adjusted the rods in makeshift metal holders suspended from the walls.
With the air of one carrying through the most sacred item of a religious ritual, Sheerin scraped a large, clumsy match into spluttering life and passed it to Aton, who carried the flame to the upper end of one of the rods.
It hesitated there awhile, playing futilely about the tip, until a sudden, crackling flare cast Aton’s lined face into yellow highlights. He withdrew the match and a spontaneous cheer rattled the window.
The rod was topped by six inches of wavering flame! Methodically, the other rods were lighted, until six independent fires turned the rear of the room yellow.
The light was dim, dimmer even than the tenuous sunlight. The flames reeled crazily, giving birth to drunken, swaying shadows. The torches smoked devilishly and smelled like a bad day in the kitchen. But they emitted yellow light.
There was something about yellow light, after four hours of somber, dimming Beta. Even Latimer had lifted his eyes from his book and stared in wonder.
Sheerin warmed his hands at the nearest, regardless of the soot that gathered upon them in a fine, gray powder, and muttered ecstatically to himself. “Beautiful! Beautiful! I never realized before what a wonderful color yellow is.”
But Theremon regarded the torches suspiciously. He wrinkled his nose at the rancid odor and said,
“What are those things?”
“Wood,” said Sheerin shortly.
“Oh, no, they’re not. They aren’t burning. The top inch is charred and the flame just keeps shooting up out of nothing.”
“That’s the beauty of it. This is a really efficient artificial-light mechanism. We made a few hundred of them, but most went to the Hideout, of course. You see” -- he turned and wiped his blackened hands upon his handkerchief -- “you take the pithy core of coarse water reeds, dry them thoroughly, and soak them in animal grease. Then you set fire to it and the grease burns, little by little. These torches will burn for almost half an hour without stopping. Ingenious, isn’t it? It was developed by one of our own young men at Saro University.”
After the momentary sensation, the dome had quieted. Latimer had carried his chair directly beneath a torch and continued reading, lips moving in the monotonous recital of invocations to the Stars.
Beenay had drifted away to his cameras once more, and Theremon seized the opportunity to add to his notes on the article he was going to write for the Saro City Chronicle the next day -- a procedure he had been following for the last two hours in a perfectly methodical, perfectly conscientious and, as he was well aware, perfectly meaningless fashion. But, as the gleam of amusement in Sheerin’s eyes indicated, careful note-taking occupied his mind with something other than the fact that the sky was gradually turning a horrible deep purple-red, as if it were one gigantic, freshly peeled beet; and so it fulfilled its purpose.
The air grew, somehow, denser. Dusk, like a palpable entity, entered the room, and the dancing circle of yellow light about the torches etched itself into ever-sharper distinction against the gathering grayness beyond. There was the odor of smoke and the presence of little chuckling sounds that the torches made as they burned; the soft pad of one of the men circling the table at which he worked, on hesitant tiptoes; the occasional indrawn breath of someone trying to retain composure in a world that was retreating into the shadow.
It was Theremon who first heard the extraneous noise. It was a vague, unorganized impression of sound that would have gone unnoticed but for the dead silence that prevailed within the dome.
The newsman sat upright and replaced his notebook. He held his breath and listened; then, with considerable reluctance, threaded his way between the solarscope and one of Beenay’s cameras and stood before the window.
The silence ripped to fragments at his startled shout: ‘ Sheerin!” Work stopped! The psychologist was at his side in a moment. Aton joined him. Even Yimot 70, high in his little lean-back seat at the eyepiece of the gigantic solarscope, paused and looked downward.
Outside, Beta was a mere smoldering splinter, taking one last desperate look at Lagash. The eastern horizon, in the direction of the city, was lost in Darkness, and the road from Saro to the Observatory was a dull-red line bordered on both sides by wooded tracts, the trees of which had somehow lost individuality and merged into a continuous shadowy mass.
But it was the highway itself that held attention, for along it there surged another, and infinitely menacing, shadowy mass.
Aton cried in a cracked voice, “The madmen from the city! They’ve come!”
“How long to totality?” demanded Sheerin.
“Fifteen minutes, but . . . but they’ll be here in five.”
“Never mind, keep the men working. We’ll hold them off. This place is built like a fortress. Aton, keep an eye on our young Cultist just for luck. Theremon, come with me.” Sheerin was out the door, and Theremon was at his heels. The stairs stretched below them in tight, circular sweeps about the central shaft, fading into a dank and dreary grayness.
The first momentum of their rush had carried them fifty feet down, so that the dim, flickering yellow from the open door of the dome had disappeared and both above and below the same dusky shadow crushed in upon them.
Sheerin paused, and his pudgy hand clutched at his chest. His eyes bulged and his voice was a dry cough. “I can’t . . . breathe . . . Go down . . . yourself. Close all doors -- “ Theremon took a few downward steps, then turned.
“Wait! Can you hold out a minute?” He was panting himself. The air passed in and out his lungs like so much molasses, and there was a little germ of screeching panic in his mind at the thought of making his way into the mysterious Darkness below by himself.
Theremon, after all, was afraid of the dark!
“Stay here,” he said. I’ll be back in a second.” He dashed upward two steps at a time, heart pounding -- not altogether from the exertion -- tumbled into the dome and snatched a torch from its holder.
It was foul-smelling, and the smoke smarted his eyes almost blind, but he clutched that torch as if he wanted to kiss it for joy, and its flame streamed backward as he hurtled down the stairs again.
Sheerin opened his eyes and moaned as Theremon bent over him. Theremon shook him roughly.
“All right, get a hold on yourself. We’ve got light.”
He held the torch at tiptoe height and, propping the tottering psychologist by an elbow, made his way downward in the middle of the protecting circle of illumination.
The offices on the ground floor still possessed what light there was, and Theremon felt the horror about him relax.
“Here,” he said brusquely, and passed the torch to Sheerin. “You can hear them outside.” And they could. Little scraps of hoarse, wordless shouts.
But Sheerin was right; the Observatory was built like a fortress. Erected in the last century, when the neo-Gavottian style o
f architecture was at its ugly height, it had been designed for stability and durability rather than for beauty.
The windows were protected by the grillwork of inch-thick iron bars sunk deep into the concrete sills. The walls were solid masonry that an earthquake couldn’t have touched, and the main door was a huge oaken slab rein -- forced with iron. Theremon shot the bolts and they slid shut with a dull clang.
At the other end of the corridor, Sheerin cursed weakly. He pointed to the lock of the back door which had been neatly jimmied into uselessness.
“That must be how Latimer got in,” he said.
“Well, don’t stand there,” cried Theremon impatiently. “Help drag up the furniture -- and keep that torch out of my eyes. The smoke’s killing me.”
He slammed the heavy table up against the door as he spoke, and in two minutes had built a barricade which made up for what it lacked in beauty and symmetry by the sheer inertia of its massiveness.
Somewhere, dimly, far off, they could hear the battering of naked fists upon the door; and the screams and yells from outside had a sort of half reality.
That mob had set off from Saro City with only two things in mind: the attainment of Cultist salvation by the destruction of the Observatory, and a maddening fear that all but paralyzed them. There was no time to think of ground cars, or of weapons, or of leadership, or even of organization. They made for the Observatory on foot and assaulted it with bare hands.
And now that they were there, the last flash of Beta, the last ruby-red drop of flame, flickered feebly over a humanity that had left only stark, universal fear!
Theremon groaned, “Let’s get back to the dome!”
In the dome, only Yimot, at the solarscope, had kept his place. The rest were clustered about the cameras, and Beenay was giving his instructions in a hoarse, strained voice.
“Get it straight, all of you. I’m snapping Beta just before totality and changing the plate. That will leave one of you to each camera. You all know about . . . about times of exposure -- “ There was a breathless murmur of agreement.
Beenay passed a hand over his eyes. “Are the torches still burning? Never mind, I see them!” He was leaning hard against the back of a chair. “Now remember, don’t. . . don’t try to look for good shots. Don’t waste time trying to get t-two stars at a time in the scope field. One is enough. And . . . and if you feel yourself going, get away from the camera.”
At the door, Sheerin whispered to Theremon, “Take me to Aton. I don’t see him.” The newsman did not answer immediately. The vague forms of the astronomers wavered and blurred, and the torches overhead had become only yellow splotches.
“It’s dark,” he whimpered.
Sheerin held out his hand. “Aton.” He stumbled forward. “Aton!” Theremon stepped after and seized his arm. “Wait, I’ll take you.” Somehow he made his way across the room. He closed his eyes against the Darkness and his mind against the chaos within it.
No one heard them or paid attention to them. Sheerin stumbled against the wall. “Aton!” The psychologist felt shaking hands touching him, then withdrawing, a voice muttering, “Is that you, Sheerin?”
“Aton!” He strove to breathe normally. “Don’t worry about the mob. The place will hold them off.”
Latimer, the Cultist, rose to his feet, and his face twisted in desperation. His word was pledged, and to break it would mean placing his soul in mortal peril. Yet that word had been forced from him and had not been given freely. The Stars would come soon! He could not stand by and allow -- And yet his word was pledged.
Beenay’s face was dimly flushed as it looked upward at Beta’s last ray, and Latimer, seeing him bend over his camera, made his decision. His nails cut the flesh of his palms as he tensed himself.
He staggered crazily as he started his rush. There was nothing before him but shadows; the very floor beneath his feet lacked substance. And then someone was upon him and he went down with clutching fingers at his throat.
He doubled his knee and drove it hard into his assailant. “Let me up or I’ll kill you.” Theremon cried out sharply and muttered through a blinding haze of pain. “You double-crossing rat!”
The newsman seemed conscious of everything at once. He heard Beenay croak, “I’ve got it. At your cameras, men!” and then there was the strange awareness that the last thread of sunlight had thinned out and snapped.
Simultaneously he heard one last choking gasp from Beenay, and a queer little cry from Sheerin, a hysterical giggle that cut off in a rasp -- and a sudden silence, a strange, deadly silence from outside.
And Latimer had gone limp in his loosening grasp. Theremon peered into the Cultist’s eyes and saw the blankness of them, staring upward, mirroring the feeble yellow of the torches. He saw the bubble of froth upon Latimer’s lips and heard the low animal whimper in Latimer’s throat.
With the slow fascination of fear, he lifted himself on one arm and turned his eyes toward the blood-curdling blackness of the window.
Through it shone the Stars!
Not Earth’s feeble thirty-six hundred Stars visible to the eye; Lagash was in the center of a giant cluster. Thirty thousand mighty suns shone down in a soul-searing splendor that was more frighteningly cold in its awful indifference than the bitter wind that shivered across the cold, horribly bleak world.
Theremon staggered to his feet, his throat, constricting him to breathlessness, all the muscles of his body writhing in an intensity of terror and sheer fear beyond bearing. He was going mad and knew it, and somewhere deep inside a bit of sanity was screaming, struggling to fight off the hopeless flood of black terror. It was very horrible to go mad and know that you were going mad -- to know that in a little minute you would be here physically and yet all the real essence would be dead and drowned in the black madness.
For this was the Dark -- the Dark and the Cold and the Doom. The bright walls of the universe were shattered and their awful black fragments were falling down to crush and squeeze and obliterate him.
He jostled someone crawling on hands and knees, but stumbled somehow over him. Hands groping at his tortured throat, he limped toward the flame of the torches that filled all his mad vision.
“Light!” he screamed.
Aton, somewhere, was crying, whimpering horribly like a terribly frightened child. “Stars -- all the Stars -- we didn’t know at all. We didn’t know anything. We thought six stars in a universe is something the Stars didn’t notice is Darkness forever and ever and ever and the walls are breaking in and we didn’t know we couldn’t know and anything -- “
Someone clawed at the torch, and it fell and snuffed out. In the instant, the awful splendor of the indifferent Stars leaped nearer to them.
On the horizon outside the window, in the direction of Saro City, a crimson glow began growing, strengthening in brightness, that was not the glow of a sun.
The long night had come again.
First appearance-- Astounding Science Fiction, September 1941. Copyright, 1941, by Street & Smith Publications, Inc.; copyright renewed, 1968, by Isaac Asimov.
What If--, by Issac Asimov
Easily the most frequently asked question put to any writer of science fiction stories is: “Where do you get your ideas?”
I imagine the person who asks the question is sure that there is some mysterious kind of inspiration that can only be produced by odd and possibly illicit means, or that the writer goes through an eldritch ritual that may even involve calling up the devil.
But the answer is only, “You can get an idea from anything if you are willing to think hard enough and long enough.”
That long-and-hard bit seems to disillusion people. Their admiration for you drops precipitously and you get the feeling you have exposed yourself as an imposter. After all, if long-and-hard is all it takes, anyone can do it.
Strange, then, that so few do. Anyway, my wife once broke down and asked me that question even though she knows I dislike having it asked. We had moved to the Boston area in
1949, when I took my position with Boston University School of Medicine, and periodically we made a train trip back to New York to visit our respective families.
Once, on one of those train trips, perhaps out of boredom, she asked The Question. I said, “From anything. I can probably get one out of this train trip, if I try.”
“Go ahead,” she said, naturally enough. So I thought hard and told her the story of a train trip which, when I got back home, I typed up in permanent form and called “What If--.” The story is unusual for me in another respect, too. I am not strong on romance in my stories. Why that should be, I will leave to the parlor psychoanalyst. I merely state the fact.
Sometimes, I do have women in my stories. On rare occasions, as in “Hostess,” the woman is even the protagonist. But even then romance is a minor factor, if it appears at all.
In “What If--,” however, the story is all romance. Each time I think of that, the fact startles me. I believe it is the only one of my many stories that is all serious (as opposed to ribald) romance. Heavens!
***
What If--
Norman and Liwy were late, naturally, since catching a train is always a matter of last-minute delays, so they had to take the only available seat in the coach. It was the one toward the front; the one with nothing before it but the seat that faced wrong way, with its back hard against the front partition. While Norman heaved the suitcase onto the rack, Liwy found herself chafing a little.
If a couple took the wrong-way seat before them, they would be staring self-consciously into each others’ faces all the hours it would take to reach New York; or else, which was scarcely better, they would have to erect synthetic barriers of newspaper. Still, there was no use in taking a chance on there being another unoccupied double seat elsewhere in the train.
Norman didn’t seem to mind, and that was a little disappointing to Liwy. Usually they held their moods in common. That, Norman claimed, was why he remained sure that he had married the right girl.
Anthology of Speculative Fiction, Volume One Page 251