Most of the processions have reached the Green Fields by now. A marvelous smell of cooking goes forth from the red and blue tents of the provisioners. The faces of small children are amiably sticky; in the benign grey beard of a man a couple of crumbs of rich pastry are entangled. The youths and girls have mounted their horses and are beginning to group around the starting line of the course. An old woman, small, fat, and laughing, is passing out flowers from a basket, and tall young men, wear her flowers in their shining hair. A child of nine or ten sits at the edge of the crowd, alone, playing on a wooden flute. People pause to listen, and they smile, but they do not speak to him, for he never ceases playing and never sees them, his dark eyes wholly rapt in the sweet, thin magic of the tune.
He finishes, and slowly lowers his hands holding the wooden flute.
As if that little private silence were the signal, all at once a trumpet sounds from the pavilion near the starting line: imperious, melancholy, piercing. The horses rear on their slender legs, and some of them neigh in answer. Sober-faced, the young riders stroke the horses' necks and soothe them, whispering, "Quiet, quiet, there my beauty, my hope. . . ." They begin to form in rank along the starting line. The crowds along the racecourse are like a field of grass and flowers in the wind. The Festival of Summer has begun.
Do you believe? Do you accept the festival, the city, the joy? No? Then let me describe one more thing.
In a basement under one of the beautiful public buildings of Omelas, or perhaps in the cellar of one of its spacious private homes, there is a room. It has one locked door, and no window. A little light seeps in dustily between cracks in the boards, secondhand from a cobwebbed window somewhere across the cellar. In one corner of the little room a couple of mops, with stiff, clotted, foul-smelling heads, stand near a rusty bucket. The floor is dirt, a little damp to the touch, as cellar dirt usually is. The room is about three paces long and two wide: a mere broom closet or disused tool room. In the room a child is sitting. It could be a boy or a girl. It looks about six, but actually is nearly ten. It is feeble-minded. Perhaps it was born defective or perhaps it has become imbecile through fear, malnutrition, and neglect. It picks its nose and occasionally fumbles vaguely with its toes or genitals, as it sits haunched in the corner farthest from the bucket and the two mops. It is afraid of the mops. It finds them horrible. It shuts its eyes, but it knows the mops are still standing there; and the door is locked; and nobody will come. The door is always locked; and nobody ever comes, except that sometimes-the child has no understanding of time or interval – sometimes the door rattles terribly and opens, and a person, or several people, are there. One of them may come and kick the child to make it stand up. The others never come close, but peer in at it with frightened, disgusted eyes. The food bowl and the water jug are hastily filled, the door is locked, the eyes disappear. The people at the door never say anything, but the child, who has not always lived in the tool room, and can remember sunlight and its mother's voice, sometimes speaks. "I will be good," it says. "Please let me out. I will be good!" They never answer. The child used to scream for help at night, and cry a good deal, but now it only makes a kind of whining, "eh-haa, eh-haa," and it speaks less and less often. It is so thin there are no calves to its legs; its belly protrudes; it lives on a half-bowl of corn meal and grease a day. It is naked. Its buttocks and thighs are a mass of festered sores, as it sits in its own excrement continually.
They all know it is there, all the people of Omelas. Some of them have come to see it, others are content merely to know it is there. They all know that it has to be there. Some of them understand why, and some do not, but they all understand that their happiness, the beauty of their city, the tenderness of their friendships, the health of their children, the wisdom of their scholars, the skill of their makers, even the abundance of their harvest and the kindly weathers of their skies, depend wholly on this child's abominable misery.
This is usually explained to children when they are between eight and twelve, whenever they seem capable of understanding; and most of those who come to see the child are young people, though often enough an adult comes, or comes back, to see the child. No matter how well the matter has been explained to them, these young spectators are always shocked and sickened at the sight. They feel disgust, which they had thought themselves superior to. They feel anger, outrage, impotence, despite all the explanations. They would like to do something for the child. But there is nothing they can do. If the child were brought up into the sunlight out of that vile place, if it were cleaned and fed and comforted, that would be a good thing, indeed; but if it were done, in that day and hour all the prosperity and beauty and delight of Omelas would wither and be destroyed. Those are the terms. To exchange all the goodness and grace of every life in Omelas for that single, small improvement: to throw away the happiness of thousands for the chance of the happiness of one: that would be to let guilt within the walls indeed.
The terms are strict and absolute; there may not even be a kind word spoken to the child.
Often the young people go home in tears, or in a tearless rage, when they have seen the child and faced this terrible paradox. They may brood over it for weeks or years. But as time goes on they begin to realize that even if the child could be released, it would not get much good of its freedom: a little vague pleasure of warmth and food, no doubt, but little more. It is too degraded and imbecile to know any real joy. It has been afraid too long ever to be free of fear. Its habits are too uncouth for it to respond to humane treatment. Indeed, after so long it would probably be wretched without walls about it to protect it, and darkness for its eyes, and its own excrement to sit in. Their tears at the bitter injustice dry when they begin to perceive the terrible justice of reality, and to accept it. Yet it is their tears and anger, the trying of their generosity and the acceptance of their helplessness, which are perhaps the true source of the splendor of their lives. Theirs is no vapid, irresponsible happiness. They know that they, like the child, are not free. They know compassion. It is the existence of the child, and their knowledge of its existence, that makes possible the nobility of their architecture, the poignancy of their music, the profundity of their science. It is because of the child that they are so gentle with children. They know that if the wretched one were not there snivelling in the dark, the other one, the flute-player, could make no joyful music as the young riders line up in their beauty for the race in the sunlight of the first morning of summer.
Now do you believe in them? Are they not more credible? But there is one more thing to tell, and this is quite incredible.
At times one of the adolescent girls or boys who go to see the child does not go home to weep or rage, does not, in fact, go home at all. Sometimes also a man or woman much older falls silent for a day or two, and then leaves home. These people go out into the street, and walk down the street alone. They keep walking, and walk straight out of the city of Omelas, through the beautiful gates. They keep walking across the farmlands of Omelas. Each one goes alone, youth or girl man or woman. Night falls; the traveler must pass down village streets, between the houses with yellow-lit windows, and on out into the darkness of the fields. Each alone, they go west or north, towards the mountains. They go on. They leave Omelas, they walk ahead into the darkness, and they do not come back. The place they go towards is a place even less imaginable to most of us than the city of happiness. I cannot describe it at all. It is possible that it does not exist. But they seem to know where they are going, the ones who walk away from Omelas.
Vaster Than Empires and More Slow, by Ursula K. Le Guin
It was only during the earliest decades of the League that the Earth sent ships out on the enormously long voyages, beyond the pale, over the stars and far away. They were seeking for worlds which had not been seeded or settled by the Founders on Hain, truly alien worlds. All the Known Worlds went back to the Hainish Origin, and the Terrans, having been not only founded but salvaged by the Hainish, resented this. They wanted to g
et away from the family. They wanted to find somebody new. The Hainish, like tiresomely understanding parents, supported their explorations, and contributed ships and volunteers, as did several other worlds of the League.
All these volunteers to the Extreme Survey crews shared one peculiarity: they were of unsound mind.
What sane person, after all, would go out to collect information that would not be received for five or ten centuries? Cosmic mass interference had not yet been eliminated from the operation of the ansible, and so instantaneous communication was reliable only within a range of 120 lightyears. The explorers would be quite isolated. And of course they had no idea what they might come back to, if they came back. No normal human being who had experienced time-slippage of even a few decades between League worlds would volunteer for a round trip of centuries. The Surveyors were escapists, misfits. They were nuts.
Ten of them climbed aboard the ferry at Smeming Port, and made varyingly inept attempts to get to know one another during the three days the ferry took getting to their ship, Gum. Gum is a Cetian nickname, on the order of Baby or Pet. There were two Cetians on the team, two Hainishmen, one Beldene, and five Terrans; the Cetian-built ship was chartered by the Government of Earth. Her motley crew came aboard wriggling through the coupling tube one by one like apprehensive spermatozoa trying to fertilize the universe. The ferry left, and the navigator put Gum underway. She flitted for some hours on the edge of space a few hundred million miles from Smeming Port, and then abruptly vanished.
When, after 10 hours 29 minutes, or 256 years, Gum reappeared in normal space, she was supposed to be in the vicinity of Star KG-E-96651. Sure enough, there was the gold pinhead of the star. Somewhere within a four-hundred-million-kilometer sphere there was also a greenish planet, World 4470, as charted by a Cetian mapmaker. The ship now had to find the planet. This was not quite so easy as it might sound, given a four-hundred-million-kilometer haystack. And Gum couldn't bat about in planetary space at near lightspeed; if she did, she and Star KG-E-96651 and World 4470 might all end up going bang. She had to creep, using rocket propulsion, at a few hundred thousand miles an hour. The Mathematician/Navigator, Asnanifoil, knew pretty well where the planet ought to be, and thought they might raise it within ten E-days. Meanwhile the members of the Survey team got to know one another still better.
"I can't stand him," said Porlock, the Hard Scientist (chemistry, plus physics, astronomy, geology, etc.), and little blobs of spittle appeared on his mustache. "The man is insane. I can't imagine why he was passed as fit to join a Survey team, unless this is a deliberate experiment in non-compatibility, planned by the Authority, with us as guinea pigs."
"We generally use hamsters and Hainish gholes," said Mannon, the Soft Scientist (psychology, plus psychiatry, anthropology, ecology, etc.), politely; he was one of the Hainishmen. "Instead of guinea pigs. Well, you know, Mr. Osden is really a very rare case. In fact, he's the first fully cured case of Render's Syndrome—a variety of infantile autism which was thought to be incurable. The great Terran analyst Hammergeld reasoned that the cause of the autistic condition in this case is a supernormal empathic capacity, and developed an appropriate treatment Mr. Osden is the first patient to undergo that treatment, in fact he lived with Dr. Hammergeld until he was eighteen. The therapy was completely successful."
"Successful?"
"Why, yes. He certainly is not autistic."
"No, he's intolerable!"
"Well, you see," said Mannon, gazing mildly at the saliva-flecks on Porlock's mustache, "the normal defensive-aggressive reaction between strangers meeting—let's say you and Mr. Osden just for example—is something you're scarcely aware of; habit, manners, inattention get you past it; you've learned to ignore it, to the point where you might even deny it exists. However, Mr. Osden, being an empath, feels it. Feels his feelings, and yours, and is hard put to say which is which. Let's say that there's a normal element of hostility towards any stranger in your emotional reaction to him when you meet him, plus a spontaneous dislike of his looks, or clothes, or handshake—it doesn't matter what. He feels that dislike. As his autistic defense has been unlearned, he resorts to an aggressive-defense mechanism, a response in kind to the aggression which you have unwittingly projected onto him." Mannon went on for quite a long time.
"Nothing gives a man the right to be such a bastard," Porlock said.
"He can't tune us out?" asked Harfex, the Biologist, another Hainishman.
"It's like hearing," said Olleroo, Assistant Hard Scientist, stopping over to paint her toenails with fluorescent lacquer. "No eyelids on your ears. No Off switch on empathy. He hears our feelings whether he wants to or not"
"Does he know what we're thinking?" asked Eskwana, the Engineer, looking round at the others in real dread.
"No," Porlock snapped. "Empathy's not telepathy! Nobody's got telepathy."
"Yet," said Mannon, with his little smile. "Just before I left Hain there was a most interesting report in from one of the recently discovered worlds, a hilfer named Rocannon reporting what appears to be a teachable telepathic technique existent among a mutated hominid race; I only saw a synopsis in the HILF Bulletin, but—" He went on. The others had learned that they could talk while Mannon went on talking he did not seem to mind, nor even to miss much of what they said.
"Then why does he hate us?" Eskwana said.
"Nobody hates you, Ander honey," said Olleroo, daubing Eskwana's left thumbnail with fluorescent pink. The engineer flushed and smiled vaguely.
"He acts as if he hated us," said Haito, the Coordinator. She was a delicate-looking woman of pure Asian descent, with a surprising voice, husky, deep, and soft, like a young bullfrog "Why, if he suffers from our hostility, does he increase it by constant attacks and insults? I can't say I think much of Dr. Hammergeld's cure, really, Mannon; autism might be preferable … "
She stopped. Osden had come into the main cabin.
He looked flayed. His skin was unnaturally white and thin, showing the channels of his blood like a faded road map in red and blue. His Adam's apple, the muscles that circled his mouth, the bones and ligaments of his wrists and hands, all stood out distinctly as if displayed for an anatomy lesson. His hair was pale rust, like long-dried blood. He had eyebrows and lashes, but they were visible only in certain lights; what one saw was the bones of the eye sockets, the veining of the lids, and the colorless eyes. They were not red eyes, for he was not really an albino, but they were not blue or grey; colors had canceled out in Osden's eyes, leaving a cold water-like clarity, infinitely penetrable. He never looked directly at one. His face lacked expression, like an anatomical drawing or a skinned face.
"I agree," he said in a high, harsh tenor, "that even autistic withdrawal might be preferable to the smog of cheap secondhand emotions with which you people surround me. What are you sweating hate for now, Porlock? Can't stand the sight of me? Go practice some auto-eroticism the way you were doing last night, it improves your vibes. Who the devil moved my tapes, here? Don't touch my things, any of you. I won't have it"
"Osden," said Asnanifoil in his large slow voice, "why are you such a bastard?"
Ander Eskwana cowered and put his hands in front of his face. Contention frightened him. Olleroo looked up with a vacant yet eager expression, the eternal spectator.
"Why shouldn't I be?" said Osden. He was not looking at Asnanifoil, and was keeping physically as far away from all of them as he could in the crowded cabin. "None of you constitute, in yourselves, any reason for my changing my behavior."
Harfex, a reserved and patient man, said, "The reason is that we shall be spending several years together. Life will be better for all of us if—"
Anthology of Speculative Fiction, Volume One Page 369