by Stephen King
Callahan considers, then shakes his head. If Rudebacher was right, if it was only one road, maybe he would stay another week . . . and another . . . and another. But it's not just one. It's all of them, all those highways in hiding, and he remembers the name of his third-grade reader and bursts out laughing. It was called Roads to Everywhere.
"What's so funny?" Rudebacher asks sourly.
"Nothing," Callahan says. "Everything." He claps his boss on the shoulder. "You're a good man, Dicky. If I get back this way, I'll stop in."
"You won't get back this way," Dicky Rudebacher says, and of course he is right.
THREE
"I was five years on the road, give or take," Callahan said as they approached his church, and in a way that was all he said on the subject. Yet they heard more. Nor were they surprised later to find that Jake, on his way into town with Eisenhart and the Slightmans, had heard some of it, too. It was Jake, after all, who was strongest in the touch.
Five years on the road, no more than that.
And all the rest, do ya ken: a thousand lost worlds of the rose.
FOUR
He's five years on the road, give or take, only there's a lot more than one road and maybe, under the right circumstances, five years can be forever.
There is Route 71 through Delaware and apples to pick. There's a little boy named Lars with a broken radio. Callahan fixes it and Lars's mother packs him a great and wonderful lunch to go on with, a lunch that seems to last for days. There is Route 317 through rural Kentucky, and a job digging graves with a fellow named Pete Petacki who won't shut up. A girl comes to watch them, a pretty girl of seventeen or so, sitting on a rock wall with yellow leaves raining down all around her, and Pete Petacki speculates on what it would be like to have those long thighs stripped of the corduroys they're wearing and wrapped around his neck, what it would be like to be tongue-deep in jailbait. Pete Petacki doesn't see the blue light around her, and he certainly doesn't see the way her clothes drift to the ground like feathers later on, when Callahan sits beside her, then draws her close as she slips a hand up his leg and her mouth onto his throat, then thrusts his knife unerringly into the bulge of bone and nerve and gristle at the back of her neck. This is a shot he's getting very good at.
There is Route 19 through West Virginia, and a little road-dusty carnival that's looking for a man who can fix the rides and feed the animals. "Or the other way around," says Greg Chumm, the carny's greasy-haired owner. "You know, feed the rides and fix the animals. Whatever floats ya boat." And for awhile, when a strep infection leaves the carny shorthanded (they are swinging down south by now, trying to stay ahead of winter), he finds himself also playing Menso the ESP Wonder, and with surprising success. It is also as Menso that he first sees them, not vampires and not bewildered dead people but tall men with pale, watchful faces that are usually hidden under old-fashioned hats with brims or new-fashioned baseball hats with extra-long bills. In the shadows thrown by these hats, their eyes flare a dusky red, like the eyes of coons or polecats when you catch them in the beam of a flashlight, lurking around your trash barrels. Do they see him? The vampires (the Type Threes, at least) do not. The dead people do. And these men, with their hands stuffed into the pockets of their long yellow coats and their hardcase faces peering out from beneath their hats? Do they see? Callahan doesn't know for sure but decides to take no chances. Three days later, in the town of Yazoo City, Mississippi, he hangs up his black Menso tophat, leaves his greasy coverall on the floor of a pickup truck's camper cap, and blows Chumm's Traveling Wonder Show, not bothering with the formality of his final paycheck. On his way out of town, he sees a number of those pet posters nailed to telephone poles. A typical one reads:
LOST! SIAMESE CAT, 2 YRS OLD
ANSWERS TO THE NAME OF RUTA
SHE IS NOISY BUT FULL OF FUN
LARGE REWARD OFFERED
$ $ $ $ $ $
DIAL 764, WAIT FOR BEEP, GIVE YOUR NUMBER
GOD BLESS YOU FOR HELPING
Who is Ruta? Callahan doesn't know. All he knows is that she is NOISY but FULL OF FUN. Will she still be noisy when the low men catch up to her? Will she still be full of fun?
Callahan doubts it.
But he has his own problems and all he can do is pray to the God in whom he no longer strictly believes that the men in the yellow coats won't catch up to her.
Later that day, thumbing on the side of Route 3 in Issaquena County under a hot gunmetal sky that knows nothing of December and approaching Christmas, the chimes come again. They fill his head, threatening to pop his eardrums and blow pinprick hemorrhages across the entire surface of his brain. As they fade, a terrible certainty grips him: they are coming. The men with the red eyes and big hats and long yellow coats are on their way.
Callahan bolts from the side of the road like a chaingang runaway, clearing the pond-scummy ditch like Superman: at a single bound. Beyond is an old stake fence overgrown with drifts of kudzu and what might be poison sumac. He doesn't care if it's poison sumac or not. He dives over the fence, rolls over in high grass and burdocks, and peers out at the highway through a hole in the foliage.
For a moment or two there's nothing. Then a white-over-red Cadillac comes pounding down Highway 3 from the direction of Yazoo City. It's doing seventy easy, and Callahan's peephole is small, but he still sees them with supernatural clarity: three men, two in what appear to be yellow dusters, the third in what might be a flight-jacket. All three are smoking; the Cadillac's closed cabin fumes with it.
They'll see me they'll hear me they'll sense me, Callahan's mind yammers, and he forces it away from its own panicky wretched certainty, yanks it away. He forces himself to think of that Elton John song--"Someone saved, someone saved, someone saved my li-iife tonight . . . " and it seems to work. There is one terrible, heart-stopping moment when he thinks the Caddy is slowing--long enough for him to imagine them chasing him through this weedy, forgotten field, chasing him down, dragging him into an abandoned shed or barn--and then the Caddy roars over the next hill, headed for Natchez, maybe. Or Copiah. Callahan waits another ten minutes. "Got to make sure they're not trickin on you, man," Lupe might have said. But even as he waits, he knows this is only a formality. They're not trickin on him; they flat missed him. How? Why?
The answer dawns on him slowly--an answer, at least, and he's damned if it doesn't feel like the right one. They missed him because he was able to slip into a different version of America as he lay behind the tangle of kudzu and sumac, peering out at Route 3. Maybe different in only a few small details--Lincoln on the one and Washington on the five instead of the other way around, let us say--but enough. Just enough. And that's good, because these guys aren't brain-blasted, like the dead folks, or blind to him, like the bloodsucking folks. These people, whoever they are, are the most dangerous of all.
Finally, Callahan goes back out to the road. Eventually a black man in a straw hat and overalls comes driving along in an old beat-up Ford. He looks so much like a Negro farmer from a thirties movie that Callahan almost expects him to laugh and slap his knee and give out occasional cries of "Yassuh, boss! Ain't dat de troof!" Instead, the black man engages him in a discussion about politics prompted by an item on National Public Radio, to which he is listening. And when Callahan leaves him, in Shady Grove, the black man gives him five dollars and a spare baseball cap.
"I have money," Callahan says, trying to give back the five.
"A man on the run never has enough," says the black man. "And please don't tell me you're not on the run. Don't insult my intelligence."
"I thank you," Callahan says.
"De nada, " says the black man. "Where are you going? Roughly speaking?"
"I don't have a clue," Callahan replies, then smiles. "Roughly speaking."
FIVE
Picking oranges in Florida. Pushing a broom in New Orleans. Mucking out horse-stalls in Lufkin, Texas. Handing out real estate brochures on streetcorners in Phoenix, Arizona. Working jobs that pay cash. Observ
ing the ever-changing faces on the bills. Noting the different names in the papers. Jimmy Carter is elected President, but so are Ernest "Fritz" Hollings and Ronald Reagan. George Bush is also elected President. Gerald Ford decides to run again and he is elected President. The names in the papers (those of the celebrities change the most frequently, and there are many he has never heard of) don't matter. The faces on the currency don't matter. What matters is the sight of a weathervane against a violent pink sunset, the sound of his heels on an empty road in Utah, the sound of the wind in the New Mexico desert, the sight of a child skipping rope beside a junked-out Chevrolet Caprice in Fossil, Oregon. What matters is the whine of the powerlines beside Highway 50 west of Elko, Nevada, and a dead crow in a ditch outside Rainbarrel Springs. Sometimes he's sober and sometimes he gets drunk. Once he lays up in an abandoned shed--this is just over the California state line from Nevada--and drinks for four days straight. It ends with seven hours of off-and-on vomiting. For the first hour or so, the puking is so constant and so violent he is convinced it will kill him. Later on, he can only wish it would. And when it's over, he swears to himself that he's done, no more booze for him, he's finally learned his lesson, and a week later he's drunk again and staring up at the strange stars behind the restaurant where he has hired on as a dishwasher. He is an animal in a trap and he doesn't care. Sometimes there are vampires and sometimes he kills them. Mostly he lets them live, because he's afraid of drawing attention to himself--the attention of the low men. Sometimes he asks himself what he thinks he's doing, where the hell he's going, and such questions are apt to send him in search of the next bottle in a hurry. Because he's really not going anywhere. He's just following the highways in hiding and dragging his trap along behind him, he's just listening to the call of those roads and going from one to the next. Trapped or not, sometimes he is happy; sometimes he sings in his chains like the sea. He wants to see the next weathervane standing against the next pink sunset. He wants to see the next silo crumbling at the end of some disappeared farmer's long-abandoned north field and see the next droning truck with TONOPAH GRAVEL or ASPLUNDH HEAVY CONSTRUCTION written on the side. He's in hobo heaven, lost in the split personalities of America. He wants to hear the wind in canyons and know that he's the only one who hears it. He wants to scream and hear the echoes run away. When the taste of Barlow's blood is too strong in his mouth, he wants to drink. And, of course, when he sees the lost-pet posters or the messages chalked on the sidewalks, he wants to move on. Out west he sees fewer of them, and neither his name nor his description is on any of them. From time to time he sees vampires cruising--give us this day our daily blood--but he leaves them be. They're mosquitoes, after all, no more than that.
In the spring of 1981 he finds himself rolling into the city of Sacramento in the back of what may be the oldest International Harvester stake-bed truck still on the road in California. He's crammed in with roughly three dozen Mexican illegals, there is mescal and tequila and pot and several bottles of wine, they're all drunk and done up and Callahan is perhaps the drunkest of them all. The names of his companions come back to him in later years like names spoken in a haze of fever: Escobar . . . Estrada . . . Javier . . . Esteban . . . Rosario . . . Echeverria . . . Caverra. Are they all names he will later encounter in the Calla, or is that just a booze-hallucination? For that matter, what is he to make of his own name, which is so close to that of the place where he finishes up? Calla, Callahan. Calla, Callahan. Sometimes, when he's long getting to sleep in his pleasant rectory bed, the two names chase each other in his head like the tigers in Little Black Sambo.
Sometimes a line of poetry comes to him, a paraphrase from (he thinks) Archibald MacLeish's "Epistle to Be Left in Earth." It was not the voice of God but only the thunder. That's not right, but it's how he remembers it. Not God but the thunder. Or is that only what he wants to believe? How many times has God been denied just that way?
In any case, all of that comes later. When he rolls into Sacramento he's drunk and he's happy. There are no questions in his mind. He's even halfway happy the next day, hangover and all. He finds a job easily; jobs are everywhere, it seems, lying around like apples after a windstorm has gone through the orchard. As long as you don't mind getting your hands dirty, that is, or scalded by hot water or sometimes blistered by the handle of an ax or a shovel; in his years on the road no one has ever offered him a stockbroker's job.
The work he gets in Sacramento is unloading trucks at a block-long bed-and-mattress store called Sleepy John's. Sleepy John is preparing for his once-yearly Mattre$$ Ma$$acre, and all morning long Callahan and a crew of five other men haul in the kings and queens and doubles. Compared to some of the day-labor he's done over the last years, this job is a tit.
At lunch, Callahan and the rest of the men sit in the shade of the loading dock. So far as he can tell, there's no one in this crew from the International Harvester, but he wouldn't swear to it; he was awfully drunk. All he knows for sure is that he's once again the only guy present with a white skin. All of them are eating enchiladas from Crazy Mary's down the road. There's a dirty old boombox sitting on a pile of crates, playing salsa. Two young men tango together while the others--Callahan included--put aside their lunches so they can clap along.
A young woman in a skirt and blouse comes out, watches the men dance disapprovingly, then looks at Callahan. "You're anglo, right?" she says.
"Anglo as the day is long," Callahan agrees.
"Then maybe you'd like this. Certainly no good to the rest of them." She hands him the newspaper--the Sacramento Bee--then looks at the dancing Mexicans. "Beaners," she says, and the subtext is in the tone: What can you do?
Callahan considers rising to his feet and kicking her narrow can't-dance anglo ass for her, but it's noon, too late in the day to get another job if he loses this one. And even if he doesn't wind up in the calabozo for assault, he won't get paid. He settles for giving her turned back the finger, and laughs when several of the men applaud. The young woman wheels, looks at them suspiciously, then goes back inside. Still grinning, Callahan shakes open the paper. The grin lasts until he gets to the page marked NATIONAL BRIEFS, then fades in a hurry. Between a story about a train derailment in Vermont and a bank robbery in Missouri, he finds this:
AWARD-WINNING "STREET ANGEL" CRITICAL
NEW YORK (AP) Rowan R. Magruder, owner and Chief Supervisor of what may be America's most highly regarded shelter for the homeless, alcoholic, and drug-addicted, is in critical condition after being assaulted by the so-called Hitler Brothers. The Hitler Brothers have been operating in the five boroughs of New York for at least eight years. According to police, they are believed responsible for over three dozen assaults and the deaths of two men. Unlike their other victims, Magruder is neither black nor Jewish, but he was found in a doorway not far from Home, the shelter he founded in 1968, with the Hitler Brothers' trademark swastika cut into his forehead. Magruder had also suffered multiple stab-wounds.
Home gained nationwide notice in 1977, when Mother Teresa visited, helped to serve dinner, and prayed with the clients. Magruder himself was the subject of a Newsweek cover story in 1980, when the East Side's so-called "Street Angel" was named Manhattan's Man of the Year by Mayor Ed Koch.
A doctor familiar with the case rated Magruder's chances of pulling through as "no higher than three in ten." He said that, as well as being branded, Magruder was blinded by his assailants. "I think of myself as a merciful man," the doctor said, "but in my opinion, the men who did this should be beheaded."
Callahan reads the article again, wondering if this is "his" Rowan Magruder or another one--a Rowan Magruder from a world where a guy named Chadbourne is on some of the greenbacks, say. He's somehow sure that it's his, and that he was meant to see this particular item. Certainly he is in what he thinks of as the "real world" now, and it's not just the thin sheaf of currency in his wallet that tells him so. It's a feeling, a kind of tone. A truth. If so (and it is so, he knows it), how much he has missed ou
t here on the hidden highways. Mother Teresa came to visit! Helped to ladle out soup! Hell, for all Callahan knows, maybe she cooked up a big old mess of Toads n Dumplins! Could've; the recipe was right there, Scotch-taped to the wall beside the stove. And an award! The cover of Newsweek! He's pissed he didn't see that, but you don't see the news magazines very regularly when you're traveling with the carnival and fixing the Krazy Kups or mucking out the bull-stalls behind the rodeo in Enid, Oklahoma.
He is so deeply ashamed that he doesn't even know he's ashamed. Not even when Juan Castillo says, "Why joo crine, Donnie?"
"Am I?" he asks, and wipes underneath his eyes, and yeah, he is. He is crying. But he doesn't know it's for shame, not then. He assumes it's shock, and probably part of it is. "Yeah, I guess I am."
"Where joo goan?" Juan persists. "Lunch break's almost over, man."
"I have to leave," Callahan says. "I have to go back east."
"You take off, they ain goan pay joo."
"I know," Callahan says. "It's okay."
And what a lie that is. Because nothing's okay.
Nothing.
SIX
"I had a couple of hundred dollars sewn into the bottom of my backpack," Callahan said. They were now sitting on the steps of the church in the bright sunshine. "I bought an airplane ticket back to New York. Speed was of the essence--of course--but that really wasn't the only reason. I had to get off those highways in hiding." He gave Eddie a small nod. "The todash turnpikes. They're as addictive as the booze--"
"More," Roland said. He saw three figures coming toward them: Rosalita, shepherding the Tavery twins, Frank and Francine. The girl had a large sheet of paper in her hands and was carrying it out in front of her with an air of reverence that was almost comic. "Wandering's the most addictive drug there is, I think, and every hidden road leads on to a dozen more."