by Stephen King
In less than a minute they are looking at a rank of three green VW Beetles with CYBER PATROL printed on the sides. It's not an independent company, but part of a chain called Discount Electronix with one big-box store in the city. It's located in the Birch Hill Mall.
"Man, I've shopped there," Jerome says. "I've shopped there lots of times. Bought video games, computer components, a bunch of chop-sockey DVDs on sale."
Below the photo of the Beetles is a line reading MEET THE EXPERTS. Hodges reaches over Jerome's shoulder and clicks on it. Three photos appear. One is of a narrow-faced girl with dirty-blond hair. Number two is a chubby guy wearing John Lennon specs and looking serious. Number three is a generically handsome fellow with neatly combed brown hair and a bland say-cheese smile. The names beneath are FREDDI LINKLATTER, ANTHONY FROBISHER, and BRADY HARTSFIELD.
"What now?" Jerome asks.
"Now we take a ride. I just have to grab something first."
Hodges goes into his bedroom and punches the combo of the small safe in the closet. Inside, along with a couple of insurance policies and a few other financial papers, is a rubber-banded stack of laminated cards like the one he currently carries in his wallet. City cops are issued new IDs every two years, and each time he got a new one, he stored the old one in here. The crucial difference is that none of the old ones have RETIRED stamped across them in red. He takes out the one that expired in December of 2008, removes his final ID from his wallet, and replaces it with the one from his safe. Of course flashing it is another crime--State Law 190.25, impersonating a police officer, a Class E felony punishable by a $25,000 fine, five years in jail, or both--but he's far beyond worrying about such things.
He tucks his wallet away in his back pocket, starts to close the safe, then re-thinks. There's something else in there he might want: a small flat leather case that looks like the sort of thing a frequent flier might keep his passport in. This was also his father's.
Hodges slips it into his pocket with the Happy Slapper.
5
After cleansing the stubble on his skull and donning his new plain glass specs, Brady strolls down to the Motel 6 office and pays for another night. Then he returns to his room and unfolds the wheelchair he bought on Wednesday. It was pricey, but what the hell. Money is no longer an issue for him.
He puts the explosives-laden ASS PARKING cushion on the seat of the chair, then slits the lining of the pocket on the back and inserts several more blocks of his homemade plastic explosive. Each block has been fitted with a lead azide blasting plug. He gathers the connecting wires together with a metal clip. Their ends are stripped down to the bare copper, and this afternoon he'll braid them into a single master wire.
The actual detonator will be Thing Two.
One by one, he tapes Baggies filled with ball bearings beneath the wheelchair's seat, using crisscrossings of filament tape to hold them in place. When he's done, he sits on the end of the bed, looking solemnly at his handiwork. He really has no idea if he'll be able to get this rolling bomb into the Mingo Auditorium . . . but he had no idea if he'd be able to escape from City Center after the deed was done, either. That worked out; maybe this will, too. After all, this time he won't have to escape, and that's half the battle. Even if they get wise and try to grab him, the hallway will be crammed with concertgoers, and his score will be a lot higher than eight.
Out with a bang, Brady thinks. Out with a bang, and fuck you, Detective Hodges. Fuck you very much.
He lies down on the bed and thinks about masturbating. Probably he should while he's still got a prick to masturbate with. But before he can even unsnap his Levi's, he's fallen asleep.
On the night table beside him stands a framed picture. Frankie smiles from it, holding Sammy the Fire Truck in his lap.
6
It's nearly eleven A.M. when Hodges and Jerome arrive at Birch Hill Mall. There's plenty of parking, and Jerome pulls his Wrangler into a spot directly in front of Discount Electronix, where all the windows are sporting big SALE signs. A teenage girl is sitting on the curb in front of the store, knees together and feet apart, bent studiously over an iPad. A cigarette smolders between the fingers of her left hand. It's only as they approach that Hodges sees there's gray in the teenager's hair. His heart sinks.
"Holly?" Jerome says, at the same time Hodges says, "What in the hell are you doing here?"
"I was pretty sure you'd figure it out," she says, butting her butt and standing up, "but I was starting to worry. I was going to call you if you weren't here by eleven-thirty. I'm taking my Lexapro, Mr. Hodges."
"So you said, and I'm glad to hear it. Now answer my question and tell me what you're doing here."
Her lips tremble, and although she managed eye contact to begin with, her gaze now sinks to her loafers. Hodges isn't surprised he took her for a teenager at first, because in many ways she still is one, her growth stunted by insecurities and by the strain of keeping her balance on the emotional highwire she's been walking all her life.
"Are you mad at me? Please don't be mad at me."
"We're not mad," Jerome says. "Just surprised."
Shocked is more like it, Hodges thinks.
"I spent the morning in my room, browsing the local I-T community, but it's like we thought, there are hundreds of them. Mom and Uncle Henry went out to talk to people. About Janey, I think. I guess there'll have to be another funeral, but I hate to think about what will be in the coffin. It just makes me cry and cry."
And yes, big tears are rolling down her cheeks. Jerome puts an arm around her. She gives him a shy grateful glance.
"Sometimes it's hard for me to think when my mother is around. It's like she puts interference in my head. I guess that makes me sound crazy."
"Not to me," Jerome says. "I feel the same way about my sister. Especially when she plays her damn boy-band CDs."
"When they were gone and the house was quiet, I got an idea. I went back down to Olivia's computer and looked at her email."
Jerome slaps his forehead. "Shit! I never even thought of checking her mail."
"Don't worry, there wasn't any. She had three accounts--Mac Mail, Gmail, and AO-Hell--but all three folders were empty. Maybe she deleted them herself, but I don't think so because--"
"Because her desktop and hard drive were full of stuff," Jerome says.
"That's right. She has The Bridge on the River Kwai in her iTunes. I've never seen that. I might check it out if I get a chance."
Hodges glances toward Discount Electronix. With the sun glaring on the windows it's impossible to tell if anyone's watching them. He feels exposed out here, like a bug on a rock. "Let's take a little stroll," he says, and leads them toward Savoy Shoes, Barnes & Noble, and Whitey's Happy Frogurt Shoppe.
Jerome says, "Come on, Holly, give. You're drivin me crazy here."
That makes her smile, which makes her look older. More her age. And once they're away from the big Discount Electronix show windows, Hodges feels better. It's obvious to him that Jerome is delighted with her, and he feels the same (more or less in spite of himself), but it's humbling to find he's been scooped by a Lexapro-dependent neurotic.
"He forgot to take off his SPOOK program, so I thought maybe he forgot to empty her junk mail as well, and I was right. She had like four dozen emails from Discount Electronix. Some of them were sales notices--like the one they're having now, although I bet the only DVDs they have left aren't much good, they're probably Korean or something--and some of them were coupons for twenty percent off. She also had coupons for thirty percent off. The thirty percent coupons were for her next Cyber Patrol out-call." She shrugs. "And here I am."
Jerome stares at her. "That's all it took? Just a peek into her junk mail folder?"
"Don't be so surprised," Hodges says. "All it took to catch the Son of Sam was a parking ticket."
"I walked around back while I was waiting for you," Holly says. "Their Web page says there are only three I-Ts in the Cyber Patrol, and there are three of those green Be
etles back there. So I guess the guy is working today. Are you going to arrest him, Mr. Hodges?" She's biting her lips again. "What if he fights? I don't want you to get hurt."
Hodges is thinking hard. Three computer techs in the Cyber Patrol: Frobisher, Hartsfield, and Linklatter, the skinny blond woman. He's almost positive it will turn out to be Frobisher or Hartsfield, and whichever one it is won't be prepared to see kermitfrog19 walking through the door. Even if Mr. Mercedes doesn't run, he won't be able to hide the initial shock of recognition.
"I'm going in. You two are staying here."
"Going in with no backup?" Jerome asks. "Gee, Bill, I don't think that's very sma--"
"I'll be all right, I've got the element of surprise going for me, but if I'm not back out in ten minutes, call nine-one-one. Got it?"
"Yes."
Hodges points at Holly. "You stay close to Jerome. No more lone-wolf investigations." I should talk, he thinks.
She nods humbly, and Hodges walks away before they can engage him in further discussion. As he approaches the doors of Discount Electronix, he unbuttons his sportcoat. The weight of his father's gun against his ribcage is comforting.
7
As they watch Hodges enter the electronics store, a question occurs to Jerome. "Holly, how did you get here? Taxi?"
She shakes her head and points into the parking lot. There, parked three rows back from Jerome's Wrangler, is a gray Mercedes sedan. "It was in the garage." She notes Jerome's slack-jawed amazement and immediately becomes defensive. "I can drive, you know. I have a valid driver's license. I've never had an accident, and I have Safe Driver's Insurance. From Allstate. Do you know that the man who does the Allstate ads on TV used to be the president on 24?"
"That's the car . . ."
She frowns, puzzled. "What's the big deal, Jerome? It was in the garage and the keys were in a basket in the front hall. So what's the big fat deal?"
The dents are gone, he notes. The headlights and windshield have been replaced. It looks as good as new. You'd never know it was used to kill people.
"Jerome? Do you think Olivia would mind?"
"No," he says. "Probably not." He is imagining that grille covered with blood. Pieces of shredded cloth dangling from it.
"It wouldn't start at first, the battery was dead, but she had one of those portable jump-stations, and I knew how to use it because my father had one. Jerome, if Mr. Hodges doesn't make an arrest, could we walk down to the frogurt place?"
He barely hears her. He's still staring at the Mercedes. They returned it to her, he thinks. Well, of course they did. It was her property, after all. She even got the damage repaired. But he'd be willing to bet she never drove it again. If there were spooks--real ones--they'd be in there. Probably screaming.
"Jerome? Earth to Jerome."
"Huh?"
"If everything turns out okay, let's get frogurt. I was sitting in the sun and waiting for you guys and I'm awfully hot. I'll treat. I'd really like ice cream, but . . ."
He doesn't hear the rest. He's thinking Ice cream.
The click in his head is so loud he actually winces, and all at once he knows why one of the Cyber Patrol faces on Hodges's computer looked familiar to him. The strength goes out of his legs and he leans against one of the walkway support posts to keep from falling.
"Oh my God," he says.
"What's wrong?" She shakes his arm, chewing her lips frantically. "What's wrong? Are you sick, Jerome?"
But at first he can only say it again: "Oh my God."
8
Hodges thinks that the Birch Hill Mall Discount Electronix looks like an enterprise with about three months to live. Many of the shelves are empty, and the stock that's left has a disconsolate, neglected look. Almost all of the browsers are in the Home Entertainment department, where fluorescent pink signs proclaim WOW! DVD BLOWOUT! ALL DISCS 50% OFF! EVEN BLU-RAY! Although there are ten checkout lines, only three are open, staffed by women in blue dusters with the yellow DE logo on them. Two of these women are looking out the window; the third is reading Twilight. A couple of other employees are wandering the aisles, doing a lot of nothing much.
Hodges doesn't want any of them, but he sees two of the three he does want. Anthony Frobisher, he of the John Lennon specs, is talking to a customer who has a shopping basket full of discounted DVDs in one hand and a clutch of coupons in the other. Frobisher's tie suggests that he might be the store manager as well as a Cyber Patrolman. The narrow-faced girl with the dirty-blond hair is at the back of the store, seated at a computer. There's a cigarette parked behind one ear.
Hodges strolls up the center aisle of the DVD BLOWOUT. Frobisher looks at him and raises a finger to say Be with you soon. Hodges smiles and gives him a little I'm okay wave. Frobisher returns to the customer with the coupons. No recognition there. Hodges walks on to the back of the store.
The dirty blond looks up at him, then back at the screen of the computer she's using. No recognition from her, either. She's not wearing a Discount Electronix shirt; hers says WHEN I WANT MY OPINION, I'LL GIVE IT TO YOU. He sees she's playing an updated version of Pitfall!, a cruder version of which fascinated his daughter Alison a quarter of a century before. Everything that goes around comes around, Hodges thinks. A Zen concept for sure.
"Unless you've got a computer question, talk to Tones," she says. "I only do crunchers."
"Tones would be Anthony Frobisher?"
"Yeah. Mr. Spiffy in the tie."
"You'd be Freddi Linklatter. Of the Cyber Patrol."
"Yeah." She pauses Pitfall Harry in mid-jump over a coiled snake in order to give him a closer inspection. What she sees is Hodges's police ID, with his thumb strategically placed to hide its year of expiration.
"Oooh," she says, and holds out her hands with the twig-thin wrists together. "I'm a bad, bad girl and handcuffs are what I deserve. Whip me, beat me, make me write bad checks."
Hodges gives a brief smile and tucks his ID away. "Isn't Brady Hartsfield the third member of your happy band? I don't see him."
"Out with the flu. He says. Want my best guess?"
"Hit me."
"I think maybe he finally had to put dear old Mom in rehab. He says she drinks and he has to take care of her most of the time. Which is probably why he's never had a gee-eff. You know what that is, right?"
"I'm pretty sure, yeah."
She examines him with bright and mordant interest. "Is Brady in trouble? I wouldn't be surprised. He's a little on the, you know, peekee-yoolier side."
"I just need to speak to him."
Anthony Frobisher--Tones--joins them. "May I help you, sir?"
"It's five-oh," Freddi says. She gives Frobisher a wide smile that exposes small teeth badly in need of cleaning. "He found out about the meth lab in the back."
"Can it, Freddi."
She makes an extravagant lip-zipping gesture, finishing with the twist of an invisible key, but doesn't go back to her game.
In Hodges's pocket, his cell phone rings. He silences it with his thumb.
"I'm Detective Bill Hodges, Mr. Frobisher. I have a few questions for Brady Hartsfield."
"He's out with the flu. What did he do?"
"Tones is a poet and don't know it," Freddi Linklatter observes. "Although his feet show it, because they're Longfel--"
"Shut up, Freddi. For the last time."
"Can I have his address, please?"
"Of course. I'll get it for you."
"Can I un-shut for a minute?" Freddi asks.
Hodges nods. She punches a key on her computer. Pitfall Harry is replaced by a spread-sheet headed STORE PERSONNEL.
"Presto," she says. "Forty-nine Elm Street. That's on the--"
"North Side, yeah," Hodges says. "Thank you both. You've been very helpful."
As he leaves, Freddi Linklatter calls after him, "It's something with his mom, betcha anything. He's freaky about her."
9
Hodges has no more than stepped out into the bright sunshine when J
erome almost tackles him. Holly lurks just behind. She's stopped biting her lips and gone to her fingernails, which look badly abused. "I called you," Jerome says. "Why didn't you pick up?"
"I was asking questions. What's got you all white-eyed?"
"Is Hartsfield in there?"
Hodges is too surprised to reply.
"Oh, it's him," Jerome says. "Got to be. You were right about him watching you, and I know how. It's like that Hawthorne story about the purloined letter. Hide in plain sight."
Holly stops munching her fingernails long enough to say, "Poe wrote that story. Don't they teach you kids anything?"
Hodges says, "Slow down, Jerome."
Jerome takes a deep breath. "He's got two jobs, Bill. Two. He must only work here until mid-afternoon or something. After that he works for Loeb's."
"Loeb's? Is that the--"
"Yeah, the ice cream company. He drives the Mr. Tastey truck. The one with the bells. I've bought stuff from him, my sister has, too. All the kids do. He's on our side of town a lot. Brady Hartsfield is the ice cream man!"
Hodges realizes he's heard those cheerful, tinkling bells more than a lot lately. In the spring of his depression, crashed out in his La-Z-Boy, watching afternoon TV (and sometimes playing with the gun now riding against his ribs), it seems he heard them every day. Heard them and ignored them, because only kids pay actual attention to the ice cream man. Except some deeper part of his mind didn't completely ignore them. It was the deep part that kept coming back to Bowfinger, and his satiric comment about Mrs. Melbourne.
She thinks they walk among us, Mr. Bowfinger said, but it hadn't been space aliens Mrs. Melbourne had been concerned about on the day Hodges had done his canvass; it had been black SUVs, and chiropractors, and the people on Hanover Street who played loud music late at night.
Also, the Mr. Tastey man.
That one looks suspicious, she had said.
This spring it seems like he's always around, she had said.
A terrible question surfaces in his mind, like one of the snakes always lying in wait for Pitfall Harry: if he had paid attention to Mrs. Melbourne instead of dismissing her as a harmless crank (the way he and Pete dismissed Olivia Trelawney), would Janey still be alive? He doesn't think so, but he's never going to know for sure, and he has an idea that the question will haunt a great many sleepless nights in the weeks and months to come.