The Baroque Cycle: Quicksilver, the Confusion, and the System of the World

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The Baroque Cycle: Quicksilver, the Confusion, and the System of the World Page 57

by Neal Stephenson


  Jack took it for a joke until Eliza agreed to scurry down the tunnel without hesitation—which meant that according to Rules that applied even to Vagabonds, Jack had to do it first, in order to scout for danger. The Doctor told him that the pieces of ox-hide were called arsch-leders, which was self-explanatory, so Jack put one on. The Doctor then demonstrated the use of the planks, which miners used to protect elbows and forearms from the stony floor when creeping along on their sides. All of this settled, Jack lay down on the floor and crept into it, wielding the plank with one arm and the kienspan with the other. He found it reasonably easy going as long as he didn’t think about…well, about anything.

  The kienspan, lunging ahead of him, shed sparks against the end of the tunnel and dazzled him. When his vision settled he found that he was sharing a confined space with a giant black bird—or something—like the ostrich—but with no wings—pawing at the ore, or maybe at Jack’s face, with talons bigger than fingers—its long bony neck twisted round almost into a knot, an arrowhead of a skull at the end, jaws open with such…big…teeth…

  He only screamed once. Twice, actually, but number two didn’t count because it came from smashing his head on the ceiling in a poorly thought-out bid to stand up. He scurried back a couple of fathoms, working on blind fear and pain, stopped, listened, heard nothing but his heart.

  Of course it was dead—it was all bones. And the Doctor might be a human oddity in several respects, but he wouldn’t send Jack into a monster’s lair. Jack retreated slowly, trying not to make his head ache any worse. He could hear the Doctor talking to Eliza: “There are shells scattered upon the mountains! See, this rock has a grain like wood—you can split it into layers—and look at what’s between the strata! This creature must’ve been buried in mud—probably the fine dirt that rivers carry—smashed flat, as you can see—its body decomposed leaving a void, later filled in by some other sort of rock—as sculptors cast bronze statues in plaster molds.”

  “Where do you get this stuff? Who told you that one?” Jack demanded, a bloody head popping out between their feet, looking up at them.

  “I reasoned it out myself,” said the Doctor. “Someone has to come up with new ideas.”

  Jack rolled over on his belly to find the floor loosely paved with rock-slabs bearing imprints of sundry other Book-of-Revelation fauna. “What river carried this supposed dirt? We’re in the middle of a mountain of rock. There is no river,” Jack informed the Doctor, after they had gotten Eliza on her way down the tunnel. Jack waited with her traveling-dress slung over his arm while she inched down the tunnel in her knickers and an arsch-leder.

  “But there used to be,” the Doctor said, “Just as there used to be such creatures—” playing his light over impressions of fish with fins too many and jaws too big, swimming creatures shaped like grappling-hooks, dragonflies the size of crossbow-bolts.

  “A river in a mountain? I don’t think so.”

  “Then where did the shells come from?”

  FINALLY THEY TRAVELED to the rounded top of a mountain where an old stone tower stood, flanked by schlock-heaps instead of bastions. A half-wit could see that the Doctor had been at work here. Rising from the top of the tower was a curious windmill, spinning round sideways like a top instead of rolling like a wheel, so that it didn’t have to turn its face into the wind. The base of the tower was protected by an old-fashioned stone curtain-wall that had been repaired recently (they were afraid of being attacked by people who, however, did not have modern artillery). Likewise the gate was new, and it was bolted. A musket-toting engineer opened it for them as soon as the Doctor announced himself, and wasted no time bolting it behind them.

  The tower itself was not a fit place for people to lodge. The Doctor gave Eliza a room in an adjoining house. Jack put the fear of God into all the rats he could find in her room, then climbed the stone stair that spiraled* up the inside of the tower. The tower did its part by moaning in wind-gusts like an empty jug when an idler blows over the top. From the windmill at the top a shaft, consisting of tree-trunks linked one to the next with collars and fittings hammered out of iron, dropped through the center of the tower to an engineering works on the dirt floor. The floor, then, was pierced by a large hole that was obviously the mouth of a mine-shaft. An endless chain of buckets had been rigged so that the windmill’s power raised them up from the shaft laden with water. As they went round a giant pulley they emptied into a long wooden tray: a mill-race that carried the water out through a small arched portal in the tower wall. Then the empty buckets dove back into the shaft for another go-round. In this way water was drained away from some deep part of the mines that would normally be flooded. But up here, the water was a good thing to have. After gathering a bit of head in a system of trenches outside, it powered small mill-wheels that ran bellows and trip-hammers for the smiths, and finally collected in cisterns.

  Up top, Jack, who’d wisely spent some of their profits on warm clothes, had a view over a few days’ journey in every direction. The mountains (excepting one big one to the north) were not of the craggy sort, but swelling round-topped things separated by bottomless cleavages. The woods were dappled—partly leaf-trees with pale spring growth and partly needle-trees that were almost black. Here and there, pools of pasture-land lay on south-facing slopes, and of snow on north-facing ones. Villages, with their red tile rooves, were strewn about unevenly, like blood-spatters. There was a big one just below, in the gorge that divided this mountain from an even higher one to the north: a bald crag whose summit was crowned with a curious arrangement of long stones. Clouds whipped overhead, as fast and furious as the Winged Hussars, and this made Jack feel as if the tower were eternally toppling. The strangely curved blades of the Doctor’s windmill hummed over his head like poorly aimed scimitar-cuts.

  “JUST A MINUTE, DOCTOR—with all due respect—you’ve replaced miners-on-treadwheels with a windmill to pump out the water—but what happens when the wind stops blowing? The water floods back in? Miners are drowned?”

  “No, they simply follow the old underground drainage channel, using small ore-boats.”

  “And how do these miners feel about being replaced by machines, Doctor?”

  “The increase in productivity should more than—”

  “How easy would it be to slip a sabot off one’s foot and ‘accidentally’ let it fall into the gears—”

  “Err…maybe I’ll post guards to prevent any such sabotage.”

  “Maybe? What will these guards cost? Where will they be housed?”

  “Eliza—please—if I may just interrupt the rehearsal,” the Doctor said, “don’t do this job too well, I beg of you—avoid saying anything that will make a lasting impression on the, er, audience…”

  “But I thought the whole idea was to—”

  “Yes, yes—but remember drinks will be served—suppose some possible investor feels the need to step out and relieve himself at the climax of the performance, when the scales fall from your eyes and you see that this is, after all, a brilliant opportunity—”

  Thus the rehearsal. Eliza performed semi-reclining on a couch, looking pale. Crawling down that cold tunnel probably had not been a good idea for one in her delicate state. It occurred to Jack that, since they had a bit of money now, there was no reason not to go down into the town he’d noticed below, find an apothecary, and buy some kind of potion or philtre that would undo the effects of the bleeding and bring pink back to her cheeks and, in general, the humour of passion back to her veins.

  Of this town, which was called Bockboden, the Doctor had had little to say, save for a few mild comments such as “I wouldn’t go there,” “Don’t go there,” “It’s not a very good place to be in,” and “Avoid it.” But none of these had been reinforced by the lurid fabrications that a Vagabond would’ve used to drive the point home. It seemed an orderly town from above, but not dangerously so.

  Jack set out on foot, as Turk had been favoring one leg the last day or so, and followed an overgro
wn path that wound among old schlock-heaps and abandoned furnaces down towards Bockboden. As he went, the idea came to him that if he kept a sharp eye out, he might learn a few more things about the money-making trade, perhaps to include: how to profit therefrom without going through the tedious steps of investing one’s own money and waiting decades for the payoff. But the only novel thing he saw on his way into Bockboden was some kind of improvised works, situated well away from dwellings, where foul-smelling steam was gushing from the mouths of iron tubs with Faulbaum-bonfires raging beneath them. It smelled like urine, and so Jack assumed it was a cloth-fulling mill. Indeed, he spied a couple of disgusted workmen pouring something yellow from a cask into one of the boiling-tubs. But there was no cloth in sight. It seemed they were boiling all of this perfectly good urine away to no purpose.

  As Jack entered the town, shrewdness came to him belatedly, and he perceived it had not been a good idea—not because anything in particular happened but because of the old terror of arrest, torture, and execution that frequently came upon him in settled places. He reminded himself that he was wearing new clothes. As long as he kept a glove on his hand, where a letter V had been branded years ago, in the Old Bailey, he bore no visible marks of being a Vagabond. Moreover, he was a guest of the Doctor, who must be an important personage hereabouts. So he kept walking. The town gradually embraced and ensnared him. It was all built half-timbered, like most German towns and many English ones—meaning that they began by raising a frame of heavy struts, and then filled in the open spaces between them with whatever they could get. Around here, it looked like they’d woven mats of sticks into the gaps and then slathered them with mud that stiffened as it dried. Each new building borrowed strength, at first, from an older one, i.e., there was hardly an isolated freestanding house in the whole town; Bockboden was a single building of many bodies and tentacles. The frames of the houses—nay, the single frame of the entire town—had probably been level, plumb, and regular at one point, but over centuries it had sagged, warped, and tottered in different ways. The earthen walls had been patched to follow these evolutions. The town no longer looked like something men had built. It looked like the root-ball of a tree, with dirt-colored stuff packed between the roots, and hollowed out to provide a living-place.

  Even here there were little schlock-heaps, and dribbles of ore up and down the streets. Jack heard the unsteady ticking of a hand-haspel behind a door. Suddenly the door was rammed open by a wheelbarrow full of rocks, pushed by a man. The man was astonished to find a stranger there staring at him. Jack however did not even have time to become edgy and to adopt an expression of false nonchalance before the miner got an aghast look and made a pitifully abject bowing maneuver, as best he could without letting go the wheelbarrow and precipitating a merry sequence of downhill mishaps. “Apothecary?” Jack said. The man answered in a strangely familiar-sounding kind of German, using his head to point. Behind the door, the hand-haspel stopped ticking for about six heartbeats, then started again.

  Jack followed the wheelbarrow-man to the next cross-street, the latter trying to scurry away from him but impeded by his own weight in rocks. Jack wondered whether all of the mines beneath this country might be interconnected so that they all benefited from the Doctor’s project of pumping away the ground-water without having to share in the costs. Perhaps that explained why strangers, coming from the direction of the tower, made them so nervous. Not that one really needed a reason.

  The apothecary shop, at least, stood alone, on the edge of a grassy, schlock-mottled yard, cater-corner from a blackened church. The roof was high and steep as a hatchet-blade, the walls armored in overlapping plates of charcoal-colored slate. Each of its stories was somewhat larger than the one below, and sheltered ’neath the overhangs were rows of carved wooden faces: some faithful depictions of nuns, kings, helmeted knights, hairy wild-men, and beady-eyed Turks, but also angels, demons, lycanthropes, and a goatlike Devil.

  Jack entered the place and found no one minding the dispensary window. He began to whistle, but it sounded plaintive and feeble, so he stopped. The ceiling was covered with huge grotesque forms molded in plaster—mostly persons changing into other beings. Some of them he recognized, dimly, from hearing the tales referred to in plays—there was for example the poor sap of a hunter who chanced upon the naked hunt-goddess while she was bathing, and was turned to a stag and torn apart by his own hounds. That wretch, caught in mid-metamorphosis, was attached to the ceiling of the dispensary room in life-size.

  Perhaps the apothecary was hard of hearing. Jack began to wander about in a loud, obvious, banging way. He entered a big room filled with things he knew it would be a bad idea to touch: glowing tabletop furnaces, murky fluids bubbling in retorts above the flames of spirit-burners, flames as blue as Eliza’s eyes. He tried another door and found the apothecary’s office—jumping a little when he caught sight of a dangling skeleton. He looked up at the ceiling and found more heavy plaster-works, all of female goddesses: the goddess of dawn, the spring-goddess riding a flowery chariot up out of Hell, the one Europe was named after, the goddess of Love preening in a hand-mirror, and in the center, helmeted Minerva (he knew some names at least) with a cold and steady look about her, one arm holding her shield, decorated with the head of a monster whose snaky hair descended almost into the middle of the room.

  A big dead fish, all sucked into itself and desiccated, was suspended from a string. The walls were lined with shelves and cabinets dense with professional clutter: diverse tongs, in disturbingly specific shapes; a large collection of mortars and pestles with words on them; various animal skulls; capped cylinders made of glass or stone, again with words on them; a huge Gothickal clock out of whose doors grotesque creatures sallied when Jack least expected it, then retreated before he could turn and really see them; green glass retorts in beautifully rounded shapes that reminded him of female body parts; scales with vast arrays of weights, from cannon-balls down to scraps of foil that could be propelled into the next country by a sigh; gleaming silver rods, which on closer inspection turned out to be glass tubes filled, for some reason, with mercury; some kind of tall, heavy, columnar object, shrouded in heavy fabric and producing internal warmth, and expanding and contracting slowly like a bellows—

  “Guten Tag, or should I say, good afternoon,” it said.

  Jack fell back on his ass and looked up at a man, wrapped in a sort of traveling-cloak or monk’s robe, standing next to the skeleton. Jack was too surprised to cry out—not least because the man had spoken English.

  “How’d you know…?” was all Jack could get out. The man in the robe had a silver robe and a look of restrained amusement nestled in his red beard, which suggested that Jack should wait a minute before leaping up, drawing his sword, and running him through.

  “…that you were an Englishman?”

  “Yes.”

  “You may not know this, but you have a way of talking to yourself as you go about—telling yourself a story about what’s happening, or what you suppose is happening—for this reason I already know you are Jack. I’m Enoch. Also, there is something peculiarly English in the way you go about investigating, and amusing yourself with, things that a German or Frenchman would know to be none of his business.”

  “There’s much to think about in that speech,” Jack said, “but I don’t suppose it’s too offensive.”

  “It’s not meant to be offensive at all,” Enoch said. “How may I help you?”

  “I am here on behalf of a Lady who has gone pale and unsteady from too much feminine, er…”

  “Menstruation?”

  “Yes. Is there anything here for that?”

  Enoch gazed out a window at a dim gray sky. “Well—never mind what the apothecary would tell you—”

  “You are not the apothecary?”

  “No.”

  “Where is he?”

  “Down at the town square, where all decent folk should be.”

  “Well, what does that make you and
me then, brother?”

  Enoch shrugged. “A man who wants to help his woman, and a man who knows how.”

  “How, then?”

  “She wants iron.”

  “Iron?”

  “It would help if she ate a lot of red meat.”

  “But you said iron. Why not have her eat a horseshoe?”

  “They are so unpalatable. Red meat contains iron.”

  “Thank you…did you say the apothecary was in the town square?”

  “Just that way, a short distance,” Enoch said. “There’s a butcher there, too, if you want to get her some red meat…”

  “Auf wiedersehen, Enoch.”

  “Until we meet again, Jack.”

  And thus did Jack extricate himself from the conversation with the madman (who, as he reflected while walking down the street, had a thing or two in common with the Doctor) and go off in search of someone sane. He could see many people in the square—how would he know which one was the apothecary? Should’ve asked old Enoch for a description.

  Bockboden had convened in a large open ring around a vertical post fixed in the ground and half buried in a pile of faggots. Jack did not recognize the apparatus at first because he was used to England, where the gallows was customary. By the time he’d figured out what was going on, he had pushed his way into the middle of the crowd, and he could hardly turn around and leave without giving everyone the impression that he was soft on witches. Most of them, he knew, had only showed up for the sake of maintaining their reputations, but those sorts would be the most likely to accuse a stranger of witchcraft. The real witch-haters were up at the front, hollering in the local variant of German, which sometimes sounded maddeningly like English. Jack could not make out what they were saying. It sounded like threats. That was nonsensical, because the witch was about to be killed anyway. But Jack heard snatches like “Walpurgis” and “heute Nacht,” which he knew meant “tonight” and then he knew that they were threatening not the woman who was about to die, but others in the town they suspected of being witches.

 

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