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The Magic Labyrinth

Page 21

by Philip José Farmer


  Sam checked the chronometer again and then went down the elevator to the flight deck. A small jeep carried him to the planes, where the flight crew, the reserve pilots, and two chief pilots waited.

  Both craft were painted white, and on the rudder and on the underside of the lower wings of each was painted a scarlet phoenix.

  One bore on its sides a red stork in flight. Just below the cockpit were letters in black. Vieux Charles. Old Charlie. Georges Guynemer's nickname for the planes he had flown during World War I.

  On each side of the cockpit of the other plane was the head of a black and barking dog.

  Both airmen were dressed in white palefish leather. Their knee-length boots were trimmed with red, as were their jodhpurs. Their jackets bore a scarlet phoenix on the left breast. The flier's leather helmets were topped by a tiny spike, the tip of a hornfish horn. Their goggles were edged with scarlet. Their gloves were white, but the gauntlets were red. They were standing by Old Charlie, talking earnestly with each other, when Clemens got out of the jeep. As he approached them, they snapped to a salute.

  Clemens was silent for a moment, eyeing them. Though the exploits of the two men had happened after he had died, he was thoroughly conversant with them.

  Georges Guynemer was a thin man of medium height with burning black eyes and a face of almost feminine beauty. At all times, or, at least, outside of his cabin, he was as taut as a violin string or a guy wire. This was the man whom the French had called "the Ace of Aces." There were others, Nungesser, Dorme, and Fonck, who had shot more Boches out of the sky. But then they saw more action, since Georges' career had been ended relatively early.

  The Frenchman was one of those natural fliers who automatically became part of the machine, an airborne centaur. He was also an excellent mechanic and technician, as careful in checking out his airplane and weapons or devising improvements as the famous Mannock and Rickenbacker. During the Great War, he had seemed to exist for nothing but flying and air-fighting. As far as was then known, he had nothing to do with women as lovers. His only confidante was his sister, Yvonne. He was a master of aerobatics but seldom used this talent in the air. He roared into battle using "the thrust direct," as the French fencers called it. He was as wild and uncautious as his English counterpart, the great Albert Ball. Like him, he loved to fly alone and, when he encountered a group of the enemy, no matter how large it was, he attacked.

  It was seldom that he did not return with his Nieuport or Spad full of bullet holes.

  This was not the way to live a long life in a war in which the average life of a pilot was three weeks. Yet he managed fifty-three victories before he himself fell.

  One of his comrades wrote that when Guynemer got into the cockpit to take off, "the look on his face was appalling. The glances of his eyes were like blows."

  Yet this was the man who had been rejected by the French ground services as being unfit for duty. He was frail and easily caught cold, coughed much, and was unable to relax in the boisterous conviviality of his mates after the day's fighting was done. He looked like a consumptive and probably was.

  But the French loved him, and on that black day of April 11, 1917, when he died, the whole nation went into mourning. For a generation afterward, the French schoolchildren were taught the legend that he had flown so high that the angels would not let him come back to Earth.

  The truth, as known in those days, was that he had been alone as usual, and, somehow, a much lesser flier, a Lieutenant Wissemann, had shot him down. The plane had crashed into mud which was being churned by the shells of a great artillery duel. Before the thousands of explosions were done, Guynemer and his machine were blown to bits, mixed with mire, and completely disintegrated. Flesh and bone and metal became, not dust, but mud.

  On the Riverworld, Georges had himself cleared up the mystery. While darting in and out of the clouds, hoping to surprise a Boche, or a dozen Boches – it made no difference to him – he had started to cough. The rackings got worse, and, suddenly, blood poured out of his mouth, running down his leather fur-lined combinaison. His fears that he had tuberculosis were now justified. But he could do nothing about it.

  Even as his vitality drained away and his eyesight faded, he saw a German fighter plane approaching. Though dying, or believing that he was dying, he turned toward the enemy. His machine guns chattered, but his deadly marksmanship had deserted him. The German zoomed upward, and Guynemer turned Old Charlie tightly to follow him. For a moment, he lost him. Then bullets pierced his windshield from behind. And then . . . unconsciousness.

  He awoke naked upon the Riverbank. Now he did not suffer from the white plague, and his flesh had filled out a little. But his intensity was still with him, though not as much as in 1917. He shared a cabin with a woman who now sat crying in it.

  William George Barker, a Canadian, was a natural flier who had performed the amazing feat of soloing after only one hour of instruction.

  On October 27, 1918, as major of the No. 201 Squadron of the RAF, he was flying alone in the new Sopwith Snipe. At twenty thousand feet over the MarmalForest, he shot down a two-seater observation plane. One of its crew saved himself by parachuting. Barker was interested and perhaps a little angered when he saw this. Parachutes were forbidden to the Allied fliers.

  Suddenly, a Fokker appeared, and a bullet entered his right thigh. His Snipe went into a spin, but he pulled it out, only to find himself surrounded by fifteen Fokkers. Two of these he hammered with bullets and drove away. Another, hit within a range of ten yards, flamed out. But Barker was wounded again, this time in the left leg.

  He lost consciousness, regaining it just in time to bring his plane out of another spin. From twelve to fifteen Fokkers were around him. At less than five yards, he shot the tail off of one, only to have his left elbow shattered by a bullet from a Spandau machine gun.

  Once more, he fainted, came to his senses, and found himself in the midst of about twelve Germans. Smoke was pouring from the Snipe. Believing that he was on fire and so doomed, he determined to ram one of the Boches. Just as the two planes were about to collide, he changed his mind. Firing, he sent the other craft up in flames.

  Diving away, he reached the British lines, crashing near an observation balloon but alive.

  This was Barker's last flight, reckoned by all authorities as the greatest one-man aerial battle of WWI against overwhelming odds. Barker was in a coma for two weeks, and when he awoke the war was over. He was given the Victoria Cross for this exploit, but for a long time he had to use canes to walk and an arm-sling. Despite his crippling pain, he returned to flying, and helped organize the Royal Canadian Air Force. In partnership with the great ace William Bishop, he established the first large Canadian airline.

  He died in 1930, while making a test flight of a new plane which crashed for no determinable reason. His official score was fifty enemy aircraft, though other records tallied it as fifty-three.

  Guynemer also claimed fifty-three.

  Clemens shook the hands of the two men.

  "I'm against dueling, as you well know," he said. "I ridiculed the notion in my books, and I've talked to you many times of how I loathed the old Southron wickedness of settling disputes by killing. Though I suppose that anybody that's foolish enough to believe in that kind of arbitration ought to be killed.

  "Now, I wouldn't have objected to this aerial duel at all if I knew that you'd be dead today and alive the next, as in the old days. But this is for real. I did have reservations, as Sitting Bull said to Custer, but you two seemed so eager, like war-horses hearing a trumpet call, that I saw no reason to turn down John's offer.

  "Still, I wonder what's behind this. Bad John may be planning something treacherous. I gave my consent because I talked to one of his officers, men I knew or knew of, and they're honest honorable men. Though what men like William Goffe and Peder Tordenskjöld are doing on that boat, serving under that evil man, I can't imagine. He must have changed his ways, though I refuse to believe that he has ch
anged the inner man.

  "In any event, they assured me that everything was on the up and up. Their two men plan to leave the boat at the same time you do. Their planes will carry only machine guns, no rockets."

  Barker said, "We've gone over all this, Sam. We think you're – we're – in the right. After all, John did steal your boat and he tried to kill you. And we know he's an evil man. Besides . . ."

  "Besides, you two can't resist the chance to get into action again," Sam said. "You're suffering from nostalgia. You've forgotten how brutal and bloody those times were, haven't you?"

  Guynemer said impatiently, "If they were not evil, they would not be on the Rex. Besides, we would be cowards if we did not accept their challenge."

  Barker said. "We have to warm up the motors."

  Sam Clemens said, "Well, I shouldn't even be talking like this. So long, boys. And good luck. May the best men win, and I'm sure you'll be the best!"

  He shook hands again and walked to one side. This was both brave and foolish, he thought, but he had given his consent. The last-minute resumming up of the situation was due to his nervousness. He shouldn't have said anything. But, to tell the truth, he was looking forward to this. It was like the jousts of the knights of old. He hated those knights, since, historically, they were oppressors and bleeders of the peasants and the lower classes and rather murderous to their own class. A filthy bloody-minded bunch in reality. However, there was the reality, and there was the myth. Myth always put blinders on men, and perhaps there was something good to be said for myth. The ideal was the light; the real, the shadow. Here were two exceptionally capable and courageous men, going to fight to the death in a prearranged duel. For what reason? Neither had to prove himself; they had done that long ago when the proving meant something.

  What was it? Machismo? Definitely not.

  Whatever their motive, they were secretly pleasing Clemens. For one thing, if they could down John's fliers, then they could go on to strafe the Rex. Of course, if they lost, then John's pilots would be raking the Not For Hire. He preferred not to think about that.

  But the main source of pleasure was watching the combat. It was childish, or, at least, not mature. But like most men and many women, he enjoyed sport as a spectator. And this was a sporting event, however fatal for the participants. The Romans certainly knew what they were doing when they put on the gladiatorial combats.

  Sam was startled when a trumpet call rang out. This was immediately followed by the stirring "Up in the Wild Blue," composed by Gioacchino Rossini for the boat's air force. The music, however, was electronically produced.

  Barker, as commander, was the first to climb into the cockpit. The propeller turned slowly with a whine, then began whirling swiftly. Guynemer got into his plane. The people lining the edge of the flight deck and crowding the lower two rooms of the pilothouse cheered. Presently, the roar of the motor of Barker's fighter drowned out the huzzahs and hurrays.

  Sam Clemens looked up at the control room. The executive officer, John Byron, stood at the stern port of the control room, ready to signal the captain. As soon as the chronometer indicated 12:00, he would drop a scarlet cloth from the port.

  A woman burst from the crowd by the edge of the deck and threw bouquets of irontree blooms into the cockpits. Guynemer, looking through goggles, smiled and waved his bouquet. Barker raised his blooms as if to throw them out, then changed his mind.

  Sam looked at his watch. The blood-colored cloth dropped. He turned and gestured that the catapult should be activated. There was a whoosh of steam and Barker's machine, released, was hurtling forward. Fifty feet before reaching the edge of the deck, it lifted.

  The Frenchman's plane soared up eighty seconds later.

  The crowd spread out over the flight deck as Clemens hurried to the pilot-house. From the control room he would climb a ladder through a hatch on the top of the structure. A chair and table were bolted down there, waiting for him. While he watched the dogfight he would drink bourbon and smoke a fresh cigar.

  Nevertheless, he could not keep from worrying about King John. It was inevitable as a belch after beer that John was planning some sort of trickery.

  29

  * * *

  The Rex Grandissimus was in the middle of the lake, its nose pointed into the wind, its paddle wheels rotating to drive it at ten miles per hour. This, added to the five-mph headwind, gave the airplanes a fifteen-mph wind to climb into during takeoff.

  King John, clad in a blue kilt, scarlet cape, and blackjack-boots, was on the flight deck. He was talking to the two pilots while the deck crew was readying the aircraft. These were dressed in black leather uniforms similar to those of the enemy fliers. Near them were the fighter craft, being readied. These were also biplanes, though the noses were blunter than their counterparts. The wings and fuselage of one plane were covered with a blue-and-silver checkerboard pattern, on which were imposed the three golden lions of King John. Its crimson nose bore a white skull and crossbones. The second machine was white with the three lions on the wings and rudder. On both sides and the underside of the cockpit was a red ball, the rising sun of Japan, Okabe's sign.

  Out of several hundred candidates interviewed in the past seven years, John had picked two to fly for this long-expected day. Kenji Okabe was a short husky slim man who radiated determination. Yet, most of the time he was congenial, interested in others besides himself. At this time, he looked grim. Voss, with Barker, was distinguished as having fought the two greatest one-man stands against superior forces in the aerial history of World War I.

  On September 23, 1917, Voss, a destroyer of forty-eight Allied aircraft, was flying alone in one of the new Fokker triplanes when he encountered seven S.E.S. fighters of the RVC Squadron No. 56. Their pilots were among Britain's finest fighter pilots. Five were aces, McCudden, Rhys-Davids, and Cecil Lewis being the best-known. Their leader, McCudden, immediately led his men into a circling attack. Voss was seemingly doomed to be shot down at once, the target of fourteen machine guns. But Voss flew his plane as if it were a gyrfalcon. Twice, just as McCudden had Voss in his sights, Voss went into a quick flat half-spin, a maneuver which none of the British had ever seen before. Performing outrageous yet perfectly controlled tricks, and also riddling some of their planes, Voss eluded the seven. But he could not break through the circle. Then Rhys-Davids, a superb marksman, kept him in his sights long enough to empty a drum of .50-caliber bullets from his Lewises into him. Voss's plane fell, not without the regrets of the British. If it had been possible, they would have preferred to have brought him down alive. He was the finest fighter pilot they had ever seen.

  Voss was of partly Jewish descent. Though he had encountered some prejudice in the German air force, his splendid flying abilities and determination had brought him recognition which he deserved. He had even served for a while under Richthofen, the so-called Red Baron, who had made him a flight leader and assigned him to fly top cover in the formation.

  Kenji Okabe, the captain of King John's air force, had been, during World War II, a noncommissioned officer, Naval Aviation Pilot First Class. He was one of his country's greatest fighter pilots, and he'd set the Navy's all-time record when, over Rabaul, the Bismarck Archipelago, he'd shot down seven American planes in one day. But while attacking a bomber over Bougainville, the Solomon Islands, he was surprised by an American plane diving from a high altitude. It shot off one of the wings of the Zero and set it on fire. Burning, Okabe fell.

  John chatted with his two finest pilots for a few minutes. Then he shook Voss's hand and returned Okabe's bow, and the two got into the cockpits. Five thousand feet altitude, at a point halfway between the two boats, a spire with an onion-shaped top, was the agreed rendezvous.

  The four biplanes spiraled upward. On reaching the designated height, as indicated by the altimeters, they straightened out. None of them thought of cheating, since they were honorable men. Nor had John suggested to his pilots that they go even higher to get the advantage. He knew them t
oo well.

  Now they headed toward each other. The sun was on the right of Voss and Okabe; on the left of Barker and Guynemer. All four would have preferred to have the sun to their backs and in their opponents' eyes. That was the classic method of attack. Hide in ambush in sun or cloud, then, after spotting the victim below, dive down, taking him by surprise.

  The airplanes reached the stipulated five thousand feet. The two pairs, with two miles between them, headed straight for each other at a combined three hundred miles an hour. Perhaps five thousand people were watching the last aerial dogfight of Terrestrials.

  Werner Voss headed straight for Bill Barker; Georges Guynemer and Kenji Okabe, for each other.

  It was a coolly near-suicidal maneuver. Keep the machine dead-on a collision course. Hold the fire until within 1700 feet. Press the trigger button on the joystick. Loose about ten rounds. Hope that the burst would hit a propeller, knock it out of line a little, perhaps pierce an oil line or electrical wires. Maybe even skim the cowl, pierce the windshield and hit the pilot.

  Then, at the last possible second, roll and turn away to the right. If there was a miscalculation, if the other pilot did not turn but continued on his course, smash!

  Guynemer's blazing black eyes looked out of his goggles and through the ring-sight just .ahead of the windscreen. The white plane was edge-on, seemingly flattened out. The whirling propeller gave a clear view of the other man; his teeth showed whitely in the sun. Then, the plane was huge, swelling at a speed that would have frightened most men. The Frenchman pressed the button. At the same time, the muzzle of the gun of his opponent shot red.

  The two airplanes rolled simultaneously, and their wheels almost collided. Both brought their craft up and around in a turn so tight that the blood drained from their heads.

  For a second, as he circled, Guynemer had the checkerboard machine in his sights. But he did not waste any bullets. It was gone too quickly.

 

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