"The spirit, of course, can never sleep. Only the body becomes unconscious," interposed John Silence.
"Yes, we know that—theoretically. At night, of course, the spirit is active elsewhere, and we have no memory of where and how, simply because the brain stays behind and receives no record. But I found that, while remaining conscious, I also retained memory. I had attained to the state of continuous consciousness, for at night I regularly, with the first approaches of drowsiness, entered nolens volens the four-dimensional world.
"For a time this happened regularly, and I could not control it; though later I found a way to regulate it better. Apparently sleep is unnecessary in the higher—the four-dimensional—body. Yes, perhaps. But I should infinitely have preferred dull sleep to the knowledge. For, unable to control my movements, I wandered to and fro, attracted, owing to my partial development and premature arrival, to parts of this new world that alarmed me more and more. It was the awful waste and drift of a monstrous world, so utterly different to all we know and see that I cannot even hint at the nature of the sights and objects and beings in it. More than that, I cannot even remember them. I cannot now picture them to myself even, but can recall only the memory of the impression they made upon me, the horror and devastating terror of it all. To be in several places at once, for instance—"
"Perfectly," interrupted John Silence, noticing the increase of the other's excitement, "I understand exactly. But now, please, tell me a little more of this alarm you experienced, and how it affected you."
"It's not the disappearing and reappearing per se that I mind," continued Mr. Mudge, "so much as certain other things. It's seeing people and objects in their weird entirety, in their true and complete shapes, that is so distressing. It introduces me to a world of monsters. Horses, dogs, cats, all of which I loved; people, trees, children; all that I have considered beautiful in life—everything, from a human face to a cathedral—appear to me in a different shape and aspect to all I have known before. I cannot perhaps convince you why this should be terrible, but I assure you that it is so. To hear the human voice proceeding from this novel appearance which I scarcely recognise as a human body is ghastly, simply ghastly. To see inside everything and everybody is a form of insight peculiarly distressing. To be so confused in geography as to find myself one moment at the North Pole, and the next at Clapham Junction—or possibly at both places simultaneously—is absurdly terrifying. Your imagination will readily furnish other details without my multiplying my experiences now. But you have no idea what it all means, and how I suffer."
Mr. Mudge paused in his panting account and lay back in his chair. He still held tightly to the arms as though they could keep him in the world of sanity and three measurements, and only now and again released his left hand in order to mop his face. He looked very thin and white and oddly unsubstantial, and he stared about him as though he saw into this other space he had been talking about.
John Silence, too, felt warm. He had listened to every word and had made many notes. The presence of this man had an exhilarating effect upon him. It seemed as if Mr. Racine Mudge still carried about with him something of that breathless Higher-Space condition he had been describing. At any rate, Dr. Silence had himself advanced sufficiently far along the legitimate paths of spiritual and psychic transformations to realise that the visions of this extraordinary little person had a basis of truth for their origin.
After a pause that prolonged itself into minutes, he crossed the room and unlocked a drawer in a bookcase, taking out a small book with a red cover. It had a lock to it, and he produced a key out of his pocket and proceeded to open the covers. The bright eyes of Mr. Mudge never left him for a single second.
"It almost seems a pity," he said at length, "to cure you, Mr. Mudge. You are on the way to discovery of great things. Though you may lose your life in the process—that is, your life here in the world of three dimensions—you would lose thereby nothing of great value—you will pardon my apparent rudeness, I know—and you might gain what is infinitely greater. Your suffering, of course, lies in the fact that you alternate between the two worlds and are never wholly in one or the other. Also, I rather imagine, though I cannot be certain of this from any personal experiments, that you have here and there penetrated even into space of more than four dimensions, and have hence experienced the terror you speak of."
The perspiring son of the Essex bargeman and the woman of Normandy bent his head several times in assent, but uttered no word in reply.
"Some strange psychic predisposition, dating no doubt from one of your former lives, has favoured the development of your 'disease'; and the fact that you had no normal training at school or college, no leading by the poor intellect into the culs-de-sac falsely called knowledge, has further caused your exceedingly rapid movement along the lines of direct inner experience. None of the knowledge you have foreshadowed has come to you through the senses, of course."
Mr. Mudge, sitting in his immovable chair, began to tremble slightly. A wind again seemed to pass over his surface and again to set it curiously in motion like a field of grass.
"You are merely talking to gain time," he said hurriedly, in a shaking voice. "This thinking aloud delays us. I see ahead what you are coming to, only please be quick, for something is going to happen. A band is again coming down the street, and if it plays—if it plays Wagner—I shall be off in a twinkling."
"Precisely. I will be quick. I was leading up to the point of how to effect your cure. The way is this: You must simply learn to block the entrances."
"True, true, utterly true!" exclaimed the little man, dodging about nervously in the depths of the chair. "But how, in the name of space, is that to be done?"
"By concentration. They are all within you, these entrances, although outer cases such as colour, music and other things lead you towards them. These external things you cannot hope to destroy, but once the entrances are blocked, they will lead you only to bricked walls and closed channels. You will no longer be able to find the way."
"Quick, quick!" cried the bobbing figure in the chair. "How is this concentration to be effected?"
"This little book," continued Dr. Silence calmly, "will explain to you the way." He tapped the cover. "Let me now read out to you certain simple instructions, composed, as I see you divine, entirely from my own personal experiences in the same direction. Follow these instructions and you will no longer enter the state of Higher Space. The entrances will be blocked effectively."
Mr. Mudge sat bolt upright in his chair to listen, and John Silence cleared his throat and began to read slowly in a very distinct voice.
But before he had uttered a dozen words, something happened. A sound of street music entered the room through the open ventilators, for a band had begun to play in the stable mews at the back of the house—the March from Tannhäuser. Odd as it may seem that a German band should twice within the space of an hour enter the same mews and play Wagner, it was nevertheless the fact.
Mr. Racine Mudge heard it. He uttered a sharp, squeaking cry and twisted his arms with nervous energy round the chair. A piteous look that was not far from tears spread over his white face. Grey shadows followed it—the grey of fear. He began to struggle convulsively.
"Hold me fast! Catch me! For God's sake, keep me here! I'm on the rush already. Oh, it's frightful!" he cried in tones of anguish, his voice as thin as a reed.
Dr. Silence made a plunge forward to seize him, but in a flash, before he could cover the space between them, Mr. Racine Mudge, screaming and struggling, seemed to shoot past him into invisibility. He disappeared like an arrow from a bow propelled at infinite speed, and his voice no longer sounded in the external air, but seemed in some curious way to make itself heard somewhere within the depths of the doctor's own being. It was almost like a faint singing cry in his head, like a voice of dream, a voice of vision and unreality.
"Alcohol, alcohol!" it cried, "give me alcohol! It's the quickest way. Alcohol, before I'm out of reach!"<
br />
The doctor, accustomed to rapid decisions and even more rapid action, remembered that a brandy flask stood upon the mantelpiece, and in less than a second he had seized it and was holding it out towards the space above the chair recently occupied by the visible Mudge. Then, before his very eyes, and long ere he could unscrew the metal stopper, he saw the contents of the closed glass phial sink and lessen as though some one were drinking violently and greedily of the liquor within.
"Thanks! Enough! It deadens the vibrations!" cried the faint voice in his interior, as he withdrew the flask and set it back upon the mantelpiece. He understood that in Mudge's present condition one side of the flask was open to space and he could drink without removing the stopper. He could hardly have had a more interesting proof of what he had been hearing described at such length.
But the next moment—the very same moment it almost seemed—the German band stopped midway in its tune—and there was Mr. Mudge back in his chair again, gasping and panting!
"Quick!" he shrieked, "stop that band! Send it away! Catch hold of me! Block the entrances! Block the entrances! Give me the red book! Oh, oh, oh-h-h-h!!!"
The music had begun again. It was merely a temporary interruption. The Tannhäuser March started again, this time at a tremendous pace that made it sound like a rapid two-step as though the instruments played against time.
But the brief interruption gave Dr. Silence a moment in which to collect his scattering thoughts, and before the band had got through half a bar, he had flung forward upon the chair and held Mr. Racine Mudge, the struggling little victim of Higher Space, in a grip of iron. His arms went all round his diminutive person, taking in a good part of the chair at the same time. He was not a big man, yet he seemed to smother Mudge completely.
Yet, even as he did so, and felt the wriggling form underneath him, it began to melt and slip away like air or water. The wood of the arm-chair somehow disentangled itself from between his own arms and those of Mudge. The phenomenon known as the passage of matter through matter took place. The little man seemed actually to get mixed up in his own being. Dr. Silence could just see his face beneath him. It puckered and grew dark as though from some great internal effort. He heard the thin, reedy voice cry in his ear to "Block the entrances, block the entrances!" and then—but how in the world describe what is indescribable?
John Silence half rose up to watch. Racine Mudge, his face distorted beyond all recognition, was making a marvellous inward movement, as though doubling back upon himself. He turned funnel-wise like water in a whirling vortex, and then appeared to break up somewhat as a reflection breaks up and divides in a distorting convex mirror. He went neither forward nor backwards, neither to the right nor the left, neither up nor down. But he went. He went utterly. He simply flashed away out of sight like a vanishing projectile.
All but one leg! Dr. Silence just had the time and the presence of mind to seize upon the left ankle and boot as it disappeared, and to this he held on for several seconds like grim death. Yet all the time he knew it was a foolish and useless thing to do.
The foot was in his grasp one moment, and the next it seemed—this was the only way he could describe it—inside his own skin and bones, and at the same time outside his hand and all round it. It seemed mixed up in some amazing way with his own flesh and blood. Then it was gone, and he was tightly grasping a draught of heated air.
"Gone! gone! gone!" cried a thick, whispering voice, somewhere deep within his own consciousness. "Lost! lost! lost!" it repeated, growing fainter and fainter till at length it vanished into nothing and the last signs of Mr. Racine Mudge vanished with it.
John Silence locked his red book and replaced it in the cabinet, which he fastened with a click, and when Barker answered the bell he inquired if Mr. Mudge had left a card upon the table. It appeared that he had, and when the servant returned with it, Dr. Silence read the address and made a note of it. It was in North London.
"Mr. Mudge has gone," he said quietly to Barker, noticing his expression of alarm.
"He's not taken his 'at with him, sir."
"Mr. Mudge requires no hat where he is now," continued the doctor, stooping to poke the fire. "But he may return for it—"
"And the humbrella, sir."
"And the umbrella."
"He didn't go out my way, sir, if you please," stuttered the amazed servant, his curiosity overcoming his nervousness.
"Mr. Mudge has his own way of coming and going, and prefers it. If he returns by the door at any time remember to bring him instantly to me, and be kind and gentle with him and ask no questions. Also, remember, Barker, to think pleasantly, sympathetically, affectionately of him while he is away. Mr. Mudge is a very suffering gentleman."
Barker bowed and went out of the room backwards, gasping and feeling round the inside of his collar with three very hot fingers of one hand.
It was two days later when he brought in a telegram to the study. Dr. Silence opened it, and read as follows:
"Bombay. Just slipped out again. All safe. Have blocked
entrances. Thousand thanks. Address Cooks, London.—MUDGE."
Dr. Silence looked up and saw Barker staring at him bewilderingly. It occurred to him that somehow he knew the contents of the telegram.
"Make a parcel of Mr. Mudge's things," he said briefly, "and address them Thomas Cook & Sons, Ludgate Circus. And send them there exactly a month from to-day and marked 'To be called for.'"
"Yes, sir," said Barker, leaving the room with a deep sigh and a hurried glance at the waste-paper basket where his master had dropped the pink paper.
PROJECT GUTTENBERG FINE PRINT
End of Project Gutenberg's Three John Silence Stories, by Algernon Blackwood
*** END OF THIS PROJECT GUTENBERG EBOOK THREE JOHN SILENCE STORIES ***
***** This file should be named 10624-h.htm or 10624-h.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.net/1/0/6/2/10624/
***** This file should be named 10659-h.htm or 10659-h.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.net/1/0/6/5/10659/
Produced by Suzanne Shell, Dave Morgan and PG Distributed Proofreaders
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all
the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.net/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
John Silence, Physician Extraordinary Page 34