Boze said, "Got some news, Carl. Floyd here saw the hanging man last night. Recognized the body over to Obe Spencer's just now."
Floyd bobbed his head up and down. "He came into the Elkhorn about eight o'clock, asking for work."
I said, "How long did he stay?"
"Half hour, maybe. Told him we already had a swamper and he spent five minutes trying to convince me he'd do a better job of cleaning up. Then he gave it up when he come to see I wasn't listening, and bought a beer and nursed it over by the stove. Seemed he didn't much relish going back into the cold."
"He say anything else to you?"
"Not that I can recall."
"Didn't give his name, either," Boze said. "But there's something else. Tell him, Floyd."
"Well, there was another fella came in just after the drifter," Floyd said. "Orded a beer and sat watching him. Never took his eyes off that drifter once. I wouldn't have noticed except for that and because we were near empty. Cold kept most everybody home last night."
"You know this second man?" I asked.
"Sure do. Local farmer. Newcomer to the area, only been around for—"
"Jubal Parsons?"
Floyd blinked at me. "Now how in thunder did you know that?"
"Lucky guess. Parsons leave right after the drifter?"
"He did. Not more than ten seconds afterward."
"You see which direction they went?"
"Downstreet, I think. Toward Sam McCullough's livery."
I thanked Floyd for his help and shooed him on his way. When he was gone Boze asked me, "Just how did you know it was Jubal Parsons?"
"I finally remembered where I'd seen that Presidential Medal I found. Parsons showed it when he was here one day several months ago. Said it was his good-luck charm."
Boze rubbed at his bald spot. "That and Floyd's testimony make a pretty good case against him, don't they?"
"They do. Reckon I'll go out and have a talk with him."
"We'll both go," Boze said. "Ellie can mind the store the rest of the day. This is more important. Besides, if Parsons is a killer, it'll be safer if there are two of us."
I didn't argue; a hero is something I never was nor wanted to be. We left the mill and went and picked up Boze's buckboard from behind the mercantile. On the way out of town we stopped by his house and mine long enough to fetch our rifles. Then we headed west on Willow Creek Road.
It was a long cool ride out to Jubal Parsons' tenant farm, through a lot of rich farmland and stands of willows and evergreens. Neither of us said much. There wasn't much to say. But I was tensed up and I could see that Boze was, too.
A rutted trail hooked up to the farm from Willow Creek Road, and Boze jounced the buckboard along there some past three o'clock. It was pretty modest acreage. Just a few fields of corn and alfalfa, with a cluster of ramshackle buildings set near where Willow Creek cut through the northwest corner. There was a one-room farmhouse, a chicken coop, a barn, a couple of lean-tos, and a pole corral. That was all except for a small windmill—a Fairbanks, Morse Eclipse—that the Siler brothers had put up because the creek was dry more than half the year.
When we came in sight of the buildings I could tell that Jubal Parsons had done work on the place. The farmhouse had a fresh coat of whitewash, as did the chicken coop, and the barn had a new roof
There was nobody in the farmyard, just half a dozen squawking leghorns, when we pulled in and Boze drew rein. But as soon as we stepped down, the front door of the house opened and Greta Parsons came out on the porch. She was wearing a calico dress and high-button shoes, but her head was bare; that butter-yellow hair of hers hung down to her hips, glistening like the bargeman's gold nugget in the sun. She was some pretty woman, for a fact. It made your throat thicken up just to look at her, and funny ideas start to stir around in your head. If ever there was a woman to tempt a man to sin, I thought, it was this one.
Boze stayed near the buckboard, with his rifle held loose in one hand, while I went over to the porch steps and took off my hat. "I'm Carl Miller, Mrs. Parsons," I said. "That's Ed Bozeman back there. We're from Tule River. Maybe you remember seeing us?"
"Yes, Mr. Miller. I remember you."
"We'd like a few words with your husband. Would he be somewhere nearby?"
"He's in the barn," she said. There was something odd about her voice—a kind of dullness, as if she was fatigued. She moved that way, too, loose and jerky. She didn't seem to notice Boze's rifle, or to care if she did.
I said, "Do you want to call him out for us?"
"No, you go on in. It's all right."
I nodded to her and rejoined Boze, and we walked on over to the barn. Alongside it was a McCormick & Deering binder-harvester, and further down, under a lean-to, was an old buggy with its storm curtains buttoned up. A big gray horse stood in the corral, nuzzling a pile of hay. The smell of dust and earth and manure was ripe on the cool air.
The barn doors were shut. I opened one half, stood aside from the opening, and called out, "Mr. Parsons? You in there?"
No answer.
I looked at Boze. He said, "We'll go in together," and I nodded. Then we shouldered up and I pulled the other door half open. And we went inside.
It was shadowed in there, even with the doors open; those parts of the interior I could make out were empty. I eased away from Boze, toward where the corn crib was. There was sweat on me; I wished I'd taken my own rifle out of the buckboard.
"Mr. Parsons?"
Still no answer. I would have tried a third time, but right then Boze said, "Never mind, Carl," in a way that made me turn around and face him.
He was a dozen paces away, staring down at something under the hayloft. I frowned and moved over to him. Then I saw too, and my mouth came open and there was a slithery feeling on my back.
Jubal Parsons was lying there dead on the sod floor, with blood all over his shirtfront and the side of his face. He'd been shot. There was a .45-70 Springfield rifle beside the body, and when Boze bent down and struck a match, you could see the black-powder marks mixed up with the blood.
"My God," I said, soft.
"Shot twice," Boze said. "Head and chest."
"Twice rules out suicide."
"Yeah," he said.
We traded looks in the dim light. Then we turned and crossed back to the doors. When we came out Mrs. Parsons was sitting on the front steps of the house, looking past the windmill at the alfalfa fields. We went over and stopped in front of her. The sun was at our backs, and the way we stood put her in our shadow. That was what made her look up; she hadn't seen us coming, or heard us crossing the yard.
She said, "Did you find him?"
"We found him," Boze said. He took out his badge and showed it to her. "We're county sheriff's deputies, Mrs. Parsons. You'd best tell us what happened in there."
"I shot him," she said. Matter-of-fact, like she was telling you the time of day. "This morning, just after breakfast. Ever since I've wanted to hitch up the buggy and drive in and tell about it, but I couldn't seem to find the courage. It took all the courage I had to fire the rifle."
"But why'd you do a thing like that?"
"Because of what he did in Tule River last night."
"You mean the hanging man?"
"Yes. Jubal killed him."
"Did he tell you that?"
"Yes. Not long before I shot him."
"Why did he do it—hang that fellow?"
"He was crazy jealous, that's why."
I asked her, "Who was the dead man?"
"I don't know."
"You mean to say he was a stranger?"
"Yes," she said. "I only saw him once. Yesterday afternoon. He rode in looking for work. I told him we didn't have any, that we were tenant farmers, but he wouldn't leave. He kept following me around, saying things. He thought I was alone here—a woman alone."
"Did he—make trouble for you?"
"Just with words. He kept saying things, ugly things. Men like that only know why, but th
ey think I'm a woman of easy virtue. It has always been that way, no matter where we've lived."
"What did you do?" Boze asked.
"Ignored him at first. Then I begged him to go away. I told him my husband was wild jealous, but he didn't believe me. I thought I was alone too, you see; I thought Jubal had gone off to work in the fields."
"But he hadn't?"
"Oh, he had. But he came back while the drifter was here and he overheard part of what was said."
"Did he show himself to the man?"
"No. He would have if matters had gone beyond words, but that didn't happen. After a while he got tired of tormenting me and went away. The drifter, I mean."
"Then what happened?"
"Jubal saddled his horse and followed him. He followed that man into Tule River and when he caught up with him he knocked him on the head and he hung him."
Boze and I traded another look. I said what both of us were thinking: "Just for deviling you? He hung a man for that?"
"I told you, Jubal was crazy jealous. You didn't know him. You just—you don't know how he was. He said that if a man thought evil, and spoke evil, it was the same as doing evil. He said if a man was wicked, he deserved to be hung for his wickedness and the world would be a better place for his leaving it."
She paused, and then made a gesture with one hand at her bosom. It was a meaningless kind of gesture, but you could see where a man might take it the wrong way. Might take her the wrong way, just like she'd said. And not just a man, either; women, too. Everybody that didn't keep their minds open and went rooting around after sin in other folks.
"Besides," she went on, "he worshipped the ground I stand on. He truly did, you know. He couldn't bear the thought of anyone sullying me."
I cleared my throat. The sweat on me had dried and I felt cold now. "Did you hate him, Mrs. Parsons?"
"Yes, I hated him. Oh, yes. I feared him, too—for a long time I feared him more than anything else. He was so big. And so strong-willed. I used to tremble sometimes, just to look at him."
"Was he cruel to you?" Boze asked. "Did he hurt you?"
"He was and he did. But not the way you mean; he didn't beat me, or once lay a hand to me the whole nine years we were married. It was his vengeance that hurt me. I couldn't stand it, I couldn't take any more of it."
She looked away from us again, out over the alfalfa fields—and a long ways beyond them, at something only she could see. "No roots," she said, "that was part of it, too. No roots. Moving here, moving there, always moving—three states and five homesteads in less than ten years. And the fear. And the waiting. This was the last time, I couldn't take it ever again. Not one more minute of his jealousy, his cruelty . . . his wickedness."
"Ma'am, you're not making sense—"
"But I am," she said. "Don't you see? He was Jubal Parsons, the Hanging Man."
I started to say something, but she shifted position on the steps just then—and when she did that her face came out of shadow and into the sunlight, and I saw in her eyes a kind of terrible knowledge. It put a chill on my neck like the night wind does when it blows across a graveyard.
"That drifter in Tule River wasn't the first man Jubal hung on account of me," she said. "Not even the first in California. That drifter was the Hanging Man's eighth."
CHANGES
The big, flat-faced stranger came into the Elite Barber Shop just before closing that Wednesday afternoon.
Asa was stropping his old Spartacus straight razor, humming to himself and thinking how good a cold lemonade was going to taste. Over at the shoeshine stand Leroy Heavens sat on a three-legged stool, working on his own pair of brogans with a stained cloth; sweat lacquered his face and made it glisten like black onyx. The mercury in the courthouse thermometer had been up to 97 at high noon and Asa judged it wasn't much cooler than that right now: the summer flies were still heat-drugged, floating in circles on such breeze as the ceiling fan stirred up.
In the long mirror across the rear wall Asa watched the stranger shut the door and stand looking around. Leroy and the shoeshine stand got a passing glance; so did the three 1920s Otis barber chairs, the waiting-area furniture, the open door to Asa's living quarters in back, the counter full of clippers and combs and other tonsorial tools, and the display shelves of both modern and old-fashioned grooming supplies.
When the eyes flicked over him Asa said, "Sure is a hot one," by way of greeting. "That sun'll raise blisters, a person stands under it too long."
The big man didn't say anything. Just headed across to where Asa was standing behind the number one chair. He wore a loose-fitting summer shirt and a pair of spiffy cream-colored slacks; dark green-tinted sunglasses hid his eyes. Asa took him to be somewhere in his middle fifties, reckoning from the lines in his face. Some face it was, too: looked as though somebody had beat on it with a mallet to flatten it that way, to get the nose and lips all spread out and shapeless.
The display shelves were to the left of the number one chair; the stranger stopped there and peered down at the old-fashioned supplies. He picked up and inspected a silvertip-badger shaving brush, an ironstone mug, a block of crystal alum, a bottle of imported English lavender water. The left corner of his mouth bent upward in a sort of smile.
"Nice stuff you got here," he said, and Asa knew right off that he was from up North. New York, maybe; he had that kind of damn-Yankee accent you kept hearing on the TV. "Not too many places stock it nowadays."
"That's a fact," Asa agreed. "I'm just about the only barber in Hallam County that does."
"Sell much of it?"
"Nope, not much. Had that silvertip brush two years now; got a genuine tortoiseshell handle, too. Kind of a shame nobody wants it."
The stranger made a noise through his flattened nose. "Doesn't surprise me. All anybody wants these days is modern junk, modern ideas. People'd be a lot better off if they stuck to the old ways."
"Well," Asa said philosophically, "things change."
"Not for the better."
"Oh, I dunno. Sometimes I reckon they do." Asa laid the Spartacus razor down. "But sure not in the art of shaving. Now that silvertip there—a real fine piece of craftsmanship, handmade over in France. Make you a nice price on it if you're interested."
"Maybe," the big man said. He edged away from the shelves and went over by the open inner door. When he got there he paused and seemed to take inventory of the room beyond. "You live back there—old timer?"
"I do."
"Alone?"
"Yep. You a census-taker, maybe?"
The stranger barked once, like a hound on a possum hunt; then he came back to where Asa was and looked up at the clock above the mirror. "Almost five," he said. "Sign out front says that's when you close up."
"Most days the sign's right."
"How about today?"
"If you're asking will I still barber you, the answer's yes. Ain't my policy to turn a customer away if he's here before closing."
"Any after-hours appointments?"
Asa's brows pulled down. "I don't take after-hours appointments," he said. "Haircut what you're after, is it? Looks a mite long over the collar."
No answer. The big man turned his head and looked over at the front window, where the shade was three-quarters drawn against the glare of the afternoon sun. About all you could see below it was half of the empty sidewalk outside.
Asa ran a hand through his sparse white hair. Seemed pretty quiet in there, all of a sudden, except for the whisper of the push-broom Leroy had fetched and was sweeping up with in front of the shoeshine stand. There was hardly a sound out on Willow Street, either. Folks kept to home and indoors in this heat; hadn't been much foot or machine traffic all day, and no business to speak of.
"Don't recall seeing you around Wayville before," Asa said to the stranger. "Just passing through, are you?"
"You might say that."
"Come far?"
"Far enough. The state capital."
"Nice place, the capital."
"Sure. Lots of things happening there, right? Compared to a one-horse town like this, I mean."
"Depends on how you look at it."
"For instance," the big man said, "I heard there was some real excitement over there just last week. And I heard this barber named Asa Bedlloe, from Wayville here, was mixed up in it."
Asa hesitated. Then, "Now where'd a Yankee like you hear that?"
The stranger's lip bent upward at the corner again. "The way I got it, Asa was in the capital visiting his nephew. While the nephew was at work, Asa wandered downtown to look through some secondhand bookstores because he likes to read. He took a short cut through an alley, heard two guys arguing inside an open doorway, and the next thing he knew, there was a shot and one guy came running out with a gun in his hand. Asa'd already ducked out of sight, so the guy didn't see him. But Asa, he got a good look at the guy's face. He went straight to the cops and picked him out of a mug book—and what do you know, the guy's name is Rawles and he's a medium bigshot in the local rackets. So the cops are happy because they've got a tight eyewitness murder rap against Rawles, and Asa's happy because he's a ten-cent hero. The only one who isn't happy is Rawles."
Asa wet his lips. His eyes stayed fixed on the stranger's face.
"What I can't figure out," the big man went on, "is why old Asa went to the cops in the first place. I mean, why didn't he just keep his mouth shut and forget the whole thing?"
"Maybe he reckoned it was his duty," Asa said.
"Duty." The stranger shook his head. "That's another modern idea: instead of staying the hell out of things that don't concern them, everybody wants to do his duty, wants to get involved. Like I said before, people'd be better off if they stuck to the old ways."
"The old ways ain't always the right ways."
"Too bad you feel that way, old timer," the stranger said. He glanced up at the clock again. "After five now. Time to close up."
"I ain't ready to close up just yet."
"Sure you are. Go on over and lock the front door."
"Now you listen here—"
The sly humor disappeared from the big man's face like somebody had wiped it off with an eraser. His eyes said he was through playing games. And his actions said it even plainer: he reached down, hiked up the front of his loose-fitting shirt, and closed his big paw around the butt of a handgun stuck inside his belt.
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