by Jilly Cooper
‘My things are still on Edith’s bed.’ Flora shivered, Carmine was still up there somewhere. ‘There’s my leather jacket, and a viola case with my name on, and a green Louis Vuitton bag.’
‘I’ll get them,’ said Jackie.
‘And you might torch Dim Hermione’s fur coat at the same time.’
In the hall, Flora met a happier-looking Marcus.
‘Dame Edith’s just introduced me to George, he was really nice this time.’
Flora looked old-fashioned. ‘Must want something. Look, I’m not coming on the coach — can you or Abby feed the cats if you get home before me?’
‘I shouldn’t be doing this,’ grumbled Flora as Jack aimed the remote control to open huge electric gates. ‘What happens if your wife rolls up?’
‘She’s in Italy,’ said Jack.
They seemed to get upstairs to the bedroom awfully quickly.
‘I’m glad you turned up at the party,’ gabbled Flora. ‘Things were a little flat, before Carmine tried to rape me.’
‘I’ll set you up in a little flat,’ Jack guided her into a bedroom out of a Laura Ashley catalogue.
‘I ought to clean my teeth,’ said Flora, as she collapsed onto a daisy-strewn counterpane. ‘I better fetch my smart new bag to match such a smart bedroom.’
‘Use my toothbrush,’ said Jack, pulling her to her feet. ‘Use anyfing in the bathroom, most of all, use me.’
Flora was woken by Jack marching in with black coffee, croissants and a large jug of Buck’s Fizz.
‘You’re a seriously nice man.’
Jack smirked.
‘And that is a really pretty view.’ Flora reared up in bed to admire a wood and white houses nesting in skewbald hills. People were already tobogganing. ‘And a lovely little village.’
‘Shame the bloody bells wike us up at twenty to eleven every Sunday morning.’
‘Help. Is that the time?’
‘You were very tired. I wish I could still crash out like that.’
Jack was wearing a white towelling dressing-gown and was obviously poised for a replay. He looked much older in daylight with his thatched hair pushed off his lined forehead.
‘Coincidence you going to Verona,’ he went on. ‘Have a Crusoe.’
Croissant’s the one word that always trips them up, Flora was appalled to find herself thinking, and said hastily, ‘I’ve never been to Verona.’
‘Come on, the label’s on your smart ‘old-all.’
Flora was downstairs in a flash. In the Louis Vuitton bag with the Verona label, she found several toots of cocaine, two very hard-porn mags, a year’s supply of condoms, ten grand in cash, some grey silk pyjamas, voluminous enough to make a parachute, Alphonso’s tails, his passport and his tickets to Verona on a plane that had left at eight o’clock that morning.
Flora went beserk.
‘He’s got Foxie,’ she sobbed. ‘I can’t move without Foxie, he’s been with me since I was a baby.’
She was on to Woodbine Cottage in even more of a flash.
‘Dirty stop-out,’ were Abby’s first words.
‘I’ve lost Foxie, and my lovely new case.’
It was several seconds before Abby could make herself heard.
‘It’s OK, Nellie’s got them.’
‘How on earth?’
‘She went back to the Cotchester Hilton with Alphonso.’
‘Omigod.’
Abby couldn’t stop laughing.
‘Nellie said Alphonso burrowed in his case for a line and a condom and discovered Foxie.’
‘Condomingo,’ said Flora, who was reeling with relief. ‘Poor Foxie, where’s he now?’
‘Alphonso gave him and your case to George.’
‘Oh de-ah,’ said Flora wearily, ‘he’s not going to be very happy. I’ve got Alphonso’s case here.’
George had not been able to keep his rendezvous with Dame Hermione. A man of sorrows, acquainted with a whole load of grief, he had instead spent the night with an increasingly hysterical Alphonso, who refused to let him call the police, because of the contents of the case, but insisted George ring every member of the orchestra, which was difficult when the snow had brought down so many telephone lines, to try and locate its whereabouts.
George really roared down the telephone at Flora.
‘Where the fuck have you been? Alphonso’s threatening to sue the orchestra, unless we get his case back and him on the evening plane. He’s got to fly to the States in the morning. I’ll send the helicopter for the case at once. Where are you?’
‘I can’t tell you.’
‘Then you’re fired.’
Flora put a sweating hand over the receiver.
‘Can you lend me the money for a taxi back to Rutminster?’
Grim-faced, Jack seized the telephone.
‘George, it’s Jack, Jack Rodway, Flora’s wiv me.’ Then, interrupting the torrent of abuse, snapped, ‘I don’t want the fuzz involved, Janice’d do her nut, and having seen the contents of Alphonso’s case, I can see why he don’t either. I’ll shunt Flora over to you as quick as possible.’
All Jack’s bonhomie had evaporated. He couldn’t wait to get Flora out of the house.
Beside Foxie, George had found a black dress, a pair of shoes, a sponge bag and the Selected Poems of Robert Browning, which he was flipping through, when Flora, very pale but defiant, arrived at his office.
‘How sad and bad and mad it was -
But then, how it was sweet,’ quoted George, throwing the book across the huge polished table. ‘Pretty sad, bad and mad, for a girl of your age to go to bed with a middle-aged roué like Jack Rodway.’
Watching Flora dive on Foxie, kissing him thankfully, he reflected bitterly on his missed night-cap with Hermione, who was off round the world already, who might have soothed his sad heart. He didn’t know if he would ever meet her again.
‘You’ll have to pay for Alphonso’s air ticket,’ he said harshly.
Flora was gathering up the rest of her belongings and chucking them into her case.
‘I’ll have to consult my lawyer,’ she said haughtily. ‘George Carman’s a friend of my mother’s.’
‘I’ll dock it off your salary then.’
‘I must have picked up Alphonso’s bag in the cathedral. It was all your fault — there was no band room for safe keeping, everything was jumbled together. I’m going to talk to Steve.’
Appealed to, the union decided management was in the wrong and Flora didn’t have to pay up, but Steve shook his head.
‘George hates anyone getting the better of him, Flora. I’m afraid you’re a marked woman from now on.’
FORTY
The RSO were highly amused by the annexing both of Jack Rodway and Alphonso’s case, and sang, ‘Pack up your troubles in a new kit bag,’ each time an increasingly irritated Flora came into the hall.
Although secretly delighted that Flora had got off with someone other than Viking, Abby was currently far more preoccupied with the recording of Rachel’s Requiem. It was her first CD as a conductor and for the RSO, and she was determined to trounce the CCO in next October’s Gramophone Awards if it killed her. Thank God, Boris was too immersed in King Lear to come down and interfere.
‘I leave it in your capable fingers,’ he told Abby. ‘Today I write vonderful aria: “Blow vind and crack your chicks.”’
Both, however, reckoned without the wrath of Piggy Porker. She was not going to put one hundred thousand pounds into the RSO centenary year, starting on 1 January, and provide half the money for the Requiem and Sonny’s Interruption if a blasphemer was at the helm. Miles, Canon Airlie and Serena Woodward, now known as ‘Princess Grace of Megagram’, who was producing the record, all backed her up, and so did George, when he saw the cash sum involved. Boris must conduct the Requiem he had written. He was also cheap because he liked to keep the adrenalin going by recording pieces straight through without any retakes as though they were live, so there were never any overtime problems.<
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They had, however, all reckoned without Julian who, in a midnight meeting, threatened to resign if Abby were supplanted, and without Boris, who flatly refused to co-operate.
‘Fuck off Parson from Portlock,’ he shouted when Miles rang, ‘Eef I break off now, I will lose Lear; all the characters, all the music vill slip away, it is best theeng I ever write. I try to forget Rachel and Requiem. Anyway I can’t do this to Abby who is a good friend.’
Nor did he want hassle from Astrid, who was wildly jealous of Abby, Rachel and anything to do with Rutminster.
‘Are you prepared to pay back your advance, if the record is pulled?’ asked Miles coldly.
Boris, who had just bought a little Polo for Astrid, and had the cheque bounced on him, said he was not.
‘You’ve got two days to mug up on the Requiem,’ ordered Miles. ‘And please catch a train on Sunday night, so you’ll be on time on Monday morning.’
Instead Boris caught an early train on Monday morning. It was a tedious union rule that no more than twenty minutes of music could be recorded in a three-hour session. But if he could finish the Requiem which lasted an hour in a day, the RSO would still get paid for a three-hour session tomorrow morning, and could go Christmas shopping or have a lie-in instead, and he could belt back to Astrid on a fast train this evening.
Passengers on the 7.05 to Rutminster were amazed to see the romantic-looking man with the upended Beethoven hair singing along to his frantic scribbling, covering an entire table for four with his papers.
‘With a Hey Ho, the vind and the rain,’ sang Boris.
He hadn’t bothered to look at the Requiem, and became so immersed in a possible baritone aria: ‘As flies to vanton boys, are we to the gods,’ that he forgot to get off at Rutminster, and only arrived at the recording studios, situated in a basement in the High Street, at quarter-past eleven.
Miles, who had to pay for the taxi, was hopping.
‘Who produce Requiem?’ Boris asked him sulkily.
‘Serena Westwood. She’s been waiting for you since half-past nine.’
Miles might well have poured petrol all over a smouldering Boris, who loathed being bossed about by women. Serena was as smilingly serene as her name, but Boris was convinced a barracuda lurked beneath her steel-grey wool dress. Abby at least was on the side of music and she and Boris could swear at each other in Russian.
Serena, who was now sitting in the control-room, had been immersed in the score all weekend. She had taken the precaution of providing paper cups in case Boris started smashing things. In front of her, at a mixing desk like a vast switchboard and being paid a fortune by the hour, sat Sammy, the recording engineer. Through a glass panel, they could both see a forest of microphones like silver-birch saplings. Around these were grouped the RSO, swelled today by numerous extras, who also had to be paid. Except for Hilary who was ostentatiously reading Villette, they had all done the crossword and read the latest instalment in the Royal Soap in their own and each other’s papers.
To irritate Flora, the Celtic Mafia were now exchanging viola jokes.
‘What’s the definition of a lady?’
‘Go on, Viking.’
‘A woman who can play the viola but doesn’t.’
‘Ha, ha, ha, ha.’
‘Once upon a time, Princess Diana met a frog,’ went on Viking. ‘The frog said, “If you give me a big kiss, ma’am, I’ll turn into a handsome viola player.” So Princess Diana put him in her pocket. “Whaddja do that for,” protested the frog. “You’ll be more use to me as a talking frog,” said Princess Diana.’
‘Oh, shut up,’ snarled Flora, over the howls of mirth.
Everything irritated her at the moment.
Over her right shoulder she was constantly aware of Viking’s coldness since she’d slept with Jack, and over her left she was equally conscious of Carmine’s venomous animosity.
It was also such a long time since the RSO had made a record, that for many of the players: Candy, Clare, Lincoln, Viking’s Fifth Horn, Jenny, Cherub, Flora and Noriko, this was a first experience, and they were all terrified. Recordings were for ever. Every wrong note, dropped mouthpiece or rustled page would be picked up.
The long wait was telling on everyone’s nerves, particularly as Julian, good as his word, had refused to participate without Abby, and had swept Luisa and the children off to a pantomime in London. Bill Thackery, although thrilled to have this big chance to lead the orchestra, couldn’t, as Viking pointed out, lead the winning dog up to get the obedience championship at Cruft’s.
Wandering into the studio, Boris apologized for being late, paused to change a couple of bars of ‘Blow Vind’, opened the score of the Requiem, then remembering he hadn’t called Astrid picked up the telephone on the rostrum and found himself connected to Serena.
‘We’re all waiting, Mr Levitsky,’ she said icily.
‘Vun moment,’ Boris shot out to the call-box in the passage.
He’d fix the RSO management for dragging him away in the middle of Lear, and there was his old enemy Viking reading the Racing Post and ringing his bookmaker. Thank God he’d given ‘Rachel’s Lament’ to Cathie Jones, although she wouldn’t be needed until tomorrow.
The red light was on, shining through the mist of cigarette smoke like a setting September sun.
‘The tape’s started, Boris,’ said Serena, on the talk-back that could be heard by the whole studio. She would only use the telephone on the rostrum for private abuse.
Raising his stick, Boris noticed how many bows and instruments were trembling and smiled reassuringly.
‘You are nervous, don’t be, forget the microphones, we are making music. Eef we make few mistakes it doesn’t matter.’
‘No-one will notice anyway,’ muttered Old Henry who loathed contemporary music.
How lovely to have Boris back, after Abby’s relentless exactitude, thought the RSO fondly. Boris always kept them on their toes; they never knew what he would do next.
Unfortunately this time Boris didn’t know either. He had totally underestimated the terrifying complexities of a work that suddenly seemed to have been written long ago by someone else. The first tutti was completely haywire, followed by two bars of silence, when the orchestra didn’t come in at all, except for a great tummy-rumble from Candy who’d been too nervous to have any breakfast, and who went bright scarlet, which sent all the rank-and-file viola players into fits of giggles.
This was followed by a dreadful crunch when Boris by mistake cued the horns into head-on collision with the trombones totally drowning a flute duet.
‘I don’t know what happened then,’ said Juno in a flustered voice, ‘I looked up at Boris.’
‘That was your first mistake,’ said Peter Plumpton grimly.
Serena glared down at the black tangle of notes like a front on the weather map, and picked up the telephone.
‘Let’s start again.’
But it was no better. Boris didn’t know when to bring anyone in, seemed unaware of colour, dynamics or tempo and was constantly behind the beat.
As his gestures grew wilder and more panicky, the level metres in the control-room kept bouncing off the top, leaving nothing in reserve for any big crescendo coming up.
Without Abby to hold it together or, at least, Julian to bring in other section leaders with great nods, the piece collapsed. Useless take followed utterly useless take.
‘Despite what anyone says,’ murmured Simon Painshaw to Ninion, ‘there is a difference between intended and unintended cacophony.’
The telephone rang constantly.
‘Serena’s trying to make a date with you, Boris,’ shouted Dixie, ‘very soft beds in the Old Bell.’
Boris growled back in Russian and retreated to the Old Bell for succour. He was very drunk when he returned after the break, but because the RSO had been taught the Requiem painstakingly by Abby, they struggled on to the end of ‘Dies Irae’.
‘Why isn’t Abby conducting this?’ grumbled
Viking. ‘At this rate, we’ll be here till Boxing Day.’
Glumly the musicians watched the recording engineer dart in and shift a microphone towards Bill Thackery for the solo with which Julian had reduced everyone to tears at the première. It had been much too difficult for Lionel, and should have completely defeated Bill Thackery. But smilingly aware of opportunity knocking, he ploughed on, sublimely unaware that he sounded as though he was chainsawing through his grandmother’s wardrobe with Granny shrieking inside. Boris, however, was too drunk to notice.
In the lunch-hour, Francis the Good Loser, who had moved up to co-leader for the day and who had the sweetest nature in the orchestra, for once lost his temper.
‘How dare that tone-deaf nerd butcher such a beautiful solo?’ he stormed to Eldred, who cautiously agreed that Bill could have done with a drop of oil.
Alas the ‘tone-deaf nerd’ overheard them, retreated to the leader’s room in high dudgeon, and had to be coaxed out by Miles and Hilary. ‘Take no notice, Bill.’
‘Don’t listen to two such disgusting slobs.’
‘They’ve upset Bill, the nicest man in the orchestra,’ said Hilary as she flounced back to her seat.
‘And the worst bloody player,’ said Randy.
Serena was going up the wall, too. She had spent the lunch-hour in despair and on her mobile. She had a hundred other projects to look after and a small daughter, whom she’d been hoping to take to Toad of Toad Hall on Wednesday. Serena was ambitious. Apart from the cost of paying the musicians for extra sessions, she couldn’t afford to make a lousy record. They’d be lucky if they got five minutes in the can today.
Boris, drinking brandy out of a paper cup, was now slumped on one of the sleep-inducing squashy leather sofas at the back of the control-room. Damp patches met across the back of his dark red shirt. He was Lear on the blasted heath being ‘pussy-vipped’ by the elements.
‘I think because of Rachel’s death I block out Requiem.’
‘Nonsense,’ said Serena crossly, ‘you haven’t bothered to learn it. Now get back and finish this session.’
Miles was shuddering with disapproval. Knickers was very, very down. It would totally knock his budget on the head if he had to call in all those extras for additional sessions. How would they ever again be able to afford exciting projects like Fidelio and Mahler’s Symphony of a Thousand to fire the public’s imagination.