And he bit her.
It was, briefly, as if the world had ended. The world, in some ways, had already ended; although she was still able not to think about what had happened to Mal, to her little brother, to one of the three people she loved best in the world, the awareness of it was horribly near. Still without really facing what had happened, she told herself that doctors were miracle workers these days, that hospitals had machines that could do everything, that Leslie, wonderful Leslie, had kept her head and wisely refrained from trying to move him, so that anything any doctor or any machine could do for him could still be done. But the encroaching darkness of this evening still felt like her own life closing in, as if, after this, there would be no dawn.
And then her dog bit her.
She looked down from what felt like a very long way away, as if she were floating up among the treetops somewhere . . . as if she might float away entirely. He had bitten her swiftly and decisively—but, she now realized, gently. He still had hold of her arm; she could feel his teeth, but they weren’t hurting her. She thought, I’m a balloon and he’s holding my string. Slowly she floated back down from the treetops, till she could feel her feet on the ground, her breath going in and out. Her dog’s teeth in her arm. She let Balthazar’s reins drop back on his neck and said to Flame, ʺWhat is it?ʺ
He let go her arm and turned away, trotting straight back to the path to the graveyard. Slowly she unfastened Balthazar’s tethering rope, and looped it around a tree—a smaller, innocent tree, a little distance from the path, and from Leslie and Mal. Then reluctantly she followed Flame.
ʺWhat is it?ʺ said Leslie.
ʺI don’t know,ʺ said Miri. ʺBut he brought me here. He brought me a lot faster than I’d’ve been able to find the way myself, in this weather. I’d like to see what he wants. It won’t take long. I promise.ʺ
As soon as she set foot on the little track into the graveyard she knew something was terribly wrong. It was like . . . she couldn’t think of anything that it was like: that was part of the wrongness. She felt dizzy and sick, and as if she was no longer sure which way was up and which down; it was an effort to pick up each foot and think where to put it down. Especially because her feet kept wanting to go backwards; the one in front kept trying to pick itself up and move it behind the one in back. She concentrated on Flame’s tail. She had been following Flame’s tail for a very long time; leagues; centuries; all the way from the barn to here, somewhere on the journey unknowingly crossing a boundary to this other country where this awful thing had happened to her brother. . . .
The path itself was short. When they reached the end of it and the sky opened out before them she was astonished to discover that there were streaks of sunset lighting up the retreating storm clouds in gold and pink and pale orange, and the sky above them was a glorious deep blue. There was a huge pale amber moon just above the trees. She was dumbfounded that such beauty could still exist, in this foreign country where her brother lay twisted and helpless where he had fallen.
The trees around the edges of the graveyard were black, and the crooked, leaning tombstones were black. All the rest was washed in the rose-grey of the sunset. Flame himself was a deep vivid russet, like a maple tree in October.
No; one other thing was black. There was a tall, hunched, half-human shape in the middle of the clear space; in the middle of the little cluster of tombstones. She didn’t come here often, but she was sure that no such tall thing had ever stood where this one was now.
She stopped. Flame turned around instantly and came back to her; went round behind her and leaned against the backs of her legs. I don’t want to go forward, she thought. I don’t want to go any nearer that thing—whatever it is.
And then it opened its eyes, or turned its head, or threw back its hood. All of the rest of it was still black, lightlessly black, black as if light were an unconvincing myth, but it had red eyes. Large, slanted, almond-shaped, scarlet-red eyes.
Miri put her hands over her mouth to stop herself from screaming.
Flame backed away a pace or two and then slammed into her, and she staggered forward, away from the encircling trees, out into the graveyard. She dropped her hands and whimpered like a scolded puppy, but raised her face to the sky and tried to imagine the touch of the moonlight like a real touch: like the nose of your horse or your dog in your hand, against your face or your arm, hoping for something nice to eat, or at least a pat; saying ʺhello,ʺ saying ʺI’m here,ʺ saying ʺhow are you?ʺ saying ʺcan I help?ʺ The moon was a silvery gold. The shadows on its face were grey, and there was no red anywhere.
She felt Flame’s nose on her arm, and then the sweep of his tongue, over the place where he had bitten her, minutes or months before. She did not look down. She did not want to see his red eyes. She stared at the nearest tombstone, so she need not look at the thing’s eyes either.
You’re too late. The boy has fallen; it’s over. He loves it here; he always has. Soon he will be here forever.
No! she cried.
Yes. He will die, because he will not want to live. And his mother will remember how he loved it here, and so he will come here, although his sweetheart will struggle against this.
No, she thought. No, no, no. She raised her hands again, and put them on either side of her face and squeezed, as if this were a known tactic in an emergency, like artificial respiration for someone who has stopped breathing, like not moving someone with a spine injury. No. . . . And Jane would never let anyone she loved be buried here in this place, this awful place. . . .
buried
Why? she cried again. Why?
The thing quivered as if it were laughing, and so she knew it was the thing who spoke—if speaking was how to describe what it did. She heard it; that was enough—more than enough.
A third voice: Do not ask why. There is no why. Because he can. That is enough. Because he is wicked. Because this is a place of power, and his kind are drawn to power.
Ah, Gelsoraban. You appear at the most unexpected moments. I should have thought you had grown weary of mortals by now.
I should have thought you had grown weary of wickedness.
Again it laughed. Never.
Well, then.
But you were born—created—cast and carved as were we. You of all of us have gone away from us.
Not only I. Jry and Krobekahl and Strohmoront too.
It seemed to her that the thing went still in a way it had not been still before, and that there was no laughter in it anywhere. That is not enough.
To stand against the rest of you? To create light where you have brought darkness? No, it is not. But it is a beginning. We have begun.
And then the thing did laugh again. Begun! You’re a dog. What is Jry? A squirrel? A frog? Perhaps Krobekahl is a tea-pot or a chair. And I have the boy. And through him this place—this place of power, as you have called it.
You do not have him! Miri said. He is my brother! He is human—he is daylight and breathing!
Not for long, said the thing. Not for much longer.
Give him back! she said. Give him back!
You can claim him, if you dare, said the thing, and it was obvious that it was sure she did not dare. I would not want Gelsoraban to think there is no—what is it?—mercy in me.
How? she said fiercely.
Why, said the thing, you need only ask—nicely—each of the nice people who lie here already. Who have lain here for so long with no one but themselves to talk to. They are quite looking forward to someone new. I have promised them, you see. You will have to convince them to give him up. I do not think they will wish to do so. I think they will need a great deal of persuading. Too much, perhaps, for someone as young as you. Someone as fragile as you. For daylight and breathing are very fragile—especially after dark.
She looked up. Sunset was fading quickly; the first stars were out above the remains of the clouds. Again she looked at the moon, and this time she willed herself to feel the moon’s light like the touch of
a friend. And then she looked down, into the blazing red eyes of the creature she’d brought home from the pound; the creature that looked enough like a dog—though it obviously wasn’t a dog—that it had been taken to the pound. She remembered Ronnie saying: when Diane went out with the van she almost didn’t bring him back, because of the way he looks. Gelsoraban. And the horrible black thing that had broken her brother knew him. Who—what—was Gelsoraban?
Flame gave a tiny, doglike whine. It was exactly the whine of a dog who is suddenly sure its beloved owner doesn’t love it any more. It was like the look in his eyes at the pound; the look in Leslie’s eyes when she’d said, ʺWe’ll be fine.ʺ
And at that moment the black thing laughed. That was its second mistake; it must have thought that would finish breaking Miri’s nerve. But instead it drove her back on the things she knew. She knew that their mother would never let Mal be buried here. And she knew that if there was any chance for her brother, however remote, however dreadful, she would take it. And she knew that it didn’t matter what Flame was or who he had been—or what color his eyes were. What mattered was that she trusted him.
It didn’t seem right to stroke the head of something capable of defying the black thing—to stroke it like a dog. But this was Flame—Flame, whom she’d rescued from the pound, the top of whose head was particularly silky, as if to invite stroking. She drew her hand down his sleek head—and took a deep shuddering breath—and felt a little braver.
She didn’t want to ask the black thing what she had to do to talk to the ghosts, and so she walked forward—toward the black thing as it stood in the center of the graveyard. Her stomach was threatening to turn inside out and her knees were threatening to drop her to the ground, but she crossed the few steps to the first tombstone and hesitantly put her hand on it. . . .
She was dead and trapped and cold and terrified and smothered by darkness and paralyzed and dead and she couldn’t move and couldn’t breathe and she had never been so cold and this was darker than anything could be she was blind and dead and helpless and she could not see or hear or feel except fear and cold and this is what it was to be dead. . . .
No. She could hear. She could hear the black thing laughing.
She could see too. She could see Flame’s flaming eyes, even in this darkness, and she knew them for his eyes, not the thing’s. She thought, how lucky I am you are not a dog. I would not be able to see a dog’s eyes in this darkness. And I think I might be frightened to death if I couldn’t see you—couldn’t see your eyes.
She said—she tried to say—ʺPardon me, is anyone there? I’ve come to ask—to ask you—if I could have my brother back, please? We would miss him so much and—and I know accidents happen, but it wasn’t an accident, it was the black thing.ʺ
Loneliness. Loneliness, and dark and cold and death and . . . and going on and on. On and on and on and on and on. No change. Never. Just dark and cold and death . . . and loneliness. Especially loneliness.
Flame’s eyes blazed at her and she thought, wait a minute. Why are these—people—stuck here? Being dead and cold and lonely? Most graveyards aren’t haunted. She thought of the cemetery where her grandfather was buried. It was huge and beautiful and full of trees, and there were picnic tables and families came there on nice days and the kids played while the grown-ups changed the flowers and—sometimes—whispered the news to the person they were visiting. She’d always imagined her grandfather somewhere sitting on a long porch with a dog at his feet. The porch sometimes looked out over a wildflower field and sometimes it looked out over a lake, but the dog at his feet was always the dog he’d told her stories about, that he’d had when he was a boy. She couldn’t imagine him as a boy, so he was the grandfather she had known, but she was sure she knew exactly what the dog looked like, and how he would lie at her grandfather’s feet.
It was as if she saw him now. The porch, and the cottage behind it, stood in the wildflower meadow. She raised her hand and waved. The dog saw her first; he lifted his head and thumped his tail. Then her grandfather noticed her. What are you doing here, girl? he said.
I—it’s about Mal, she said. I—I have to get him back.
Her grandfather ran his hand over his head, just the way his son still did. You got a special permission, do you, girl?
I—I guess so. She thought: I have a hellhound. With eyes as red as your wild poppies.
You be careful. Don’t you come any farther this way.
There are some—people here, who—shouldn’t be here, I think. I think they’re lost.
You want to send ’em this way? You do that. I’ll help ’em. You just don’t come any farther.
Grandad—
Yes, girl?
I miss you.
I miss you too. But I sit here, watching you. Watching you grow up. Watching Jane and Ned grow you up. It’s nice here. Peaceful. It’s nice to have old Sunny with me too, and he leaned over and put his hand on the dog’s back. And I’ll see you here some day, and that’ll be wonderful. But that day’s a long way off for you. I think you better go back now.
Mal—
You send those people along of me, and go back to Mal. It’s a long time for Mal too.
Her heart had jumped up from its leaden misery at her grandfather’s last sentence, before she realized that it didn’t necessarily mean what she wanted it to mean. Oh, but—she began, and then Flame was in front of her, bumping her backwards as he had bumped her forwards, into the old graveyard. And she heard her grandfather laugh.
Gelsoraban, he said. You sure show up in the strangest places.
And then she was back in the black, cold, dead place, surrounded by loneliness. She made a huge effort and said, ʺMy grandfather will help you. He says so. You don’t have to stay here. You don’t have to be so lonely you let horrible black things k-kill people to give you some company. Come on. It’s this way. Look.ʺ And she made an even greater effort, and she was no longer cold and dead and paralyzed, and she looked over her shoulder, and she could still see the meadow, and her grandfather, and Sunny. It didn’t look too far. It didn’t look like too far to walk, even if you were old and weak and had known for too long that you were hopeless and there was no way out.
And then the darkness and the cold began to break up, like storm clouds after a storm. There was something like a gentle breeze that blew past her; something like the rustle of people walking past you in the dark. It was a clean-smelling breeze, not rotten or moldy; it smelled of freshly turned earth, of the fields in spring right after the farmer has dragged his harrow over them.
There was something else too. Something she could not put a name to: this is a place of power. For a moment she felt borne up by something large and strong and—and—she had no idea, but she thought that if she could have seen it, it would have been beautiful. Beautiful and free. Free.
As the darkness cleared she found she was standing in the old graveyard, with Flame standing leaning against her, and her hands wrapped around his ears as if he were a sturdy tree limb and she had just fallen over a cliff. When she let go, her fingers felt stiff. It was a clear, calm night, with a million stars overhead, in spite of the bright moonlight.
There was no black thing standing among the tombstones, and the old graveyard felt strangely . . . empty.
And then there was a scream—Leslie’s scream. Miri turned and bolted back down the path, in spite of the dark under the trees.
Mal was sitting up, and had put his arms around her and was saying, ʺThere, there, I’m sorry I frightened you—I frightened the hell out of myself, believe me—but I guess I was just stunned somehow—I’m okay now—I’m okay—ʺ And Leslie was clinging to him and crying and crying and crying.
Miri firmly put both Mal and Leslie on Balthazar, and walked beside them as they started home. Mal and Leslie had both tried to argue, but not very hard, and before they’d gone far Miri had her hand on Mal’s leg to help keep him in the saddle, or rather to pinch him when he fell asleep. Every time she dug he
r fingers into his thigh and he twitched awake with an ʺuggh, take it easy, that hurtʺ she remembered the limp, insensible hand she had held when she’d first found them. Leslie sat behind him, and sometimes Miri had to let go of Mal long enough to pinch her.
Flame had shot on ahead of them as soon as they’d got themselves sorted out and were started back in the right direction, and sooner than she’d expected she saw flashlight beams and heard voices, and then Flame reappeared, dancing like a puppy. ʺHere!ʺ she shouted. ʺWe’re here!ʺ
Jane reached them first. She threw her arms around Miri because, Miri thought, she had to throw her arms around someone, and Miri was the only person available on the ground. But Miri was glad to hug her back. Balthazar had stopped when Miri did, but when Leslie made to slide down so that Mal could dismount more easily, Jane put her hand on Leslie’s leg and said, ʺNo. You just stay up there. I’m sure you’re exhausted. Flame—ʺ
But she didn’t have a chance to finish, because Ned was there and began saying all the same things, and by that time the first of several strangers had arrived, wearing what Miri guessed was a police uniform although it was hard to tell in the dark, and Mal and Leslie had to insist to each of them as they appeared (especially a very bossy woman who appeared to be the head of an ambulance crew) that they were fine and were happy to ride the rest of the way back and did not need a stretcher or anything else.
While this was going on Miri was discovering just how exhausted she was. She moved a little away from the gathering crowd around Balthazar and his two riders, bumped into something that felt like a tree stump, and sat down on it. It was very uncomfortable but for a moment at least it was better than standing up. She felt that even sitting up was almost too much, and slumped over, propping her elbows on her thighs. And then there was a flicker of red in the corner of her eye, and Flame put his nose in her ear. She sat up again.
She reached out to cup his long face between her hands. ʺThank you,ʺ she said. ʺThank you, thank you, thank you. Gelsoraban, or whatever your real name is. I don’t know what you did but—thank you. I can’t begin to . . . I’d feed you steak every day for the rest of your life only I can’t afford it. Or foie gras or—or—ʺ And she discovered she was crying.
Fire: Tales of Elemental Spirits Page 10