Silver Scream : A Bed-and-breakfast Mystery

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Silver Scream : A Bed-and-breakfast Mystery Page 19

by Mary Daheim


  bread. “I’m going to take Mother a snack. She’s been

  shortchanged today.”

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  Mary Daheim

  Upon entering the toolshed, Judith expected a testy

  greeting. Instead, Gertrude was writing on a ruled

  tablet as fast as her arthritic fingers would permit. She

  barely looked up when her daughter arrived.

  “I have a bologna sandwich with apple slices and

  some hot chocolate,” Judith said as the old lady scribbled away.

  Gertrude still didn’t look up from the tablet. “Put

  ’em there,” she said, nodding at the cluttered card

  table.

  Judith moved a bag of Tootsie Rolls and a copy of

  TV Guide to make room for the small plastic tray.

  “What are you doing? Writing a letter?”

  “Nope,” Gertrude replied. She added a few more

  words to the tablet, then finished with an awkward

  flourish and finally looked up. “I’m writing my life

  story. For the moving pictures.”

  “You’re . . . what?” Judith gasped.

  “You heard me,” Gertrude snapped. “That writer

  fella, Wade or Dade or Cade, told me that everybody’s

  life is a story. So I told him some things that had happened to me over the years and he said I should write

  it all down. So I am.” She gave Judith a smug look.

  Judith was puzzled. Her mother had led a seemingly

  ordinary life. “What exactly are you writing?”

  Gertrude shrugged her hunched shoulders. “My life.

  Fleeing Germany in my youth. Starting a revolution in

  primary school. Drinking bathtub gin and dancing the

  black bottom. Eloping with your father.”

  “You were a baby when you came to this country,”

  Judith pointed out. “I don’t recall you ever mentioned

  fleeing much of anything.”

  “We fled,” Gertrude insisted. “We were fleeing

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  Grossmutter Hoffman. Your great-granny on that side

  of the family was a real terror. She drove your grandfather crazy, and how she treated your grandmother—

  her daughter-in-law—is hardly fit to print.”

  Vaguely, Judith remembered scattered anecdotes

  about the autocratic old girl and her savage tongue.

  “Well . . . okay. But I never heard the part about the

  primary-school revolution.”

  “I’ve been ashamed,” Gertrude admitted. “But this

  Wade or Dade or whoever told me to let it all come out.

  I was in third grade, and those girls at St. Walburga’s

  grade school never flushed the toilets. It disgusted me.

  So I told my friends—Agnes and Rosemarie and Maria

  Regina—to stop using the bathroom and piddle on the

  playground. Protesting, you know, just like all those

  goofy people in the sixties and seventies who didn’t

  know half the time what they were protesting against.

  Or for. Silly, if you ask me, burning brassieres and

  smoking funny stuff. What kind of a revolution was

  that?”

  As she often did, Gertrude seemed to be getting derailed. “What about the bathroom protest?”

  The old lady looked blank. “What bathroom? What

  protest?”

  “At St. Walburga’s,” Judith said patiently.

  “Oh.” Gertrude gave a nod. “Well, we all got into

  trouble, and the principal, Sister Ursula, sent for our

  parents. We were suspended for two days, but by the

  time we got back, those toilets were flushed, believe

  me. In fact, the school’s water bill went up so much

  they had to raise tuition three dollars a month.”

  “You were ashamed to talk about this?” Judith

  asked.

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  “That’s right,” Gertrude said. “Nice little girls didn’t

  piddle in public. In those days, nice little girls didn’t

  even admit they piddled at all. But I feel good about it

  now. We won a victory for hygiene.”

  “You did indeed,” Judith declared, patting her

  mother’s arm. “That was very brave.”

  “I hope that writer fella will like it,” Gertrude said,

  preening a bit. “He told me he could use a good script

  about now. I guess he’s in some kind of a pickle.”

  “Like what?” Judith asked.

  Gertrude frowned. “I don’t rightly know, except it

  had something to do with an ax.”

  “An ax?” Judith looked puzzled. “Or . . . acts?”

  Gertrude waved a hand. “No, it was an ax. A

  hatchet—that’s what he said. Some kind of a job he

  was supposed to do with a hatchet. Maybe he’s got a

  part-time job as a logger. What kind of money do

  scriptwriters get? I’d like to charge him at least fifty

  dollars for my story.”

  “At least,” Judith said vaguely. “Did Dade say anything else about this hatchet job?”

  Gertrude shook her head. “Not that I remember. He

  seemed kind of off his feed, though.”

  There was no point in pressing her mother for details. If Gertrude remembered something later, fine.

  Besides, Dade Costello’s moodiness seemed to be an

  integral part of his personality.

  Or so Judith was thinking when she smelled smoke.

  “Mother,” she said, sniffing the air, “did you put

  something on your hot plate?”

  “Like what?” Gertrude retorted. “You think I could

  roast a turkey on that thing? I can hardly boil an egg on

  it.”

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  Nor did Gertrude ever try, preferring to have her

  daughter wait on her. Still, Judith went out to the tiny

  kitchen, with its sink, small fridge, microwave oven, and

  hot plate. Nothing looked amiss, nor could Judith smell

  anything burning. She went back into the living room.

  “It must be coming from outside,” she remarked,

  and headed for the door.

  Gertrude didn’t respond or look up. She was writing

  again, her white head bent over the card table.

  The smell got stronger as Judith stepped outside and

  closed the toolshed door behind her. The rain had

  stopped, but fog was settling in over the rooftops. She

  could barely make out either of Hillside Manor’s chimneys. Perhaps Joe had started a fire to ward off the increasingly gloomy October afternoon.

  Then she noticed the barbecue. It sat as it had all

  summer on the small patio by the statue of St. Francis

  and the birds. Like the kitchen cupboard door, the barbecue had been another source of Judith’s prodding.

  Joe should have taken it into the garage at least two

  weeks earlier when the weather had made a definite

  transition into autumn.

  Instead, it remained, and smoke was coming out

  from under the lid. Judith went to the patio and opened

  the barbecue. A sudden burst of smoke and flame made

  her step back and cough.

  Reaching out with a long wood-and-steel meat fork

  that was lying nearby, she stirred whatever was burning. Peering with smoke-stung eyes, she saw that it

  was mostly paper. Quite a bit of paper, and attached to

  a plastic binding, most of which had melted.

  Judith was no expert, but she thought th
at what was

  left might be a movie script.

  TWELVE

  JOE HADN’T YET detached the garden hoses or covered the faucets for the winter. Judith turned on the

  hose by the back porch and gently aimed it at the

  barbecue. The stack of paper hissed and sizzled, but

  didn’t go out. When she increased the pressure, the

  smoke finally died down and the heat faded away.

  Standing over the barbecue, Judith stirred the ashes

  with a meat fork.

  “I don’t think I’ll ask what you’re doing,” Renie

  called from the back porch, “but I thought you’d ordered food from a caterer.”

  Startled, Judith turned toward her cousin. “Somebody burned something in here. I’m trying to figure

  out what it was.”

  “Wienie Wizards?” Renie inquired, coming down

  the walk to the patio.

  “Nothing so edible,” Judith said. “It looks like a

  script.”

  “It does for a fact,” Renie agreed, picking up a

  pair of steel tongs. “It’s pretty well fried.” She

  flipped through the ashes until she got to the last

  few pages, which were only charred. “If I touch

  them, they may burst into flame again, but it looks

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  like a script all right. See—it’s mostly dialogue on this

  top page with some directions in between.”

  “Can you see what any of it says?” Judith asked,

  shivering slightly as the fog began to drift among the

  trees and shrubs.

  “Not really,” Renie admitted, after putting on her

  much marred and thoroughly smudged reading

  glasses. Judith could never figure out how her cousin

  could see anything through the abused lenses. “Wait—

  here are a couple of lines I can make out: Benjamin:

  You have never had cause to be . . . I think the last

  word is afraid. The next line is dialogue by someone

  named Tz’u-hsi, who replies, It is not strange to be a

  concubine, though I am called wife. Yet I am more than

  a stranger, I am a . . . The rest of the page is too burned

  to read.”

  “A Chinese name,” Judith murmured. “Ellie’s role

  in the script written by her mother, All the Way to

  Utah?”

  “Maybe,” Renie allowed. “So who’d burn the

  script? And why?”

  Judith started to stir the ashes again, thought better

  of it, and replaced the lid to the barbecue. Heading

  back into the house, she paused with her hand on the

  doorknob. “It was in Dirk and Ben’s room,” she said.

  “Room Four. The script was all marked up. There were

  even some obscenities, as if whoever was reading it

  didn’t like it much.”

  “But which of the two actors?” Renie asked. “Ben

  or Dirk?”

  “Ben, of course,” Judith said. “He’s supposed to

  costar, remember? Besides,” she added, “I read a clipping, also in Room Four, about how Dirk had lost the

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  lead in another Zepf movie because he and Bruno got

  into a fistfight at Marina Del Rey in L.A. I assume

  Dirk was permanently scratched from Bruno’s A-list.”

  “Very interesting,” Renie remarked. “So Ben gets to

  be a leading man instead of a villain because Dirk

  played smash-mouth with Bruno.”

  “I suppose so,” Judith responded as the cousins

  went inside. “I guess nice guys do finish first.”

  “That’s not the saying,” Renie corrected. “It’s the

  other way around.”

  “You’re right,” Judith said. “With everything that’s

  happened in the last couple of days, my mind’s a muddle.”

  The cousins had barely reached the kitchen when an

  insistent tap sounded at the back door. It was Arlene

  Rankers, looking desperate.

  “What’s wrong?” Judith asked, hastening to meet

  her friend and neighbor.

  “What’s wrong?” Arlene threw up her hands.

  “That’s what I came to find out. Who got hauled off by

  the medics?”

  Judith realized that the Rankerses wouldn’t know of

  the events that had occurred at Hillside Manor since

  they left for home the previous night. “Have a seat,”

  she said, pulling out a chair at the kitchen table. “I’ll

  fill you in.”

  Which Judith did, though she was careful to omit

  specific details. Her good-hearted neighbor was famous for spreading the news over what was called Arlene’s Broadcasting System, or merely ABS. Judith felt

  there was no need to make the situation any worse than

  it already was.

  “Goodness!” Arlene gasped when Judith had finally

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  finished. “You certainly get more trouble than you deserve. What can Carl and I do to help?”

  Judith was about to reply that she was beyond help,

  but changed her mind. “Keep an eye on who comes

  and goes around here.” That was easy; the Rankerses’

  kitchen windows overlooked Hillside Manor and the

  cul-de-sac. At the sink and the dinette table, Arlene had

  long ago established her personal observation deck.

  “Fine,” Arlene responded, “but can’t you do that

  yourself?”

  “Not really,” Judith said. “There’s too much going

  on. This is a big house. I can’t keep track of everybody’s movements.”

  “Not to mention that it’s Halloween,” Renie put in.

  Arlene was uncharacteristically silent. She was staring at the table, arms slack at her sides, forehead

  creased in concentration. When she finally spoke, it

  was as if she were in a trance.

  “Seven-fifty A.M., Joe leaves through the back door in

  his red MG. Eight-fourteen, the writer goes out the

  French doors and disappears around the west side of the

  house. Nine-oh-six, the red-headed youngish man leans

  out the second-story window by the stairs and looks

  every which way through something like a small camera. Nine-twenty-two, Joe returns with two white bakery

  bags, two pink boxes, and a Moonbeam’s bag, probably

  filled with hot coffee. Nine-thirty-one, writer comes

  back and sits in lawn swing on front porch. Nine-forty,

  black Lincoln Town Car pulls into cul-de-sac. Writer

  jumps over porch rail and runs down driveway toward

  garage. Nine-forty-one, well-dressed man wearing sunglasses goes to front door and is let in.” Arlene, wearing

  a bright smile, looked up. “How am I doing?”

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  “Wow!” Judith gasped in admiration. “So that’s how

  you do it?”

  Arlene looked blank. “Do what?”

  “You know . . .” Judith faltered, never one to accuse

  Arlene of snooping. “Keep track of things. Help Carl

  run the Neighborhood Watch. Stay on top of events on

  the block. You must file everything like a computer.”

  “No,” Arlene asserted. “Not at all. Now that I’ve

  said it out loud, I can barely remember anything.”

  Judith didn’t quite believe her, but wouldn’t argue.

  Any dispute with her neighbor brought grief in the

  for
m of Arlene’s reversals and self-contradictions.

  “That’s very helpful,” she said. “After Vito—the man

  with the sunglasses—arrived, what happened next?”

  Arlene’s smile faded. “There is no next. Carl and I

  left for ten o’clock Mass at SOTS, went to coffee and

  doughnuts in the school hall, and stopped at Falstaff’s

  on the way back. We didn’t get home until almost one.

  I didn’t notice anything or anybody until you showed

  up shortly before one-thirty.”

  “What about,” Renie inquired, “since Judith got

  back?”

  But Arlene shook her head in a regretful manner. “I

  got caught up in dinner preparations. Most of our darling children are coming over tonight. Except for seeing you and Bill arrive, I didn’t notice anyone else until

  the medics arrived.”

  “Nothing in the backyard?” Judith asked.

  Arlene’s eyes narrowed. “The backyard?” She automatically swerved around to look in that direction,

  though she couldn’t see anything from her position at

  the table. “No. What on earth did I miss?” She seemed

  genuinely aggrieved.

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  191

  “It may have happened while you were on the sidewalk with the other neighbors,” Judith said in a comforting voice. Quickly, she explained about finding the

  burned script in the barbecue. She had just finished

  when Joe came into the kitchen.

  “They’re adjourning to the living room,” he announced. “I gather they may all be going out to dinner

  in a private room at Capri’s.”

  Capri’s, on the very edge of Heraldsgate Hill, was

  one of the city’s oldest and most distinguished eateries.

  “I didn’t think they were open on Sundays,” Judith

  said.

  “Apparently they are for this bunch,” Joe responded

  with a wave for Arlene, who was heading to the back

  door.

  “But what about all the food I ordered?” Judith

  wailed. “It’ll go to waste and I’ll get stuck paying for it.”

  Arlene went into reverse in more ways than one.

  “Send it over to our house. I can use it to feed those

  wretched kids of ours. They eat like cannibals.”

  “Cannibals?” Renie echoed.

  “You know what I mean,” Arlene said peevishly.

  “They eat like your children.”

  “Oh.” Renie nodded. “Now I get it.”

  Arlene hurried out of the house.

  Judith was on her feet, gripping Joe’s shoulders.

  “Well? What did they say in this latest meeting?”

  “Spin-doctor stuff, mostly,” Joe replied. “Morris

 

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