"My name is not unfamiliar to you, Mr. Holmes," said she. "I thought that it would bring you."
"That is so, madam, though I do not know how you are aware that I was interested in your case."
"l learned it when I had recovered my health and was examined by Mr. Edmunds, the county detective. I fear I lied to him. Perhaps it would have been wiser had I told the truth."
"It is usually wiser to tell the truth. But why did you lie to him?"
"Because the fate of someone else depended upon it. I know that he was a very worthless being, and yet I would not have his destruction upon my conscience. We had been so close – so close!"
"But has this impediment been removed?"
"Yes, sir. The person that I allude to is dead."
"Then why should you not now tell the police anything you know?"
"Because there is another person to be considered. That other person is myself. I could not stand the scandal and publicity which would come from a police examination. I have not long to live, but I wish to die undisturbed. And yet I wanted to find one man of judgment to whom I could tell my terrible story, so that when I am gone all might be understood."
"You compliment me, madam. At the same time, I am a responsible person. I do not promise you that when you have spoken I may not myself think it my duty to refer the case to the police."
"I think not, Mr. Holmes. I know your character and methods too well, for I have followed your work for some years. Reading is the only pleasure which fate has left me, and I miss little which passes in the world. But in any case, I will take my chance of the use which you may make of my tragedy. It will ease my mind to tell it."
"My friend and I would be glad to hear it."
The woman rose and took from a drawer the photograph of a man. He was clearly a professional acrobat, a man of magnificent physique, taken with his huge arms folded across his swollen chest and a smile breaking from under his heavy mustache – the self-satisfied smile of the man of many conquests.
"That is Leonardo," she said.
"Leonardo, the strong man, who gave evidence?"
"The same. And this – this is my husband."
It was a dreadful face – a human pig, or rather a human wild boar, for it was formidable in its bestiality. One could imagine that vile mouth champing and foaming in its rage, and one could conceive those small, vicious eyes darting pure malignancy as they looked forth upon the world. Ruffian, bully, beast – it was all written on that heavy-jowled face.
"Those two pictures will help you, gentlemen, to understand the story. I was a poor circus girl brought up on the sawdust, and doing springs through the hoop before I was ten. When I became a woman this man loved me, if such lust as his can be called love, and in an evil moment I became his wife. From that day I was in hell, and he the devil who tormented me. There was no one in the show who did not know of his treatment. He deserted me for others. He tied me down and lashed me with his riding whip when I complained. They all pitied me and they all loathed him, but what could they do? They feared him, one and all. For he was terrible at all times, and murderous when he was drunk. Again and again he was had up for assault, and for cruelty to the beasts, but he had plenty of money and the fines were nothing to him. The best men all left us, and the show began to go downhill. It was only Leonardo and I who kept it up – with little Jimmy Griggs, the clown. Poor devil, he had not much to be funny about, but he did what he could to hold things together.
"Then Leonardo came more and more into my life. You see what he was like. I know now the poor spirit that was hidden in that splendid body, but compared to my husband he seemed like the angel Gabriel. He pitied me and helped me, till at last our intimacy turned to love – deep, deep, passionate love, such love as I had dreamed of but never hoped to feel. My husband suspected it, but I think that he was a coward as well as a bully, and that Leonardo was the one man that he was afraid of. He took revenge in his own way by torturing me more than ever. One night my cries brought Leonardo to the door of our van. We were near tragedy that night, and soon my lover and I understood that it could not be avoided. My husband was not fit to live. We planned that he should die.
"Leonardo had a clever, scheming brain. It was he who planned it. I do not say that to blame him, for I was ready to go with him every inch of the way. But I should never have had the wit to think of such a plan. We made a club – Leonardo made it – and in the leaden head he fastened five long steel nails, the points outward, with just such a spread as the lion's paw. This was to give my husband his deathblow, and yet to leave the evidence that it was the lion which we would loose who had done the deed.
"It was a pitch-dark night when my husband and I went down, as was our custom, to feed the beast. We carried with us the raw meat in a zinc pail. Leonardo was waiting at the corner of the big van which we should have to pass before we reached the cage. He was too slow, and we walked past him before he could strike, but he followed us on tiptoe and I heard the crash as the club smashed my husband's skull. My heart leaped with joy at the sound. I sprang forward, and I undid the catch which held the door of the great lion's cage.
"And then the terrible thing happened. You may have heard how quick these creatures are to scent human blood, and how it excites them. Some strange instinct had told the creature in one instant that a human being had been slain. As I slipped the bars it bounded out and was on me in an instant. Leonardo could have saved me. If he had rushed forward and struck the beast with his club he might have cowed it. But the man lost his nerve. I heard him shout in his terror, and then I saw him turn and fly. At the same instant the teeth of the lion met in my face. Its hot, filthy breath had already poisoned me and I was hardly conscious of pain. With the palms of my hands I tried to push the great steaming, bloodstained jaws away from me, and I screamed for help.
I was conscious that the camp was stirring, and then dimly I remembered a group of men. Leonardo, Griggs, and others, dragging me from under the creature's paws. That was my last memory, Mr. Holmes, for many a weary month. When I came to myself and saw myself in the mirror, I cursed that lion – oh, how I cursed him! – not because he had torn away my beauty but because he had not torn away my life. I had but one desire, Mr. Holmes, and I had enough money to gratify it. It was that I should cover myself so that my poor face should be seen by none, and that I should dwell where none whom I had ever known should find me. That was all that was left to me to do – and that is what I have done. A poor wounded beast that has crawled into its hole to die – that is the end of Eugenia Ronder."
We sat in silence for some time after the unhappy woman had told her story. Then Holmes stretched out his long arm and patted her hand with such a show of sympathy as I had seldom known him to exhibit.
"Poor girl!" he said. "Poor girl! The ways of fate are indeed hard to understand. If there is not some compensation hereafter, then the world is a cruel jest. But what of this man Leonardo?"
"I never saw him or heard from him again. Perhaps I have been wrong to feel so bitterly against him. He might as soon have loved one of the freaks whom we carried round the country as the thing which the lion had left. But a woman's love is not so easily set aside. He had left me under the beast's claws, he had deserted me in my need, and yet I could not bring myself to give him to the gallows. For myself, I cared nothing what became of me. What could be more dreadful than my actual life? But I stood between Leonardo and his fate."
"And he is dead?"
"He was drowned last month when bathing near Margate. I saw his death in the paper."
"And what did he do with this five-clawed club, which is the most singular and ingenious part of all your story?"
"I cannot tell, Mr. Holmes. There is a chalk-pit by the camp, with a deep green pool at the base of it. Perhaps in the depths of that pool —"
"Well, well, it is of little consequence now. The case is closed."
"Yes," said the woman, "the case is closed."
We had risen to go, but ther
e was something in the woman's voice which arrested Holmes's attention. He turned swiftly upon her.
"Your life is not your own," he said. "Keep your hands off it."
"What use is it to anyone?"
"How can you tell? The example of patient suffering is in itself the most precious of all lessons to an impatient world."
The woman's answer was a terrible one. She raised her veil and stepped forward into the light.
"I wonder if you would bear it," she said.
It was horrible. No words can describe the framework of a face when the face itself is gone. Two living and beautiful brown eyes looking sadly out from that grisly ruin did but make the view more awful. Holmes held up his hand in a gesture of pity and protest, and together we left the room.
Two days later, when I called upon my friend, he pointed with some pride to a small blue bottle upon his mantelpiece. I picked it up. There was a red poison label. A pleasant almondy odor rose when I opened it.
"Prussic acid?" said 1.
"Exactly. It came by post. 'I send you my temptation. I will follow your advice.' That was the message. I think, Watson, we can guess the name of the brave woman who sent it."
The Adventure of Shoscombe Old Place
Sherlock Holmes had been bending for a long time over a low-power microscope. Now he straightened himself up and looked round at me in triumph. "It is glue, Watson," said he. "Unquestionably it is glue. Have a look at these scattered objects in the field!"
I stooped to the eyepiece and focussed for my vision.
"Those hairs are threads from a tweed coat. The irregular gray masses are dust. There are epithelial scales on the left. Those brown blobs in the center are undoubtedly glue."
"Well," I said, laughing, "I am prepared to take your word for it. Does anything depend upon it?"
"It is a very fine demonstration," he answered. "In the St. Pancras case you may remember that a cap was found beside the dead policeman. The accused man denies that it is his. But he is a picture-frame maker who habitually handles glue."
"Is it one of your cases?"
"No; my friend, Merivale, of the Yard, asked me to look into the case. Since I ran down that coiner by the zinc and copper filings in the seam of his cuff they have begun to realize the importance of the microscope." He looked impatiently at his watch. "I had a new client calling, but he is overdue. By the way, Watson, you know something of racing?"
"I ought to. I pay for it with about half my wound pension."
"Then I'll make you my 'Handy Guide to the Turf.' What about Sir Robert Norberton? Does the name recall anything?"
"Well, I should say so. He lives at Shoscombe Old Place, and I know it well, for my summer quarters were down there once. Norberton nearly came within your province once."
"How was that?"
"It was when he horsewhipped Sam Brewer, the well-known Curzon Street moneylender, on Newmarket Heath. He nearly killed the man."
"Ah, he sounds interesting! Does he often indulge in that way?"
"Well, he has the name of being a dangerous man. He is about the most daredevil rider in England – second in the Grand National a few years back. He is one of those men who have overshot their true generation. He should have been a buck in the days of the Regency – a boxer, an athlete, a plunger, on the turf, a lover of fair ladies, and, by all account, so far down Queer Street that he may never find his way back again."
"Capital, Watson! A thumbnail sketch. I seem to know the man. Now, can you give me some idea of Shoscombe Old Place?"
"Only that it is in the center of Shoscombe Park, and that the famous Shoscombe stud and training quarters are to be found there."
"And the head trainer," said Holmes, "is John Mason. You need not look surprised at my knowledge, Watson, for this is a letter from him which I am unfolding. But let us have some more about Shoscombe. I seem to have struck a rich vein."
"There are the Shoscombe spaniels," said I. "You hear of them at every dog show. The most exclusive breed in England. They are the special pride of the lady of Shoscombe Old Place."
"Sir Robert Norberton's wife, I presume!"
"Sir Robert has never married. Just as well, I think, considering his prospects. He lives with his widowed sister, Lady Beatrice Falder."
"You mean that she lives with him?"
"No, no. The place belonged to her late husband, Sir James. Norberton has no claim on it at all. It is only a life interest and reverts to her husband's brother. Meantime, she draws the rents every year."
"And brother Robert, I suppose, spends the said rents?"
"That is about the size of it. He is a devil of a fellow and must lead her a most uneasy life. Yet I have heard that she is devoted to him. But what is amiss at Shoscombe?"
"Ah, that is just what I want to know. And here, I expect, is the man who can tell us."
The door had opened and the page had shown in a tall, clean-shaven man with the firm, austere expression which is only seen upon those who have to control horses or boys. Mr. John Mason had many of both under his sway, and he looked equal to the task. He bowed with cold self-possession and seated himself upon the chair to which Holmes had waved him.
"You had my note, Mr. Holmes?"
"Yes, but it explained nothing."
"It was too delicate a thing for me to put the details on paper. And too complicated. It was only face to face I could do it."
"Well, we are at your disposal."
"First of all, Mr. Holmes, I think that my employer, Sir Robert, has gone mad."
Holmes raised his eyebrows. "This is Baker Street, not Harley Street," said he. "But why do you say so?"
"Well, sir, when a man does one queer thing, or two queer things, there may be a meaning to it, but when everything he does is queer, then you begin to wonder. I believe Shoscombe Prince and the Derby have turned his brain."
"That is a colt you are running?"
"The best in England, Mr. Holmes. I should know, if anyone does. Now, I'll be plain with you, for I know you are gentlemen of honor and that it won't go beyond the room. Sir Robert has got to win this Derby. He's up to the neck, and it's his last chance. Everything he could raise or borrow is on the horse – and at fine odds, too! You can get forties now, but it was nearer the hundred when he began to back him."
"But how is that if the horse is so good?"
"The public don't know how good he is. Sir Robert has been too clever for the touts. He has the Prince's half-brother out for spins. You can't tell 'em apart. But there are two lengths in a furlong between them when it comes to a gallop. He thinks of nothing but the horse and the race. His whole life is on it. He's holding off the Jews till then. If the Prince fails him he is done. "
"It seems a rather desperate gamble, but where does the madness come in?"
"Well, first of all, you have only to look at him. I don't believe he sleeps at night. He is down at the stables at all hours. His eyes are wild. It has all been too much for his nerves. Then there is his conduct to Lady Beatrice!"
"Ah! What is that?"
"They have always been the best of friends. They had the same tastes, the two of them, and she loved the horses as much as he did. Every day at the same hour she would drive down to see them – and, above all, she loved the Prince. He would prick up his ears when he heard the wheels on the gravel, and he would trot out each morning to the carriage to get his lump of sugar. But that's all over now."
"Why?"
"Well, she seems to have lost all interest in the horses. For a week now she has driven past the stables with never so much as 'Good-morning'! "
"You think there has been a quarrel?"
"And a bitter, savage, spiteful quarrel at that. Why else would he give away her pet spaniel that she loved as if he were her child? He gave it a few days ago to old Barnes, what keeps the Green Dragon, three miles off, at Crendall."
"That certainly did seem strange."
"Of course, with her weak heart and dropsy one couldn't expect that she co
uld get about with him, but he spent two hours every evening in her room. He might well do what he could, for she has been a rare good friend to him. But that's all over, too. He never goes near her. And she takes it to heart. She is brooding and sulky and drinking, Mr. Holmes – drinking like a fish."
"Did she drink before this estrangement?"
"Well, she took her glass, but now it is often a whole bottle of an evening. So Stephens, the butler, told me. It's all changed, Mr. Holmes, and there is something damned rotten about it. But then, again, what is master doing down at the old church crypt at night? And who is the man that meets him there?"
Holmes rubbed his hands. "Go on, Mr. Mason. You get more and more interesting."
"It was the butler who saw him go. Twelve o'clock at night and raining hard. So next night I was up at the house and, sure enough, master was off again. Stephens and I went after him, but it was jumpy work, for it would have been a bad job if he had seen us. He's a terrible man with his fists if he gets started, and no respecter of persons. So we were shy of getting too near, but we marked him down all right. It was the haunted crypt that he was making for, and there was a man waiting for him there."
"What is this haunted crypt?"
"Well, sir, there is an old ruined chapel in the park. It is so old that nobody could fix its date. And under it there's a crypt which has a bad name among us. It's a dark, damp, lonely place by day, but there are few in that county that would have the nerve to go near it at night. But master's not afraid. He never feared anything in his life. But what is he doing there in the nighttime?"
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