Hare Sitting Up

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Hare Sitting Up Page 18

by Michael Innes


  ‘His maps. They’re all in that tower.’ Jean seemed to be angry still as well as anxious. ‘It’s a frightful disaster for him.’

  ‘There’s the prospect of much more frightful disaster than that.’ Appleby spoke grimly as he ran. ‘Is there anything to fight a fire with out there?’

  ‘A couple of fire extinguishers among all the stuff on the ground floor, I think. But I haven’t been out there for a long time. He hates anybody going near that tower.’

  ‘No doubt.’

  The distance to the tower was very considerable, and it seemed incredible that one so old as Lord Ailsworth could keep steadily ahead of them. But when they reached the great stretch of marshland that merged finally in the estuary they could see him wildly running, his long white hair floating strangely behind him.

  ‘And there’s the other man!’ Jean pointed. ‘Almost up to the tower now.’

  ‘Grindrod or not, he’s got the gun, all right,’ Cudworth said. ‘Why should he take that to a fire? There’s no sense in all this – and never has been.’

  The fire itself was puzzling, Appleby thought. A single column of grey smoke appeared to be issuing from the tower about halfway up. There was as yet no sign of flame. Suddenly it flashed on him that this towards which they were running was, in fact, not an accidental conflagration. It was a signal. It was only a signal. Or only that, so far.

  The leading figure disappeared round the side of the tower. Lord Ailsworth was no more than a hundred yards behind him. Appleby put on speed, and found himself a little ahead of his companions. The going was tricky. There was water on each side of him and the path turned several times at right angles among a system of dykes. So the actual distance to be traversed was greater than it looked. To splash ahead on a straight line seemed too risky; it might involve one in quagmire in which going would be hopelessly slow.

  Lord Ailsworth too had vanished. Appleby covered the last couple of hundred yards of his own course at a speed that would have surprised him had he enjoyed leisure to reflect on it. He didn’t at all like the thought of that gun. Or of the fellow carrying it. To go careering at a fire clutching a weapon in that way spoke, surely, of some queer and unreasoning panic from which anything might proceed.

  There was an open door at the foot of the tower, and a wooden staircase running up one corner of the interior. The whole place was larger and more elaborate than one would have supposed. There was a reek of smoke, but the air was fairly clear. Appleby looked round the lumber crowded on this ground floor to see if he could find the fire extinguishers. But they weren’t immediately visible. And, as he looked, there came a sudden urgent shout from above. He hesitated for the fraction of a second, and then ran up the stairs.

  The smoke was thicker here, but there was still no suggestion of immediately dangerous flame. A stoutly bolted door confronted him at the top of the next flight. He was just going to set about flinging this open when he heard again a shout from higher still. This time it was shrill and angry, and he recognized Lord Ailsworth’s voice. Appleby turned away from the bolted door and went up the next set of steps three at a time. He tumbled in the next chamber.

  The walls were lined with maps – maps bristling with innumerable coloured pins. The place was untidy. There were wooden boxes, tin drums, an old oil-stove. There was a great deal of smoke. It was pouring up through a small open trapdoor in the middle of the floor. Karl Grindrod was kneeling beside this, taking a downward aim with the shotgun. But the smoke was blinding him.

  And there was Lord Ailsworth. As Appleby burst in, he was standing quite still, as if the situation was something beyond him. But then he gave the same cry, shrill and angry, that Appleby had heard seconds before, and threw himself forward. ‘You damned scoundrel,’ he cried, ‘how dare you threaten and insult my guests!’ Appleby leapt forward too, and in the same instant a suffocating puff of smoke poured through the trap. There was an instant of utter confusion and blind struggle. The shotgun went off with what, in the confined space, had the force of a shattering explosion. Then, momentarily, the smoke cleared. Appleby found himself looking down at the body of Lord Ailsworth. The shot bad been grotesquely lethal. Half the old man’s head had vanished. It had been an instantaneous death.

  Appleby whirled round. Grindrod was standing upright in the middle of the room. He took a step backwards as Appleby advanced, and kicked over a tin drum. It rolled across the floor and disappeared through the trapdoor. And instantly from below there came up a leaping tongue of flame.

  Grindrod gave a meaningless cry and ran to the door. Appleby followed. The flames were now roaring. But voices could be heard from the lower landing, and somebody was shooting back the bolts on the closed door. Cudworth was shouting. ‘Come out, then! This way!’

  Grindrod hesitated in the doorway. Then he turned senselessly away from the voices and stumbled up the final flight of stairs. He vanished in smoke. Appleby felt his own head swimming and his clothes singeing. He paused only long enough to make sure once more that Lord Ailsworth was dead. Then he staggered out and down.

  They were all outside. Jean had found one of the fire extinguishers. But it was clear that whatever had been in the spilt drum had instantly transformed the fire into something utterly beyond control. They stood looking upward. It was like gazing at some colossal blazing torch.

  Suddenly Clandon gave a shout and pointed. The wretched Grindrod had somehow contrived to climb out on the very apex of the tower. For a moment he stood swaying in air. His clothes were burning. He was like a small torch himself. A second later he was a sprawled heap on the ground, only a few yards away from them.

  Appleby walked slowly back to the waiting group. He had inspected his second dead body within five minutes. ‘Broken neck,’ he said briefly. Then he turned to one of the two identical men who, begrimed and haggard, were staring at the flaming tower. ‘Mr Miles Juniper, I presume?’

  For a moment the man addressed failed to answer. Then, very faintly, he smiled. ‘Howard,’ he said.

  The Juniper who was really Miles pointed in a dazed way at Grindrod’s body. ‘Crazy too,’ he said. ‘He felt he’d fatally incriminated himself by trying to blackmail us, each in the other’s presence. He was going to kill us and blame Lord Ailsworth. He threatened it before.’

  Appleby made no reply. He walked over to Jean. ‘Your grandfather is dead,’ he said gently. ‘And there’s no possibility of recovering the body. He was madder than you knew. He thought that he could persuade Professor Juniper to join with him – and with the birds – in exterminating human life on this planet.’

  Jean was silent for a long time. Then she said: ‘And we’re watching his funeral pyre.’ And then she pointed. ‘Look!’

  They looked. Very high in the air, a great flight of wild fowl wheeled and wheeled again above the rising smoke.

  ‘Quite so.’ Appleby paused for a decent moment to acknowledge the thing. And then he turned to the Junipers. ‘We can’t,’ he said, ‘deal in hugger-mugger with two violent deaths. So it’s going to be awkward, I’m afraid. But perhaps you won’t do it again.’

  Note on Inspector (later, Sir John) Appleby Series

  John Appleby first appears in Death at the President’s Lodging, by which time he has risen to the rank of Inspector in the police force. A cerebral detective, with ready wit, charm and good manners, he rose from humble origins to being educated at ’St Anthony’s College’, Oxford, prior to joining the police as an ordinary constable.

  Having decided to take early retirement just after World War II, he nonetheless continued his police career at a later stage and is subsequently appointed an Assistant Commissioner of the Metropolitan Police at Scotland Yard, where his crime solving talents are put to good use, despite the lofty administrative position. Final retirement from the police force (as Commissioner and Sir John Appleby) does not, however, diminish Appleby’s taste for solving crime and he continues to be active, Appleby and the Ospreys marking his final appearance in the late 1980’s.<
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  In Appleby’s End he meets Judith Raven, whom he marries and who has an involvement in many subsequent cases, as does their son Bobby and other members of his family.

  Appleby Titles in order of first publication

  These titles can be read as a series, or randomly as standalone novels

  1. Death at the President’s Lodging Also as: Seven Suspects 1936

  2. Hamlet! Revenge 1937

  3. Lament for a Maker 1938

  4. Stop Press Also as: The Spider Strikes 1939

  5. The Secret Vanguard 1940

  6. Their Came Both Mist and Snow Also as: A Comedy of Terrors 1940

  7. Appleby on Ararat 1941

  8. The Daffodil Affair 1942

  9. The Weight of the Evidence 1943

  10. Appleby’s End 1945

  11. A Night of Errors 1947

  12. Operation Pax Also as: The Paper Thunderbolt 1951

  13. A Private View Also as: One Man Show and Murder is an Art 1952

  14. Appleby Talking Also as: Dead Man’s Shoes 1954

  15. Appleby Talks Again 1956

  16. Appleby Plays Chicken Also as: Death on a Quiet Day 1957

  17. The Long Farewell 1958

  18. Hare Sitting Up 1959

  19. Silence Observed 1961

  20. A Connoisseur’s Case Also as: The Crabtree Affair 1962

  21. The Bloody Wood 1966

  22. Appleby at Allington Also as: Death by Water 1968

  23. A Family Affair Also as: Picture of Guilt 1969

  24. Death at the Chase 1970

  25. An Awkward Lie 1971

  26. The Open House 1972

  27. Appleby’s Answer 1973

  28. Appleby’s Other Story 1974

  29. The Appleby File 1975

  30. The Gay Phoenix 1976

  31. The Ampersand Papers 1978

  32. Shieks and Adders 1982

  33. Appleby and Honeybath 1983

  34. Carson’s Conspiracy 1984

  35. Appleby and the Ospreys 1986

  Honeybath Titles in order of first publication

  These titles can be read as a series, or randomly as standalone novels

  1. The Mysterious Commission 1974

  2. Honeybath’s Haven 1977

  3. Lord Mullion’s Secret 1981

  4. Appleby and Honeybath 1983

  Synopses (Both Series & ‘Stand-alone’ Titles)

  Published by House of Stratus

  The Ampersand Papers

  While Appleby is strolling along a Cornish beach, he narrowly escapes being struck by a body falling down a cliff. The body is that of Dr Sutch, an archivist, and he has fallen from the North Tower of Treskinnick Castle, home of Lord Ampersand. Two possible motivations present themselves to Appleby – the Ampersand gold, treasure from an Armada galleon; and the Ampersand papers, valuable family documents that have associations with Wordsworth and Shelley.

  Appleby and Honeybath

  Every English mansion has a locked room, and Grinton Hall is no exception – the library has hidden doors and passages…and a corpse. But when the corpse goes missing, Sir John Appleby and Charles Honeybath have an even more perplexing case on their hands – just how did it disappear when the doors and windows were securely locked? A bevy of helpful houseguests offer endless assistance, but the two detectives suspect that they are concealing vital information. Could the treasures on the library shelves be so valuable that someone would murder for them?

  Appleby and the Ospreys

  Clusters, a great country house, is troubled by bats, as Lord and Lady Osprey complain to their guests, who include first rate detective, Sir John Appleby. In the matter of bats, Appleby is indifferent, but he is soon faced with a real challenge – the murder of Lord Osprey, stabbed with an ornate dagger in the library.

  Appleby at Allington

  Sir John Appleby dines one evening at Allington Park, the Georgian home of his acquaintance Owain Allington, who is new to the area. His curiosity is aroused when Allington mentions his nephew and heir to the estate, Martin Allington, whose name Appleby recognises. The evening comes to an end but just as Appleby is leaving, they find a dead man – electrocuted in the son et lumière box which had been installed in the grounds.

  The Appleby File

  There are fifteen stories in this compelling collection, including: Poltergeist – when Appleby’s wife tells him that her aunt is experiencing trouble with a Poltergeist, he is amused but dismissive, until he discovers that several priceless artefacts have been smashed as a result; A Question of Confidence – when Bobby Appleby’s friend, Brian Button, is caught up in a scandalous murder in Oxford, Bobby’s famous detective father is their first port of call; The Ascham – an abandoned car on a narrow lane intrigues Appleby and his wife, but even more intriguing is the medieval castle they stumble upon.

  Appleby on Ararat

  Inspector Appleby is stranded on a very strange island, with a rather odd bunch of people – too many men, too few women (and one of them too attractive) cause a deal of trouble. But that is nothing compared to later developments, including the body afloat in the water, and the attack by local inhabitants.

  Appleby Plays Chicken

  David was hiking across Dartmoor, pleased to have escaped the oppressively juvenile and sometimes perilous behaviour of his fellow undergraduates. As far as he could tell, he was the only human being for miles – but it turns out that he was the only living human being for miles. At least, that is what he presumed when he found a dead man on top of the tor.

  Appleby Talking

  Arbuthnot is paying for a rash decision – he recently married a beautiful but slightly amoral girl whose crazy antics caught his rather cynical professional interest. His wife has taken a lover, Rupert Slade, and Arbuthnot wants nothing more than to see him dead – but the last thing he expected was that he’d walk into his living room and find just that!

  Inspector Appleby shares the details of this and many other fascinating crimes in this un-missable collection.

  Appleby Talks Again

  Ralph Dangerfield, an Edwardian playwright who belonged to the smartest young set of his day, kept a scandalous diary recording the intimate details of his own life and those of his friends. After his death, it was believed that his mother had burnt the incriminating evidence, but fifty years later, a famous collector of literary curiosities claims to have the diary in his possession and threatens to blackmail fashionable London with belated secrets about people now in respectable old age. Sir John Appleby reveals how he uncovered this unscrupulous crime and talks about his key role in seventeen more intriguing cases.

  Appleby’s Answer

  Author of detective novels, Priscilla Pringle, is pleased to find that she is sharing a railway compartment with a gentleman who happens to be reading one of her books – Murder in the Cathedral. He is military officer, Captain Bulkington, who recognises Miss Pringle and offers her £500 to collaborate on a detective novel. To everyone’s surprise, Miss Pringle is rather taken with Captain Bulkington – is she out of her depth?

  Appleby’s End

  Appleby’s End was the name of the station where Detective Inspector John Appleby got off the train from Scotland Yard. But that was not the only coincidence. Everything that happened from then on related back to stories by Ranulph Raven, Victorian novelist – animals were replaced by marble effigies, someone received a tombstone telling him when he would die, and a servant was found buried up to his neck in snow, dead. Why did Ranulph Raven’s mysterious descendants make such a point of inviting Appleby to spend the night at their house?

  Appleby’s Other Story

  During a walk to Elvedon House, palatial home of the Tythertons, Sir John Appleby and Chief Constable Colonel Pride are stunned to find a police van and two cars parked outside. Wealthy Maurice Tytherton has been found shot dead, and Appleby is faced with a number of suspects – Alice Tytherton, flirtatious, younger wife of the deceased; Egon Raffaello, disreputable art dealer; a
nd the prodigal son, Mark Tytherton, who has just returned from Argentina. Could the death be linked to the robbery of some paintings several years ago?

  An Awkward Lie

  Sir John Appleby’s son, Bobby, assumes his father’s detective role in this baffling crime. When Bobby finds a dead man, in a bunker on a golf course, he notices something rather strange – the first finger of the man’s right hand is missing. A young girl approaches the scene and offers to watch the body while Bobby goes for help, but when he returns with the police in tow, the body and the girl are missing.

  The Bloody Wood

  An assorted party of guests have gathered at Charne, home of Charles Martineau and his ailing wife, Grace, including Sir John Appleby and his wife, Judith. Appleby’s suspicions are soon aroused with the odd behaviour of Charles, and the curious last request of Grace – who desires that upon her death, Charles marries her favourite niece, Martine. When Charles and Grace die on the same day, foul play is suspected.

  Carson’s Conspiracy

  Businessman Carl Carson decides to make a dash for South America to escape the economic slump, leaving his home and his barmy wife. But he has a problem – if his company were seen to be drawing in its horns, it wouldn’t last a week. His solution is his wife’s favourite delusion – an imaginary son, named Robin. Carson plans to stage a fictitious kidnapping – after all, what could be more natural than a father liquidating his assets to pay the ransom demand? Unfortunately, Carson has a rather astute neighbour – Sir John Appleby, ex-Commissioner of the Metropolitan Police.

  A Change of Heir

  George Gadberry, ‘resting actor’, packs his bags and heads for obscurity when the Tax Inspector beckons. Then he receives a mysterious invitation and a proposition that could lead to enormous riches. Wealthy imbiber, Nicholas Comberford, wants George to impersonate him in order to secure a place in the will of fabulously affluent Great-Aunt Prudence, who lives in a Cistercian monastery and won’t allow a single drop of liquor in the place. Gadberry’s luck seems to have changed – but at what cost?

 

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