Catherine Van Vorst heard the woman’s voice calling in warning. She was back on the curb again, and crying out:
“Beat it, Bill! Now’s your time! Beat it!”
The police for the moment had been swept away. Bill Totts leaped to the pavement and made his way to the woman on the sidewalk. Catherine Van Vorst saw her throw her arms around him and kiss him on the lips; and Catherine Van Vorst watched him curiously as he went on down the sidewalk, one arm around the woman, both talking and laughing, and he with a volubility and abandon she could never have dreamed possible.
The police were back again and clearing the jam while waiting for reinforcements and new drivers and horses. The mob had done its work and was scattering, and Catherine Van Vorst, still watching, could see the man she had known as Freddie Drummond. He towered a head above the crowd. His arm was still about the woman. And she in the motorcar, watching, saw the pair cross Market Street, cross the Slot, and disappear down Third Street into the labor ghetto.
* * *
In the years that followed no more lectures were given in the University of California by one Freddie Drummond, and no more books on economics and the labor question appeared over the name of Frederick A. Drummond. On the other hand there arose a new labor leader, William Totts by name. He it was who married Mary Condon, President of the International Glove Workers’ Union No. 974; and he it was who called the notorious Cooks and Waiters’ Strike, which, before its successful termination, brought out with it scores of other unions, among which, of the more remotely allied, were the Chicken Pickers and the Undertakers.
PART II
SHADOWS IN THE FOG
THE COLECTOR COMES AFTER PAYDAY
BY FLETCHER FLORA
Lower Market Street
(Originally published in 1953)
Frankie looked through a lot of bars before he found the old man. He was sitting in a booth in a joint on lower Market Street with a dame Frankie didn’t know. They were both sitting on the same side of the booth, and Frankie could see that their thighs were plastered together like a couple of strips of Scotch tape.
“Come on home, Pop,” Frankie said. “You come on home.”
The woman looked up at him, and her lips twisted in a scarlet sneer. The scarlet was smeared on the lips, as if she’d been doing a lot of kissing, and the lips had a kind of bruised and swollen look, as if the kisses had been pretty enthusiastic.
“Go to hell away, sonny,” she said.
She lifted her martini glass by its thin stem and tilted it against her mouth. Frankie reached across the booth in front of the old man and slapped the glass out of her hand. It shivered with a thin, musical sound against the wall, and gin and vermouth splashed down between the full, alert breasts that were half out of her low-cut dress. The olive bounced on the table and rolled off.
The woman raised up as far as she could in the cramped booth, her eyes hot and smoky with gin and rage.
“You little son of a bitch,” she said softly.
Frankie grabbed her by a wrist and twisted the skin around on the bone.
“Leave Pop alone,” he said. “You quit acting like a tramp and leave him alone.”
Then the old man hacked down on Frankie’s arm with the horny edge of his hand. It was like getting hit with a dull hatchet. Frankie’s fingers went numb, dropping away from the woman’s wrist, and he swung sideways with his left hand at the old man’s face. The old man caught the fist in a big palm and gave Frankie a hard shove backward.
“Blow, sonny,” he said.
For a guy not young at all, he was plenty tough. His eyes were like two yellow agates, and his mouth was a thin, cruel trap under a bold nose. From the way his body behaved, it was obvious that he still had good muscular coordination. He was poised, balanced like a trained fighter.
Frankie saw everything in a kind of pink, billowing mist. He moved back up to the booth with his fists clenched, and in spite of everything he could do, tears of fury and frustration spilled out of his eyes and streaked his cheeks.
“You get the hell out of this,” he said. “You ought to be ashamed, drinking and playing around this way.”
The old man slipped out of the booth, quick as a snake, and chopped Frankie in the mouth with a short right that traveled straight as a piston. Frankie hit the floor and rolled over, spitting a tooth and blood. He was crazy. Getting up, he staggered back at the old man, cursing and sobbing and swinging like a girl. This time the old man set him up with a left jab and threw a bomb. Frankie went over backward like a post, his head smacking with a wet rotten sound.
No one bothered about him. Except to laugh, that is. Lying there on the floor, he could hear the laughter rise and diminish and rise again. It was the final and utter degradation of a guy who’d never had much dignity to start with. Rolling over and struggling up to his hands and knees, he was violently sick, his stomach contracting and expanding in harsh spasms. After a long time, he got the rest of the way to his feet in slow, agonizing stages. His chin and shirt front were foul with blood and spittle.
In the booth, ignoring him, the old man and the woman were in a hot clinch, their mouths adhering in mutual suction. The lecherous old man’s right hand was busy, and Frankie saw through his private red fog the quivering reaction of the woman’s straining body. Turning away, Frankie went out. The floor kept tilting up under his feet and then dropping suddenly away. All around him, he could hear the ribald laughter.
* * *
It was six blocks to the place where he’d parked his old Plymouth. He walked slowly along the littered, narrow street, hugging the dark buildings, the night air a knife in his lungs. Now and then he stopped to lean against solid brick until the erratic pavement leveled off and held still. Once, at the mouth of an alley, he was sick again, bringing up a thin, bitter fluid into his mouth.
It took him almost an hour to get back to the shabby walkup apartment that was the best a guy with no luck could manage. In the bathroom, he splashed cold water on his face, gasping with pain. The smoky mirror above the lavatory distorted his face, exaggerating the ugliness of smashed, swollen lips drawn back from bloody gums. He patted his face dry with a towel and poured himself a double shot in the living room. He tossed the whiskey far back into his mouth beyond his raw lips, gagging and choking from the sudden fiery wash in his throat.
Dropping into a chair, he began to think. Not with any conscious direction. His mind functioned, with everything coming now to a bad end, in a kind of numb and lucid detachment. Suddenly, he was strangely indifferent. Nothing had happened, after all, that couldn’t have been anticipated by a guy with no luck whatever.
It was funny, the way he was no longer very concerned about anything. Sitting there in the drab living room in the dull immunity to shame that comes from the ultimate humiliation, he found his mind working itself back at random to the early days at home with the old man. Back to the days when his mother, a beaten nonentity, had been alive. Not a lovable character, the old man. Not easy on wife or kid. A harsh meter of stern discipline for all delinquencies but his own. A master of the deferred payment technique. In the old days, when Frankie was a kid at home, wrongdoing had never been met with swift and unconsidered punishment that would have been as quickly forgotten. The old man had remarked and remembered. Later, often after Frankie had completely forgotten the adolescent evil he’d committed, there was sure to be something that he wanted very much to do. Then the old man would look at him with skimmed milk eyes and say, “No. Have you forgotten the offense for which you haven’t paid? For that, you cannot do this thing.”
Wait till it really hurts. That had been the old man’s way.
Remembering, Frankie laughed softly, air hissing with no inflection of humor through the hole where his lost tooth had been. No luck. Never any luck. He’d even been a loser in drawing an old man—a bastard with a memory like an elephant and a perverted set of values.
The laughter hurt Frankie’s mangled lips, and he cut it off, sitting slumpe
d in the chair with his eyes in a dead focus on the floor. It was really very strange, the way he felt. Not tired. Not sleepy. Not much of anything. Just sort of released and out of it, like a religious queer staring at his belly button.
He was still sitting there at three o’clock in the morning when the old man came in. He was sloppy drunk, and the lines of his face had blurred, letting his features run together in a kind of soft smear. His eyes were rheumy infections in the smear, and his mouth still wore enough of the cheap lipstick to give him the appearance of wearing a grotesque clown’s mask. He stood, swaying, almost helpless, with his legs spread wide and his hands on his hips in a posture of defiance, and Frankie looked back at him from his chair. It made him sick to see the old man so ugly, satiety in his flaccid face and the nauseous perfume of juniper berries like a fog around him.
The old man spit and laughed hoarsely. The saliva landed on the toe of Frankie’s shoe, a milky blob. Without moving, Frankie watched the old man weave into the bedroom with erratic manipulation of legs and hips.
Frankie kept on sitting in the chair for perhaps five minutes longer, then he sighed and got up and walked into the bedroom after the old man. The old man was standing in the middle of the room in his underwear. His legs were corded with swollen blue veins that bulged the fish-belly skin. On the right thigh there was an angry red spot that would probably blacken. When he saw Frankie watching him, his rheumy eyes went hot with scorn.
“My son,” he said. “My precious son, Frankie.”
Frankie didn’t answer. As he moved toward the old man slowly, smiling faintly, the pain of the smile on his mangled lips was a pale reflection of the dull pain in his heart. He had almost closed the distance between them before the old man’s gin-soaked brain understood that Frankie was going to kill him. And he was too drunk now to defend himself, even against Frankie. The scorn faded from his eyes and terror flooded in, cold and incredulous.
“No, Frankie,” he whispered. “For God’s sake, no.”
Frankie still didn’t say anything, and the old man tried to back away, but by that time it was too late, and Frankie’s thumbs were buried in his throat. His tongue came out, his legs beat in a hellish threshing, and his fists battered wildly at Frankie’s face. But it did no good, for Frankie was feeling very strong. He was feeling stronger than he had ever felt in his life before. And good, too. A powerful, surging sense of well-being. A wild, singing exhilaration that increased in ratio to the pressure of his grip.
* * *
The old man had been dead for minutes when Frankie finally let him go. He slipped down to the floor in a limp huddle of old flesh and fabric, and Frankie stood looking down at him, the narcotic-like pleasure draining out of him and leaving him again with that odd, incongruous feeling of detachment.
He realized, of course, that the end was his as much as the old man’s. It was the end for both of them. Recalling the .38 revolver on a shelf in the closet, he considered for a moment the idea of suicide, but not very seriously. Not that he was repelled by the thought of death. It was just that he didn’t quite have the guts.
He supposed that he should call the police, and he went so far as to turn away toward the living room and the telephone. Then he stopped, struck by an idea that captured his fancy. He saw himself walking into the precinct station with the old man’s dead body in his arms. He heard himself saying quietly, “This is my father. I’ve just killed him.” Drab little Frankie, no-luck Frankie, having in the end his moment of dramatic ascendancy. It was a prospect that fed an old and functional hunger of his soul, and he turned back, looking at the body on the floor. Smiling dreamily with his thick lips, he felt within himself a rebirth of that singing exhilaration.
At the last moment, he found in himself a sick horror that made it impossible for him to bear excessive contact with the dead flesh, so he dressed the body, struggling with uncooperative arms and legs. After that, it was so easy. It was so crazy easy. If he’d given a damn, if he’d really been trying to get away with it, he could never have pulled it off in a million years.
With the old man dead in his arms, he walked out of the apartment and down the stairs and across the walk to the Plymouth at the curb. He opened the front door and put him in the seat and closed the door again. Then, standing there beside the car, he looked around and saw that there was no one in sight. So far as he knew, not a soul had seen him.
It was then that the enormity of the thing struck him, and he began to laugh softly, hysteria threading the laughter. No-luck Frankie doing a thing like that. No-luck Frankie himself just walking out of an apartment house with a corpse in his arms and not a damned soul the wiser. You couldn’t get life any crazier than that. He kept on laughing, clutching the handle of the car door with one hand, his body shaking and his lips cracking open again to let a thin red line trace its way down his chin.
After a while, he choked off the laughter on a series of throaty little gasps that tore painfully at his throat. Lighting a cigarette, he went around the car and got in beside the old man on the driver’s side.
He drove at a moderate rate of speed, savoring morbidly the approach to his big scene. Now, in the process of execution, the drama of it gained even more in its appeal to him. It gave him a kind of satisfaction he had never known.
He was driving east on Mason Street. The side streets on the south descended to their intersections on forty-five-degree grades. Possessing the right-of-way, he crossed the intersections without looking, absorbed in his thoughts. For that reason, he neither saw nor heard the transport van until it was too late. At the last instant, he heard the shrill screaming of rubber on concrete and looked up and right to see the tremendous steel monster roaring down upon him.
His own scream cut across the complaint of giant tires, and he hurled himself away reflexively, striking the door with a shoulder and clawing at the handle. The door burst open at the precise instant of impact, and he was catapulted through the air like a flapping doll. Striking the pavement, he rolled over and over, protecting his head with his arms instinctively. The overwhelming crash of the Plymouth crumpling under the van was modified in his ears by the fading of consciousness.
On his back, he lay quietly and was aware of smaller sounds—distant screams, pounding feet, horrified voices, and, after a bit, the far away whine of sirens growing steadily nearer and louder.
Someone knelt beside him, felt his pulse, said in manifest incredulity, “This guy’s hardly scratched. It’s a God-damned miracle.”
A voice, more distant, rising on the threat of hysteria, “Christ! This one’s hamburger. Nothing but hamburger.”
And he continued to lie there in the screaming night with the laughter coming back and the wild wonder growing. What was it? What in God’s name was it? A guy who’d started and ended with a sour bastard of an old man and never any luck between. A guy who’d had it all, and most of it bad. A guy like that getting, all of a sudden, two fantastic breaks you wouldn’t have believed could happen. Walking out of a house with a body in his arms, scot-free and away. Surviving with no more than a few bruises a smash-up that should have smeared him for keeps. Maybe it was because he’d quit caring. Maybe the tide turns when you no longer give a damn.
Then, in a sudden comprehensive flash, the full significance of the situation struck him. Hamburger, someone had said. Nothing but hamburger. Thanks to the cock-eyed collaboration of the gods and a truck driver, he had disposed of the old man in a manner above suspicion. He lay on the pavement with the wonder of it still growing and growing, and his insides shook with delirious internal laughter.
* * *
In time, he rode a litter to an ambulance, and the ambulance to a hospital. He slept like a child in antiseptic cleanliness between cool sheets, and in the morning he had pictures taken of his head. Twenty-four hours later he was told that there was no concussion, and released. With the most sympathetic cooperation of officials, he collected the old man at the morgue and transferred him to a crematory.
> When he left the crematory, he took the old man with him in an urn. In the apartment, he set the urn on a table in the living room and stood looking at it. He had developed for the old man, since the smash-up, a feeling of warm affection. In his heart there was no hard feeling, no lingering animosity. He found his parent in his present state, a handful of ashes, considerably more lovable than he had ever found him before. Besides, he had brought Frankie luck. In the end, in shame and violence and blood, he had brought him the luck he had never had.
Putting the old man away on a shelf in the closet, Frankie checked his finances and found that he could assemble forty dollars. He fingered the green stuff and considered possibilities. Eagerness to ride his luck had assumed the force of compulsion. In the saddle, he left the apartment and went over to Nick Loemke’s bar on Market Street.
He found Nick in a lull, polishing glass behind the mahogany. Nick examined him sleepily and made a swipe at the bar with his towel.
“What’s on your mind, Frankie?”
“Double shot of rye,” Frankie said.
His lips and gums were still a little raw, so he took it easy with the rye, tossing it in short swallows on the back of his tongue.
“Where’s Joe Tonty anchored this week?” he asked.
“What the hell do you care, Frankie? You can’t afford to operate in that class.”
“You never know. You never know until you try.”
Frankie finished his rye and spun the glass off his fingertips across the bar. It hit the trough on the inside edge and hopped up into the air. Nick had to grab it in a hurry to keep it from going off onto the floor. He glared at Frankie and doused the glass in the antiseptic solution under the bar.
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