by Alfred Jarry
PA UBU. Advance, gentlemen of the Phynances, do your duty.
A fight takes place. The house is razed to the ground, and only old STANISLAS escapes and flees alone across the plain. UBU stays behind to scoop up the cash.
SCENE FIVE
A casemate in the fortifications of Thorn. MACNURE in chains, PA UBU.
PA UBU. Well, citizen, you’re in a fine pickle, aren’t you ? You wanted me to pay you what I owed you, and when I refused to you rebelled and plotted against me, and where did that land you? In jug! Hornboodle, the clever trick I played on you was so mean it should be right up your street.
MACNURE. Take care, treacherous Old Ubu. In the five days you’ve been King you’ve committed more crimes and murders than it would take to damn all the saints in Paradise. The blood of the King and the Nobles cries for vengeance, and those cries will be heard.
PA UBU. Ha, my fine friend, you’ve got a glib tongue, all right, and I don’t doubt that if you should escape you might make things difficult for me. But, to the best of my knowledge, the casemates of Thorn have never released from their clutches any of the fine fellows entrusted to their tender care. So, good night to you, and sleep tight if you can, though I should warn you that the rats here go through a very pretty routine at night.
He goes out. The TURNKEYS arrive and lock and bolt all the doors.
SCENE SIX
The Palace in Moscow.
THE TSAR ALEXIS and his court, MACNURE.
ALEXIS. So it was you, base soldier of fortune, who took part in the assassination of our cousin Wenceslas ?
MACNURE. Sire, grant me your royal pardon. I was dragged into the plot by Old Ubu, despite myself.
ALEXIS. Oh, what a bare-faced liar! Well, what do you want?
MACNURE. Old Ubu accused me falsely of conspiracy and had me thrown in gaol. I managed to escape and have been spurring my horse for five days and nights across the steppes to come and plead for your gracious mercy.
ALEXIS. What can you show me as practical proof of your loyalty ?
MACNURE. The sword I wielded as a soldier of fortune, and a detailed map of the fortified city of Thorn.
ALEXIS. I accept the sword as a symbol of your submission, but by St George, bum the map. I don’t intend to achieve my victory through treachery.
MACNURE. One of the sons of Wenceslas, young Boggerlas, is still alive. I would do anything in my power to help restore him to the throne.
ALEXIS. What was your rank in the Polish army?
MACNURE. I commanded the fifth regiment of Vilna dragoons and a company of mercenaries in the service of Captain Ubu.
ALEXIS. Good. I appoint you second lieutenant in the tenth Cossack regiment, and woe betide you if you betray me. If you fight well, you shall be rewarded.
MACNURE. Courage I have in plenty, Sire.
ALEXIS. Good. Remove yourself from my presence.
He leaves.
SCENE SEVEN
Ubu’s council chamber.
PA UBU, MA UBU, PHYNANCIAL COUNSELLORS.
PA UBU. Gentlemen, I declare this meeting open. Try to keep your ears open and your mouths shut. First, we shall deal with finance, and then we shall discuss a little system I’ve thought up for bringing fine weather and keeping rain away. A COUNSELLOR. Splendid, Mister Ubu, Sir.
MA UBU. What a numbskull.
PA UBU. Madam of my pschitt, look out, I’m not going to stand any more of your nonsense. As I was about to say to you, gentlemen, our finances are in a fairly good state. A considerable number of our hirelings clutching well-filled stockings prowl the streets every morning and the sons of whores are doing fine. In all directions there is a vista of burning houses and the sight of our peoples groaning under the weight of our phynance.
SAME COUNSELLOR. And how are the new taxes going, Mister Ubu, sir ?
MA UBU. Not at all well. The tax on marriages has only produced eleven pence so far, even though Mister Ubu’s been chasing people all over the place to force them to marry.
PA UBU. Sword of phynance, horn of my strumpot, madam financieress, I have nearoles to speak with and you have a mouth to listen to me with. (Bursts of laughter.) No, no, that’s not what I meant to say! You’re always getting me mixed up, yes, it’s your fault I’m so stupid! But, by the horn of Ubu! ... (A MESSENGER enters.) Now what does this fellow want ? Get out, oaf, before I black both your eyes, cut your head off and make corkscrews out of your legs.
MA UBU. He’s gone already, but he’s left a letter.
PA UBU. Read it. I don’t know, I’m either going out of my mind or I’ve forgotten how to read. Hurry up, clownish female, it’s probably from M’Nure.
MA UBU. Exactly. He says that the Tsar has welcomed him most graciously, that he’s going to invade your Territories to restore Boggerlas to the throne and that you’ll certainly end up swinging at the end of a rope.
PA UBU. Hooh! Hah! I’m scared! Ooh, I’m frightened. I’m at death’s door. Poor wretch that I am. Ye gods, what’s to become of me ? This nasty man is going to kill me. St Anthony and all the Saints, protect me. I’ll shell out bags of phynance and even burn candles to you. Lord God, what’s to become of me ? (He weeps and sobs.)
MA UBU. There’s only one course to adopt, Pa Ubu.
PA UBU. What’s that, my love?
MA UBU. War!!
ALL. May God defend the right! Well and nobly spoken !
PA UBU. Oh yes, and I’ll get knocked about all over again.
FIRST COUNSELLOR. Let us get the army to battle stations with all speed.
SECOND. And requisition the supplies.
THIRD. Mobilise the artillery, man the fortresses.
FOURTH. And set aside enough money to pay the troops.
PA UBU. Ah, not likely! I’m going to do you in, you. I’m not giving any money away. What an idea! I used to be paid to make war and now I have to do it at my own expense. No, by my green candle, let’s have a war since you’re all so steamed up about it, but let’s not spend a single sou.
ALL. Long live war, three cheers for the war.
SCENE EIGHT
The Camp outside Warsaw.
[On the right, a mill with a practicable window. On the left, rocks. Backdrop showing the ocean.
Enter the POLISH ARMY, with GENERAL LASKI at their head, singing a marching song:
My uniform has buttons one, thunder a gun,
My uniform has buttons two, first of the few,
Buttons one, two, three four,
Gone to the War!
Five, six, seven, eight,
Buttons are great,
Nine, ten and eleven,
Buttons are heaven,
Twelve, thirteen, fourteen
Buttons to clean,
Fifteen, sixteen, seventeen, eighteen,
Buttons awaiting,
Nineteen, twenty,
Buttons aplenty.
My tunic has thirty buttons,
Boozers and gluttons,
Forty, fifty, sixty more,
Buttons galore,
Seventy, eighty, ninety-six
Buttons for kicks!
A hundred buttons on my chest
To shine with the rest.
My tunic has fifty thousand buttons I
GENERAL LASKI. Division, halt! Left turn, about face! Right turn, dress your ranks! Eyes front! Stand at ease. Soldiers, I am pleased with you. Never forget that you are military men and that military men make the best soldiers. To march in the paths of glory and victory, you should first put the whole weight of your body on your right leg, and then step out smartly, left leg foremost ... Attention! File off: by the right ... to the right! Division, forward! eyes right, quick march! Left right, left right ...
The SOLDIERS, with LASKI at their head, march off, shouting.]5
SOLDIERS. Long live Poland! God save Old Ubu!
PA UBU. Come on, Ma, hand me my breastplate and my little wooden pick. I’ll soon be so cluttered up that I won’t be able to run if they chase me.
&n
bsp; MA UBU. Pooh! What a coward!
PA UBU. Drat, there’s my pschittasword slipping off, and my phynance-hook won’t stay put either! I’ll never be ready, and the Russians are advancing and will certainly kill me.
A PALCONTENT. Hey, Lord Ubu, your nearole-incisors are falling down.
PA UBU. Urghh ! Me I kill you with my pschittahook and my face-chopper. Now you dead.
MA UBU. How handsome he looks in his breastplate and helmet, just like an armour-plated pumpkin.
PA UBU. Ah ! now I shall mount my horse. Gentlemen, lead in the phynance charger.
MA UBU. Pa Ubu, your horse will never be able to carry you, it hasn’t been fed for five days and is half dead.
PA UBU. That’s a good one! They rook me a dollar a day for that old nag and it can’t even carry me. Are you making fun of me, horn of Ubu, or are you pocketing the cash, perhaps, eh ? (MA UBU blushes and lowers her eyes.) All right, bring me out another beast, but I refuse to go on foot, homstrumpot! (An enormous horse is led in.) I’m going to get up on it. Oh, I’d better sit down, otherwise I’ll fall off! (The horse ambles off.) Hi, stop this runaway brute! God almighty, I shall fall off and suddenly find I’m dead !!
MA UBU. Oh, what an idiot. Ah, he’s back in his saddle again. No, he’s fallen off.
PA UBU. Horn of physics, I’m half dead, but no matter, I’m off to the war and I’ll kill everyone. Woe betide any of you who step out of line, because I’ll give him the full treatment, including a session of nose and tooth twisting and tongue pulling.
MA UBU. Good luck, Ubu, my lord and master.
PA UBU. I forgot to tell you, I’m making you regent. But I’m taking the account-books with me, so if you try to cheat me you’ll be in for a hot time. I’m leaving the Palcontent Gyron as your assistant. Farewell, Madam.
MA UBU. Farewell, great commander, and mind you kill the Tsar good and proper.
PA UBU. Don’t you worry about that. Nose and tooth twisting, tongue pulling and perforation of the nearoles by my little wooden pick.
He clatters off, to the sound of fanfares.
MA UBU (alone). Now that that overstuffed dummy is out of the way, let’s get down to business, assassinate Boggerlas and get our hands on the treasures of Poland.
Act Four
SCENE ONE
The crypt of the former Kings of Poland in Warsaw Cathedral.
MA UBU. Now, where can that treasure be? None of these flagstones sound hollow. Well, I’ve certainly counted thirteen stones from the tomb of Ladislas the Great, keeping to the wall, but there’s nothing. Someone’s made a fool of me. Ah ! wait a minute, this flagstone sounds hollow. To work, Ma Ubu. Let’s get down to it, and we’ll soon have it prised up. It won’t budge. Let’s try inserting the end of this phynance-hook and hope that it will be working for once. Ah, there it is! There’s the gold all mixed up with the bones of the kings. Into our sack with the whole lot. Oh, what’s that noise ? Can there still be anyone alive in these ancient vaults ? No, it’s nothing, let’s take the lot and get out quick. These gold pieces will look far better in the light of day than buried in the graves of these old princes. Now we’ll put the stone back. What’s that? That noise again. This place is beginning to give me the creeps. I’ll come back tomorrow for the rest of the gold.
A VOICE (rising from the tomb of John Sigismund). Never, Ma Ubu!
MA UBU escapes in a panic by way of a secret door, taking the stolen gold with her.
[Act Four, Scene One of Ubu Rex may be replaced by Act Two, Scene Two, of Ubu sur la Butte, which commences with Ma Ubu’s closing speech in Ubu Rex, Act Three, Scene Eight, as follows:
MA UBU. Now that that overstuffed dummy is out of the way, let’s get down to business, assassinate Boggerlas and get our hands on the treasures of Poland. First, the treasures. Hey, Gyron, come and help me.
GYRON. Help you do what, mistress?
MA UBU. Everything! My dear husband desires you to take over from him completely while he’s off at the wars. So tonight ... GYRON. Oh! mistress!
MA UBU. Don’t blush, darling! In any case, with your complexion it’s invisible.6 But to work, give me a hand carting these treasures away.
Sung very fast, while carrying off the objects described in the song.
MA UBU. Can I believe my eyes or not? I see a pot ... a Polish pot!
GYRON. A bed-side rug of reindeer skin, Once trod on by the poor dead queen!
MA UBU. A faithful portrait, I am sure, Of my lord and spouse whom I adore.
GYRON. Bottles whose contents made Poles sing In the good old days of the Drunken King.
MA UBU (brandishing a pschittapump). And here’s the special Turkish hookah Made for Queen Leczinska.
GYRON. These rolls of paper in their crate Are secret documents of state.
MA UBU (brandishing a lavatory brush). And the little sceptre made of straw Which kept the peace in old Warsaw.
MA UBU. Hey! I can hear a noise! It must be Pa Ubu coming back. So soon ?! Quick, run for it
They run off, dropping their treasures on the way.]
SCENE TWO
The Main Square in Warsaw.
BOGGERLAS and his men, PEOPLE and SOLDIERS.
BOGGERLAS. Forward, my friends ! Long live Poland and King Wenceslas That old scoundrel Ubu has fled, which only leaves Old Mother Ubu and her Palcontent to deal with. I ask only to march at your head and restore the royal succession of my ancestors.
ALL. Long live Boggerlas!
BOGGERLAS. And we shall abolish all the taxes imposed by that horrible Old Ubu.
ALL. Hurrah! Forward! Onward to the palace! Let’s wipe out the whole vile breed!
BOGGERLAS. Aha! There’s the old hag coming out on to the palace steps, surrounded by her guards.
MA UBU. What can I do for you, gentlemen ? Ah It’s Boggerlas.
The crowd throw stones.
FIRST GUARD. All the windows are broken.
SECOND GUARD. By St George, they’ve got me.
THIRD GUARD. I die, by God’s holy horn!
BOGGERLAS. Keep throwing stones, my friends. PALCONTENT GYRON. Ho! So that’s the way it is!
He draws his sword and plunges into the crowd, wreaking terrible carnage.
BOGGERLAS. Defend yourself, cowardly bumpkin! I challenge you to single combat!
GYRON. I’m done for!
BOGGERLAS. Victory, my friends! Now for Ma Ubu! (Trumpets sound.) Ah, here come the Nobles. Quick, let’s seize the wicked harpy.
ALL. Yes, she’ll do, until we can string up the old bandit himself.
MA UBU escapes, pursued by all the POLES. Rifle shots and hails of stones.
SCENE THREE
The POLISH ARMY marching through the Ukraine.
PA UBU. By God’s holy horn, by God’s third leg, we shall certainly perish, for we are dying of thirst and are quite exhausted. Honourable soldier, have the kindness to carry our phynancial helmet, and you, honourable lancer, take charge of our pschitt-scissors and our physick-stick to relieve our burden for, I repeat, we are fatigued.
The SOLDIERS obey.
HEADS. Ho there, Sire! Ain’t it odd that there’s no sign of the Russians yet.
PA UBU. It is most regrettable that the state of our finances does not permit us to own a carriage commensurate with our dimensions, for, since we were afraid of our mount collapsing under us, we have completed the whole journey on foot, leading the animal on the rein. But as soon as we get back to Poland we shall, by making use of our knowledge of physics and in consultation with our learned advisers, invent a wind-driven carriage capable of transporting the entire army.
TAILS. Here comes Nicolas Renski at full speed.
PA UBU. What’s he in such a flap about?
RENSKI. All is lost, Sire. The Poles have rebelled, Gyron has been killed, and Madam Ubu has fled to the mountains.
PA UBU. Night-bird, creature of ill omen, shiftless mongrel! Where did you snuffle up that rubbish? Here’s a fine kettle of fish. Well, who’s responsible, eh? Boggerl
as, I’ll bet. Where have you just come from?
RENSKI, Warsaw, noble Lord.
PA UBU. Pschitt upon you, young fellow, if I believed you I’d order the whole army to about turn and march back in the direction it’s just come from. But, honourable infant, you are feather-brained and therefore light-headed, and have been dreaming foolish dreams. Go to the forward posts, my lad, and you’ll see that the Russians aren’t far away. In fact we’ll soon have to strike out with all our arms, including the pschittical, phynancial and physical varieties.
GENERAL LASKI. Master Ubu, do you see? That’s the Russian army down there in the plain.
PA UBU. You’re right, it’s the Russians! Here’s a fine state of affairs. If only there was some way of escape - but no, we’re on a hilltop and exposed to attack on every side.
THE ARMY. The Russians! The enemy!
PA UBU. Come, gentlemen, let us take up our battle positions. We’ll stay on top of this hill and we’ll not be so silly as to venture down. I shall remain in your midst like an animated citadel, and the rest of you will gravitate around me. I recommend you to load your rifles with as many bullets as they will hold, since eight bullets can kill eight Russians and that’s just so many more I won’t have on my back. We shall station the light infantry around the bottom of the hill to take the brunt of the Russian attack and slay a few of them, with the cavalry behind to charge around and add to the confusion, and the artillery set up around this windmill here to fire into the general mêlée. As for ourselves, we shall assume our command position inside the windmill, fire through the window with our phynancial pistol, bar the door with our physick-stick, and if anyone tries to break in he’d better look out for our pschittahook!!!