Men of science have been trying to explain these strange transformations, and to discover why the Prince and Princess do not need to eat or drink, once they have won their highest form, their life of wings and joy. But they have not got much farther than giving names to the things we have long loved and seen as children, dividing the winged wonders into two big families called Butterflies and Moths.
Do you know the difference between a Butterfly and a Moth?
Taken together they make a large group that are called Scale-wings, because they alone among insects, have scales or tiny feathers like dust on the wings. Butterflies are Scale-wings that fly by day, and have club-shaped feelers; they mostly fold one wing against the other when they alight, and in the chrysalis, or bundle-baby stage, they are naked and look like an African ear-drop.
Moths are Scale-wings that fly by night, and have switch or feather-shaped feelers; they keep their wings spread open when they alight, and in the bundle-baby stage, they are wrapped in a cocoon. There are some that do not keep to these rules, but they are rare, and the shape of the feelers will tell whether it is a Moth or a Butterfly.
All of these Scale-wings are hatched from eggs, and come first, as a worm, grub, or caterpillar; next as a chrysalis pupa or bundle-baby; last as the winged creature. That is, first a Beast and last a Beauty. Each of them must at one time be the ugly one, before the great change comes. But I must tell you a truth that the Fairy Books left out, and which maybe you have guessed—Princess Beauty too was at one time forced to live and look like a Beast, till she had fought her own fight, had worked out her own high destiny, and won her way to wings.
TALE 13
The Mourning-cloak Butterfly, or the Camberwell Beauty
There was once a lady who dwelt in Camberwell. She was so good to see that people called her "The Camberwell Beauty." She dressed so magnificently that her robe was covered with gold, and spangled with precious stones of most amazing colours. Especially proud was she, of the row of big blue diamonds that formed the border; and she loved to go forth into the world to see and be seen; although she knew that the country was full of robbers who would be sure to steal her jewels if they could. Then she made a clever plan, she kept on the beautiful things that she loved to dress in, but over all she hung a black velvet mourning cloak which nobody could possibly want to steal. Then she went up and down the roads as much as she pleased.
Mourning-cloak Butterfly (¾ life size)
Well, this story may be not quite true, but it is partly true, and the beautiful lady is known to-day as the Mourning-cloak Butterfly. There it is, plain to be seen, the black mourning cloak, but peeping from under it, you can see the golden border and some of the blue diamonds too, if you look very carefully.
In the North Woods where I spent my young days, the first butterfly to be seen in the springtime was the Mourning-cloak, and the reason we saw it so early in the season, yes, even in the snowtime, was because this is one of the Butterflies that sometimes sleep all winter, and so live in two different seasons.
Its eggs are laid on the willows, elms, or poplars, in early springtime. The young soon hatch, and eat so much, and grow so fast, that five weeks after the eggs are laid, and three after they are hatched, the caterpillar is full grown, and hangs itself up as a chrysalis under some sheltering board or rail. In two weeks more, the wonderful event takes place, the perfect Butterfly comes forth; and there is another Mourning-cloak to liven the roadside, and amaze us with its half-hidden beauty.
TALE 14
The Wandering Monarch
Did you ever read the old Greek story of Ulysses, King of Ithaca, the Wandering Monarch, who for twenty years roamed over sea and land away from home—always trying to get back, but doomed to keep on travelling, homesick and weary, but still moving on; until his name became a byword for wandering?
MONARCH BUTTERFLY
"The Wanderer" in Three Stages: Cocoon, Caterpillar, and Butterfly
In our own woods and our own fields in America we have a Wandering Monarch—the "Big Red Butterfly" as we children called it—the "Monarch" as it is named by the butterfly catchers.
It is called the "Wanderer" chiefly because it is the only one of our Butterflies that migrates like the birds. In the late summer it gathers in great swarms when the bright days are waning, and flies away to warmer lands. I have often seen it going, yet I do not remember that I ever saw it come back in the springtime; but it comes, though not in great flocks like those that went south.
One of the common names of this splendid creature is "Milkweed Butterfly" because its grub or caterpillar is fond of feeding on the leaves of the common milkweed.
The drawing shows the size and style of the grub; in colour it is yellow or yellowish green with black bands.
As soon as it is grown big enough and fat enough, the grub hangs itself up as a "chrysalis" which is a Greek word that may be freely rendered into "golden jewel." The middle drawing shows its shape; in colour it is of a pale green with spots of gold, or as it has been described "a green house with golden nails."
After about two weeks the great change takes place, and the bundle-baby or chrysalis opens to let out the splendid red-brown Butterfly, of nearly the same red as a Cock Robin's breast in springtime, with lines and embroidery of black and its border set with pearls. Near the middle of the hind wing is a dark spot like a thickening of one rib. This has been called a "sachet bag" or "scent-pocket," and though not very ornamental to look at, is of more use to it than the most beautiful white pearl of the border. For this is the battery of its wireless telegraph. We think our ships and aeroplanes very far advanced because they can signal miles away, and yet the Wandering Monarch had an outfit for sending messages long before it was ever dreamed of by man. Maybe it is not a very strong battery, but it certainly reaches for miles; and maybe its messages are not very clear, but they serve at least to let the Monarchs know where their wives are, and how to find them, which is something.
There is one other reason for calling this the Wanderer. Although it is an American by birth, it has travelled to England and the Philippines and is ever going farther over the world till at last no doubt it will have seen all lands and possessed them.
It makes old Ulysses look like a very stay-at-home, for his farthest travels never went beyond the blue Mediterranean, and his whole twenty years of voyaging covered less than the states east of the Mississippi—much less than our Red Wanderer covers in a single summer.
TALE 15
The Bells of the Solomon Seal
Let us go out into the woods, and look for the Solomon Seal. This is May and we should find it in some half open place, where it is neither wet nor dry. Here it is! See the string of bells that hangs from its curving stem. Dig out its roots, wash off the earth, and you will see the mark of King Solomon's Seal that gives its name to the plant. Now listen to the story of it all.
King Solomon had the "second sight" that means the deeper sight, the magic eyesight which made him see through a stone wall, or read men's thoughts. King Solomon had fayland ears; which means, he could hear all sounds from A to Z; while common ears, like yours and mine, hear only the middle sounds from K to Q.
Everything that lives and moves is giving out music; every flower that blooms is singing its song. We cannot hear, our ears are too dull; but King Solomon could. And one day, as he walked through the woods, he heard a new flower-song that made him stop and listen. It had strange music with it, and part of that was a chime of golden bells.
The Bells of the Solomon Seal
The great King sat down on a bank. His fayland eyes could see right into the ground. He saw the fat fleshy root like a little goblin, reaching its long white fingers down into the soil, picking out the magic crystals to pack away in its pockets; and he could see the tall stem like a wood-elf carrying them up, and spreading them upon its flat hands, so they could soak up the juices of the sun and air. He could see them turning into a wonderful stuff like amber dew, with a tang like new-cut t
imber. But it was not yet done, so he could not tell just what it might be good for. Now it was springtime, and it would be harvest red moon before the little worker would have the magic healing stored in its treasure bags underground. So to prevent any one harming or hindering the plant till its work was done, the King took out his seal ring and stamped seal marks all along the root, where they are unto this day. And then to make it sure he made the golden bell chimes become visible so every one could see them. There they hang like a row of ringing bells.
But the King never came back to learn the rest of it, for he had to build the temple; and he had many wives who took up a great deal of his time. So the world has never found out just what is the magic power of the plant. But it is there, be sure of that, just as surely as the peal of golden bells is there, and the marks of the great King's Seal.
TALE 16
The Silver Bells of the False Solomon Seal
The Silver Bells of the False Solomon Seal
Over a month later, the King suddenly remembered that he had not been out to see the plant whose root he had sealed. He was very busy at the time, as he had the temple to build, and many wives to look after; so he called Djin, a good goblin, who does hard work and said, "Go and see that no one has harmed that plant," then told him how to find it.
Away went the good goblin, like a flash. He was a very obedient servant, but not very bright; and when he came to the woods, he looked all around for the plant with the chime of bells, for King Solomon had forgotten to say that the bells do not ring after June, and it was now July. So the goblin looked about for a long time. He did not dare to go back and say he could not find it—that would have been a terrible crime, so he looked and looked. At last he heard a little tinkle of bells away off in the woods. He flew to the place, and there was a plant like the one he sought but its bells were of silver, and all in a bunch instead of a long string. The good goblin dug down to the big fat root in the ground and found that the seal marks had grown over—at least he thought they had—for they were nowhere to be seen. So he looked around for something to help. His eye fell on an acorn cup. He took this, and using it for a seal, he stamped the root all over.
Then he took a piece of the root and a sprig and flew back to show the King. Solomon smiled and said: "You did the best you could, but you have marked the wrong root. Listen! This is not the golden chime, but the chime of silver bells."
That is the story of it and that is why it has ever since been called the False Solomon Seal.
THINGS TO SEE IN SUMMERTIME
The Brownie and the
Mouse-bird
TALE 17
How the Mouse-bird Made Fun of the Brownie
Once there was a conceited Brownie, who thought he could do more things and do them better than any other of his people. He had not tried yet, for he was very young, but he said he was going to do them some day!
One morning a sly old Brownie, really making fun of him, said: "Why don't you catch that Phoebe-bird? It is quite easy if you put a little salt on his tail." Away went Smarty Brownie to try. But the Phoebe would not sit still, and the Brownie came back saying: "He bobbed his tail so, the salt would not stay on."
"Well," said the sly old Brownie, "there is a little Mouse-bird whose tail never bobs. You can easily catch him, for you see, he does not even fly, but crawls like a mouse up the tree," and he pointed to a little brown Creeper. By this time the young Brownie knew that the others were laughing at him, so he said rather hotly, "I'll just show you right now."
He took an acorn cup full of salt, and went after the Mouse-bird. It was at the bottom of the big tree, creeping up, round and round, as if on a spiral staircase, and the Brownie began to climb in the same way. But every little while the climber had to stop and rest. This had strange results, for there is a law in Brownie land, that wherever one of the little people stops to sit down, or rest, a toadstool must spring up for him to sit on. So the track of the Brownie up the trunk became one long staircase of toadstool steps, some close, some far apart, but each showing where the Brownie had rested. They came closer together toward the top where the Brownie had got tired, but he was coming very near to the Creeper now. He got his pinch of salt all ready, as his friends down below kept calling and jeering: "Now you've got him, now is your chance." But just as he was going to leap forward and drop the salt on its tail, the Creeper gave a tiny little laugh like "Tee-tee-tee," spread its wings, for it could fly very well, and sailed away to the bottom of the next tree to do the spiral staircase all over again, while Smarty Brownie was so mad that he jumped to the ground and hid away from his friends for two days. When he came back he did not talk quite so much as he used to. But to this day you can see the staircase of toadstools on the tree trunks where the Brownie went up.
TALE 18
The Pot-herb that Sailed with the Pilgrims
"Come," said the Guide, "to-day I am going to show you a Pot-herb that came from England with the Pilgrim Fathers and spread over the whole of America. There is a story about it that will keep it ever in your memory."
The Pilgrim's Pot-herb
The Pilgrims had landed in Massachusetts, and slowly made farms for themselves as they cleared off the forest. They had a very hard time at first, but the Indians helped them; sometimes with gifts of venison, and sometimes by showing them which things in the woods were good to eat.
There was a Squaw named Monapini, "the Root-digger," who was very clever at finding forest foods. She became friendly with a white woman named Ruth Pilgrim, and so Ruth's family got the benefit of it, and always had on the table many good things that came from the woods.
One day, long after the farms were cleared and doing well, the white woman said, "See, Mother Monapini, thou hast shown me many things, now I have somewhat to show thee. There hath grown up in our wheat field a small herb that must have come from England with the wheat, for hitherto I have not seen it elsewhere. We call it lamb's-quarter, for the lamb doth eat it by choice. Or maybe because we do eat it with a quarter of lamb. Nevertheless it maketh a good pot-herb when boiled."
The old Indian woman's eyes were fixed on the new plant that was good to eat: and she said, "Is it very good, oh white sister?"
"Yes, and our medicine men do say that it driveth out the poison that maketh itch and spots on the skin." After a moment Monapini said, "It looketh to me like the foot of a wild goose."
"Well found," chuckled Ruth, "for sometimes our people do call it by that very name."
"That tells me different," said the Indian.
"What mean you," said Ruth.
"Is not a goose foot very strong, so it never catcheth cold in the icy water?"
"Yes."
"And this hath the shape of a goose foot?"
"Yes."
"Then my Shaman tells that it is by such likeness that the Great Spirit showeth the goose foot plant to be charged with the driving out of colds."
"It may be so," said the white woman, "but this I know. It is very good and helpeth the whole body."
The Indian picked a handful of the pot-herbs, then stared hard at the last; a very tall and strong one.
"What hast thou now, Monapini?" The red woman pointed to the stem of the lamb's-quarter, whereon were long red streaks, and said: "This I see, that, even as the white-man's herb came over the sea and was harmless and clean while it was weak, but grew strong and possessed this field, then was streaked to midheight with blood, so also shall they be who brought it—streaked at last to the very waist with blood—not the white men's but the dark purple blood of the Indian. This the voices tell me is in the coming years, that this is what we shall get again for helping you—destruction in return for kindness. Mine inner eyes have seen it." She threw down the new pot-herb and glided away, to be seen no more in the settlements of the white men.
And Ruth, as she gazed after her, knew that it was true. Had she not heard her people talking and planning? For even as the weed seed came with the wheat, so evil spirits came with the God-fearin
g Pilgrims, and already these were planning to put the heathens to the sword, when the Colony was strong enough.
So the Indian woman read the truth in the little pot-herb that sailed and landed with the Pilgrims; that stands in our fields to this day, streaked with the blood of the passing race—standing, a thing of remembrance.
TALE 19
How the Red Clover Got the White Mark on Its Leaves
How the Red Clover Got the White Mark on Its Leaves
Once upon a time a Bee, a Bug, and a Cow went marching up to Mother Carey's palace in the hemlock grove, to tell her of their troubles. They complained that food was poor and scarce, and they were tired of the kinds that grew along the roadsides.
Mother Carey heard them patiently, then she said: "Yes, you have some reason to complain, so I will send you a new food called Clover. Its flower shall be full of honey for the Bee, its leaves full of cowfood and its cellar shall be stocked with tiny pudding bags of meal for the Bug, that is for good little Bug-folks who live underground."
Now the tribes of the Bee, the Bug, and the Cow had a fine time feasting, for the new food was everywhere.
But Cows are rather stupid you know. They found the new food so good that they kept on munching everything that had three round leaves, thinking it was Clover, and very soon a lot of them were poisoned with strange plants that no wise Cow would think of eating.
So Mother Carey called a Busy Brownie, and put him on guard to keep the Cows from eating the poison plants by mistake.
Woodland Tales Page 3