Christmas in the Country

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Christmas in the Country Page 17

by Carola Dunn


  * * * *

  Both Prudence and Rusholme were very late for breakfast the next morning. To Salamander’s displeasure, they had walked for miles, sometimes talking, sometimes silently enjoying each other’s company. At least, Prudence was quite content simply being with him and she assumed he could have found an excuse to turn back had he wished to.

  She did not see him again until just before the performance. Surrounded by the rest of the cast in the space behind the stage, they smiled at each other.

  “Careful with that fan!” he whispered.

  “Don’t knock Mrs. Hardcastle’s wig off!” she retorted.

  The play proceeded without a hitch. Young Marlow, sent by his father to woo Kate Hardcastle, lost his way and stopped at the Three Pigeons. Tony, ever mischievous, directed him to the Hardcastles’ house but told him and his companion, Hastings, it was an inn. Meeting Kate there, as if by chance, Marlow was so desperately shy he never raised his eyes to her face. However, when he saw her later in the old-fashioned dress her father preferred, he took her for a barmaid and eagerly pursued her.

  Prudence, her own part going smoothly, for the first time was struck by the parallel between Marlow’s attempt to seduce Kate and Rusholme’s pursuit of herself.

  The differences were more to the point, she decided sadly.

  Marlow fell in love with Kate and offered marriage, defying the supposed disparity in their stations. Kate’s renunciation, her fear of his father’s disapproval and his own regrets, were all in fun since she knew herself his equal and their parents’ favour assured.

  Nothing could be less like the situation between Prudence and Rusholme.

  Nor that between Constance Neville and Tony Lumpkin! Their flirting had been solely to mislead the interfering Mrs. Hardcastle. In the last scene Tony joyfully surrendered his Cousin Con’s hand to Hastings.

  “‘I, Anthony Lumpkin, Esquire, of Blank Place,’“ he said, “‘request you, Constantia Neville, of no place at all, for my true and lawful wife.’“

  Prudence blinked at Rusholme. His memory had not faltered throughout the play. How could he suddenly confuse “refuse” and “request”?

  Self-consciously avoiding her eyes, he finished his speech. She turned to Hastings. Either the others had not noticed his mistake or they were all too good at carrying on regardless of blunders to show it. The play ended to tumultuous applause.

  They took their bows. Rusholme was quickly surrounded by laughing, congratulating friends. As they bore him off, he looked back at Prudence, grinned, raised his eyebrows, and gave a helpless shrug.

  “Later,” he mouthed.

  She turned away. She was not sure she wanted to see him later. There was nothing to say but good-bye.

  * * * *

  Slipping away from the cheerful hubbub of the Elizabethan gallery, Prudence made her way back down to the ballroom. By the light of her single candle, the guests’ chairs and servants’ benches stretched in untidy rows back into the gloom. The stage was a dark cavern.

  She perched on the edge of the stage, set the candle down beside her, and hugged her knees. Twelfth Night: just two weeks since a tall, arrogant gentleman with amusement in his voice had discovered her lurking behind a curtain.

  If she had known beforehand she was going to fall hopelessly in love, would she have stopped in Cheltenham that day last summer? Yes, she thought defiantly. For a few months her dull, friendless life had blossomed with the comradeship of the company, the thrill of walking out on stage before an audience. For a few days she had known the painful joy of being so in tune with someone his very presence made her happy.

  She saw again his laughing face, his quizzical look, his free, self-confident stride. She recalled his kindness to the children, to Ben Dandridge and little Rosie; and the way he had rushed to her defence against Henry Ffoliot. She heard his voice, warm, teasing, sympathetic.

  His final speech on stage echoed in her head. That slip of the tongue would live on in her dreams through the lonely years ahead.

  She buried her face in her hands.

  The soft thud of footsteps crossing the ballroom swiftly approached. “Prudence, don’t cry!”

  “I’m n-not c-crying,” she said fiercely as Rusholme sat down beside her and his arms encircled her.

  “No, love, of course not, but take my handkerchief anyway.” His forefinger under her chin, he raised her face and blotted the tears, then thrust the handkerchief into her hand.

  She blew her nose. “I didn’t mean to cry.”

  “It’s my fault. I should have spoken sooner, but it would have been so awkward for you if...if you don’t....” He took a deep breath. “I, Valentine Tregarth Warrender, Earl of Rusholme, request you, Prudence....”

  “You don’t have to propose to me just because your tongue twisted at the wrong moment.”

  “Shall I tell you why it twisted? Because I’d been practising. After trying to contrive a pretty speech of my own, I decided to take the easy way and adapt Goldsmith’s, but I didn’t mean to say it on stage. It’s lucky ‘request’ slipped out—a possible confusion—not beg, entreat, implore, any of the others I’ve considered. Dearest Prudence, will you marry me?”

  Their two candles gave just enough light for her to see the hope, the longing, the diffidence in his eyes. For a moment, acceptance hovered on her lips. Goldsmith came to the rescue, Kate’s speech, imprinted by constant repetition. She pulled away.

  “No, my lord. ‘Do you think I could suffer a connection in which there is the smallest room for repentance? Do you think I would take the mean advantage of a transient passion to load you with confusion? Do you think I could ever relish that happiness which was acquired by lessening yours?’“

  “‘By all that’s good, I can have no happiness but what’s in your power to grant me.’“ He too had learned the lines. “‘Your beauty at first caught my eye, but every moment that I converse with you steals in some new grace, heightens the picture and gives it stronger expression.’ Oh, bedamned to Goldsmith! Prudence, I love you. If you can say with absolute candour that you don’t love me, never will, and abhor the thought of being my wife, then I shall leave.”

  She couldn’t. Reaching up to lay one hand against his cheek, she said softly, “I do love you, Garth, but how can I marry you and condemn you to the anger of your parents and the contempt of your equals?”

  “To misquote.” He smiled, so tenderly that Prudence’s heart lurched. “For my equals, those whose opinions I care for are those who care for me and who can only rejoice in my happiness. As for my parents, when I told them my hopes, my father wanted to welcome you to the family without further ado. I must warn you that he is in some confusion and may continue to address you as Miss Neville for some little time.”

  “That is preferable to...my real name,” Prudence declared, then asked hesitantly, “And your mother?”

  “I will not pretend Mama is overjoyed. After all, I have just rejected the three unexceptionable brides she found me. However, I have persuaded her to regard you as the daughter of a respectable clergyman, and she complains bitterly that I have answers to all her other objections. When I set out to search for you, she was giving orders to the housekeeper to prepare a guest chamber for you—Lady Estella’s, I believe.”

  “She is very certain I shall accept you!”

  “But I am not. Please, Prudence, put me out of my misery!”

  But his eyes laughed and his arms had somehow sneaked back around her while she was not attending.

  Well, not attending closely.

  “Oh, Garth.” With a sigh, she laid her head on his shoulder. “I cannot think of anything more heavenly than being your wife.”

  “The very first thing I learned about you was that you have excellent taste!” he said triumphantly, hugging her so hard she squeaked. “I wonder how soon I can talk Mama into letting you redecorate the ballroom?”

  Prudence laughed. “Not until she is accustomed to having an ex-actress for a daughter-in-law
.”

  “Then the sooner she begins to grow accustomed the better. When shall we be wed? Dash it, I foresee one last difficulty.”

  “What?” she asked, dismayed.

  “Since I must insist on an unquestionably legal marriage, the banns must be read not for Constance Neville, not—thank heaven— for Seraphina Savage, but for Prudence Figg. Can you bear it, my love?”

  “For your sake, and considering I need never hear my odious surname again, I shall endeavour to bear the ignominy.”

  “Ignominy! I do believe I fell in love with your vocabulary before I paid any heed to the rest of you. The rest deserves a little attention now.” He pulled her onto his lap and kissed her.

  Fire in her veins, Prudence melted. If she had known his kiss was like this, she’d never have been able to resist there on the ice, or out on the terrace. Yet how much sweeter now.... Reason faded away and she was all sensation.

  At last Rusholme raised his head. He looked dazed. “My wood elf,” he murmured, “my wildfire. I shall dress you in russet, and violet, and apricot, and laurel green.”

  “Oh, Garth, not all at once!”

  “No, one harlequin in the family is sufficient. First I shall dress you in russet, and then I shall undress you, and then....”

  Copyright © 1996/1998 by Carola Dunn

  "A Match for the Season" originally published by Zebra in A WINTER WEDDING (0821758284); "He Stoops to Conquer" originally published as "The Christmas Party" by Zebra in A CHRISTMAS COURTSHIP (0821754645)

  Electronically published in 2007 by Belgrave House/Regency Reads [9780980177817]

  ALL RIGHTS RESERVED

  No portion of this book may be reprinted in whole or in part, by printing, faxing, E-mail, copying electronically or by any other means without permission of the publisher. For more information, contact Belgrave House, 190 Belgrave Avenue, San Francisco, CA 94117-4228

  http://www.RegencyReads.com

  Electronic sales: [email protected]

  This is a work of fiction. All names in this publication are fictitious and any resemblance to any person living or dead is coincidental.

 

 

 


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