‘Dr Steven Malone?’ asked Jack.
‘No,’ said the figure, ‘he lives next door.’
Jack went next door and tugged upon another bell pull. A gentleman of identical appearance to the first opened the door. ‘Dr Steven...’
‘Malone,’ said Dr Steven Malone. ‘And you would be?’
‘Jack,’ said Jack. ‘From SURFIN’ UFO.’
‘Please come in.’
‘Thank you.’
Dr Steven Malone led Jack along a sparsely furnished hall and into a room of ample proportions. Here, upon boards of golden oak, spread faded kilims and upon these ponderous furniture of the Victorian persuasion. A gloomy room it was.
‘You have my package. Do you want me to sign something?’
‘I do, indeedy-do.’ Jack pulled papers from his pocket. Dr Steven unscrewed the top of his fountain pen. ‘Just there,’ said Jack and Dr Steven signed.
‘And there.’
‘Here?’
‘Just there. And there if you don’t mind.’
‘Here?’
‘No, there.’
‘Sorry.’ Dr Steven signed again.
‘And if you’d just put your initials here.’
‘Certainly.’
‘And tick this box.’
‘Of course.’
‘And put today’s date.’
‘My pleasure.’
‘Then if you’ll be so kind as to fill in the details here and sign this.’
Dr Steven raised his eyebrows and lowered his ears.
‘Did you learn that in Tibet?’ Jack asked.
‘There’s an awful lot of paperwork,’ said Dr Steven.
‘There is,’ Jack agreed. ‘And all of it unnecessary. I only insist upon it to be officious. Would you mind repeating all that you’ve just done on the carbon copy, please?’
‘Actually I would.’
‘How very trying for you. But you can’t have the package if you don’t.’
‘What blood type are you?’ asked Dr Steven Malone.
Hang on to your Hats
‘AB negative,’ said Jack. ‘I used to bleed a lot as a child.’
‘Nosebleeds?’ Dr Steven asked.
‘No, the top of my head.’
‘How unusual.’
‘Not really. My older brother wanted to be a musician.’
‘I don’t think I quite follow you.’
‘He wanted to play the xylophone, but my dad couldn’t afford one, so my older brother, used to line up all us younger brothers in descending order of height, then go round behind us and strike each of us on the top of the head with a tent peg mallet. A sort of human xylophone, you see. He could do almost the entire Lennon and McCartney song book. I was Middle C. I used to suffer a lot from concussion.’
‘Does your brother play the xylophone now?’
‘In Broadmoor, yes.’
‘I wonder if I might take a sample of your blood.’
‘I don’t see why not. What do you want it for?’
‘It’s a top secret experiment.’
‘How interesting. What’s it all about then?’
‘It’s top secret.’
‘I can keep a secret,’ said Jack. ‘Listen to this one.’ He whispered words into the still lowered ear of Dr Steven.
‘She never does,’ said the doctor.
‘She does too, but don’t tell anyone.’
‘I certainly won’t.’
‘So what’s the top secret then?’
Dr Steven Malone waved Jack into a fireside chair and seated himself upon another. ‘For the last two years,’ said he, ‘I have been engaged upon a ground-breaking project. From all over the world I have gathered dried blood samples. From the Shroud of Turin, the Spear of Longinus, the purported crown of thorns in Troyes, nails from the true cross scattered in cathedrals across Europe, even an item claimed to be the holy prepuce. I have cross-matched two and I am certain that they come from the same being.’
‘Jesus Christ!’ said Jack.
‘The very same. It is now my intention, using a reagent of my own formulation, to liquefy this blood and extract the DNA. With this I intend to clone––’
‘Jesus Christ!’
‘Exactly. And not just the one. I am going to clone at least six.’
‘Like in that film,’ said Jack. ‘The Boys from Brazil. Where they cloned Hitler.’
‘Exactly. Mine will be The Boys from Bethlehem.’
‘But surely,’ said Jack, ‘you are tampering with forces that no man should dare to tamper with.’
‘Oh, absolutely, yes. But then – do you mind if I stand up while I do this bit?’
‘Not at all.’
Dr Steven Malone stood up, flung his pale arms in the air and began to stalk about the room. ‘They thought me mad, you see!’ he cried out in a ranting sort of a tone. ‘Mad? I who have discovered the very secrets of Life itself?’ He sat down again. ‘What do you think?’
‘Very impressive. But you could also add, “One day the whole world will know my name.” ’
‘Thanks very much. I’ll remember that in future. Now, about your blood.’
‘How much do you want?’
‘About eight pints.’
Close Your Eyes and Cover Your Ears
‘Well, I’d like to,’ said Jack. ‘But I really should be getting back to work.’
‘Another time, then. I’ll show you out.’
‘Thanks very much. Goodbye.’
Eh?
‘Well, I’d like to,’ said Jack. ‘But I really should be getting back to work.’
Dr Steven Malone produced a small automatic pistol from a trouser pocket and pointed it at Jack. ‘Regrettably no,’ said he. ‘I cannot allow you to leave. I require your blood and I require it now. It’s nothing personal, you understand. I would have used the blood of whoever had delivered the package. The isotopes are all I require to complete my procedures.’
Jack began to worry. ‘Aw, come on,’ he whined. You don’t want my blood. My blood’s just ordinary stuff. I could telephone my wife, she’s got terrific blood.’
‘Is your surname Bryant, by any chance?’
‘That’s right. Perhaps you know my wife. Wears a very short dress. Has this lurcher that’s also a Dane, and––’
‘Likes to make love with her head in the fridge?’
‘She hasn’t mentioned that to me,’ said Jack.
‘Move,’ said Dr Steven. ‘Along the corridor and down the steps.’
‘Oh no-diddly-oh-no-no.’
This had undoubtedly been the most eventful day in Jack’s long and uneventful life. Sadly it would also be the last.
Dr Steven stood in profile, pointing with his pistol to the basement off the page.
6
The dreaming mind of Pooley went on its walkabout, wading through a stream of semi-consciousness.
A cracked mug of darkened foliage by swollen ashtrays on limp carpets of faded heraldry where smells of stale cinemas and locked cars and fridges and magnets and bottom drawers in old boarding houses give up their dying breaths and period paper ads for tennis shoes and foundation garments and Cadbury’s twopenny bars of Bournville which lend an athlete energy to run while underneath and undisturbed the rough drawer bottoms offer scents of camphor and sassafras and amber and Empire and then across the polished lino turning tiny rubber wheels The Speed of the Wind his favourite Dinky push and flip with the thumb to send it flying forwards past the potty deep into the dark beneath the bed where lying and looking up the silver shining spirals of springs ranked one beyond the next in crazy perspective out of focus from the fluff and fuzz of folk who pay by the day and the day you leave you must clear the room by ten and wipe the sink before you go downstairs to put your luggage in the sitting room we call the lounge and take a last walk along the promenade to watch the sea make fractious moves along the beach and suck the sand and lick the piles those cracked white piles beneath the pier all shuttered look there even the Palm Restau
rant is closed and will not offer tea on trays to place upon its green glass table tops because the Lloyd Loom chairs are placed there now the arcades have their blinds pulled down by photo men and donkey men and those who bowl the penny maybe you can win the goldfish in the bag or simply watch and walk across the iron-trellised railway bridge as fast as you can to keep up with dad who has left it late to haul those cases up the asphalt stairs towards the empty platform where the train blows steam and shouts and sighs and streets of terraced houses with their grey slate roofs above the London stocks and strokes the orange cat upon the window sill that’s glad to see you home and homework rushed upon that last weekend it’s good to be back in the playground where the conkers rise and fall and fag cards flick and girls skip and show their knickers and the marbles and the whistle blows like a train––
‘Jim Pooley, headmaster’s room at the double.’
‘But it wasn’t me. Omally did it, not me, sir.’
But John did not own up.
And Pooley got the cane.
Jim stirred in his altered state. ‘Move forward, you sod,’ he told his brain. ‘We keep going back to school, and I’m fed up with getting the cane again and again and again.’
There was a bit of a mental lap dissolve and what’s this?
Fast music. Pete Townshend windmills. Marshall speakers. Mod dancing. Blue Triangle Club. Scooters. Parkas. Here’s Jim here. Nice whistle. Burton’s special. Fifteen pounds ten shillings over ten weeks. Slim Jim tie. Nice touch that. He’s waiting for someone. Foolish haircut, Jim. Great loafers though. Ivy Shop, Richmond? Cost a packet, those, lads. Who are you waiting for, Jim, all alone outside with the music coming through the bog window and the bouncer on the door smoking a reefer?
‘Sandra,’ whispered Jim in his cosmic sleep. ‘Oh, Sandra.’
Stand and wait and shuffle and look at your watch. Nice watch. Where d’you get that? Bought it off a bloke in a pub. You don’t go into pubs, do you, not at your age? Bloke outside a pub. Outside a club. Just now! The bouncer sold it to me. Where is Sandra? Where is Sandra?
But Sandra is not coming. Sandra has gone off with John Omally, on the back of his Vespa.
Jim mumbled and grumbled. ‘Bloody John. Forward, brain, forward. Into the future.’
Whir and click and fast forward.
And freeze frame.
And play.
What year is this? Get up, have breakfast. The bookies, then the pub. The pub and then the bench, then home for tea and then the pub again. Then ouch, get up and groan have breakfast, then the bookies, then the pub, the bench, then tea and then the pub. What’s this? The years becoming years, yet all the same? A small job here, a little fiddle there, a laugh, a sadness and another beer. Then sleep it off, then up, then breakfast, then the bookies and the pub, then––
‘Forward,’ moaned Pooley. ‘Fast forward, please.’
Fast forward.
Freeze frame.
And play.
––the bench, then home for tea, then to the pub, then––
‘Forward! Forward!’
Bubbling, turning, little spheres of red and white.
‘Stop here and play!’
Bouncing, tumbling over, little numbers too.
‘This is it,’ sighed Jim, ‘this is it. What week? What week?’
‘It’s the National Lottery draw for tonight, the mmmph mmmph mmmph 1997.’
‘I didn’t catch that date,’ said Pooley.
‘And the machine chosen for tonight...’ The presenter’s that bloke who used to be on Blue Peter. ‘Chosen by our beautiful guest star, is...Leviathan.’
‘Oooooooooh!’ went the crowd. As if it really mattered at all.
‘Oooooooooh!’ went Jim. Because here he is, sitting in a front-row seat, a lottery ticket in his hand. But he looks a bit odd. Somewhat battered. His left foot is all bandaged up. Has he been in a fight, or a war, or what?
‘And to press the magic button,’ says the Blue Peter bloke, ‘we have that American actress with the improbable breasts, who was in that film with Sylvester Stallone.’
Jim made odd sounds under his breath. ‘Just get on with it,’ he muttered.
‘Press that button, you sweet thing,’ cried the Blue Peter bloke.
‘Roll the balls,’ mumbled Jim. ‘Roll them old balls.’
The American actress with the Woolworths frontage pushed the button. Down and plunge and round and round went the balls.
Jim studied the ticket in his lap. ‘Come on,’ he whispered.
And then the balls slide one after another into the tube, the tension mounting all the while. The Blue Peter bloke, who does mostly voice-overs nowadays, but is trying to rebuild his career with the help of Max Clifford, points to the first ball and shouts, ‘Seventeen.’
‘Oooooooooooooh!’ go the crowd. Do any of them actually have seventeen marked on their cards?
‘I do,’ whispers Jim.
‘Twenty-five.’
Another ‘Oooooooh’. Not quite so loud this time and lacking several Os.
Jim gives his card the old thumbs up.
Then ‘Forty-two’ and ‘Nineteen’ and ‘Number five’. And fewer ‘Ooooohs’ every time, except for Jim.
‘Then thirty-one,’ says Jim, all smiles.
‘And thirty-one.’
‘Oh yes! And then the bonus ball, which is––’
‘One hundred and eighty.’
‘What?’
‘One hundred and eighty.’
‘That’s not right. The balls only go up to forty-nine. Hang about, you’re not the Blue Peter bloke, you’re––’
‘One hundred and eighty and the Flying Swan scoops the darts tournament for the nineteenth year running.’ And John Omally went ‘Prrrrrrrt!’ into Pooley’s earhole.
Jim leapt from his studio seat to find himself leaping from the bench before the Memorial Library. Omally’s grinning face filled all the world.
‘Counting sheep?’ grinned John. ‘Hey––’
Although not a man of violence, Jim caught him with an uppercut that swung the Irishman over the bench and into the bushes beyond.
Omally rose in a flustering of foliage, clutching at his jaw. ‘Mother Mary’s handbag, Jim. You hit me.’
‘And there’s more to come, you robber of my millions.’
Jim took another mighty swing, but this time John ducked nimbly aside. Carried by the force of his own momentum, Jim too plunged over the bench.
Omally helped him to his feet. ‘Calm yourself, Jim, be at peace there.’
‘Be at peace? I was there, right there, I had the numbers, I...God, the numbers, what were the numbers?’
‘One hundred and eighty was one of them.’
‘You craven buffoon, Omally.’ Jim took yet another swing but this too missed its mark and Pooley went sprawling.
‘Stop this nonsense, Jim. I’ve come to make you rich.’
‘I was rich. I was. I had it. Help me up for God’s sake, I’m stuck in brambles here.’
Omally helped him up once more and dusted him down. ‘You didn’t have it, Jim,’ he said softly. ‘And I heard the numbers you were mumbling. That was last week’s lottery draw.’
‘It was? But I was there and I was all bandaged up and––’
‘Leave it, Jim. I’ve come to make you rich. I really have.’
Jim shook his head, dragged himself back over the bench and sat down hard upon it. Omally joined him.
‘Go on, then,’ said Jim. ‘Let’s hear it.’
John yanked Jim’s book from his jacket pocket. It had about it now a somewhat dog-eared appearance.
‘You’ve creased it all up,’ said Jim in a sulky voice.
‘Never mind about that.’ Omally leafed through the pages, then thrust the open book beneath Jim’s nose. ‘Cast your Sandra’s over this,’ he said.
‘My Sandra’s?’
‘Sandra’s thighs, eyes. I’m working on a new generation of Brentford rhyming slang, based upon the most me
morable features of ladies I’ve known in the past.’
A young man on a Vespa rode by and Jim made a low groaning sound deep in his throat.
‘Go on,’ said Omally. ‘Take a look.’
Jim took a look, although not with a great deal of interest. His eyes however had not travelled far down the page before an amazed expression appeared on his face and the words ‘Sandra’s crotch’ came out of his mouth.
‘Sandra’s what?’
‘Sandra’s crotch. It’s all too much!’
‘Well, that isn’t quite how it works, but it has a certain brutish charm.’
‘This is barking mad,’ said Jim.
‘Yes, there is a small brown dog involved.’
‘But it’s a member of the...I never knew they were born in Brentford.’
‘I don’t think anyone did. And I don’t think they know about that either.’
‘Chezolagnia? What does that mean?’
‘You really don’t want to know, Jim. Have a look at the photo on the next page.’
‘There’s photos too?’ Jim turned the page. ‘Sylvia’s––’
Omally put his hand across Jim’s mouth. ‘Crotch was distasteful enough,’ said he.
‘––mother,’ said Pooley. ‘John, this is dynamite. We’d end up in the Tower of London. Stuff like this could bring down the entire establishment.’
‘I so agree,’ said Omally.
‘Imagine if this fell into the hands of someone who had it in for the English.’
‘Imagine that,’ said John Omally, son of Eire.
‘Oh no, John, you wouldn’t? You couldn’t?’
‘No,’ said John. ‘I wouldn’t and I couldn’t. What a man gets up to in the privacy of his own love menagerie is his own business.’
Jim turned another page, then went ‘Waaah!’ and thrust the book back at John. ‘Take it away. Burn it. I wish I’d never looked.’
John closed the book and tucked it back into his pocket.
‘Then we’re not rich at all,’ said Pooley with a long and heartfelt sigh.
‘Oh yes we are.’
‘But you said you wouldn’t and you couldn’t.’
‘I was only warming you up. That isn’t the bit of the book that’s going to make us rich.’
The Brentford Chainstore Massacre (The Brentford Trilogy Book 5) Page 5