by Peter Watts
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CONTENTS
TITLE PAGE
COPYRIGHT NOTICE
DEDICATION
AUTHOR’S NOTE
PRELUDE: ’LAWBREAKER
COUNTERSTRIKE
THE SHIVA ITERATIONS
OUTGROUP
HUDDLE
ZOMBIE
PORTRAIT OF THE SADIST AS A YOUNG BOY
CONFIDENCE LIMITS
CAVALRY
NEMESIS
PORTRAIT OF THE SADIST AS AN ADOLESCENT
BEDSIDE MANOR
BOILERPLATE
PORTRAIT OF THE SADIST AS A YOUNG MAN
FIRE DRILL
FAMILY VALUES
PORTRAIT OF THE SADIST AS A FREE MAN
CONFESSIONAL
CONSCRIPT
PORTRAIT OF THE SADIST AS A TEAM PLAYER
AUTOMECHANICA
GRAVEDIGGERS
STRIPTEASE
FRONTIER
GROUNDWORK
HARPODON
THE BLOODHOUND ITERATIONS
WITHOUT SIN
BAPTISM
TAG
FULCRUM
INCOMING
TOR BOOKS BY PETER WATTS
COPYRIGHT
In memory of Strange Cat, a.k.a. Carcinoma,
1984–2003
She wouldn’t have cared.
AUTHOR’S NOTE
WELCOME. You hold the further and final adventures of Lenie Clarke—the third installment of my “rifters” trilogy—in your sweaty little mammalian hands.
Unfortunately, you don’t hold all of it. βehemoth is being released in two volumes, several months apart. I wish this were not necessary, but new policies have resulted from recent changes within the publishing industry. Henceforth, books by midlist authors will not receive wide distribution if they cost too much—that is, if they weigh in at more than about 110,000 words.
βehemoth is over 150,000 words long, and was almost complete by the time this policy came into effect. Hacking away a third of it was not an option (believe me, I tried). If βehemoth were to be released as a single volume, it would be automatically excluded from about half the U.S. market—essentially an act of professional suicide. A two-part release was the only alternative.
Fortunately, βehemoth was conceived and written as two contrasting halves from the outset. Each half balances the other; each has its own mood, setting, and cast of characters. The structure of this first volume is, therefore, largely self-contained. The story, however, is only half told, the big questions remain largely unresolved. If you’re the kind of reader who gets off on cliffhangers, this may work just fine for you. If not, you have been warned: you’ll have to read Volume Two to see how it ends.
PRELUDE:
’LAWBREAKER
IF you lost your eyes, Achilles Desjardins had been told, you got them back in your dreams.
It wasn’t only the blind. Anyone torn apart in life dreamed the dreams of whole creatures. Quadruple amputees ran and threw footballs; the deaf heard symphonies; those who’d lost, loved again. The mind had its own inertia; grown accustomed to a certain role over so many years, it was reluctant to let go of the old paradigm.
It happened eventually, of course. The bright visions faded, the music fell silent, imaginary input scaled back to something more seemly to empty eye sockets and ravaged cochleae. But it took years, decades—and in all that time, the mind would torture itself with nightly reminders of the things it once had.
It was the same with Achilles Desjardins. In his dreams, he had a conscience.
Dreams took him to the past, to his time as a shackled god: the lives of millions in his hands, a reach that extended past geosynch and along the floor of the Mariana Trench. Once again he battled tirelessly for the greater good, plugged into a thousand simultaneous feeds, reflexes and pattern-matching skills jumped up by retro’d genes and customized neurotropes. Where chaos broke, he brought control. Where killing ten would save a hundred, he made the sacrifice. He isolated the outbreaks, cleared the logjams, defused the terrorist attacks and ecological breakdowns that snapped on all sides. He floated on radio waves and slipped through the merest threads of fiberop, haunted Peruvian sea mills one minute and Korean comsats the next. He was CSIRA’s best ’lawbreaker again: able to bend the Second Law of Thermodynamics to the breaking point, and maybe a little beyond.
He was the very ghost in the machine—and back then, the machine was everywhere.
And yet the dreams that really seduced him each night were not of power, but of slavery. Only in sleep could he relive that paradoxical bondage that washed rivers of blood from his hands.
Guilt Trip, they called it. A suite of artificial neurotransmitters whose names Desjardins had never bothered to learn. He could, after all, kill millions with a single command; nobody was going to hand out that kind of power without a few safeguards in place. With the Trip in your brain, rebellion against the greater good was a physiological impossibility. Guilt Trip severed the link between absolute power and corruption absolute; any attempt to misuse one’s power would call down the mother of all grand mal attacks. Desjardins had never lain awake doubting the rightness of his actions, the purity of his motives. Both had been injected into him by others with fewer qualms.
It was such a comfort, to be so utterly blameless.
So he dreamed of slavery. And he dreamed of Alice, who had freed him, who had stripped him of his chains. In his dreams, he wanted them back.
Eventually the dreams slipped away as they always did. The past receded; the unforgiven present advanced. The world fell apart in time-lapse increments: an apocalyptic microbe rose from the deep sea, hitching a ride in the brackish flesh of some deep-sea diver from N’AmPac. Floundering in its wake, the Powers That Weren’t dubbed it βehemoth, burned people and property in their frantic, futile attempts to stave off the coming change of regime. North America fell. Trillions of microscopic foot soldiers marched across the land, laying indiscriminate waste to soil and flesh. Wars flared and subsided in fast-forward: the N’AmPac Campaign, the Colombian Burn, the EurAfrican Uprising. And Rio, of course: the thirty-minute war, the war that Guilt Trip should have rendered impossible.
Desjardins fought in them all, one way or another. And while desperate metazoans fell to squabbling among themselves, the real enemy crept implacably across the land like a suffocating blanket. Not even Achilles Desjardins, pride of the Entropy Patrol, could hold it back.
Even now, with the present almost upon him, he felt faint sorrow for all he hadn’t done. But it was phantom pain, the residue of a conscience stranded years in the past. It barely reached him here on the teetering interface between sleep and wakefulness; for one brief moment he both remembered that he was free, and longed not to be.
Then he opened his eyes, and there was nothing left that could care one way or the other.
* * *
Mandelbrot sat meatloafed on his chest, purring. He scritched her absently while calling up the morning stats. It had been a relatively quiet night: the only item of note was a batch of remarkably foolhardy refugees trying to crash the North American perimeter. They’d set sail under cover of darkness, casting off from Long Island on a refitted
garbage scow at 0110 Atlantic Standard; within an hour, two dozen EurAfrican interests had been vying for dibs on the mandatory extreme prejudice. The poor bastards had barely made it past Cape Cod before the Algerians (the Algerians?) took them out.
The system hadn’t even bothered to get Desjardins out of bed.
Mandelbrot rose, stretched, and wandered off on her morning rounds. Liberated, Desjardins got up and padded to the elevator. Sixty-five floors of abandoned real estate dropped smoothly around him. Just a few years ago it had been a hive of damage control; thousands of Guilt-Tripped operatives haunting a world forever teetering on the edge of breakdown, balancing lives and legions with cool dispassionate parsimony. Now it was pretty much just him. A lot of things had changed after Rio.
The elevator disgorged him onto CSIRA’s roof. Other buildings encircled this one in a rough horseshoe, pressing in at the edges of the cleared zone. Sudbury’s static field, its underbelly grazing the tips of the tallest structures, sent gooseflesh across Desjardins’s forearms.
On the eastern horizon, the tip of the rising sun ignited a kingdom in ruins.
The devastation wasn’t absolute. Not yet. Cities to the east retained some semblance of integrity, walled and armored and endlessly on guard against the invaders laying claim to the lands between. Fronts and battle lines still seethed under active dispute; one or two even held steady. Pockets of civilization remained sprinkled across the continent—not many, perhaps, but the war went on.
All because five years before, a woman named Lenie Clarke had risen from the bottom of the ocean with revenge and βehemoth seething together in her blood.
Now Desjardins walked across the landing pad to the edge of the roof. The sun rose from the lip of the precipice as he pissed into space. So many changes, he reflected. So many fold catastrophes in pursuit of new equilibria. His domain had shrunk from a planet to a continent, cauterized at the edges. Eyesight once focused on infinity now ended at the coast. Arms that once encircled the world had been amputated at the elbow. Even N’Am’s portion of the Net had been cut from the electronic commons like a tumor; Achilles Desjardins got to deal with the necrotizing mess left behind.
And yet, in many ways he had more power than ever. Smaller territory, yes, but so few left to share it with. He was less of a team player these days, more of an emperor. Not that that was widely known …
But some things hadn’t changed. He was still technically in the employ of the Complex Systems Instability Response Authority, or whatever vestiges of that organization persisted across the globe. The world had long since fallen on its side—this part of it, anyway—but he was still duty-bound to minimize the damage. Yesterday’s brushfires were today’s infernos, and Desjardins seriously doubted that anyone could extinguish them at this point; but he was one of the few that might at least be able to keep them contained a little longer. He was still a ’lawbreaker—a lighthouse keeper, as he’d described himself the day they’d finally relented and let him stay behind—and today would be a day like any other. There would be attacks to repel, and enemies to surveil. Some lives would be ended to spare others, more numerous or more valuable. There were virulent microbes to destroy, and appearances to maintain.
He turned his back on the rising sun and stepped over the naked, gutted body of the woman at his feet. Her name had been Alice, too.
He tried to remember if that was only coincidence.
The world is not dying, it is being killed.
And those that are killing it have names and addresses.
—Utah Phillips
COUNTERSTRIKE
FIRST there is only the sound, in darkness. Drifting on the slope of an undersea mountain, Lenie Clarke resigns herself to the imminent loss of solitude.
She’s far enough out for total blindness. Atlantis, with its gantries and beacons and portholes bleeding washed-out light into the abyss, is hundreds of meters behind her. No winking telltales, no conduits or parts caches pollute the darkness this far out. The caps on her eyes can coax light enough to see from the merest sparkle, but they can’t create light where none exists. Here, none does. Three thousand meters, three hundred atmospheres, three million kilograms per square meter have squeezed every last photon out of creation. Lenie Clarke is as blind as any dryback.
After five years on the Mid Atlantic Ridge, she still likes it this way.
But now the soft mosquito whine of hydraulics and electricity rises around her. Sonar patters softly against her implants. The whine shifts subtly in pitch, then fades. Faint surge as something coasts to a stop overhead.
“Shit.” The machinery in her throat turns the epithet into a soft buzz. “Already?”
“I gave you an extra half hour.” Lubin’s voice. His words are fuzzed by the same technology that affects hers; by now the distortion is more familiar than the baseline.
She’d sigh, if breath were possible out here.
Clarke trips her headlamp. Lubin is caught in the ignited beam, a black silhouette studded with subtle implementation. The intake on his chest is a slotted disk, chrome on black. Corneal caps turn his eyes into featureless translucent ovals. He looks like a creature built exclusively from shadow and hardware; Clarke knows of the humanity behind the facade, although she doesn’t spread it around.
A pair of squids hovers at his side. A nylon bag hangs from one of the meter-long vehicles, lumpy with electronics. Clarke fins over to the other, flips a toggle from slave to manual. The little machine twitches and unfolds its towbar.
On impulse, she kills her headlight. Darkness swallows everything again. Nothing stirs. Nothing twinkles. Nothing attacks.
It’s just not the same.
“Something wrong?” Lubin buzzes.
She remembers a whole different ocean, on the other side of the world. Back on Channer Vent you’d turn your lights off and the stars would come out, a thousand bioluminescent constellations: fish lit up like runways at night; glowing arthropods; little grape-sized ctenophores flashing with complex iridescence. Channer sang like a siren, lured all those extravagant midwater exotics down deeper than they swam anywhere else, fed them strange chemicals and turned them monstrously beautiful. Back at Beebe Station, it was only dark when your lights were on.
But Atlantis is no Beebe Station, and this place is no Channer Vent. Here, the only light shines from indelicate, ham-fisted machinery. Headlamps carve arid tunnels through the blackness, stark and ugly as burning sodium. Turn them off, and … nothing.
Which is, of course, the whole point.
“It was so beautiful,” she says.
He doesn’t have to ask. “It was. Just don’t forget why.”
She grabs her towbar. “It’s just—it’s not the same, you know? Sometimes I almost wish one of those big toothy fuckers would charge out of the dark and try to take a bite out of me…”
She hears the sound of Lubin’s squid throttling up, invisibly close. She squeezes her own throttle, prepares to follow him.
The signal reaches her LFAM and her skeleton at the same time. Her bones react with a vibration deep in the jaw: the modem just beeps at her.
She trips her receiver. “Clarke.”
“Ken find you okay?” It’s an airborne voice, unmutilated by the contrivances necessary for underwater speech.
“Yeah.” Clarke’s own words sound ugly and mechanical in contrast. “We’re on our way up now.”
“Okay. Just checking.” The voice falls silent for a moment. “Lenie?”
“Still here.”
“Just … well, be careful, okay?” Patricia Rowan tells her. “You know how I worry.”
* * *
The water lightens indiscernibly as they ascend. Somehow their world has changed from black to blue when she wasn’t looking; Clarke can never pinpoint the moment when that happens.
Lubin hasn’t spoken since Rowan signed off. Now, as navy segues into azure, Clarke says it aloud. “You still don’t like her.”
“I like her fine,” Lubin buzzes.
“I don’t trust her.”
“Because she’s a corpse.” Nobody has called them corporate executives for years.
“Was a corpse.” The machinery in his throat can’t mask the grim satisfaction in that emphasis.
“Was a corpse,” Clarke repeats.
“No.”
“Why, then?”
“You know the list.”
She does. Lubin doesn’t trust Rowan because once upon a time, Rowan called shots. It was at her command that they were all recruited so long ago, damaged goods damaged further: memories rewritten, motives rewired, conscience itself refitted in the service of some indefinable, indefensible greater good.
“Because she was a corpse,” Clarke repeats.
Lubin’s vocoder emits something that passes for a grunt.
She knows where he’s coming from. To this day, she still isn’t certain what parts of her own childhood were real and which were mere inserts, installed after the fact. And she’s one of the lucky ones; at least she survived the blast that turned Channer Vent into thirty square kilometers of radioactive glass. At least she wasn’t smashed to pulp by the resulting tsunami, or incinerated along with the millions on N’AmPac’s refugee strip.
Not that she shouldn’t have been, of course. If you want to get technical about it, all those other millions were nothing but collateral. Not their fault—not even Rowan’s, really—that Lenie Clarke wouldn’t sit still enough to present a decent target.
Still. There’s fault, and there’s fault. Patricia Rowan might have the blood of millions on her hands, but after all hot zones don’t contain themselves: It takes resources and resolve, every step of the way. Cordon the infected area; bring in the lifters; reduce to ash. Lather, rinse, repeat. Kill a million to save a billion, kill ten to save a hundred. Maybe even kill ten to save eleven—the principle’s the same, even if the profit margin’s lower. But none of that machinery runs itself, you can’t ever take your hand off the kill switch. Rowan never threw a massacre without having to face the costs, and own them.