There is no question that the Chinese invention of paper—unlike silk—transformed the societies it touched. Silk, however great its allure in the pre-modern world, was used primarily for clothing or for decorative purposes. If not available, other textiles could easily replace it, and in Central Asia cotton often did. Paper, by contrast, marked a genuine breakthrough. With the introduction of cheap paper, books went from being luxury items to a commodity that many could afford, and educational levels rose accordingly. Unlike parchment or leather, paper absorbed ink, so it could be used for printing. The world’s major printing revolutions—whether with woodblocks in China or moveable type in Europe—could not have occurred without paper.
The different scholars who have worked on the Sogdian Ancient Letters, the Panjikent excavations, the Afrasiab murals, and the Mount Mugh letters concur that they contain surprisingly few depictions of trade. The Ancient Letters, though written by merchants, document mostly small-scale purchases. Similarly, excavations at Panjikent have produced few trade items, and the city’s wall paintings hardly ever show merchants and never actual commerce. The same is true of the Afrasiab murals. A French archeologist with extensive experience digging at Samarkand, Frantz Grenet has summed up the situation trenchantly: “In the whole of Sogdian art there is not a single caravan, not a single ship, except in the pleasure boats of the Chinese empress” at Afrasiab.97 Many paintings have been found on the walls in the over 130 houses excavated so far at Panjikent, yet they do not show business dealings. Similarly, the Mount Mugh documents all involve locally made goods, except for silk and paper. And the technologies for making those two items were moving west out of China into Central Asia at just this point.
The evidence at hand makes it clear that Silk Road commerce was largely a local trade, conducted over small distances by peddlers. Technologies, like those to make silk and paper, and religions, like Zoroastrianism and later Islam, moved with migrants, who brought the technologies and religious beliefs of their motherland with them to their new homes, wherever they settled.
DOCUMENTS TURN UP IN UNUSUAL PLACES
If you look closely, you can see paper sticking out from the wrists of this tomb figurine, which was excavated in Turfan and dates to the 600s. Her arms are made from rolled-up recycled paper, which was then twisted into shape. Figurines like this have been steamed apart, revealing various types of documents, including pawn tickets, one of which, with a big black cancelation mark in the shape of a 7, is shown here. The pawn tickets mention place names in Chang’an, a crucial clue to identifying the place of manufacture. Courtesy of Xinjiang Museum.
CHAPTER 5
The Cosmopolitan Terminus of the Silk Road
Historic Chang’an, Modern-day Xi’an
The modern city of Xi’an offers more archeological attractions than any other Chinese destination. The famous terra-cotta warriors are only an hour’s drive away, and the Silk Road has left many traces in the city. Many non-Chinese minority peoples inhabit the city, which was similarly diverse during the Tang dynasty when the city was called Chang’an. The elegant figurine on the facing page, who wears an outfit combining Chinese and Sogdian elements, was made in Chang’an. Chang’an was so big that only in the past ten years has modern Xi’an expanded beyond its Tang-dynasty boundaries. With a population of over ten million, it is certainly the largest city in the northwest.
As the city’s residents often remind visitors when composing toasts, the city served as the capital of ten dynasties. Seven of these dynasties were short-lived and controlled only the immediate region. Three major dynasties that governed a unified China designated Chang’an as their capital: the Former Han (206 BCE–9 CE), the Sui (589–617), and the Tang (618–907). While a political center, the city also served as a point of departure for those who, like Xuanzang, traveled west on the Silk Road. Before setting off, Xuanzang visited the city’s Western Market, home to many Sogdians, because the city’s residents could provide him with better advice than anyone else in China.
This inland city was also a starting-off place for those traveling by sea from China to points west. These ocean voyagers proceeded overland (the Yellow River was not navigable) to different ports on the Yangzi River or directly to China’s coast. At these ports, they caught boats sailing along the world’s most frequented sea route in use before 1500: that linking the Chinese coastal ports with Southeast Asia, India, the Arabian world, and the east African coast.1
The city received visitors traveling overland and by sea throughout the first millennium, the peak centuries of Silk Road traffic. After the fall of the Han dynasty in 220 and before the reunification of China by the Sui dynasty in 589, different dynasties led by nomadic peoples ruled the various regions of China, which was never united during that long period. In the north, the Northern Wei (386–534) was the longest-lived dynasty, and two brief dynasties, the Northern Qi (550–77) and Northern Zhou (557–81), succeeded it.
Modern Xi’an contains many traces of the past. Chinese law requires that the archeological authorities be notified each time that a bulldozer unearths something ancient, a frequent event in a city like Xi’an, where each year archeologists uncover several hundred tombs from both the Han and Tang dynasties.2 During the Northern Zhou, a graveyard for high-ranking officials was located in the northern suburbs of modern Xi’an. Some of the newest evidence about overland migration comes from the recent discovery of several tombs of Sogdians who moved to Chang’an and other northern Chinese cities in the late sixth and early seventh centuries.
Two Sogdian tombs in particular have excited much attention since their discovery: that of An Jia (d. 579), unearthed in 2001, and of Shi Wirkak, discovered in 2004. In the fall of 2005 Xi’an archeologists also excavated the tomb of the first Indian buried in the city. His epitaph identified him as a Brahman, meaning someone from India, not necessarily of high caste, with the Chinese name Li Cheng.3 Sogdian tombs have also been found in other Chinese cities, including Guyuan, Ningxia, and Taiyuan, Shanxi.4
These tombs show how immigrants to China, mostly Sogdian, adjusted to—and modified—Chinese cultural practices. While the traditional method of burial in Sogdiana was to expose the bodies of the deceased before placing them in either an ossuary or an aboveground naus structure, the Sogdian tombs found in Xi’an are Chinese in style, with a sloping walkway leading to an underground chamber, and often hold a Chinese-language epitaph giving a brief biography of the deceased.
Yet these tombs retain distinctly Sogdian elements. In place of Chinese coffins, the Sogdian tombs contain either a stone bedlike platform or a miniature stone house. In some cases the remains of the dead were placed on the platform or inside the house, but in others—most notably that of An Jia—they were not.5 Like ossuaries, the stone houses are decorated on the outside; in contrast, the stone beds have partitions with decorations facing in, as if an ossuary has been “turned inside out.”6 Unlike ossuaries, the stone beds show scenes from the life of the deceased, never the subject of traditional Sogdian ossuary art. The extremely realistic scenes clearly draw on the life experiences of the deceased; they may depict this world or possibly the next.
Named one of the top ten archeological discoveries of 2001, the tomb of An Jia is the only tomb of a Sogdian that had not been previously disturbed when archeologists uncovered it. The vast majority of tombs in China have been opened previously, often multiple times, by grave robbers. An Jia’s tomb had a sloping walkway 9 yards (8.1 m) long leading to a door (see color plate 15).
Outside the door was an epitaph for the deceased. Typical of Chinese epitaphs, the text was carved on a low, square base and then covered with a lid, both made of stone. According to Chinese burial practices, An Jia’s remains should have been placed in a coffin that rested on top of this stone bed. But the bones were scattered outside the tomb door on the ground, not on the stone bed inside where the Chinese would have placed them—a practice that has defied all explanation, since neither Zoroastrian nor Confucian custom sanct
ioned such a burial. Everything near the epitaph, including the walls, had smoke marks, as if a fire had occurred at some point.7
An Jia, his epitaph reports, was descended from a Sogdian family from Bukhara (in modern Uzbekistan) who had migrated to Liangzhou, what is now Wuwei, the important Gansu town on the road between Chang’an and Dunhuang where Xuanzang also stopped.8 An Jia was born in 537 to a Sogdian father and probably a Chinese mother from a local Wuwei family.9 The epitaph claims that his father held two government positions, one in Sichuan, but this seems unlikely given the distance from Sichuan to Wuwei; much more likely, these were honorary positions granted to the father posthumously because of his son’s success.10 An Jia was indeed successful. First serving as sabao in Tongzhou (modern-day Dali, Shaanxi, north of Xi’an), he was given the highest rank a sabao could achieve.11
Starting in the Northern Wei dynasty (386–534) dynasties in central China began to appoint headmen for the Sogdian communities, and they adopted the originally foreign word for the position in the Chinese bureaucracy. As a result, sabao took on a new meaning: an official appointed by the Chinese to administer the residents of a foreign community. An Jia received such an appointment under the Northern Zhou, the dynasty in power in Chang’an before his death at the age of sixty-two in 579. An Jia’s tomb combines Chinese and Sogdian motifs. The painting above the door shows a Zoroastrian fire altar on a table borne by three camels, an attribute of the Sogdian God of Victory.12
The funeral chamber measured 12 feet (3.66 m) square, 10.83 feet (3.3 m) tall, and held the stone funeral platform with stone panels on the sides and along the back. The craftsmen who made them first carved shallow reliefs into the stone and then painted the figures, buildings, and trees with red, black, and white pigments and filled in the background with gold paint. There are twelve scenes in all (three each on the left and right sides, six at the back).13 On the center of the back wall, a plump An Jia appears seated next to a woman, probably his wife, wearing Chinese clothes in a Chinese-style building with a bridge in front. The Sogdian funeral beds and houses found in China almost always depict the Sogdian swirl, a dance performed by both men and women at parties. An Jia’s funeral bed depicts the dance three times (see color plate 14).
THE CHINESE TOMB OF A SOGDIAN HEADMAN
The lintel above the doorway to An Jia’s tomb skillfully integrates Chinese and Sogdian motifs. A priest-bird with a man’s head and torso but a bird’s legs and distinct claws stands upright. Wearing a padam face mask, he tends the table bearing bowls and vases with flowers. He represents the Zoroastrian god Srosh, associated with the rooster, who helps the soul cross the bridge from this world to the next and who also serves as a judge in the next world. Above the priest-bird floats a Chinese-style musician surrounded by clouds. The figure on the lower right, who wears a white cap and has a pronounced mustache, is the deceased sabao, An Jia, himself. Cultural Relics Publishing House.
The panels from An Jia’s tomb show little, if any, mercantile activity. Camels bearing goods appear on one of the panels at the back, but the context seems more diplomatic than mercantile. On the same panel, An Jia appears to be conversing with a Turkish leader in his tent.14 If the camels are indeed carrying trade goods, then these are gifts to be exchanged following the completion of negotiations, a practice that accords with the envoy-dominated trade described in earlier chapters, most notably in the portrayal of emissaries and the gifts they bear in the Afrasiab palace of Samarkand.
A second Sogdian tomb, found 1.4 miles (2.2 km) east of An Jia’s tomb in 2003, offers fascinating parallels.15 The deceased was named Wirkak, a Sogdian name derived from the word for “wolf,” and his Chinese family name was Shi; the space for his Chinese given name was left blank, so it is unknown. Like An Jia’s tomb, Wirkak’s tomb had a Chinese-style sloping walkway leading to the tomb chamber. Whereas An Jia had a stone bed, Wirkak had a stone house 8 feet (2.46 m) long, 5.1 feet (1.55 m) wide, and 5.18 feet (1.58 m) high with different scenes on the outside walls. Sand had filled the tomb, and archeologists found only this stone house, with a broken roof, inside. There were no other grave goods.
Shi Wirkak’s epitaph was in an unusual position above the door of the stone house. Even more unusual, his epitaph had two versions: one in Sogdian on the right, and one in Chinese on the left.16 The two texts overlap in their account of the facts of Shi Wirkak’s life but are not translations of the same text. The scribe(s) who wrote the texts had a weak command of both languages. The two texts concur that Wirkak died in 579, the same year as his wife; had three sons; and served as a sabao in Wuwei, Gansu, where An Jia had also been a sabao. The Sogdian text concludes: “This tomb [i.e. god-house] made of stone was constructed by Vreshmanvandak, Zhematvandak, and Protvantak [or Parotvandak] for the sake of their father and mother in the suitable place,” an indication that the term “god-house” must have referred to the house-shaped sarcophagus placed in the tomb.17
The stone house had a roof and a base, and the front had two doors and two windows. Bird-priests, similar to those above the door of An Jia’s tomb, tend fires beneath the windows, and many elements on the stone house deeply resemble motifs from the An Jia tomb: a banquet, hunting scenes, the deceased inside a tent talking with someone of a different ethnicity. Some of the images are downright puzzling: who, for example, is the ascetic in the cave on the left edge of the northern side? Laozi? A Brahman? Given the openness of the Sogdians to deities from other religious systems, they may never be identified.
The eastern side of the stone house portrays the progress of the soul of the deceased over the Chinwad Bridge. This arresting scene is much more detailed than any portrayal of Zoroastrian beliefs about the fate of the dead from either Sogdiana or the heartland of Zoroastrianism in Iran.
Every motif—the winged, crowned horses, the winged musicians, the crowned human figures with streamers flying behind (a time-honored way of portraying monarchs in Iranian art)—suggests that Wirkak and his wife are about to enter paradise. The identification of the different elements in this scene rests on parallels between the carvings on the stone sarcophagus and Zoroastrian texts, preserved in their ninth-century versions, indicating close familiarity with these religious texts among Sogdians resident in China in the late sixth century—an important finding, since no Zoroastrian texts have surfaced in China to date.18
Both An Jia and Shi Wirkak died in 579, in the closing years of the Northern Zhou dynasty, a time of rapid political change. The ruler of the Northern Zhou arranged for his heir to marry the daughter of one of his generals in 578. That heir succeeded to the throne in 581 but died soon after, leaving a boy on the throne. At first, the boy’s maternal grandfather assumed the position of regent, but in the same year he seized power and founded the Sui dynasty. For the next eight years his armies campaigned all over China, gradually gaining territory, until in 589 he reunified the empire.
THE PERILOUS CROSSING TO THE NEXT WORLD
This scene comes from a stone house buried in the tomb of Shi Wirkak. On the lower right, two human Zoroastrian priests wearing padam face masks stand facing a bridge. There they conduct the ceremony that sends the souls of the dead off to the next world. On the left, Wirkak and his wife lead a procession including two children (did they predecease their parents?), animals, two horses, and a camel bearing goods across the bridge. Significantly, Wirkak and his wife have made it safely past the monster with ominously bared teeth waiting in the water below. According to Zoroastrian teachings, only those who have told the truth and behaved righteously can cross to the other side of the bridge unharmed; those who have not plunge to their death below as the bridge narrows to razor-width. Courtesy of Yang Junkai.
The original capital of the Sui dynasty lay in Yangzhou, near the coast of central China, but in 582 the Sui founder relocated his capital to Chang’an, the capital of many earlier and powerful dynasties. He built an entirely new and formally planned city on a site south and east of the city’s capital during the Northern Zhou (whi
ch was located on the same site as the Han-dynasty capital). The Sui founder ruled for nearly thirty years before dying a natural death in 604. His son succeeded him and led his armies on a series of military campaigns in Korea, which he never succeeded in conquering. The Chinese suffered massive losses, prompting a general to overthrow the emperor and establish the Tang dynasty in 618.19 Under the Tang, the capital remained at Chang’an except for brief intervals.
When the new city was completed, its 5 yard (4.6 m) high walls ran 5.92 miles (9.5 km) east to west and 5.27 miles (8.4 km) north to south, enclosing a rectangular area of some 31 square miles (80 sq km). Broad main avenues divided the city; the widest was 500 feet (155 m) across, the equivalent of a forty-five-lane highway.20 The city had 109 districts, called quarters (fang). Each quarter had a wall around it; city officials closed the gates every night to enforce a strict curfew. To the north of the city, outside the rectangle, were the palace and various government offices, both civil and military. Only officials and members of the royal family could enter that district. Officials and courtiers tended to live in the eastern half of the city. Because they could afford more spacious houses with gardens, the eastern half of the city was less densely populated. Most ordinary people lived in the western half.
Two markets, known as the Eastern and Western Markets, each occupied an area about 0.4 square miles (1 sq km).21 A road 400 feet (120 m) wide ran along the outside edge of the market to allow passage of people and vehicles; inside the market were more streets. Both markets, like the quarters of the city, were walled, and the gates were carefully guarded. No officials above the fifth rank (out of a total of nine) were allowed to enter, because the officials who served under Emperor Taizong (reigned 627–49) and who compiled the Tang Code, viewed commerce as polluting. The Tang Code made an exception for market officials, whom it charged with checking weights and setting prices every ten days.22 Market supervisors issued certificates of ownership to the purchasers of livestock and slaves, who had to present these each time they crossed the border. These officials made sure that the markets opened only at noon and closed two hours before sundown.23
The Silk Road: A New History Page 18