The failure of this party and the fury of the parents all but unhinged Polk-Mowbray; he took to locking himself up, talking to himself, even to starving a bit. It got to such a pitch that he even started sleepwalking. One morning Drage saw him in the dim light of dawn walking out of the Embassy and into the road clad in the blue night-shirt he always wore (with royal arms embroidered on it). It was horrifying. There was our Head of Mission crossing the main road in his tasselled bed-cap, hands outstretched, lips moving. Drage sped after him, Bible in hand. He tried to wake him by talking to him, but in vain. He dared not actually shake him for the person of a Plenipotentiary Extraordinary is sacred and can only be touched, pushed or pulled by someone of equal rank. Drage was at his wits’ end; he even read bits of the Gospel loudly to his chief, but to no purpose. All he heard was the muttered whisper “I have come to apologize.”
They were nearly run down by an early-morning tram full of workmen who cheered them. Then, with increased horror Drage saw him turn into the gate of the Italian Mission and start climbing the ivy towards the second floor where the unfortunate Braganza girl slept. Drage held one ankle and yelled for help. Now the situation was only saved by an extraordinary coincidence. De Mandeville had been on a diet that week, and had been limiting himself to a glass of early morning dew which he gathered himself from the Embassy grass. It was he who, glass in hand, heard Drage’s yell from across the road. He bounded to the rescue, and less intimidated by Polk-Mowbray’s rank than the butler, sacrificed the dew he had gathered by pouring it down his Ambassador’s back.
Polk-Mowbray awoke with a start and fell, bringing down most of the trellis with him. There was a moment of Agonizing Reappraisal as the three of them sprawled among the flowerbeds. Then Polk-Mowbray realized where he was though he wotted not quite how. They rushed, they ran, they galloped back to the safety of the Mission. That morning Drage served them an early breakfast in the buttery and Polk-Mowbray swore De Mandeville to secrecy; he also told him that he was putting him up for the Life Saving Medal—a cherished decoration normally only given to people who rescue dogs from wells. “Furthermore” he added—for he knew how to do the handsome thing—”I want to apologize for making you waste your dew. I know it is jolly hard work gathering it.”
“Not at all, Sir, there is plenty more where it came from.” Upon which amiable exchange the incident was closed. Another sherry?
Acknowledgements
to the Editors of:
Playboy and Weekend Telegraph for Sauve Qui Peut
Mademoiselle for What-Ho on the Rialto!
Mademoiselle and Harper’s Bazaar for High Barbary
Saturday Evening Post and Town for The Little Affair in Paris.
Playboy for All to Scale
Playboy and Weekend Telegraph for A Corking Evening Argosy for Aunt Norah
A Biography of Lawrence Durrell
Lawrence Durrell (1912–1990) was a novelist, poet, and travel writer best known for the Alexandria Quartet, his acclaimed series of four novels set before and during World War II in Alexandria, Egypt. Durrell’s work was widely praised, with his Quartet winning the greatest accolades for its rich style and bold use of multiple perspectives. Upon the Quartet’s completion, Life called it “the most discussed and widely admired serious fiction of our time.”
Born in Jalandhar, British India, in 1912 to Indian-born British colonials, Durrell was an avid and dedicated writer from an early age. He studied in Darjeeling before his parents sent him to England at the age of eleven for his formal education. When he failed to pass his entrance examinations at Cambridge University, Durrell committed himself to becoming an established writer. He published his first book of poetry in 1931 when he was just nineteen years old, and later worked as a jazz pianist to help fund his passion for writing.
Determined to escape England, which he found dreary, Durrell convinced his widowed mother, siblings, and first wife, Nancy Isobel Myers, to move to the Greek island of Corfu in 1935. The island lifestyle reminded him of the India of his childhood. That same year, Durrell published his first novel, Pied Piper of Lovers. He also read Henry Miller’s Tropic of Cancer and, impressed by the notorious novel, he wrote an admiring letter to Miller. Miller responded in kind, and their correspondence and friendship would continue for forty-five years. Miller’s advice and work heavily influenced Durrell’s provocative third novel, The Black Book (1938), which was published in Paris. Though it was Durrell’s first book of note, The Black Book was considered mildly pornographic and thus didn’t appear in print in Britain until 1973.
In 1940, Durrell and his wife had a daughter, Penelope Berengaria. The following year, as World War II escalated and Greece fell to the Nazis, Durrell and his family left Corfu for work in Athens, Kalamata (also in Greece), then Alexandria, Egypt. His relationship with Nancy was strained by the time they reached Egypt, and they separated in 1942. During the war, Durrell served as a press attaché to the British Embassy. He also wrote Prospero’s Cell, a guide to Corfu, while living in Egypt in 1945.
Durrell met Yvette Cohen in Alexandria, and the couple married in 1947. They had a daughter, Sappho Jane, in 1951, and separated in 1955. Durrell published White Eagles Over Serbia in 1957, alongside the celebrated memoir Bitter Lemons of Cyprus (1957), which won the Duff Cooper Prize, and Justine (1957), the first novel of the Alexandria Quartet Capitalizing on the overwhelming success of Justine, Durrell went on to publish the next three novels in the series—Balthazar (1958), Mountolive (1958), and Clea (1960)—in quick succession. Upon the series’ completion, poet Kenneth Rexroth hailed it as “a tour de force of multiple-aspect narrative.”
Durrell married again in 1961 to Claude-Marie Vincendon, who died of cancer in 1967. His fourth and final marriage was in 1973 to Ghislaine de Boysson, which ended in divorce in 1979.
After a life spent in varied locales, Durrell settled in Sommières, France, where he wrote the Revolt of Aphrodite series as well as the Avignon Quintet. The first book in the Quintet, Monsieur (1974), won the James Tait Black Memorial Prize while Constance (1982), the third novel, was nominated for the Booker Prize.
Durrell died in 1990 at his home in Sommières.
This photograph of Lawrence Durrell aboard his boat, the Van Norden, is taken from a negative discovered among his papers. The vessel is named after a character in Henry Miller’s Tropic of Cancer. (Photograph held in the British Library’s modern manuscripts collection.)
One of Nancy Durrell’s photographs from the 1930s. Pictured here is the Caique, which they used to travel around the waters of Corfu. (Photo courtesy of Joanna Hodgkin, property of the Gerald Durrell Estate.)
This photograph of Nancy and Lawrence Durrell was likely taken in Delphi, Greece, in late 1939. (Photo courtesy of Joanna Hodgkin and the Gerald Durrell Estate.)
A 1942 photograph of Lawrence Durrell with his wife, Nancy, and their daughter, Penelope, taken in Cairo. (Photo courtesy of Joanna Hodgkin.)
This manuscript notebook contains one of two drafts of Justine acquired by the British Library as part of Lawrence Durrell’s large archive in 1995. (Notebook held in the British Library’s modern manuscripts collection.)
A page from Durrell’s notebooks, or, as he called them, the “quarry.” This page introduced his notes on the “colour and narrative” of scenes in Justine. (Photo courtesy of the Lawrence Durrell Papers, Special Collections Research Center, Southern Illinois University Carbondale.)
“As well as serving delicious food in an idyllic setting, the Taverna Nikolas at Agni has strong links with the Durrell story in Corfu,” says Joanna Hodgkin of this 2012 photo. Durrell lived in the neighboring town of Kalami, where his famous White House sits right above the shoreline. (Photo courtesy of Joanna Hodgkin.)
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook onscreen. No part of this text may be reproduced, t
ransmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of the publisher.
This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.
copyright © 1961, 1963, 1964, 1966 by Lawrence Durrell
cover design by Jason Gabbert
This edition published in 2012 by Open Road Integrated Media
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Sauve Qui Peut: Stories Page 6