Legends from the End of Time: Elric at the End of Time
( Legends from the End of Time - 5 )
Michael Moorcock
Цикл о Крае Времени весьма необычен. Это не фэнтези, это не научная фантастика в обычном смысле этого термина, это - нечто иное.
Край Времени - это когда "дни вселенной были сочтены". Герои этого цикла - люди, хотя человеческого в них не сильно много. Они всемогущи, а если их настигает смерть, то они легко могут возродиться, а главное - они не живут, они скорее играют в жизнь. Играют в любовь, в страдания, играют во что угодно, лишь бы занять время. Беспрерывные развлечения - вот смысл их жизни. Цикл полон языковых изысков, необычных способов построения речи и сюжета, странных имен героев, но при этом читается просто отлично.
Повесть Эльрик на Краю Времени, как по замыслу, так и по содержанию, представляется ответом читателям, которые в то время закидывали Муркока письмами с просьбами написать еще что-нибудь про Эльрика. Это не героика, как большая часть книг об Эльрике, это - фарс. Сюжетная фабула понятна из названия, но дело не в сюжете - дело в том издевательстве, через которое проходит Эльрик в течении всей повести, начиная от его встречи с Вертером и до разговора с Джеггедом - Ариохом. И этот разговор - очередная самопародия на общение с Ариохом. В общем, повесть получилась весьма своеобразной.
"Танелорн: Всё о Майкле Муркоке" http://www.moorcock.narod.ru/
Elric at the End of Time
BY MICHAEL MOORCOCK
Book Five of the End of Time
Book One of Elric Apocryphal Storyes
For Terry Pratchett
1 In which Mrs Persson Detects an Above Average Degree of Chaos in the Megaflow
Returning from China to London and the Spring of 1936, Una Persson found an unfamiliar quality of pathos in most of the friends she had last seen, as far as she recalled, during the Blitz on her way back from 1970. Then they had been desperately hearty: it was a comfort to understand that the condition was not permanent. Here, at present, Pierrot ruled and she felt she possessed a better grip on her power. This was, she admitted with shame, her favourite moral climate for it encouraged in her an enormously gratifying sense of spiritual superiority: the advantage of having been born, originally, into a later and probably more sophisticated age. The 1960s. Some women, she reflected, were forced to have children in order to enjoy this pleasure.
But she was uneasy, so she reported to the local Time Centre and the bearded, sullen features of Sergeant Alvarez who welcomed her in white, apologizing for the fact that he had himself only just that morning left the Lower Devonian and had not had time to change.
"It's the megaflow, as you guessed, " he told her, operating toggles to reveal his crazy display systems. "We've lost control."
"We never really had it." She lit a Sherman's and shook her long hair back over the headrest of the swivel chair, opening her military overcoat and loosening her webbing. "Is it worse than usual?"
"Much." He sipped cold coffee from his battered silver mug. "It cuts through every plane we can pick up — a rogue current swerving through the dimensions. Something of a twister."
"Jerry?"
"He's dormant. We checked. But it's like him, certainly. Most probably another aspect."
"Oh, sod." Una straightened her shoulders.
"That's what I thought, " said Alvarez. "Someone's going to have to do a spot of rubato." He studied a screen. It was Greek to Una. For a moment a pattern formed. Alvarez made a note. "Yes. It can either be fixed at the nadir or the zenith. It's too late to try anywhere in between. I think it's up to you, Mrs P."
She got to her feet. "Where's the zenith?"
"The End of Time."
"Well, " she said, "that's something."
She opened her bag and made sure of her jar of instant coffee. It was the one thing she couldn't get at the End of Time.
"Sorry, " said Alvarez, glad that the expert had been there and that he could remain behind.
"It's just as well, " she said. "This period's no good for my moral well-being. I'll be off, then."
"Someone's got to." Alvarez failed to seem sympathetic. "It's Chaos out there."
"You don't have to tell me."
She entered the make-shift chamber and was on her way to the End of Time.
2 In which The Eternal Champion Finds Himself at the End of Time
Elric of Melnibone shook a bone-white fist at the greedy, glaring stars — the eyes of all those men whose souls he had stolen to sustain his own enfeebled body. He looked down. Though it seemed he stood on something solid, there was only more blackness falling away below him. It was as if he hung at the centre of the universe. And here, too, were staring points of yellow light. Was he to be judged?
His half-sentient runesword, Stormbringer, in its scabbard on his left hip, murmured like a nervous dog.
He had been on his way to Imrryr, to his home, to reclaim his kingdom from his cousin Yyrkoon; sailing from the Isle of the Purple Towns where he had guested with Count Smiorgan Baldhead. Magic winds had caught the Filkharian trader as she crossed the unnamed water between the Vilmirian peninsula and the Isle of Melnibone. She had been borne into the Dragon Sea and thence to The Sorcerer's Isle, so-called because that barren place had been the home of Cran Liret, the Thief of Spells, a wizard infamous for his borrowings, who had, at length, been dispatched by those he sought to rival. But much residual magic had been left behind. Certain spells had come into the keeping of the Krettii, a tribe of near-brutes who had migrated to the island from the region of The Silent Land less than fifty years before. Their shaman, one Grrodd Ybene Eenr, had made unthinking use of devices buried by the dying sorcerer as the spells of his peers sucked life and sanity from them. Elric had dealt with more than one clever wizard, but never with so mindless a power. His battle had been long and exhausting and had required the sacrifice of most of the Filkharians as well as the entire tribe of Krettii. His sorcery had become increasingly desperate. Sprite fought sprite, devil fell upon devil, in planes both physical and astral, all around the region of The Sorcerer's Isle. Eventually Elric had mounted a massive Summoning against the allies of Grrodd Ybene Eenr with the result that the shaman had been at last overwhelmed and his remains scattered in Limbo. But Elric, captured by his own monstrous magickings, had followed his enemy and now he stood in the Void, crying out into appalling silence, hearing his words only in his skull:
"Arioch! Arioch! Aid me! "
But his patron Duke of Hell was absent. He could not exist here. He could not, for once, even hear his favourite protege.
"Arioch! Repay my loyalty! I have given you blood and souls! "
He did not breathe. His heart had stopped. All his movements were sluggish.
Th
e eyes looked down at him. They looked up at him. Were they glad? Did they rejoice in his terror?
"Arioch! "
He yearned for a reply. He would have wept, but no tears would come. His body was cold; less than dead, yet not alive. A fear was in him greater than any fear he had known before.
"Oh, Arioch! Aid me! "
He forced his right hand towards the pulsing pommel of Stormbringer which, alone, still possessed energy. The hilt of the sword was warm to his touch and, as slowly he folded his fingers around it, it seemed to swell in his fist and propel his arm upwards so that he did not draw the sword. Rather the sword forced his limbs into motion. And now it challenged the void, glowing with black fire, singing its high, gleeful battlesong.
"Our destinies are intertwined, Stormbringer, " said Elric. "Bring us from this place, or those destinies shall never be fulfilled."
Stormbringer swung like the needle of a compass and Elric's unfeeling arm was wrenched round to go with it. In eight directions the sword swung, as if to the eight points of Chaos. It was questing — like a hound sniffing a trail. Then a yell sounded from within the strange metal of the blade; a distant cry of delight, it seemed to Elric. The sound one would hear if one stood above a valley listening to children playing far below.
Elric knew that Stormbringer had sensed a plane they might reach. Not necessarily their own, but one which would accept them. And, as a drowning mariner must yearn for the most inhospitable rock rather than no rock at all, Elric yearned for that plane.
"Stormbringer. Take us there! "
The sword hesitated. It moaned. It was suspicious.
"Take us there! " whispered the albino to his runesword.
The sword struck back and forth, up and down, as if it battled invisible enemies. Elric scarcely kept his grip on it. It seemed that Stormbringer was frightened of the world it had detected and sought to drive it back but the act of seeking had in itself set them both in motion. Already Elric could feel himself being drawn through the darkness, towards something he could see very dimly beyond the myriad eyes, as dawn reveals clouds undetected in the night sky.
Elric thought he saw the shapes of crags, pointed and crazy. He thought he saw water, flat and ice-blue. The stars faded and there was snow beneath his feet, mountains all around him, a huge, blazing sun overhead — and above that another landscape, a desert, as a magic mirror might reflect the contrasting character of he who peered into it — a desert, quite as real as the snowy peaks in which he crouched, sword in hand, waiting for one of these landscapes to fade so that he might establish, to a degree, his bearings. Evidently the two planes had intersected.
But the landscape overhead did not fade. He could look up and see sand, mountains, vegetation, a sky which met his own sky at a point halfway along the curve of the huge sun — and blended with it. He looked about him. Snowy peaks in all directions. Above — desert everywhere. He felt dizzy, found that he was staring downwards, reaching to cup some of the snow in his hand. It was ordinary snow, though it seemed reluctant to melt in contact with his flesh.
"This is a world of Chaos, " he muttered. "It obeys no natural laws." His voice seemed loud, amplified by the peaks, perhaps. "That is why you did not want to come here. This is the world of powerful rivals."
Stormbringer was silent, as if all its energy were spent. But Elric did not sheath the blade. He began to trudge through the snow towards what seemed to be an abyss. Every so often he glanced upward, but the desert overhead had not faded, sun and sky remained the same. He wondered if he walked around the surface of a miniature world. That if he continued to go forward he might eventually reach the point where the two landscapes met. He wondered if this were not some punishment wished upon him by his untrustworthy allies of Chaos. Perhaps he must choose between death in the snow or death in the desert. He reached the edge of the abyss and looked down.
The walls of the abyss fell for all of five feet before reaching a floor of gold and silver squares which stretched for perhaps another seven feet before they reached the far wall, where the landscape continued — snow and crags — uninterrupted.
"This is undoubtedly where Chaos rules, " said the Prince of Melnibone. He studied the smooth, chequered floor. It reflected parts of the snowy terrain and the desert world above it. It reflected the crimson-eyed albino who peered down at it, his features drawn in bewilderment and tiredness.
"I am at their mercy, " said Elric. "They play with me. But I shall resist them, even as they destroy me." And some of his wild, careless spirit came back to him as he prepared to lower himself onto the chequered floor and cross to the opposite bank.
He was halfway over when he heard a grunting sound in the distance and a beast appeared, its paws slithering uncertainly on the smooth surface, its seven savage eyes glaring in all directions as if it sought the instigator of its terrible indignity.
And, at last, all seven eyes focused on Elric and the beast opened a mouth in which row upon row of thin, vicious teeth were arranged, and uttered a growl of unmistakable resentment.
Elric raised his sword. "Back creature of Chaos. You threaten the Prince of Melnibone! "
The beast was already propelling itself towards him. Elric flung his body to one side, aiming a blow with the sword as he did so, succeeding only in making a thin incision in the monster's heavily muscled hind leg. It shrieked and began to turn.
"Back! "
Elric's voice was the brave, thin squeak of a lemming attacked by a hawk. He drove at the thing's snout with Stormbringer. The sword was heavy. It had spent all its energy and there was no more to give. Elric wondered why he, himself, did not weaken. Possibly the laws of nature were entirely abolished in the Realm of Chaos. He struck and drew blood. The beast paused, more in astonishment than fear.
Then it opened its jaws, pushed its back legs against the snowy bank, and shot towards the albino who tried to dodge it, lost his footing, and fell, sprawling backwards, on the gold and silver surface.
3 In which Una Persson Discovers an Unexpected Snag
The gigantic beetle, rainbow carapace glittering, turned as if into the wind, which blew from the distant mountains, its thick, flashing wings beating rapidly as it bore its single passenger over the queer landscape.
On its back Mrs Persson checked the instruments on her wrist. Ever since Man had begun to travel in time it had become necessary for the Guild to develop techniques to compensate for the fluctuations and disruptions in the space-time continua; perpetually monitoring the chronoflow and megaflow. She pursed her lips. She had picked up the signal. She made the semi-sentient beetle swing a degree or two SSE and head directly for the mountains. She was in some sort of enclosed (but vast) environment. These mountains, as well as everything surrounding them, lay in the territory most utilized by the gloomy, natural-born Werther de Goethe, poet and romantic, solitary seeker after truth in a world no longer differentiating between the degrees of reality. He would not remember her, she knew, because, as far as Werther was concerned, they had not met yet. Had Werther even experienced his adventure with Mistress Christia, the Everlasting Concubine? A story on which she had dined out more than once, in duller eras.
The mountains drew closer. From here it was possible to see the entire arrangement (a creation of Werther's very much in character): a desert landscape, a central sun, and, inverted above it, winter mountains. Werther strove to make statements, like so many naive artists before him, by presenting simple contrasts: The World is Bleak/The World is Cold/Barren am I As I Grow Old/Tomorrow I Die, Entombed in Cold/For Silver My Poor Soul Was Sold — she remembered he was perhaps the worst poet she had encountered in an eternity of meetings with bad poets. He had taught himself to read and write in old, old English so that he might carve those words on one of his many abandoned tombs (half his time was spent in composing obituaries for himself). Like so many others he seemed to equate self-pity with artistic inspiration. In an earlier age he might have discovered his public and become quite rich (self-pity pas
sing for passion in the popular understanding). Sometimes she regretted the passing of Wheldrake, so long ago, so far away, in a universe bearing scarcely any resemblances to those in which she normally operated.
She brought her wavering mind back to the problem. The beetle dipped and circled over the desert, but there was no sight of her quarry.
She was about to abandon the search when she heard a faint roaring overhead and she looked up to see another characteristic motif of Werther's — a gold and silver chessboard on which, upside down, a monstrous doglike creature was bearing down on a tiny white-haired man dressed in the most abominable taste Una had seen for some time.
She directed the air car upwards and then, reversing the machine as she entered the opposing gravity, downwards to where the barbarically costumed swordsman was about to be eaten by the beast.
"Shoo! " cried Una commandingly.
The beast raised a befuddled head.
"Shoo."
It licked its lips and returned its seven-eyed gaze to the albino, who was now on his knees, using his large sword to steady himself as he climbed to his feet.
The jaws opened wider and wider. The pale man prepared, shakily, to defend himself.
Una directed the air car at the beast's unkempt head. The great beetle connected with a loud crack. The monster's eyes widened in dismay. It yelped. It sat on its haunches and began to slide away, its claws making an unpleasant noise on the gold and silver tiles.
Una landed the air car and gestured for the stranger to enter. She noticed with distaste that he was a somewhat unhealthy looking albino with gaunt features, exaggeratedly large and slanting eyes, ears that were virtually pointed, and glaring, half-mad red pupils.
And yet, undoubtedly, it was her quarry and there was nothing for it but to be polite.
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