She did laugh then, a gentle chuckle, and he allowed himself a hesitant smile.
“Does that make me a bad person, that I like to channel-surf?”
“You’re not a bad person,” she assured him. “Neither of us is bad. We’re just people, that’s all.”
“So. Can I see you again?”
She leaned across the console, planted a quick kiss on his cheek and said, “Call me.” Then she swung out of the car and entered her building.
Inside the vestibule, she watched through the glass door as he started the engine and backed out of the visitor space. She followed his tail lights until they disappeared around the side of the building and all she could see in the glass was her own faint reflection. Turning away, she unlocked the inner door and climbed the stairs.
This is my home, she realized. If Richard had asked her to come home, she would have had to say she was home. This building, this stairway, this corridor. The welcome mat. The metal door. The tiny kitchen. The ugly shag carpeting. The old stereo and her rack of classical music CD’s. The futon. The platform bed on the other side of the bedroom door, with drawers for storage built in underneath it.
This is my home, she thought. I’m stuffed, and I’m tired, and I’m happy, and I’m home.
(Continue reading for author biography)
About Judith Arnold
Judith Arnold can’t remember a time when she wasn’t making up stories. Her older sister taught her how to read and write by the time she was four years old, and she’s been at it ever since. A detour in college, thanks to a charismatic professor, led her to spend most of her twenties writing plays, which were professionally produced around the United States and in Canada. But she eventually returned to her first love—prose fiction—and sold her first novel, Silent Beginnings, shortly before her thirtieth birthday. (She found out she was pregnant with her first son the same week she made her first sale. Both the book and the baby were October releases. She and her husband nicknamed the baby “Noisy Beginnings.”)
Since that first sale, Judith has sold more than eighty-five novels, with more than ten million copies in print worldwide. She’s been a multiple finalist for Romance Writers of America’s RITA ® Award and the winner of RT Book Reviews Reviewer’s Choice Awards for best Harlequin American Romance, best Harlequin Superromance, best Series Romance and best Contemporary Single Title Romance. Publishers Weekly named her novel Love In Bloom’s one of the best books of the year, and her novel Barefoot In the Grass has appeared on recommended reading lists at hospitals and breast cancer support centers.
A native New Yorker, Judith lives near Boston. She considers her sons her two greatest creations, but she’s pretty proud of all her books, too.
Table of Contents
Paise for GOODBYE TO ALL THAT
Goodbye To All That
Acknowledgements
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-One
Chapter Twenty-Two
Chapter Twenty-Three
Chapter Twenty-Four
Chapter Twenty-Five
Chapter Twenty-Six
Chapter Twenty-Seven
About Judith Arnold
Goodbye To All That Page 33