A connection, a clam cup connection, a survey, a ticket and a return to laying over.
ACT III
(Two.)
A cut, a cut is not a slice, what is the occasion for representing a cut and a slice. What is the occasion for all that.
A cut is a slice, a cut is the same slice. The reason that a cut is a slice is that if there is no hurry any time is just as useful.
(Four.)
A cut and a slice is there any question when a cut and a slice are just the same.
A cut and a slice has no particular exchange it has such a strange exception to all that which is different.
A cut and only slice, only a cut and only a slice, the remains of a taste may remain and tasting is accurate.
A cut and an occasion, a slice and a substitute a single hurry and a circumstance that shows that, all this is so reasonable when every thing is clear.
(One.)
All alone with the best reception, all alone with more than the best reception, all alone with a paragraph and something that is worth something, worth almost anything, worth the best example there is of a little occasional archbishop. This which is so clean is precious little when there is no bath water. A long time a very long time there is no use in an obstacle that is original and has a source.
ACT IV
(Four and four more.)
A birthday, what is a birthday, a birthday is a speech, it is a second time when there is tobacco, it is only one time when there is poison. It is more than one time when the occasion which shows an occasional sharp separation is unanimous.
A blanket, what is a blanket, a blanket is so speedy that heat much heat is hotter and cooler, very much cooler almost more nearly cooler than at any other time often.
A blame what is a blame, a blame is what arises and cautions each one to be calm and an ocean and a masterpiece.
A clever saucer, what is a clever saucer, a clever saucer is very likely practiced and even has toes, it has tiny things to shake and really if it were not for a delicate blue color would there be any reason for every one to differ.
The objection and the perfect central table, the sorrow in borrowing and the hurry in a nervous feeling, the question is it really a plague, is it really an oleander, is it really saffron in color, the surmountable appetite which shows inclination to be warmer, the safety in a match and the safety in a little piece of splinter, the real reason why cocoa is cheaper, the same use for bread as for any breathing that is softer, the lecture and the surrounding large white soft unequal and spread out sale of more and still less is no better, all this makes one regard in a season, one hat in a curtain that in rising higher, one landing and many many more, and many more many more many many more.
ACT V
(Two.)
A regret a single regret makes a door way. What is a door way, a door way is a photograph.
What is a photograph a photograph is a sight and a sight is always a sight of something. Very likely there is a photograph that gives color if there is then there is that color that does not change any more than it did when there was much more use for photography.
MISS FURR
AND
MISS SKEENE
From GEOGRAPHY AND PLAYS, 1922. This charming portrait of two ladies became celebrated after it was reprinted in VANITY FAIR, July 1923. Gertrude Stein identified the subjects as Miss Mars and Miss Squires, early habituées of her studio, then at 27 rue de Fleurus, Paris.
Helen Furr had quite a pleasant home. Mrs. Furr was quite a pleasant woman. Mr. Furr was quite a pleasant man. Helen Furr had quite a pleasant voice a voice quite worth cultivating. She did not mind working. She worked to cultivate her voice. She did not find it gay living in the same place where she had always been living. She went to a place where some were cultivating something, voices and other things needing cultivating. She met Georgine Skeene there who was cultivating her voice which some thought was quite a pleasant one. Helen Furr and Georgine Skeene lived together then. Georgine Skeene liked travelling. Helen Furr did not care about travelling, she liked to stay in one place and be gay there. They were together then and travelled to another place and stayed there and were gay there.
They stayed there and were gay there, not very gay there, just gay there. They were both gay there, they were regularly working there both of them cultivating their voices there, they were both gay there. Georgine Skeene was gay there and she was regular, regular in being gay, regular in not being gay, regular in being a gay one who was one not being gay longer than was needed to be one being quite a gay one. They were both gay then there and both working there then.
They were in a way both gay there where there were many cultivating something. They were both regular in being gay there. Helen Furr was gay there, she was gayer and gayer there and really she was just gay there, she was gayer and gayer there, that is to say she found ways of being gay there that she was using in being gay there. She was gay there, not gayer and gayer, just gay there, that is to say she was not gayer by using the things she found there that were gay things, she was gay there, always she was gay there.
They were quite regularly gay there, Helen Furr and Georgine Skeen, they were regularly gay there where they were gay. They were very regularly gay.
To be regularly gay was to do every day the gay thing that they did every day. To be regularly gay was to end ever day at the same time after they had been regularly gay. They were regularly gay. They were gay every day. They ended every day in the same way, at the same time, and they had been every day regularly gay.
The voice Helen Furr was cultivating was quite a pleasant one. The voice Georgine Skeene was cultivating was, some said, a better one. The voice Helen Furr was cultivating she cultivated and it was quite completely a pleasant enough one then, a cultivated enough one then. The voice Georgine Skeene was cultivating she did not cultivate too much. She cultivated it quite some. She cultivated and she would sometime go on cultivating it and it was not then an unpleasant one, it would not be then an unpleasant one, it would be a quite richly enough cultivated one, it would be quite richly enough to be a pleasant enough one.
They were gay where there were many cultivating something. The two were gay there, were regularly gay there. Georgine Skeene would have liked to do more travelling. They did some travelling, not very much travelling, Georgine Skeene would have liked to do more travelling, Helen Furr did not care about doing travelling, she liked to stay in a place and be gay there.
They stayed in a place and were gay there, both of them stayed there, they stayed together there, they were gay there, they were regularly gay there.
They went quite often, not very often, but they did go back to where Helen Furr had a pleasant enough home and then Georgine Skeene went to a place where her brother had quite some distinction. They both went, every few years, went visiting to where Helen Furr had quite a pleasant home. Certainly Helen Furr would not find it gay to stay, she did not find it gay, she said she would not stay, she said she did not find it gay, she said she would not stay where she did not find it gay, she said she found it gay where she did stay and she did stay there where very many were cultivating something. She did stay there. She always did find it gay there.
She went to see them where she had always been living and where she did not find it gay. She had a pleasant home there, Mrs. Furr was a pleasant enough woman, Mr. Furr was a pleasant enough man, Helen told them and they were not worrying, that she did not find it gay living where she had always been living.
Georgine Skeene and Helen Furr were living where they were both cultivating their voices and they were gay there. They visited where Helen Furr had come from and then they went to where they were living where they were then regularly living.
There were some dark and heavy men there then. There were some who were not so heavy and some who were not so dark. Helen Furr and Georgine Skeene sat regularly with them. They sat regularly with the ones who were dark and heavy. They sat regularly with the ones who w
ere not so dark. They sat regularly with the ones that were not so heavy. They sat with them regularly, sat with some of them. They went with them regularly went with them. They were regular then, they were gay then, they were where they wanted to be then where it was gay to be then, they were regularly gay then. There were men there then who were dark and heavy and they sat with them with Helen Furr and Georgine Skeene and they went with them with Miss Furr and Miss Skeene, and they went with the heavy and dark men Miss Furr and Miss Skeene went with them, and they sat with them, Miss Furr and Miss Skeene sat with them, and there were other men, some were not heavy men and they sat with Miss Furr and Miss Skeene and Miss Furr and Miss Skeene sat with them, and there were other men who were not dark men and they sat with Miss Furr and Miss Skeene and Miss Furr and Miss Skeene sat with them. Miss Furr and Miss Skeene went with them and they went with Miss Furr and Miss Skeene, some who were not heavy men, some who were not dark men. Miss Furr and Miss Skeene sat regularly, they sat with some men. Miss Furr and Miss Skeene went and there were some men with them. There were men and Miss Furr and Miss Skeene went with them, went somewhere with them, went with some of them.
Helen Furr and Georgine Skeene were regularly living where very many were living and cultivating in themselves something. Helen Furr and Georgine Skeene were living very regularly then, being very regular then in being gay then. They did then learn many ways to be gay and they were then being gay being quite regular in being gay, being gay and they were learning little things, little things in ways of being gay, they were very regular then, they were learning very many little things in ways of being gay, they were being gay and using these little things they were learning to have to be gay with regularly gay with then and they were gay the same amount they had been gay. They were quite gay, they were quite regular, they were learning little things, gay little things, they were gay inside them the same amount they had been gay, they were gay the same length of time they had been gay every day.
They were regular in being gay, they learned little things that are things in being gay, they learned many little things that are things in being gay, they were gay every day, they were regular, they were gay, they were gay the same length of time every day, they were gay, they were quite regularly gay.
Georgine Skeene went away to stay two months with her brother. Helen Furr did not go then to stay with her father and her mother. Helen Furr stayed there where they had been regularly living the two of them and she would then certainly not be lonesome, she would go on being gay. She did go on being gay. She was not any more gay but she was gay longer every day than they had been being gay when they were together being gay. She was gay then quite exactly the same way. She learned a few more little ways of being gay. She was quite gay and in the same way, the same way she had been gay and she was gay a little longer in the day, more of each day she was gay. She was gay longer every day than when the two of them had been being gay. She was gay quite in the way they had been gay, quite in the same way.
She was not lonesome then, she was not at all feeling any need of having Georgine Skeene. She was not astonished at this thing. She would have been a little astonished by this thing but she knew she was not astonished at anything and so she was not astonished at this thing not astonished at not feeling any need of having Georgine Skeene.
Helen Furr had quite a completely pleasant voice and it was quite well enough cultivated and she could use it and she did use it but then there was not any way of working at cultivating a completely pleasant voice when it has become a quite completely well enough cultivated one, and there was not much use in using it when one was not wanting it to be helping to make one a gay one. Helen Furr was not needing using her voice to be a gay one. She was gay then and sometimes she used her voice and she was not using it very often. It was quite completely enough cultivated and it was quite completely a pleasant one and she did not use it very often. She was then, she was quite exactly as gay as she had been, she was gay a little longer in the day than she had been.
She was gay exactly the same way. She was never tired of being gay that way. She had learned very many little ways to use in being gay. Very many were telling about using other ways in being gay. She was gay enough, she was always gay exactly the same way, she was always learning little things to use in being gay, she was telling about using other ways in being gay, she was telling about learning other ways in being gay, she was learning other ways in being gay, she would be using other ways in being gay, she would always be gay in the same way, when Georgine Skeene was there not so long each day as when Georgine Skeene was away.
She came to using many ways in being gay, she came to use every way in being gay. She went on living where many were cultivating something and she was gay, she had used, every way to be gay.
They did not live together then Helen Furr and Georgine Skeene. Helen Furr lived there the longer where they had been living regularly together. Then neither of them were living there any longer. Helen Furr was living somewhere else then and telling some about being gay and she was gay then and she was living quite regularly then. She was regularly gay then. She was quite regular in being gay then. She remembered all the little ways of being gay. She used all the little ways of being gay. She was quite regularly gay. She told many then the way of being gay, she taught very many then little ways they could use in being gay. She was living very well, she was gay then, she went on living then, she was regular in being gay, she always was living very well and was gay very well and was telling about little ways one could be learning to use in being gay, and later was telling them quite often, telling them again and again.
A SWEET TAIL
(Gypsies)
Like so many pieces in GEOGRAPHY AND PLAYS, 1922, this little descriptive essay is the result of a journey to Spain by Miss Stein and Miss Toklas.
Curves.
Hold in the coat. Hold back ladders and a creation and nearly sudden extra coppery ages with colors and a clean voice gyp hoarse. Hold in that curl with a good man. Hold in cheese. Hold in cheese. Hold in cheese.
A cool brake, a cool brake not a success not a resound a re-sound and a little pan with a yell oh yes so yet change, famous, a green a green colored oak, a handsome excursion, a really handsome log, a regulation to exchange oars, a regulation or more press more precise cold pieces, more yet in the teeth within the teeth. This is the sun in. This is the lamb of the lantern with chalk. With chalk a shadow shall be a sneeze in a tooth in a tin tooth, a turned past, a turned little corset, a little tuck in a pink look and with a pin in, a pin in.
Win lake, eat splashes dig salt change benches.
Win lake eat splashes dig salt change benches.
Can in.
Come a little cheese. Come a little cheese and same same tall sun with a little thing to team, team now and a bass a whole some gurgle, little tin, little tin soak, soak why Sunday, supreme measure.
No nice burst, no nice burst sourly. Suppose a butter glass is clean and there is a bow suppose it lest the bounding ocean and a medium sized bloat in the cunning little servant handkerchief is in between.
Cuts when cuts when ten, lie on this, singling wrist tending, singling the pin.
Lie on this, shows up the boon that nick the basting thread thinly and night night gown and pit wet kit. Loom down the thorough narrow. It is not cuddle and molest change. It is not molest principal necessary argue not that it, not that in life walk collect piece.
Colored tall bills with little no pitch and dark white dark with rubber splendid select pistons with black powdered cheese and shirts and night gowns and ready very ready sold glass butts. The simple real ball with a cold glass and no more seat than yesterday together together with lime, lime water. This is no sight, no sight suddenly, no supper with a heat which makes morgan, morgan must be so.
If it is and more that call life with show cared beard with a belt and no pin when shine see the coat and left and last with all it was to be there why show could pause with such read mice ca
ll it why those old sea cat with a shining not mouth hole if it is a white call with the inch of that sort could see that tie west with loaf which is not the copper lasting with a bright retract lamp call negligence utterly soothing in the coiling remain collapse of this which by there a called which never see and hammer by which basket all that glance zest.
Cut in simple cake simple cake, relike a gentle coat, seal it, seal it blessing and that means gracious not gracious suddenly with spoons and flavor but all the same active. Neglect a pink white neglect it for blooming on a thin piece of steady slit poplars and really all the chance is in deriding cocoanuts real cocoanuts with strawberry tunes and little ice cakes with feeding feathers and peculiar relations of nothing which is more blessed than replies. Replies sudden and no lard no lard at all to show port and colors and please little pears that is to say six.
It can no sail to key pap change and put has can we see call bet. Show leave I cup the fanned best same so that if then sad sole is more, more not, and after shown so papered with that in instep lasting pheasant. Pheasant enough. Call africa, call african cod liver, loading a bag with news and little pipes restlessly so that with in between chance white cases are muddy and show a little tint, all of it.
Please coat.
Way lay to be set in the coat and the bust. The right hold is went hole piece cageous him. He had his sisters.
Like message copowder and sashes sashes, like pedal sashes and so sashes, like pedal causes and so sashes, and pedal cause killed surgeon in six safest six which, pedal sashes.
Peel sashes not what then called and in when the crest no mandarining clothes brush often. No might of it could sudden best set. Best set boar.
Rest sing a mean old polly case with boats and a little scissors nicely sore. All the blands are with a coat and more is coach with commas. A little arrangement is manufactured by a shoal and little salt sweats are to grow grow with ice and let it seat seat more than shadows which have butter.
Selected Writings of Gertrude Stein Page 60