William Shakespeare's the Taming of the Clueless

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William Shakespeare's the Taming of the Clueless Page 10

by Ian Doescher


  If my mind were not caught in such a fog,

  Disrupted by the lack of food below’t,

  Belike I could discover just the word—

  Gerhunan? It doth start with growling sound,

  The grr my belly maketh even now.

  Anhunger? This doth ring with Cockney tones

  And satisfieth not discerning ears.

  Alas, the word escapes me vexingly—

  I cannot think of it, which maketh angry!

  Enter CHER and JOSH, delivering food for the clerks, which they begin eating voraciously.

  CHER

  [aside:] This midnight feast is a phenomenon,

  Reviving all the lawyers’ flagging moods!

  MEL

  Delicious meat to fill a belly bare,

  ’Tis not mere beef, ’tis banquet of the gods,

  Which grants we humans immortality.

  CHER

  Nay, Father, thou must not ingest the meat,

  For it shall not thine arteries abet.

  The salad—eat the salad, for thy health!

  MEL

  Thou hast my gratitude for bringing this

  Much-needed banquet. Yet thou also earn’st

  My deep frustration by thy prohibition!

  Get hence, sweet daughter—let me eat, this once!

  [Exeunt Mel and clerks, eating. Josh and Cher sit on a sofa together, listening to a music box.

  CHER

  Though it shall seem unusual, sans doubt,

  Oft I have more enjoyment of a night

  In quiet entertainment, spent inside,

  Than at a party, dancing all the night.

  Belike ’tis that my festival attire

  Constricts my movements most uncomfortably.

  JOSH

  How many hours each day dost thou expend

  In grooming?

  CHER

  —Some are not as fortunate

  As thee, so natur’lly adorable.

  JOSH

  Cease, prithee, for thou causest me to blush.

  CHER

  A blush with which I’d never paint myself.

  JOSH

  How, then, shall I help thee unto a groom?

  GAIL

  [offstage:] O son, my Josh? What, lamb! What, laddie bird!

  JOSH

  My mother, fie! I fain would hide from her—

  I prithee, Cher, if ever thou wert kind,

  Tell not my mother where I may be found!

  He hides behind an arras. Enter GAIL.

  GAIL

  O, Cher, ’tis thee. An unexpected joy.

  My son, is he herein? I’d speak with him.

  Hath he been cleaning out thine ice house with

  His appetite ne’er-ending?

  CHER

  —Nay, ex-step,

  He is not here, nor hath been, nor shall be.

  Try thou the dormitory where he liveth—

  Belike he spends the evening studying.

  GAIL

  A scholar from the minute he was born.

  My thanks, Cher, for thy helpfulness.

  CHER

  —Farewell.

  [Exit Gail. Josh comes forward.

  JOSH

  Thou art most gracious and kindhearted, lass—

  Thy quality of mercy is not strain’d.

  CHER

  Why wouldst thou hide from thine own mother, Josh?

  JOSH

  My school’s spring holidays are near enow,

  And she would have me to the nest return.

  CHER

  But thou wouldst fly the coop. Yet wherefore so?

  No other little chicks shall be in school—

  Why, then, hie not beneath thy mother’s wings?

  JOSH

  The rooster—husband number four is he—

  Doth rule the roost. He’s foolish as a fowl,

  Believing acting like a family

  Means he may criticize and peck at me

  Whenever and however he desires.

  CHER

  How shalt thou pass the dreary fortnight’s span?

  Wilt thou go roaming round the campus by

  Thyself and haunt the buildings as if thou

  Wert spectral and the school thy haunted house?

  JOSH

  I do not mind the time alone.

  CHER

  —Hast thou

  Lost all thy sense and sensibility?

  Come hither to the house, take thine old room,

  And join thou in the balls that we shall host.

  JOSH

  Nay, but I thank thee.

  CHER

  —Wherefore wilt thou not?

  JOSH

  Thou hast a social galaxy entire—

  The planets, moons, and quasars in their courses,

  With thee, the bright sun, at its center point—

  Therein would I be mere impediment.

  CHER

  Thou couldst ne’er be impediment, in sooth.

  JOSH

  Wouldst thou want some ex-half-stepbrother type

  To orbit round thy dances and soirées?

  CHER

  Though once our parents were conjoin’d, thou art

  No brother mine.

  JOSH

  —Yet thou dost know my meaning.

  CHER

  Have some excitement in thy gloomy life—

  The universe shines brightly when one sees

  The stars of all the firmament array’d.

  Thou shalt replenish’d be for thine exams,

  Which even thou—whose head may sometimes be

  As rigid as a meteor—canst see.

  JOSH

  Thou hast o’erwhelm’d my better sense with this,

  Thine otherworldly pow’r of argument.

  CHER

  ’Tis well—such fun we’ll have!

  JOSH

  —How did I come

  Unto the point where I accept advice

  From one who liketh drawings in her books?

  CHER

  I’ll not take heed whilst thou insult’st Sirs Wren

  And Stimpious, who are philosophers

  Most existential. For, as it is said,

  Cogito ergo stultus sum, in sooth.

  JOSH

  The words outpouring from thine untrain’d mouth:

  Hast e’en a jot or tittle of what thou

  Art saying?

  CHER

  —Nay, yet sound as though I do!

  Alas, the heaviness of sleep o’ercomes me,

  And I must to my room. Good night, kind Josh.

  [Exit Cher.

  JOSH

  She hath invited me to spend my school’s

  Spring holidays residing in this house.

  Although her heart toward her Christian turns,

  I cannot be dismay’d at this event—

  This sudden warmth in our relationship.

  Such I’ll not press, but let fate take its time

  And see what doth transpire in th’interim.

  Who knows but that we two may yet be friends?

  Bewildering’s her attitude to me,

  Yet ’tis a wonder I’ll bear happily.

  [Exit.

  The Horowitz house.

  Enter CHER and DIONNE.

  CHER

  My Christian said that he would call on me

  Upon the morrow, which, in boyish time,

  Translates to Thursday. Pray imagine, then,

  My great surprise that he shall come tonight!

  He wishes to deliver merriments—

  A newfound form of entertainment, which

  As yet
is unbeknownst to me, and that

  The two of us together shall explore.

  A night alone with Christian! This is why

  I’ve sent for thee, to reinforce my nerves.

  DIONNE

  A lighting concept for thy sitting room

  We must design, to set the mood aright,

  And then decide what garments thou shalt wear—

  A costume fit for catching stylish lads.

  CHER

  The mirror telleth naught but lies to me—

  Pray, render me a portrait I shall see.

  [Dionne draws Cher in various outfits.

  DIONNE

  ’Tis said that when a lad doth come to call,

  One must have foodstuffs cooking on a spit,

  With fine aromas to ensnare the nose,

  Which shall lead him to thee like fish on hook.

  CHER

  An excellent suggestion, verily—

  I’ll put this lump of flesh upon the flames

  And let the fragrance waft to Christian’s nostrils.

  [They put meat over the fire.

  My face, methinks, still hath a reddish hue.

  DIONNE

  I’ll paint thee to appear as white as snow,

  Yet thou art flush’d, and must unwind thy nerves,

  Which yet are tightly coil’d, an ’twere a spring.

  CHER

  As I bethink upon my maidenhead,

  How happy am I that I spent it not

  On someone for whom feelings were lukewarm.

  My Christian is a most attractive man;

  This night shall I remember evermore.

  DIONNE

  Blot now thy lips—thou art as ready as

  Thou canst be.

  CHER

  —Thank you, Dionne, for thy help.

  [A bell rings.

  Ah! Christian comes, mine evening must begin.

  DIONNE

  This is my cue to exit instantly—

  Farewell, sweet Cher, and may thine evening shine!

  [Exit Dionne. Cher answers the door.

  Enter CHRISTIAN, bearing picture book merriments, playbills, and portraits.

  CHRISTIAN

  Good even, miss.

  CHER

  —Holla.

  CHRISTIAN

  —Doth something burn?

  I sense a smoldering within the air,

  As if ’twere Mass with extra thuribles.

  CHER

  Alas—the meat!

  [They rush to the kitchen, where the meat is burning. Cher quickly removes it from the fire.

  CHRISTIAN

  —My sweet, thou cook’d for me.

  ’Tis like we two are married and play house.

  CHER

  I tried, yet fail’d.

  CHRISTIAN

  —Show me thine ample home.

  [They begin walking around the house.

  Thy father hath well-rounded tastes in art,

  And his collection shows variety.

  CHER

  He is no connoisseur of art, yet saith

  To purchase artwork is a venture sound.

  CHRISTIAN

  He is no fool, thy father—quite astute.

  This sculpture is Claes Oldenburg, methinks.

  CHER

  A sculptor of renown and worldwide fame.

  CHRISTIAN

  This other piece is older, canst thou see?

  Transitional—a most important piece.

  CHER

  [aside:] Who knew he was so riveted by art?

  Would he not rather bed me than display

  That he knows ev’ry style of furniture?

  [To Christian:] Shall we do as merfolk are wont to do,

  And take a plunge within my fam’ly’s pool?

  CHRISTIAN

  An occupation far too wet by half—

  Let us inside, to view my merriments.

  [They go inside and lounge together on a bed, looking at Christian’s picture book merriments, playbills, and portraits.

  CHER

  [aside:] Whilst ordinarily this entertainment 60

  Would hold some fascination for me, now

  It seemeth this is only a delay,

  A prelude to the evening’s main event.

  These pictures are delightful, in their way,

  Yet I am much distracted presently.

  My Christian loves the artist Tony Curtis

  And brought a number of his pictures here:

  Spartronicus and As Some Like It Hot.

  I’ll let him know of mine intentions with

  A subtle sweeping of my supple foot.

  [She rubs her foot against Christian, and he moves away uncomfortably.

  CHRISTIAN

  Is this a game of footsie thou wouldst play?

  CHER

  My feet are cold; I hop’d thou wouldst give warmth.

  CHRISTIAN

  This well-fluff’d pillow, o’er the top of them,

  Shall give thee all the heat thou canst desire.

  [He places a pillow upon her feet.

  View what comes next, for ’tis a thrilling part.

  CHER

  [aside:] Alas, unto the pages he doth turn,

  As if his picture books were ev’rything!

  I’ll make my face the sign of wantonness,

  That he may know here lies a much-inclin’d—

  [She tries to look alluring and, in doing so, loses her balance and falls off the bed.

  CHRISTIAN

  Art thou well, Cher?

  CHER

  —In troth, ne’er was I better.

  Wouldst thou have aught to drink? Perhaps some wine,

  To lubricate the workings of our night?

  CHRISTIAN

  Nay—hast thou notic’d wine has the effect

  Of making people emphasize their sex?

  CHER

  Yet ’tis no bother. ’Tis a glad result,

  If thus to emphasize may further lead,

  Attended with the pleasures of the world.

  CHRISTIAN

  [aside:] Alas, a lass again caught ’neath my spell,

  Though I desire it not nor wish’d it so.

  [To Cher:] My spirit hath grown tir’d, and I must leave.

  CHER

  Some coffee shall revive thy spirit faint!

  CHRISTIAN

  Mine ulcer shall be writhing if I drink’t.

  CHER

  Yet thou had many cappuccinos once

  And made no mention of an ulcer’s pain.

  CHRISTIAN

  ’Tis mostly foam, which—like the seaside’s waves,

  Which do but stand upon the foaming shore—

  Doth grant one health, detracting not therefrom.

  CHER

  Wilt thou be gone so soon?

  CHRISTIAN

  —Pray, hear me, Cher:

  Thou art a wonder. Are we two not friends?

  CHER

  We are.

  CHRISTIAN

  —Grant me a kiss upon my cheek.

  [She kisses his cheek.

  My maiden sweet, farewell.

  [Exit Christian.

  CHER

  —What scene was this?

  Have I some fault—can flat hair blamèd be?

  Did I upon some awkward lighting fall?

  O Christian, if thou couldst but tell me what

  I did that hath so disenchanted thee,

  ’Twill be address’d! The problem must be me.

  [Exit.

  The streets of Beverly Hills.

  Enter DIONNE and MURRAY, driving in her carriage.

  DIONNE

  A mes
sage I receiv’d from Cher today,

  Who told me of her disappointing night

  With her perplexing newfound paramour.

  She is confounded by the manner that

  He did display when they had time alone.

  I bid thee, hound her not for details, please,

  For she is delicate and vulnerable.

  MURRAY

  More worried over thy new driving skills

  Am I than over Cher’s romantic life.

  Upon the theme of Cher and her new beau,

  I shall withhold my tongue and be like one

  Who doth but listen, with no pow’r to speak.

  DIONNE

  Thou, Murray, art a worthy gentleman.

  Enter CHER, climbing into the carriage with them. They drive on.

  CHER

  Directly to the point, my caring friends—

  What’s wrong with me, that someone would not take

  Delight in mine appearance or myself?

  DIONNE

  Belike the lad was truly tir’d, ’tis all.

  CHER

  Perhaps the match was not our destiny—

  The lad doth finer garments own than mine.

  What could I bring to such relationship?

  MURRAY

  [to Dionne:] Beware of all the lanes—an thou wouldst change,

  What must thou do?

  DIONNE

  —First, make my signal clear.

  [She begins to signal and turns her head aside.

  MURRAY

  Nay, watch the road, or thou mayst wreck us.

  DIONNE

  —Tut!

  Thy shouting shall not calm my weary nerves.

  Next, in my mirror gaze, that I may view

  Another carriage coming up behind,

  And check the blind spot, to be wholly safe.

  [She turns her head, and the carriage swerves wildly.

  MURRAY

  Turn with thy head yet not the carriage whole!

  By heaven, lass, thy driving wretchèd is!

  DIONNE

  I shall not hear thee, who would silent be.

  MURRAY

  My silence was not promis’d unto thee.

  CHER

  To be capricious o’er my maidenhood

  Was foolish—glad am I that nothing came.

  Dee, nearly did I give myself to him.

  MURRAY

  Who is this man, who hath rejected thee?

  CHER

  ’Twas Christian, who hath nearly ta’en my sex.

  [Murray laughs heartily.

  DIONNE

  So quickly turn’d from listen unto laugh?

  What is so humorous?

  MURRAY

  —Are ye both blind?

  Hath aught affected your collective eyes,

  That ye see not the matter, which is clear

  To anyone who hath the pow’r of sight?

  Thy would-be paramour, this Christian, is

  Less likely to be lover than be squire,

 

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