“Is that double entente?”
“Don’t slow me up! Now there’s a few of ’em that seem to have some cultural background, some intelligence and a good deal of literary felicity but they just simply won’t write honestly; they’d all claim there was no public for good stuff. Then why the devil is it that Wells, Conrad, Galsworthy, Shaw, Bennett, and the rest depend on America for over half their sales?”
“How does little Tommy like the poets?”
Tom was overcome. He dropped his arms until they swung loosely beside the chair and emitted faint grunts.
“I’m writing a satire on ‘em now, calling it ‘Boston Bards and Hearst Reviewers.’ ”
“Let’s hear it,” said Amory eagerly.
“I’ve only got the last few lines done.”
“That’s very modern. Let’s hear’em, if they’re funny.”
Tom produced a folded paper from his pocket and read aloud, pausing at intervals, so that Amory could see that it was free verse:
“So
Walter Arensberg,
Alfred Kreymborg,
Carl Sandburg,
Louis Untermeyer,
Eunice Tietjens,
Clara Shanafelt,
James Oppenheim,
Maxwell Bodenheim,
Richard Glaenzer,
Scharmel Iris,
Conrad Aiken,
I place your names here
So that you may live
If only as names,
Sinuous, mauve-colored names,
In the Juvenalia
Of my collected editions.”
Amory roared.
“You win the iron pansy. I’ll buy you a meal on the arrogance of the last two lines.”
Amory did not entirely agree with Tom’s sweeping damnation of American novelists and poets. He enjoyed both Vachel Lindsay and Booth Tarkington, and admired the conscientious, if slender, artistry of Edgar Lee Masters.
“What I hate is this idiotic drivel about ‘I am God—I am man—I ride the winds—I look through the smoke—I am the life sense.’ ”
“It’s ghastly!”
“And I wish American novelists would give up trying to make business romantically interesting. Nobody wants to read about it, unless it’s crooked business. If it was an entertaining subject they’d buy the life of James J. Hill and not one of these long office tragedies that harp along on the significance of smoke—”
“And gloom,” said Tom. “That’s another favorite, though I’ll admit the Russians have the monopoly. Our specialty is stories about little girls who break their spines and get adopted by grouchy old men because they smile so much. You’d think we were a race of cheerful cripples and that the common end of the Russian peasant was suicide—”
“Six o’clock,” said Amory, glancing at his wristwatch. “I’ll buy you a grea’ big dinner on the strength of the Juvenalia of your collected editions.”
Looking Backward
July sweltered out with a last hot week, and Amory in another surge of unrest realized that it was just five months since he and Rosalind had met. Yet it was already hard for him to visualize the heart-whole boy who had stepped off the transport, passionately desiring the adventure of life. One night while the heat, overpowering and enervating, poured into the windows of his room he struggled for several hours in a vague effort to immortalize the poignancy of that time.
The February streets, wind-washed by night, blow full of strange half-intermittent damps, bearing on wasted walks in shining sight wet snow plashed into gleams under the lamps, like golden oil from some divine machine, in an hour of thaw and stars.
Strange damps—fullof the eyes of many men, crowded with life borne in upon a lull.... Oh, I was young, for I could turn again to you, most finite and most beautiful, and taste the stuff of half-remembered dreams, sweet and new on your mouth.
... There was a tanging in the midnight air—silencewas dead and sound not yet awoken—Lifecracked like ice!—one brilliant note and there, radiant and pale, you stood... and spring had broken. (The icicles were short upon the roofs and the changeling city swooned.)
Our thoughts were frosty mist along the eaves; our two ghosts kissed, high on the long, mazed wires—eerie half-laughter echoes here and leaves only a fatuous sigh for young desires; regret has followed after things she loved, leaving the great husk.
Another Ending
In mid-August came a letter from Monsignor Darcy, who had evidently just stumbled on his address:
My dear Boy:—
Your last letter was quite enough to make me worry about you. It was not a bit like yourself. Reading between the lines I should imagine that your engagement to this girl is making you rather unhappy, and I see you have lost all the feeling of romance that you had before the war. You make a great mistake if you think you can be romantic without religion. Sometimes I think that with both of us the secret of success, when we find it, is the mystical element in us: something flows into us that enlarges our personalities, and when it ebbs out our personalities shrink; I should call your last two letters rather shrivelled. Beware of losing yourself in the personality of another being, man or woman.
His Eminence Cardinal O’Neill and the Bishop of Boston are staying with me at present, so it is hard for me to get a moment to write, but I wish you would come up here later if only for a week-end. I go to Washington this week.
What I shall do in the future is hanging in the balance. Absolutely between ourselves I should not be surprised to see the red hat of a cardinal descend upon my unworthy head within the next eight months. In any event, I should like to have a house in New York or Washington where you could drop in for week-ends.
Amory, I’m very glad we’re both alive; this war could easily have been the end of a brilliant family. But in regard to matrimony, you are now at the most dangerous period of your life. You might marry in haste and repent at leisure, but I think you won’t. From what you write me about the present calamitous state of your finances, what you want is naturally impossible. However, if I judge you by the means I usually choose, I should say that there will be something of an emotional crisis within the next year.
Do write me. I feel annoyingly out of date on you.
With greatest affection, Thayer Darcy.
Within a week after the receipt of this letter their little household fell precipitously to pieces. The immediate cause was the serious and probably chronic illness of Tom’s mother. So they stored the furniture, gave instructions to sublet and shook hands gloomily in the Pennsylvania Station. Amory and Tom seemed always to be saying good-by.
Feeling very much alone, Amory yielded to an impulse and set off southward, intending to join Monsignor in Washington. They missed connections by two hours, and, deciding to spend a few days with an ancient, remembered uncle, Amory journeyed up through the luxuriant fields of Maryland into Ramilly County. But instead of two days his stay lasted from mid-August nearly through September, for in Maryland he met Eleanor.
CHAPTER THREE
Young Irony
For years afterward when Amory thought of Eleanor he seemed still to hear the wind sobbing around him and sending little chills into the places beside his heart. The night when they rode up the slope and watched the cold moon float through the clouds, he lost a further part of him that nothing could restore; and when he lost it he lost also the power of regretting it. Eleanor was, say, the last time that evil crept close to Amory under the mask of beauty, the last weird mystery that held him with wild fascination and pounded his soul to flakes.
With her his imagination ran riot and that is why they rode to the highest hill and watched an evil moon ride high, for they knew then that they could see the devil in each other. But Eleanor—did Amory dream her? Afterward their ghosts played, yet both of them hoped from their souls never to meet. Was it the infinite sadness of her eyes that drew him or the mirror of himself that he found in the gorgeous clarity of her mind? She will have no other adventure like Amory, and if s
he reads this she will say:
“And Amory will have no other adventure like me.”
Nor will she sigh, any more than he would sigh.
Eleanor tried to put it on paper once:
“The fading things we only know
We’ll have forgotten ...
Put away ...
Desires that melted with the snow,
And dreams begotten
This to-day:
The sudden dawns we laughed to greet,
That all could see, that none could share,
Will be but dawns ... and if we meet
We shall not care.
Dear ... not one tear will rise for this ...
A little while hence
No regret
Will stir for a remembered kiss—
Not even silence,
When we’ve met,
Will give old ghosts a waste to roam,
Or stir the surface of the sea ...
If gray shapes drift beneath the foam
We shall not see.”
They quarrelled dangerously because Amory maintained that sea and see couldn’t possibly be used as a rhyme. And then Eleanor had part of another verse that she couldn’t find a beginning for:
“... But wisdom passes ... still the years
Will feed us wisdom.... Age will go
Back to the old—For all our tears
We shall not know.”
Eleanor hated Maryland passionately. She belonged to the oldest of the old families of Ramilly County and lived in a big, gloomy house with her grandfather. She had been born and brought up in France.... I see I am starting wrong. Let me begin again.
Amory was bored, as he usually was in the country. He used to go for far walks by himself—and wander along reciting “Ulalume”al to the corn-fields, and congratulating Poe for drinking himself to death in that atmosphere of smiling complacency. One afternoon he had strolled for several miles along a road that was new to him, and then through a wood on bad advice from a colored woman ... losing himself entirely. A passing storm decided to break out, and to his great impatience the sky grew black as pitch and the rain began to splatter down through the trees, become suddenly furtive and ghostly. Thunder rolled with menacing crashes up the valley and scattered through the woods in intermittent batteries. He stumbled blindly on, hunting for a way out, and finally, through webs of twisted branches, caught sight of a rift in the trees where the unbroken lightning showed open country. He rushed to the edge of the woods and then hesitated whether or not to cross the fields and try to reach the shelter of the little house marked by a light far down the valley. It was only half past five, but he could see scarcely ten steps before him, except when the lightning made everything vivid and grotesque for great sweeps around.
Suddenly a strange sound fell on his ears. It was a song, in a low, husky voice, a girl’s voice, and whoever was singing was very close to him. A year before he might have laughed, or trembled; but in his restless mood he only stood and listened while the words sank into his consciousness:
“Les sanglots longs
Des violons
De l‘automne
Blessent mon cœur
D’une langueur
Monotone.”
The lightning split the sky, but the song went on without a quaver. The girl was evidently in the field and the voice seemed to come vaguely from a haystack about twenty feet in front of him.
Then it ceased; ceased and began again in a weird chant that soared and hung and fell and blended with the rain:
“Tout suffocant
Et blême quand
Sonne l’heure
Je me souviens
Des jours anciens
Et je pleure....”
“Who the devil is there in Ramilly County,” muttered Amory aloud, “who would deliver Verlaine in an extemporaneous tune to a soaking haystack?”
“Somebody’s there!” cried the voice unalarmed. “Who are you?—Manfred, St. Christopher, or Queen Victoria?”
“I’m Don Juan!” Amory shouted on impulse, raising his voice above the noise of the rain and the wind.
A delighted shriek came from the haystack.
“I know who you are—you’re the blond boy that likes ‘Ulalume’—I recognize your voice.”
“How do I get up?” he cried from the foot of the haystack, whither he had arrived, dripping wet. A head appeared over the edge—it was so dark that Amory could just make out a patch of damp hair and two eyes that gleamed like a cat’s.
“Run back!” came the voice, “and jump and I’ll catch your hand—no, not there—on the other side.”
He followed directions and as he sprawled up the side, knee-deep in hay, a small, white hand reached out, gripped his, and helped him onto the top.
“Here you are, Juan,” cried she of the damp hair. “Do you mind if I drop the Don?”
“You’ve got a thumb like mine!” he exclaimed.
“And you’re holding my hand, which is dangerous without seeing my face.” He dropped it quickly.
As if in answer to his prayers came a flash of lightning and he looked eagerly at her who stood beside him on the soggy haystack, ten feet above, the ground. But she had covered her face and he saw nothing but a slender figure, dark, damp, bobbed hair,am and the small white hands with the thumbs that bent back like his.
“Sit down,” she suggested politely, as the dark closed in on them. “If you’ll sit opposite me in this hollow you can have half of the raincoat, which I was using as a water-proof tent until you so rudely interrupted me.”
“I was asked,” Amory said joyfully; “you asked me—you know you did.”
“Don Juan always manages that,” she said, laughing, “but I shan’t call you that any more, because you’ve got reddish hair. Instead you can recite ‘Ulalume’ and I’ll be Psyche, your soul.”
Amory flushed, happily invisible under the curtain of wind and rain. They were sitting opposite each other in a slight hollow in the hay with the raincoat spread over most of them, and the rain doing for the rest. Amory was trying desperately to see Psyche, but the lightning refused to flash again, and he waited impatiently. Good Lord! supposing she wasn’t beautiful-supposing she was forty and pedantic—heavens! Suppose, only suppose, she was mad. But he knew the last was unworthy. Here had Providence sent a girl to amuse him just as it sent Benvenuto Cellini men to murder, and he was wondering if she was mad, just because she exactly filled his mood.
“I’m not,” she said.
“Not what?”
“Not mad. I didn’t think you were mad when I first saw you, so it isn’t fair that you should think so of me.”
“How on earth—”
As long as they knew each other Eleanor and Amory could be “on a subject” and stop talking with the definite thought of it in their heads, yet ten minutes later speak aloud and find that their minds had followed the same channels and led them each to a parallel idea, an idea that others would have found absolutely unconnected with the first.
“Tell me,” he demanded, leaning forward eagerly, “how do you know about ‘Ulalume’—how did you know the color of my hair? What’s your name? What were you doing here? Tell me all at once!”
Suddenly the lightning flashed in with a leap of overreaching light and he saw Eleanor, and looked for the first time into those eyes of hers. Oh, she was magnificent—pale skin, the color of marble in starlight, slender brows, and eyes that glittered green as emeralds in the blinding glare. She was a witch, of perhaps nineteen, he judged, alert and dreamy and with the tell-tale white line over her upper lip that was a weakness and a delight. He sank back with a gasp against the wall of hay.
“Now you’ve seen me,” she said calmly, “and I suppose you’re about to say that my green eyes are burning into your brain.”
“What color is your hair?” he asked intently. “It’s bobbed, isn’t it?”
“Yes, it’s bobbed. I don’t know what color it is,” she answered, musing, “
so many men have asked me. It’s medium, I suppose—No one ever looks long at my hair. I’ve got beautiful eyes, though, haven’t I. I don’t care what you say, I have beautiful eyes.”
“Answer my question, Madeline.”
“Don’t remember them all—besides my name isn’t Madeline, it’s Eleanor.”
“I might have guessed it. You look like Eleanor—you have that Eleanor look. You know what I mean.”
There was a silence as they listened to the rain.
“It’s going down my neck, fellow lunatic,” she offered finally.
“Answer my questions.”
“Well—name of Savage, Eleanor; live in big old house mile down road; nearest living relation to be notified, grandfather—Ramilly Savage; height, five feet four inches; number on watch-case, 3077 W; nose, delicate aquiline; temperament, uncanny—”
“And me,” Amory interrupted, “where did you see me?”
“Oh, you’re one of those men,” she answered haughtily, “must lug old self into conversation. Well, my boy, I was behind a hedge sunning myself one day last week, and along comes a man saying in a pleasant, conceited way of talking:
“ And now when the night was senescent’
(says he)
And the star dials pointed to morn
At the end of the path a liquescent’
(says he)
And nebulous lustre was born.’
So I poked my eyes up over the hedge, but you had started to run, for some unknown reason, and so I saw but the back of your beautiful head. ‘Oh!’ says I, ‘there’s a man for whom many of us might sigh,’ and I continued in my best Irish—”
“All right,” Amory interrupted. “Now go back to yourself.”
This Side of Paradise (Barnes & Noble Classics Series) Page 25