Charlotte watched Oscar Wilde lean forward to inspect the structure and texture of the flowers as closely as the wallscreen permitted. The camera followed the rim of a corolla, then passed along a stem. The stem bore huge curved thorns, paler in color than the flesh from which they sprouted. Each thorn was tipped with red, as if it had drawn blood. There were other embellishments too—bracts of intricate design, like little lace handkerchiefs, arrayed beneath each flower head.
Wilde seemed to Charlotte to be lost in rapt contemplation of the way that the stems wound around the long bones, holding the skeleton together even though every vestige of flesh had been consumed. The plant had no roots but had supportive structures like holdfasts, which maintained the shape of the whole organism and the coherence of the skeleton too.
Charlotte knew that all this could not be mere accident; the winding of the stems had been carefully programmed for exactly this purpose. The skull, in particular, was very strikingly embellished, with a single stem emerging from each of the empty eye sockets. Charlotte knew well enough what level of genius this meticulous design implied—and what level of insanity.
“Can you be certain that it’s Gabriel?” asked Oscar finally.
“Absolutely certain.” Hal sounded strangely remote; the tape was still playing and he was reduced to the status of a mere voice-over.
“Do you know when he died?” “Yes—it’s all on camera. I suppose we’re lucky that he never made it back to the bedroom. The metamorphosis happened very quickly. It appears that the seeds of that plant devoured him as they grew, transforming his flesh into its own.” “Quite remarkable,” said Oscar Wilde. He said it very lightly, but the understatement must have been carefully calculated. “How did the seeds get into him—or onto him?” “We don’t know. We’re trying to trace his last visitor, of course, but it’s conceivable that the seeds might have been lying dormant in his body for some time.” “Fascinating,” Wilde opined, in a tone which seemed to have more admiration in it than horror.
“Fascinating!” Charlotte echoed in exasperation. “Wouldn’t you say it was a little more than merely fascinating, Dr. Wilde? Can you imagine what an organism like that might do if it ever got loose? We’re looking at something that could wipe out the entire human race.” “Perhaps,” said Wilde calmly, “but I think not. How long ago did he die?” “Between two and three days,” Hal told him, swiftly excluding Charlotte from the conversation yet again.
“He seems to have felt the first symptoms about seventy hours ago; he was incapacitated soon afterward and died a few hours later.” Oscar Wilde licked his full lips, as if to savor his own astonishment. “Those delightful flowers must have a voracious appetite,” he said.
Charlotte eyed him carefully, wondering exactly what his reaction might signify.
“I don’t have to explain to you how serious this matter is, Dr. Wilde,” Hal said. “Quite apart from the fact that the man must have been deliberately infected, the laws regarding the creation of artificial organisms hazardous to human life have clearly been breached. We need your help to find the maker of those flowers. Incidentally, do you happen to recognize the other flowers—the ones in the vase?” “Indeed I do,” the designer replied. “They’re mine—my newest line. I’m rather proud of them; I never suspected that Gabriel had such good taste. You realize, of course, that the flowers which have replaced poor Gabriel’s flesh are similar to mine in that they’re single-sexed flowers from a dioecious species? They’re all female, incapable of producing fertile seed. Our murderer isn’t as reckless as he may seem.” OUR murderer! Charlotte echoed silently. This investigation is becoming ridiculously crowded.
“Could you make plants like those, Dr. Wilde?” Hal asked insouciantly.
Oscar Wilde glanced sideways to meet Charlotte’s inquisitive gaze. She was at least six centimeters shorter than he, but she attempted to look at him as if their stares were perfectly level, trying with all her might to deny him the psychological advantage. He frowned slightly as he appeared to consider the question. Then he said: “It all depends what you mean by ‘like,’ Inspector Watson.” He was still looking at Charlotte.
“Don’t play games with me, Dr. Wilde,” Hal retorted. “Just answer the question.” “I’m sorry,” Wilde said silkily, his eyebrows arching slightly as he invited Charlotte to join him in a conspiracy of sympathy. “I meant no offense. I assume that you’re asking whether I could make a plant which would do what this one has apparently done—grow in the flesh of a human being, utterly consuming everything but the bones. I believe that I could, although I assure you that I never have and never would.” “And how many other people could do it?” Hal wanted to know.
“You’re going too fast, Inspector Watson. I was about to continue by saying that although I—and many other men—could design a plant to do what this one has done, I must confess that I could not have designed this plant. I could not have designed an organism to work with such astonishing speed and such amazing precision. Until I saw this marvel I would have judged that no man could. This is work of a quality that the world has never seen before, and I am eaten up by envy of the genius which produced it.” “You’re saying that you know of no one who could have done this?” Hal said.
Although he was invisible, the impatience in his voice made it obvious that he was skeptical.
“Had you asked me yesterday whether this were possible,” Wilde stated punctiliously, “I would have said no. Clearly, I have underrated one of my peers.” Charlotte stared hard at the uncannily beautiful Oscar Wilde, trying hard to weigh him up. She wondered whether anyone in the world were capable of committing a crime like this and then turning up in person to confront and mock the officers investigating it. It seemed difficult to believe that anyone who looked so young and so perfect could be guilty of anything, but she knew that his apparent youth and apparent perfection were both products of ingenious technology. Wilde was not a man who could be judged by appearances—and those of his appearances that were entirely under his own control announced clearly enough that he was a man who loved artifice and ostentation.
Charlotte decided that if Oscar Wilde could be guilty of the primary madness of planning and committing a crime such as this, the secondary madness of revisiting the scene while it was still under the supervision of investigating officers might easily be within his compass.
“Someone clearly has the required technical expertise to do this, Dr. Wilde,” she said stiffly, to lend unnecessary support to Hal’s patient inquisition.
Oscar Wilde shook his luxuriantly furnished head slowly. He did seem genuinely perplexed, even though the apparent level of his concern for the victim and for the fact that a serious biohazard had been let loose left much to be desired.
“The technical expertise, my dear Charlotte, is only a part of it,” he said. “I might be able to cultivate the relevant technical expertise, were I to attempt such a thing. Perhaps a dozen others might have been able to do it, had they been prepared to put in the time and effort. But what kind of man would devote his energies to such a project for months on end? Who has a reason for doing this kind of work with this degree of intricacy? I confess that I am deeply intrigued by the sheer demonic artistry of the organism.” “I really don’t think that matters of demonic artistry are important here, Dr.
Wilde,” said Charlotte, taking sarcastic advantage of Hal’s continued silence.
“This is murder.” “True,” admitted the green-eyed man. “And yet—a great genetic artist is every bit as distinctive in his work as a great painter. Perhaps we might learn as much from the style of the creation as from its evident purpose. My presence here suggests that some such judgment is required. It seems—does it not?—that the UN Police Department was not alone in requiring my presence as an expert witness.” “What do you mean?” Charlotte asked warily.
“Given that it seems to be impossible that I was summoned here by the victim,” Wilde said, as though it were perfectly obvious, “I can only conclude th
at I was summoned by the murderer.” As if to provide a dramatic counterpart to this remarkable statement, the tape that was running on the wallscreen was abruptly switched off. Hal Watson’s face reappeared in its stead. “I find that hard to believe, Dr. Wilde,” Hal said, reclaiming the interrogation.
“It is hard to believe,” Wilde agreed. “But when we have eliminated the impossible, are we not committed to believing the improbable? Unless, of course, you think that I did this to poor Gabriel and have come to gloat over his fate?” Charlotte had to look away when he said that, and could only hope that she was not blushing too fiercely.
“I can assure you,” Wilde continued, still looking at Charlotte with arched eyebrows, “that although I disliked the man as heartily as he disliked me, I did not dislike him as much as that— and if I had for some peculiar reason decided to murder him, I certainly would not have revisited the scene of my crime in this reckless fashion. A showman I might be, a madman never.” A posturing ape, Charlotte thought, yet again. “Why should the murderer take the trouble to summon you to the scene of his crime?” she demanded. “We would probably have shown all this material to you anyway, given that Walter Czastka’s in the Hawaiian islands and that I couldn’t get through to him by phone. Why would the murderer send you a message?” “I’m deeply offended by the fact that your first choice of expert witness was Walter Czastka,” Wilde murmured infuriatingly, “but I suppose that I must forgive you. He has, after all, made so much more money than I have.” “Dr. Wilde—,” Hal cut in—and was promptly cut off.
“Yes, of course,” said Oscar Wilde. “This is a very serious matter—a murder investigation and a potential biohazard. I’m sorry. At the risk of annoying you further, I think I might be able to guess why a message was sent in order to summon me here. It seems insane, I know, but I suspect that I might have been brought to identify the person who made those flowers. As to whether or not he is your murderer, I cannot say, but I believe that I know who forged the weapon.” “How do you know?” Charlotte demanded.
“By virtue of his demonic artistry,” Wilde replied. “I hesitate to accuse a man of a serious crime on the basis of a purely aesthetic judgment, but on due reflection, I believe that I do recognize his style.” “That’s ridiculous,” Hal Watson said petulantly. “If the murderer had wanted to identify himself, all he had to do was call us or leave a signed message. How would he know that you would recognize his work—and why, if he knew it, would he want you to do it?” “Those are interesting questions,” admitted Oscar, “to which I have as yet no answers. Nevertheless, I can only suppose that I was sent an invitation to this mysterious event in order that I might play a part in its unraveling. I can see no other possibility—unless, of course, I am mistaken in my judgment, in which case I might have been summoned in order to lay down a false trail. I repeat, however, that I cannot conclusively identify your murderer—merely the maker of his instrument.” “Who?” said Charlotte, more succinctly than she would have preferred.
Oscar Wilde opened his arms wide in a gesture of exaggerated helplessness. “I cannot claim to be absolutely certain,” he said, “but if appearances and my expert judgment are to be trusted, those flowers are the work of the man who has always been known to me by the pseudonym Rappaccini!” The name of Rappaccini was perfectly familiar to Charlotte, as it was to everyone who had ever attended a funeral procession or watched one on TV, but she had always assumed that it was the name of a company rather than an individual. The carriages leading the funeral train she had been watching only a few minutes before would undoubtedly have been decked with produce bearing that name, although the actual flowers would have been the handiwork of subcontractors using mass-produced seeds manufactured according to patented gentemplates. No fashionable funeral—and there were no longer many unfashionable ones within the boundaries of the USNA—could be reckoned complete without flowers by Rappaccini Inc. The name would doubtless have been found on every condolence card attached to every wreath.
Charlotte remembered something Regina Chai had said: “The card that came with the yellow flowers might have given him a clue, if he’d bothered to read it, but he didn’t.” “I fear,” Wilde continued with annoying casualness, “that I never thought to ask Rappaccini’s real name in the days when he used to appear in public. Most members of the Institute of Genetic Art preferred to exhibit their work pseudonymously in those days—a hangover from the era when there were too many people still alive who associated genetic engineers with the weapons employed in the plague wars and the chiasmatic transformers which caused the Crash.” “Is Oscar Wilde a pseudonym?” Hal Watson was quick to ask.
Wilde shook his head. “My name was a jest naively bestowed upon me by my parents. I was happy to use it in those days because it sounded like a pseudonym—a double bluff encouraged by the delight I took in aping the mannerisms of my ancient namesake.” “Perhaps,” Hal said suspiciously, “the message which summoned you here was also a double bluff. Perhaps your identification of the pseudonymous Rappaccini as the person who made the flowers is a double bluff too.” Oscar Wilde shook his head sorrowfully and breathed in deeply, as though to prepare for a huge sigh. “I wish that I could take pride in being a prime suspect,” he said dolefully, “but I really am aware of the serious implications of this matter. Perhaps I should be flattered that you think me to be capable not only of producing these astounding blooms, but also of returning to the scene of my crime in this cavalier manner; I really must not be tempted to take credit for such daring and arrogance, however. It would only hold up your investigation. I can assure you that I have an ironclad alibi for the time of death. Three days ago I was in a small private hospital, and the flesh of my outer tissues was unbecomingly fluid. I had been there for some time, undergoing rejuvenation treatment.” “That doesn’t prove anything,” Charlotte put in. She was beginning to think that this facetious poseur might be capable of almost anything. “You might have made the seeds months ago, and you might have taken great care to make sure that they were delivered—or, at least, that they began to take effect—while you were in the hospital.” “I suppose I might have,” said the man who had programmed his sim to call him the Young Master in anticipation of his reemergence from the hospital, “but I didn’t. If you are determined to ignore my advice there is evidently nothing I can say to change your mind—but I assure you that your investigation will proceed much more smoothly if you forget about me and concentrate on Rappaccini.” Charlotte could not tell whether or not Wilde’s manner was calculated to give an impression of arrogant insincerity. It was, she supposed, just about possible that he conducted himself in this florid fashion all the time. She could not help glancing at Michael Lowenthal, as if to inquire what he thought of all this, but the blond man was content to watch in fascination; he did not even meet her glance.
“If the murderer wished to be identified,” Hal Watson said, “why didn’t he simply leave his own name on the screens in King’s apartment, with an explanation of his motive?” “Why did he not simply shoot Gabriel King with a revolver?” countered the geneticist. “Why has he gone to the effort of designing and making this fabulous plant? There is something very strange going on here, no matter how much you might wish that it were simpler than it seems. We must accept the facts of the matter and do our best to see the significance within them.” Charlotte noticed Michael Lowenthal nodding his head slightly, presumably in mute agreement. She wished, belatedly, that she had had the patience to stand by, as Lowenthal had done, and watch the farce unfold while wearing an expression of keen concentration. Unlike Hal and herself, Lowenthal had not yet contrived to make a fool of himself by dueling verbally with Oscar Wilde.
“Perhaps there is no real significance in the more bizarre facts,” Hal said, stubbornly plugging on. “As you must have realized, Dr. Wilde, we’re obviously dealing with a mad person: a very dangerous mad person. The method of murder may simply be an expression of his—or, of course, her—madness.” “Perhaps we are dea
ling with a mad person,” Wilde agreed, refusing to respond to the obvious suggestion that he might be the mad person in question, “but if this is madness, it is very methodical madness, and madness with a hint of artistic genius. You must confess that as crimes go, this qualifies as one of the most unusual ever devised—highly original, and executed with great care.” “Dr. Wilde,” said Hal, his voice weary with tried patience, “originality is not an issue here. This was cold-blooded murder, and it has to be treated like any other murder.” “I love that phrase,” said the geneticist teasingly. “Cold-blooded murder. It’s so provocative.” Charlotte stared at him, wondering whether she might indeed be face-to-face with a uniquely dangerous madman—and whether, if so, he might still be a murderously inclined madman. She did not know what to make of the man at all, any more than she knew what to make of the crazy investigation into which he had so casually intruded himself. She knew that she was supposed to leave the real detective work to Hal Watson, but she couldn’t help wrestling with the logic of the affair, trying hard to see some glimmer of sense somewhere within the absurd pattern.
“Hal,” she put in, remembering again what Regina Chai had said. “Wasn’t there a card with the flowers? Have you a still you can put up on the screen?” Hal apparently had sufficient respect for her judgment not to ask her why—although, for once, he was probably glad of the opportunity to let go of the conversation.
* * * The image on the screen flickered, then shifted to a shot in which the camera was zooming in on something which lay on the glass-topped table, propped up against the vase containing the yellow flowers. It was a small cardboard rectangle. It had already been monomol-sealed as a safety measure, but the transparent film did not obscure the words written on the card.
Architects of Emortality Page 4