by Leo Tolstoy
 kidney and arrest it and support it. So little was needed for
   this, it seemed to him. "No, I'll go to see Peter Ivanovich
   again." [That was the friend whose friend was a doctor.] He rang,
   ordered the carriage, and got ready to go.
   "Where are you going, Jean?" asked his wife with a specially
   sad and exceptionally kind look.
   This exceptionally kind look irritated him. He looked
   morosely at her.
   "I must go to see Peter Ivanovich."
   He went to see Peter Ivanovich, and together they went to see
   his friend, the doctor. He was in, and Ivan Ilych had a long talk
   with him.
   Reviewing the anatomical and physiological details of what in
   the doctor's opinion was going on inside him, he understood it all.
   There was something, a small thing, in the vermiform appendix. 
   It might all come right. Only stimulate the energy of one organ
   and check the activity of another, then absorption would take place
   and everything would come right. He got home rather late for
   dinner, ate his dinner, and conversed cheerfully, but could not for
   a long time bring himself to go back to work in his room. At last,
   however, he went to his study and did what was necessary, but the
   consciousness that he had put something aside -- an important,
   intimate matter which he would revert to when his work was done --
   never left him. When he had finished his work he remembered that
   this intimate matter was the thought of his vermiform appendix. 
   But he did not give himself up to it, and went to the drawing-room
   for tea. There were callers there, including the examining
   magistrate who was a desirable match for his daughter, and they
   were conversing, playing the piano, and singing. Ivan Ilych, as
   Praskovya Fedorovna remarked, spent that evening more cheerfully
   than usual, but he never for a moment forgot that he had postponed
   the important matter of the appendix. At eleven o'clock he said
   goodnight and went to his bedroom. Since his illness he had slept
   alone in a small room next to his study. He undressed and took up
   a novel by Zola, but instead of reading it he fell into thought,
   and in his imagination that desired improvement in the vermiform
   appendix occurred. There was the absorption and evacuation and the
   re-establishment of normal activity. "Yes, that's it!" he said to
   himself. "One need only assist nature, that's all." He remembered
   his medicine, rose, took it, and lay down on his back watching for
   the beneficent action of the medicine and for it to lessen the
   pain. "I need only take it regularly and avoid all injurious
   influences. I am already feeling better, much better." He began
   touching his side: it was not painful to the touch. "There, I
   really don't feel it. It's much better already." He put out the
   light and turned on his side ... "The appendix is getting better,
   absorption is occurring." Suddenly he felt the old, familiar,
   dull, gnawing pain, stubborn and serious. There was the same
   familiar loathsome taste in his mouth. His heart sand and he felt
   dazed. "My God! My God!" he muttered. "Again, again! And it
   will never cease." And suddenly the matter presented itself in a
   quite different aspect. "Vermiform appendix! Kidney!" he said to
   himself. "It's not a question of appendix or kidney, but of life
   and...death. Yes, life was there and now it is going, going and I
   cannot stop it. Yes. Why deceive myself? Isn't it obvious to
   everyone but me that I'm dying, and that it's only a question of
   weeks, days...it may happen this moment. There was light and now
   there is darkness. I was here and now I'm going there! Where?" A
   chill came over him, his breathing ceased, and he felt only the
   throbbing of his heart.
   "When I am not, what will there be? There will be nothing. 
   Then where shall I be when I am no more? Can this be dying? No,
   I don't want to!" He jumped up and tried to light the candle, felt
   for it with trembling hands, dropped candle and candlestick on the
   floor, and fell back on his pillow.
   "What's the use? It makes no difference," he said to himself,
   staring with wide-open eyes into the darkness. "Death. Yes,
   death. And none of them knows or wishes to know it, and they have
   no pity for me. Now they are playing." (He heard through the door
   the distant sound of a song and its accompaniment.) "It's all the
   same to them, but they will die too! Fools! I first, and they
   later, but it will be the same for them. And now they are
   merry...the beasts!"
   Anger choked him and he was agonizingly, unbearably miserable. 
   "It is impossible that all men have been doomed to suffer this
   awful horror!" He raised himself.
   "Something must be wrong. I must calm myself -- must think it
   all over from the beginning." And he again began thinking. "Yes,
   the beginning of my illness: I knocked my side, but I was still
   quite well that day and the next. It hurt a little, then rather
   more. I saw the doctors, then followed despondency and anguish,
   more doctors, and I drew nearer to the abyss. My strength grew
   less and I kept coming nearer and nearer, and now I have wasted
   away and there is no light in my eyes. I think of the appendix --
   but this is death! I think of mending the appendix, and all the
   while here is death! Can it really be death?" Again terror seized
   him and he gasped for breath. He leant down and began feeling for
   the matches, pressing with his elbow on the stand beside the bed. 
   It was in his way and hurt him, he grew furious with it, pressed on
   it still harder, and upset it. Breathless and in despair he fell
   on his back, expecting death to come immediately.
   Meanwhile the visitors were leaving. Praskovya Fedorovna was
   seeing them off. She heard something fall and came in. 
   "What has happened?"
   "Nothing. I knocked it over accidentally." 
   She went out and returned with a candle. He lay there panting
   heavily, like a man who has run a thousand yards, and stared
   upwards at her with a fixed look. 
   "What is it, Jean?"
   "No...o...thing. I upset it." ("Why speak of it? She won't
   understand," he thought.)
   And in truth she did not understand. She picked up the stand,
   lit his candle, and hurried away to see another visitor off. When
   she came back he still lay on his back, looking upwards.
   "What is it? Do you feel worse?"
   "Yes."
   She shook her head and sat down.
   "Do you know, Jean, I think we must ask Leshchetitsky to come
   and see you here."
   This meant calling in the famous specialist, regardless of
   expense. He smiled malignantly and said "No." She remained a
   little longer and then went up to him and kissed his forehead.
   While she was kissing him he hated her from the bottom of his
   soul and with difficulty refrained from pushing her away.
   "Good night. Please God you'll sleep."<
br />
   "Yes."
   VI
   Ivan Ilych saw that he was dying, and he was in continual
   despair.
   In the depth of his heart he knew he was dying, but not only
   was he not accustomed to the thought, he simply did not and could
   not grasp it.
   The syllogism he had learnt from Kiesewetter's Logic: "Caius
   is a man, men are mortal, therefore Caius is mortal," had always
   seemed to him correct as applied to Caius, but certainly not as
   applied to himself. That Caius -- man in the abstract -- was
   mortal, was perfectly correct, but he was not Caius, not an
   abstract man, but a creature quite, quite separate from all others. 
   He had been little Vanya, with a mamma and a papa, with Mitya and
   Volodya, with the toys, a coachman and a nurse, afterwards with
   Katenka and will all the joys, griefs, and delights of childhood,
   boyhood, and youth. What did Caius know of the smell of that
   striped leather ball Vanya had been so fond of? Had Caius kissed
   his mother's hand like that, and did the silk of her dress rustle
   so for Caius? Had he rioted like that at school when the pastry
   was bad? Had Caius been in love like that? Could Caius preside at
   a session as he did? "Caius really was mortal, and it was right
   for him to die; but for me, little Vanya, Ivan Ilych, with all my
   thoughts and emotions, it's altogether a different matter. It
   cannot be that I ought to die. That would be too terrible."
   Such was his feeling.
   "If I had to die like Caius I would have known it was so. An
   inner voice would have told me so, but there was nothing of the
   sort in me and I and all my friends felt that our case was quite
   different from that of Caius. and now here it is!" he said to
   himself. "It can't be. It's impossible! But here it is. How is
   this? How is one to understand it?"
   He could not understand it, and tried to drive this false,
   incorrect, morbid thought away and to replace it by other proper
   and healthy thoughts. But that thought, and not the thought only
   but the reality itself, seemed to come and confront him.
   And to replace that thought he called up a succession of
   others, hoping to find in them some support. He tried to get back
   into the former current of thoughts that had once screened the
   thought of death from him. But strange to say, all that had
   formerly shut off, hidden, and destroyed his consciousness of
   death, no longer had that effect. Ivan Ilych now spent most of his
   time in attempting to re-establish that old current. He would say
   to himself: "I will take up my duties again -- after all I used to
   live by them." And banishing all doubts he would go to the law
   courts, enter into conversation with his colleagues, and sit
   carelessly as was his wont, scanning the crowd with a thoughtful
   look and leaning both his emaciated arms on the arms of his oak
   chair; bending over as usual to a colleague and drawing his papers
   nearer he would interchange whispers with him, and then suddenly
   raising his eyes and sitting erect would pronounce certain words
   and open the proceedings. But suddenly in the midst of those
   proceedings the pain in his side, regardless of the stage the
   proceedings had reached, would begin its own gnawing work. Ivan
   Ilych would turn his attention to it and try to drive the thought
   of it away, but without success. *It* would come and stand before
   him and look at him, and he would be petrified and the light would
   die out of his eyes, and he would again begin asking himself
   whether *It* alone was true. And his colleagues and subordinates
   would see with surprise and distress that he, the brilliant and
   subtle judge, was becoming confused and making mistakes. He would
   shake himself, try to pull himself together, manage somehow to
   bring the sitting to a close, and return home with the sorrowful
   consciousness that his judicial labours could not as formerly hide
   from him what he wanted them to hide, and could not deliver him
   from *It*. And what was worst of all was that *It* drew his
   attention to itself not in order to make him take some action but
   only that he should look at *It*, look it straight in the face: 
   look at it and without doing anything, suffer inexpressibly.
   And to save himself from this condition Ivan Ilych looked for
   consolations -- new screens -- and new screens were found and for
   a while seemed to save him, but then they immediately fell to
   pieces or rather became transparent, as if *It* penetrated them and
   nothing could veil *It*. 
   In these latter days he would go into the drawing-room he had
   arranged -- that drawing-room where he had fallen and for the sake
   of which (how bitterly ridiculous it seemed) he had sacrificed his
   life -- for he knew that his illness originated with that knock. 
   He would enter and see that something had scratched the polished
   table. He would look for the cause of this and find that it was
   the bronze ornamentation of an album, that had got bent. He would
   take up the expensive album which he had lovingly arranged, and
   feel vexed with his daughter and her friends for their untidiness -
   - for the album was torn here and there and some of the photographs
   turned upside down. He would put it carefully in order and bend
   the ornamentation back into position. Then it would occur to him
   to place all those things in another corner of the room, near the
   plants. He would call the footman, but his daughter or wife would
   come to help him. They would not agree, and his wife would
   contradict him, and he would dispute and grow angry. But that was
   all right, for then he did not think about *It*. *It* was
   invisible.
   But then, when he was moving something himself, his wife would
   say: "Let the servants do it. You will hurt yourself again." And
   suddenly *It* would flash through the screen and he would see it. 
   It was just a flash, and he hoped it would disappear, but he would
   involuntarily pay attention to his side. "It sits there as before,
   gnawing just the same!" And he could no longer forget *It*, but
   could distinctly see it looking at him from behind the flowers. 
   "What is it all for?"
   "It really is so! I lost my life over that curtain as I might
   have done when storming a fort. Is that possible? How terrible
   and how stupid. It can't be true! It can't, but it is."
   He would go to his study, lie down, and again be alone with
   *It*: face to face with *It*. And nothing could be done with *It*
   except to look at it and shudder.
   VII
   How it happened it is impossible to say because it came about
   step by step, unnoticed, but in the third month of Ivan Ilych's
   illness, his wife, his daughter, his son, his acquaintances, the
   doctors, the servants, and above all he himself, were aware that
   the whole interest he had for other people was whether he would
   soon vacate his place, and at las
t release the living from the
   discomfort caused by his presence and be himself released from his
   sufferings.
   He slept less and less. He was given opium and hypodermic
   injections of morphine, but this did not relieve him. The dull
   depression he experienced in a somnolent condition at first gave
   him a little relief, but only as something new, afterwards it
   became as distressing as the pain itself or even more so.
   Special foods were prepared for him by the doctors' orders,
   but all those foods became increasingly distasteful and disgusting
   to him.
   For his excretions also special arrangements had to be made,
   and this was a torment to him every time -- a torment from the
   uncleanliness, the unseemliness, and the smell, and from knowing
   that another person had to take part in it.
   But just through his most unpleasant matter, Ivan Ilych
   obtained comfort. Gerasim, the butler's young assistant, always
   came in to carry the things out. Gerasim was a clean, fresh
   peasant lad, grown stout on town food and always cheerful and
   bright. At first the sight of him, in his clean Russian peasant
   costume, engaged on that disgusting task embarrassed Ivan Ilych.
   Once when he got up from the commode to weak to draw up his
   trousers, he dropped into a soft armchair and looked with horror at
   his bare, enfeebled thighs with the muscles so sharply marked on
   them.
   Gerasim with a firm light tread, his heavy boots emitting a
   pleasant smell of tar and fresh winter air, came in wearing a clean
   Hessian apron, the sleeves of his print shirt tucked up over his
   strong bare young arms; and refraining from looking at his sick
   master out of consideration for his feelings, and restraining the
   joy of life that beamed from his face, he went up to the commode.
   "Gerasim!" said Ivan Ilych in a weak voice.
   "Gerasim started, evidently afraid he might have committed
   some blunder, and with a rapid movement turned his fresh, kind,
   simple young face which just showed the first downy signs of a
   beard.
   "Yes, sir?"
   "That must be very unpleasant for you. You must forgive me. 
   I am helpless."
   "Oh, why, sir," and Gerasim's eyes beamed and he showed his
   glistening white teeth, "what's a little trouble? It's a case of
   illness with you, sir."
   And his deft strong hands did their accustomed task, and he
   went out of the room stepping lightly. five minutes later he as
   lightly returned.
   Ivan Ilych was still sitting in the same position in the
   armchair.
   "Gerasim," he said when the latter had replaced the freshly-
   washed utensil. "Please come here and help me." Gerasim went up
   to him. "Lift me up. It is hard for me to get up, and I have sent
   Dmitri away."
   Gerasim went up to him, grasped his master with his strong
   arms deftly but gently, in the same way that he stepped -- lifted
   him, supported him with one hand, and with the other drew up his
   trousers and would have set him down again, but Ivan Ilych asked to
   be led to the sofa. Gerasim, without an effort and without
   apparent pressure, led him, almost lifting him, to the sofa and
   placed him on it.
   "That you. How easily and well you do it all!"
   Gerasim smiled again and turned to leave the room. But Ivan
   Ilych felt his presence such a comfort that he did not want to let
   him go.
   "One thing more, please move up that chair. No, the other one
   -- under my feet. It is easier for me when my feet are raised."
   Gerasim brought the chair, set it down gently in place, and
   raised Ivan Ilych's legs on it. It seemed to Ivan Ilych that he
   felt better while Gerasim was holding up his legs.
   "It's better when my legs are higher," he said. "Place that
   cushion under them."
   Gerasim did so. He again lifted the legs and placed them, and
   again Ivan Ilych felt better while Gerasim held his legs. When he
   set them down Ivan Ilych fancied he felt worse.
   "Gerasim," he said. "Are you busy now?"
   "Not at all, sir," said Gerasim, who had learnt from the
   townsfolk how to speak to gentlefolk.
   "What have you still to do?"
   "What have I to do? I've done everything except chopping the