Riverworld01- To Your Scattered Bodies Go (1971) Hugo Award
Riverworld [1]
Philip Jose Farmer
SFBC (1971)
Rating: ★★★★☆
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All those who ever lived on Earth have found themselves resurrected--healthy, young, and naked as newborns--on the grassy banks of a mighty river, in a world unknown. Miraculously provided with food, but with no clues to the meaning of their strange new afterlife, billions of people from every period of Earth's history--and prehistory--must start again.
Sir Francis Bacon would be the first to glimpse the incredible way-station, a link between worlds. This forbidden sight would spur the renowned 19th-century explorer to uncover the truth. Along with a remarkable group of compatriots, including Alice Liddell Hargreaves (the Victorian girl who was the inspiration for Alice in Wonderland), an English-speaking Neanderthal, a WWII Holocaust survivor, and a wise extraterrestrial, Burton sets sail on the magnificent river. His mission: to confront humankind's mysterious benefactors, and learn the true purpose--innocent or evil--of the Riverworld . . .
Genre: Science Fiction
Biography From Wikipedia - Philip José Farmer
Born: January 26, 1918, Terre Haute, Indiana, USA
Died: February 25, 2009 (aged 91), Peoria, Illinois, USA
Philip José Farmer (January 26, 1918 – February 25, 2009) was an American author, principally known for his award-winning science fiction and fantasy novels and short stories.
Farmer is best known for his sequences of novels, especially the World of Tiers (1965–93) and Riverworld (1971–83) series. He is noted for the pioneering use of sexual and religious themes in his work, his fascination for, and reworking of, the lore of celebrated pulp heroes, and occasional tongue-in-cheek pseudonymous works written as if by fictional characters. Farmer often mixed real and classic fictional characters and worlds and real and fake authors as epitomized by his Wold Newton family group of books. These tie all classic fictional characters together as real people and blood relatives resulting from an alien conspiracy. Such works as The Other Log of Phileas Fogg (1973) and Doc Savage: His Apocalyptic Life (1973) are early examples of literary mashup.
Literary critic Leslie Fiedler compared Farmer to Ray Bradbury as both being "provincial American eccentrics" ... who... "strain at the classic limits of the [science fiction] form", but found Farmer distinctive in that he "manages to be at once naive and sophisticated in his odd blending of theology, pornography, and adventure".
Farmer was born in North Terre Haute, Indiana. According to colleague Frederik Pohl, his middle name was in honor of an aunt, Josie. Farmer grew up in Peoria, Illinois, where he attended Peoria High School. His father was a civil engineer and a supervisor for the local power company. A voracious reader as a boy, Farmer said he resolved to become a writer in the fourth grade. He became an agnostic at the age of 14. At age 23, in 1941, he married and eventually fathered a son and a daughter. After washing out of flight training in World War II, he went to work in a local steel mill. He continued his education, however, earning a bachelor’s degree in English from Bradley University in 1950.
Farmer had his first literary success in 1952 with a novella called The Lovers, about a sexual relationship between a human and an extraterrestrial. It won him the Hugo Award as "most promising new writer", the first of three. Thus encouraged, he quit his job to become a full-time writer, entered a publisher’s contest, and promptly won the $4,000 first prize for a novel that contained the germ of his later Riverworld series. The book was not published and Farmer did not get the money. Literary success did not translate into financial security, and in 1956 he left Peoria to launch a career as a technical writer. He spent the next 14 years working in that capacity for various defense contractors, from Syracuse, New York to Los Angeles, California, while writing science fiction in his spare time.
He won a second Hugo after the publication of his 1967 novella Riders of the Purple Wage, a pastiche of James Joyce’s Finnegans Wake as well as a satire on a futuristic, cradle-to-grave welfare state. Reinvigorated, Farmer became a full-time writer again in 1969. Upon moving back to Peoria in 1970, he entered his most prolific period, publishing 25 books in 10 years. His novel To Your Scattered Bodies Go (a reworked, previously unpublished version of the prize-winning first novel of 20 years before) won him his third Hugo in 1971. A 1975 novel, Venus on the Half-Shell, created a stir in the larger literary community and media. It purported to be written in the first person by one “Kilgore Trout”, a fictional character appearing as an underappreciated science fiction writer in several of Kurt Vonnegut’s novels. The escapade did not please Vonnegut when some reviewers not only concluded that it had been written by Vonnegut himself, but that it was a worthy addition to his works. Farmer did have permission from Vonnegut to write the book, though Vonnegut later said he regretted giving permission.
Farmer had both critical champions and detractors. Leslie Fiedler proclaimed him "the greatest science fiction writer ever" and lauded his approach to storytelling as a “gargantuan lust to swallow down the whole cosmos, past, present and to come, and to spew it out again”. Isaac Asimov praised Farmer as an "excellent science fiction writer; in fact, a far more skillful writer than I am...." But Christopher Lehmann-Haupt described him in The New York Times in 1972 as “a humdrum toiler in the fields of science fiction”.
Farmer died on February 25, 2009. At the time of his death, he and his wife Bette had two children, six grandchildren and four great-grandchildren.
Riverworld series
The Riverworld series follows the adventures of such diverse characters as Richard Burton, Hermann Göring, and Samuel Clemens through a bizarre afterlife in which every human ever to have lived is simultaneously resurrected along a single river valley that stretches over an entire planet. The series consists of To Your Scattered Bodies Go (1971), The Fabulous Riverboat (1971), The Dark Design (1977), The Magic Labyrinth (1980) and Gods of Riverworld (1983). Although Riverworld and Other Stories (1979) is not part of the series as such, it does include the second-published Riverworld story, which is free-standing rather than integrated into one of the novels.
The first two Riverworld books were originally published as novellas, "The Day of the Great Shout" and "The Suicide Express", and as a two-part serial, "The Felled Star", in the science fiction magazines Worlds of Tomorrow and If between 1965 and 1967. The separate novelette "Riverworld" ran in Worlds of Tomorrow in January 1966. A final pair of linked novelettes appeared in the 1990s: "Crossing the Dark River" (in Tales of Riverworld, 1992) and "Up the Bright River" (in Quest to Riverworld, 1993). Farmer introduced himself into the series as Peter Jairus Frigate (PJF).
The Riverworld series originated in a novel, Owe for the Flesh, written in one month in 1952 as a contest entry. It won the contest, but the book was left unpublished and orphaned when the prize money was misappropriated, and Farmer nearly gave up writing altogether. The original manuscript of the novel was lost, but years later Farmer reworked the material into the Riverworld magazine stories mentioned above. Eventually, a copy of a revised version of the original novel surfaced in a box in a garage and was published as River of Eternity by Phantasia Press in 1983. Farmer's Introduction to this edition gives the details of how it all happened.
World of Tiers series
The series is set within a number of artificially constructed parallel universes, created tens of thousands of years ago by a race of human beings who had achieved an advanced level of technology which gave them almost godlike power
and immortality. The principal universe in which these stories take place, and from which the series derives its name, consists of an enormous tiered planet, shaped like a stack of disks or squat cylinders, of diminishing radius, one atop the other. The series follows the adventures of several of these godlike humans and several "ordinary" humans from Earth who accidentally travel to these artificial universes. (One of those "ordinary" humans was Kickaha, real name Paul Janus Finnegan (PJF) who becomes the main protagonist in the series.) The series consists of The Maker of Universes (1965), The Gates of Creation (1966), A Private Cosmos (1968), Behind the Walls of Terra (1970), The Lavalite World (1977) and More Than Fire (1993). Roger Zelazny has mentioned that The World of Tiers was something he had in his mind when he created his Amber series. A related novel is Red Orc's Rage (1991), which does not involve the principal characters of the other books directly, but does provide background information to certain events and characters portrayed in the other novels. This is the most "psychological" of Farmer's novels.
Copyright
About
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
POSTSCRIPT
Copyright
This book was
copied right, in
the dark, by
Illuminati.
AboutThe
e-Book
TITLE: To Your Scattered Bodies Go
AUTHOR: Farmer, Philip José
ABEB Version: 3.0
Hog Edition
Chapter 1
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His wife had held him in her arms as if she could keep death away from him.
He had cried out, `My God, I am a dead man!' The door to the room had opened, and he had seen a giant, black, one-humped camel outside and had heard the tinkle of the bells on its harness as the hot desert wind touched them. Then a huge black face topped by a great black turban had appeared in the doorway. The black eunuch had come in through the door, moving like a cloud, with a gigantic scimitar in his hand. Death, the Destroyer of Delights and the Sunderer of Society, had arrived at last.
Blackness. Nothingness. He did not even know that his heart had given out forever. Nothingness.
Then his eyes opened. His heart was beating strongly. He was strong, very strong! All the pain of the gout in his feet, the agony in his liver, the torture in his heart, all were gone.
It was so quiet he could hear the blood moving in his head. He was alone in a world of soundlessness.
A bright light of equal intensity was everywhere. He could see, yet he did not understand what he was seeing. What were these things above, beside, below him? Where was he? He tried to sit up and felt, numbly, a panic. There was nothing to sit up upon because he was hanging in nothingness. The attempt sent him forward and over, very slowly, as if he were in a bath of thin treacle. A foot from his fingertips was a rod of bright red metal. The rod came from above, from infinity, – and went on down to infinity. He tried to grasp it because it was the nearest solid object, but something invisible was resisting him. It was as if lines of some force were pushing against him, repelling him.
Slowly, he turned over in a somersault. Then the resistance halted him with his fingertips about six inches from the rod. He straightened his body out and moved forward a fraction of an inch. At the same time, his body began to rotate on its longitudinal axis. He sucked in sir with aloud sawing noise. Though he knew no hold existed for him, he could not help flailing his arms in panic to try to seize onto something.
He was face 'down', (or was it up?) Whatever the direction, it was opposite to that toward which he had been looking when he had awakened. Not that this mattered. `Above' him and `below' him the view was the same. He was suspended in space, kept from falling by an invisible and unfelt cocoon. Six feet `below' him was the body of a woman with a very pale skin. She was naked and completely hairless. She seemed to be asleep: Her eyes were closed, and her breasts rose and fell gently. Her legs were together and straight out and her arms were by her side. She turned slowly like a chicken on a spit.
The same force that was rotating her was also rotating him. He spun slowly away from her, saw other naked and hairless bodies, men, women, and children, opposite him in silent spinning rows. Above him was the rotating naked and hairless body of a Negro.
He lowered his head so that he could see along his own body. He was naked and hairless, too. His skin was smooth, and the muscles of his belly were ridged, and his thighs were packed with strong young muscles. The veins that had stood out like blue mole-ridges were gone. He no longer had the body of the enfeebled and sick sixty- nine- year- old man who had been dying only a moment ago. And the hundred or so scars were gone.
He realized then that there were no old men or women among the bodies surrounding him. All seemed to be about twenty-five years old, though it was difficult to determine the exact age, since the hairless heads and pubes made them seem older and younger at the same time.
He had boasted that he knew no fear. Now fear ripped away the cry forming in this throat. His fear pressed down on him and squeezed the new life from him. He had been stunned at first because he was still living. Then his position in space and the arrangement of his new environment had frozen his senses. He was seeing and feeling through a thick semi-opaque window. After a few seconds something snapped inside him. He could almost hear it, as if a window had suddenly been raised.
The world took a shape which he could grasp, though he could not comprehend it. Above him, on both sides, below him, as far as he could see, bodies floated. They were arranged in vertical and horizontal rows. The up-and-down ranks were separated by red rods, slender as broomsticks, one of which was twelve inches from the feet of the sleepers and the other twelve inches from their heads. Each body was spaced about six feet from the body above and below and on each side.
The rods came up from an abyss without bottom and soared into an abyss without ceiling. That grayness into which the rods and the bodies, up and down, right and left, disappeared was neither the sky nor the earth. There was nothing in the distance except the lackluster of infinity.
On one side was a dark man with Tuscan features. On his other side was an Asiatic Indian and beyond her a large Nordic looking man. Not until the third revolution was he able to determine what was so odd about the man. The right arm, from a point just below the elbow, was red. It seemed to lack the outer layer of skin.
A few seconds later, several rows away, he saw a male adult body lacking the skin and all the muscles of the face.
There were other bodies that were not quite complete. Fat away, glimpsed unclearly, was a skeleton and a jumble of organs inside it.
He continued turning and observing while his heart slammed against his chest with terror. By then he understood that he wan in some colossal chamber and that the metal rods were radiating some force that somehow supported and revolved millions – maybe billions – of human beings.
Where was this place? Certainly, it was not the city of Trieste of the Austro-Hungarian Empire of 1890.
It was like no hell or heaven of which he had ever heard or read, and he had thought that he was acquainted with every theory of the afterlife.
He had died. Now he was alive. He had scoffed all his life at a life-after-death. F
or once, he could not deny that he had been wrong. But there was no one present to say, `I told you so, you damned infidel!' Of all the millions, he alone was awake.
As he turned at an estimated rate of one complete revolution per ten seconds, he saw something else that caused him to gasp with amazement. Five rows away was a body that seemed, at first glance, to be human. But no member of Homo sapiens had three fingers and a thumb on each hand and four toes on each foot nor a nose and thin black leathery lips like a dog's. Nor with many small knobs. Nor ears with such strange convolutions.
Terror faded away. His heart quit beating so swiftly, though it did not return to normal His brain unfroze. He must get out of this situation where he was as helpless as a hog on a turnspit. He would get to somebody who could tell him what he was doing here, how he had come here, why he was here.
To decide was to act.
He drew up his legs and kicked and found that the action, the reaction, rather, drove him forward a half-inch. Again, he kicked and moved against the resistance. But, as he paused, he was slowly moved back toward his original location. And his legs and arms were gently pushed toward their original rigid position.
In a frenzy, kicking his legs and moving his arms in a swimmer's breaststroke, he managed to fight toward the rod. The closer he got to it, the stronger the web of force became. He did not give up. If he did, he would be back where he had been and without enough strength to begin fighting again. It was not his nature to give up until all his strength had been expended.
He was breathing hoarsely, his body was coated with sweat, his arms and legs moved as if in a thick jelly, and his progress was imperceptible. Then, the fingertips of his left hand touched the rod. It felt warm and hard.
Suddenly, he knew which way was `down.' He fell.
The touch had broken the spell. The webs of air around him snapped soundlessly, and he was plunging.
Riverworld01- To Your Scattered Bodies Go (1971) Hugo Award Page 1