by Shea Ernshaw
I blink down at the corpse and a second passes, followed by another, my heart clawing silently upward into my windpipe. But no sound escapes my lips, no cry for help. I stare in stupefied inaction. My mind slows, my ears buzz—an odd crackle crack crack, as if a radio were pressed to my skull. I inch closer and the trees quiver overhead. For a second I wonder if the entire forest might snap at the roots and upend itself—trunks to the sky and treetops to the ground.
I’ve seen dead birds in the woods before, even a dead deer with the antlers still attached to the hollowed-out skull. But never anything like this. Never a human body.
Fin makes a low whine behind me. But I don’t look back. I don’t take my eyes off the corpse, like it might vanish if I look away.
I swallow and crouch down, my knees pressing into the snow. Eyes watering from the cold. But I need to know.
Is it him? The boy who went missing from the camp?
His face is covered by a dusting of snow, dark hair frozen in place. There are no injuries that I can see. No trauma, no blood. And he hasn’t been here long, or he wouldn’t be here at all. The dead don’t last in the mountains, especially in winter. Birds pick apart what they can before the wolves close in, scattering the bones across miles of terrain, leaving barely an imprint of what once had been. The forest is efficient at death, a swift wiping away. No remains to bury or burn or mourn.
A soft wind stirs through the trees, blowing away the snow from his forehead, his cheekbones, his pale lips. And the hairs along the base of my neck prick on end.
I lift my hand from the snow, my fingers hovering over his open palm, trembling, curious. I shouldn’t touch him—but I lower my hand anyway. I want to feel the icy skin, the heaviness of death in his limbs.
My skin meets his.
But his hand isn’t rigid or still. It twitches against my fingertips.
Not dead.
Still alive.
The boy’s eyes flinch open—forest green, gray green, alive-green. He coughs at the same moment his fingers close around mine, gripping tightly.
I scream—a strangled sound, swallowed by the trees—but Fin immediately springs up next to me, tail raised, nose absorbing the boy’s newly alive scent. I yank my arm away and try to stand, to scramble back, but my legs stumble beneath me and I fall backward onto the snow. Run! my spiking heartbeat yells. But before I can push myself up, the boy is rolling onto his side, coughing again, touching his face with his hands. Trying to breathe.
Alive. Not dead. Gasping for air, warm skin, grabbing my hand, kind-of-alive. My throat goes dry and my eyes refuse to blink. I’m certain he’s not real. But he draws in deep, measured breaths between each cough, as if his lungs were full of water.
I sling my backpack off one shoulder and reach inside for the canteen of hot juniper tea. It will save your life if you ever get lost, my grandmother would say. You can live off juniper tea for weeks.
I hold the canteen out to him, and he lowers his hand from his face, his eyes meeting mine. Dark sleepy eyes, deep heavy inhales making his chest rise and fall as if it’s never known air before this moment.
He doesn’t take the canteen, and I lean forward, drawing in a breath. “What’s your name?” I ask, my voice broken.
His gaze roves the ground, then moves up to the sky, like he’s searching for the answer—his name lost somewhere in the woods. Taken from him. Snatched while he slept.
His eyes settle back on me. “Oliver Huntsman.”
“Are you from the boys’ camp?”
An icy wind sails over us, kicking up a layer of snow. His mouth opens, searching for the words, and then he nods.
I found him.
* * *
The Jackjaw Camp for Wayward Boys is not an elite facility, not a place where the wealthy send their sons. It’s a meager collection of cabins, a mess hall, and several neglected administration buildings—most of which were once the homes of early miners who panned the Black River for gold. Now it’s a place where desperate parents send their headstrong boys to have their minds and hearts reshaped, to turn them into docile, obedient sons. The worst come here, the ones who have used up their last chances, their last I’m sorrys, their last detentions or visits to the principal’s office. They come and they go. Each season a new batch—except for the few who spend their entire high school years at the camp. They learn how to survive in the woods, to make fire from flint, to sleep in the cold under the stars, to behave.
Two weeks earlier, the morning after the snowstorm had rolled down from the mountains, I woke to find my house draped in snow. Ice coated the windows, the roof moaned from the weight, and the walls bowed inward as if nails were being pushed free from the wood. The radio had said we’d get twelve to eighteen inches of snow. We got nearly four feet—in a single night. I crawled from bed, the cold leeching up from the floorboards, and went outside into the snow.
The landscape had changed overnight.
I walked down to the lake’s edge and found the forest dripping in white marshmallow fluff. But it wasn’t quiet and still like most winter mornings. Voices echoed across the frozen lake, coming from the boys’ camp. They shouted up into the trees. They stomped around in their heavy snow boots and sent birds screeching unhappily into the bleak morning sky.
“Morning!” Old Floyd Perkins called, waving a hand in the air as he trudged up the shore, head bowed away from the blowing wind, shoulders bent and stooped with time and age and gravity. When he reached me, he squinted as if he couldn’t see me clearly—cataracts clouding his already failing vision. “A bad winter,” he said, tilting his gaze upward, soft flakes falling over us. “But not as bad as some.” Mr. Perkins has lived at Jackjaw Lake most of his life. He knew my grandmother when she was still alive, and he lives at the far south end of the lake in a small cabin beside the boathouse store that he runs during the summer months—renting out canoes and paddleboats and selling ice cream sandwiches to the tourists under the hot, wavy sun. And every morning, he walks the shore of the lake, his gait slow and labored, long arms swinging at his sides, arthritis creaking in his joints. Even in the snow, he makes his morning rounds.
“What’s happening over at the camp?” I asked.
“A boy went missing last night.” He rubbed a knuckled hand across the back of his neck, gray hair poking out from his wool cap. “Vanished from his bunk during the storm.”
I looked past him up the shore to the camp. A few boys were shoveling snow away from their cabin doorways, while most of the others moved up into the forest, calling out a name I couldn’t make out.
“Talked to one of the counselors,” Mr. Perkins continued, nodding grimly, considering the gravity of the situation. “Boy might’ve just run away, made it down the mountain before the snow fell last night.”
The wind roiled up from the surface of the frozen lake, and it made me shiver. “But they’re looking for him up in the woods.” I crossed my arms over my chest and nodded to the trees beyond the camp.
“They have to be sure he didn’t get lost, I suppose.” He raised one thick gray eyebrow, his gaze solemn. “But if that boy went up into those woods last night, there’s a good chance he won’t make it back out. And they’ll never find him.”
I understood what he meant. The snow was deep it continued to fall—any tracks would be long buried by now. And the boy himself might be buried as well. Even Fin would have a hard time tracking his scent in this.
“I hope he did run away,” I said. “I hope he made it down the road.” Because I knew the outcome if he hadn’t. Even though the boys at camp learn wilderness skills and how to build snow shelters in tree wells, I doubted any of them could really survive a night out in the cold. During a blizzard. On their own.
The lake creaked and snapped along the shore as the ice settled. And Mr. Perkins asked, “You lose power last night?” He glanced behind me up into the trees, where my home sat hidden in the pines.
I nodded. “You?”
“Yep,” he answered, the
n cleared his throat. “It’s going to be a while before that road clears. Before the power’s back on again.” He looked back at me, and the soft squint of his eyes and the wrinkles lining his brow made me think of my grandmother. “We’re on our own,” he said finally.
The only road down the mountain was blocked. And the nearest town of Fir Haven—a forty-five-minute drive—was too far away to walk. We were stuck.
Mr. Perkins tipped his head at me, a grave gesture, a certainty that this was going to be another tough winter, before continuing up the edge of the lake toward the marina. Toward the boathouse and his home.
I stood listening to the shouts of boys fanning out into the trees, the sky growing dark again, another storm settling over the lake. I knew how ruthless the forest could be, how unforgiving.
If a boy was lost out there, he likely wouldn’t survive the night.
* * *
It’s still dark—the deepest kind of dark. Winter dark.
The boy, Oliver Huntsman, follows me through the trees, stumbling over roots, coughing—gasping for air. He might not make it out of the Wicker Woods; he might drop dead in the snow behind me. He stops to lean against a tree, his body trembling, and I walk back to his side and wrap an arm around him. He is taller than I am and broad in the shoulders, but together we continue through the dark. He smells like the forest, like green. And when we reach the border of the Wicker Woods, we step over the threshold and back out into the open.
I release my hold on him, and he bends forward, gripping his knees and gasping for air. His lungs make a strange rasp sound with each breath. He’s spent too many nights alone out here, in the forest, in the cold. Where the creeping, crawling sounds of unknowable things rest just out of sight, and fear becomes a voice in the back of his mind—nagging and threading along sleepless thoughts. A person can go mad in these trees. Hatter mad.
Beside us, the sound of rushing water beneath the frozen surface of the Black River is both palliative and eerie. Oliver glances up at the night sky, his expression slack, in awe, as if he hasn’t seen the stars in weeks.
“We need to keep moving,” I say.
His body shakes, skin pale and muted. I need to get him inside, out of this snow and wind. Or the cold could still kill him.
I fold my arm around him again, hand against his ribs where I can feel the rise and fall of each breath, and we march downriver until Jackjaw Lake yawns open ahead of us—frozen solid out to its center.
“Where are we?” he asks, his voice thin, a crisp edge to each word.
“We’re almost to my house,” I tell him. And then because I think maybe he means something more—his memory blotted over—I add, “We’re back at Jackjaw Lake.”
He doesn’t nod and his eyes don’t shimmer with recognition. He has no memory of this place, no idea where he is.
“My house is close,” I add. “I’ll take you back to camp in the morning. Right now, we just need to get you warm.” I’m not sure he’d make it another mile around the lake to the boys’ camp. And the nearest hospital is an hour down a road that’s snowed in. I have no other option but to take him home.
His hands tremble, his eyes skipping warily through the trees—as if he sees something in the dark. A trick of shadow and moonlight. But the woods surrounding Jackjaw Lake are safe and docile, not nearly as ancient as the Wicker Woods where I found him. These trees are young, harvested over the years for lumber, and the pines that loom over my home were saplings not long ago—still soft and green at their core. They have limbs that sway with the wind instead of moan and crack; they aren’t old enough to hold grudges or memories. To grow hexes at their roots. Not like inside the Wicker Woods.
We reach the row of log cabins that dot the shore, and Fin trots ahead through the snow. “My house is just there,” I say, nodding up through the trees. Most of the cabins along the shore are summer homes, owned by people who only visit Jackjaw Lake when the weather warms and the lake thaws. But Mom and I have always been year-rounders, just like our ancestors before us. We remain at the lake through all the seasons, even the brutal ones—especially the brutal ones. Mom dislikes the tourists who come in summer, with their thumping music and fishing poles and beach towels. It grates on her. But the quiet of winter pacifies her—calms her racing, fidgety mind.
Our house is at the end of the row, closest to the mountains and the wilds of the forest beyond—tucked back in the woods. Hidden. And tonight, it sits dark, no lights humming inside, no sputtering of electricity through the walls—the power still out since the storm.
I stomp the snow from my boots and push open the heavy log door, letting the cold air rush inside. Fin brushes past my legs into the living room, where he plops down on the rug beside the stove and begins chewing the snow from his paws. I drop my pack onto the faded olive-green sofa, its cushions sagging and slumped as if it were sinking into the wood floor.
“I’ll start a fire,” I say to Oliver, who still stands shivering in the entryway. Looking like a boy who’s near death. Whose eyes have the hollow stare of someone who can already see the other side, only inches away.
My grandmother would know the right herbs, the right words to whisper against his skin to warm the chill deep in his bones. To keep him rooted to this world before he slips into the next. But she’s not here, and I only know the tiniest of remedies, the barest of spells. Not enough to conjure real magic. I clench my jaw, feeling an old familiar ache: the burden of uselessness I carry inside my chest. I can’t help him, and I wish I could. I am a Walker whose grandmother died too soon and whose mother would rather forget what we really are.
I am as helpless as a girl by any other name.
I stoke the few embers that still glow among the ash, coaxing the fire back to life inside the old stove, while Oliver’s jade-green eyes sweep slowly over the house: the log walls, the rotted wood beams that sag overhead, the faded floral curtains that have the rich scent of sage that’s been burned thousands of times within the house to clear out the old stubborn spirits.
But Oliver’s eyes aren’t caught on the curtains or the thick walls. Instead, they flicker over the odd collection of items crowding every shelf and cobwebbed corner of the aged house. Old pocket watches and wire-rimmed glasses, hundreds of silver buttons in glass jars, delicately carved silver spoons, and silver candlesticks with wax still hardened at the base. An ornate gold-rimmed jewelry box with only dust kept safely inside.
All the things that we’ve found inside the Wicker Woods over the years, the things we didn’t sell down in Fir Haven to a man named Leon who owns a rare antique shop. These are the things that mean something—that I can’t part with. The ones that hide memories inside them, the stories they tell when you hold them in your palm.
Just like most of the Walker women before me, I am a finder of lost things.
And standing in the entryway is a boy named Oliver Huntsman.
My latest found item.
OLIVER
Her hair is long and dark and braided down her back, like a river woven into knots.
I’ve heard about her, the girl who lives across the lake. The boys at camp say she can’t be trusted. They say her shadow can be seen on the roof of her house during a full moon, casting dark magic into the ice-flecked sky. They say she is descended from these woods—that she is a Walker. And all Walkers are witches.
Her home sits hidden in the trees, a small gingerbread structure that smells of earth and sod and wood. A place that could easily lure Hansel and Gretel in with the promise of sweets, where they would likely meet their end inside these walls. Just like I might.
She moves through the living room with the ease of a bird, her footsteps hardly making a sound on the old wood floor, little puffs of dust rising up around her feet.
I’m standing inside the home of a witch.
“What happened?” I ask, trying to bend my fingers, but they’re frozen in place—the cold running through me like tap water from a winter faucet, ice crystals forming at every
joint. My thoughts keep skipping back and forth, rattled loose. Every memory is the color of snow, too icy-white, too blinding and painful to see.
“I found you in the snow,” she answers, kneeling beside the woodstove. She moves swiftly, deftly, using her bare hands to add more logs to the flames. Never wincing away from the sparks that lick at her skin.
I move partway into the living room, my boots sliding across the floor, closer to the heat of the fire, and my eyes sway to the window, where snow is eddying against the glass, willing my mind to remember. I woke in the woods. The shadow of a girl knelt over me. Her soft fingers touching my skin. But it feels like days ago, the hours slow and dripping, thawing like the snow settled in my bones.
“What day is it?” I ask.
Flames ignite suddenly over the dry logs, sending out a burst of heat, and she gestures for me to sit on a small chair facing the fire. I do as she says, removing my hands from my coat pockets and holding them out toward the stove.
“Wednesday,” she answers, brown eyes flicking to mine only briefly. Like she’s afraid of what she’ll see in my gaze. Or she’s afraid of what I’ll see in hers.
My hands ache when I close them into fists, circulation returning to my skin in painful jolts. Wednesday, I think. But it means nothing. I should have asked the week, the month, the year even. My thoughts sputter slowly across synapses. I can’t recall the moments that led me here, that led me into that forest, lying on my back, snow falling in a slow, endless rhythm—burying me alive.
The girl walks into the kitchen and hums something under her breath, like she doesn’t think I can hear: a soft melody—a lullaby maybe, slow and tragic. But then her eyes snap up to mine and she stops.
I drop my gaze to the floor, heat pricking my cheeks, and I hear her footsteps move across the room. “Drink this,” she says, holding out a red porcelain mug filled to the brim with hot tea. “It’ll warm you.” She nods at me and I take it, hands shaking, the scent of something sharp and pungent rising up from the steam.