The Weapon Shops of Isher
By A. E. van Vogt
© 1951
Book Two of the Isher Trilogy
Synopsis:
Involved in a peculiar paradox of time, McAllister a 20th century reporter finds himself 7000 years in the future when the Isher empire is dominated by the empress Innelda, a mere pawn in the economics of her own civilization. McAllisters arrival sets off a chain of events which destine him for a complex fate.
In this powerful and brilliant novel, A.E. van Vogt introduces such amazing characters as Cayie Clark, who could never lose at cards, Robert Hedrock, who knew everyone's secrets, Peter Cadron who sold illegal super-weapons in public, and Innelda Isher who never had to take no for an answer.
Packed with super-science, an astonishing future concept, and a tight suspense plot, THE WEAPON SHOPS OF ISHER. is truly a science fiction classic.
"Wholly absorbing ... a wonderful roller coaster thrill."
-Galaxy
PROLOGUE
I
MAGICIAN BELIEVED TO HAVE HYPNOTIZED CROWD
June 11, 1951 - Police and newspapermen believe that Middle City will shortly be advertised as the next stopping place of a master magician and they are prepared to extend him a hearty welcome if he will condescend to explain exactly how he fooled hundreds of people into believing they saw a strange building, apparently a kind of gun-shop.
The building seemed to appear on the space formerly, and still, occupied by Aunt Sally's Lunch and Patterson Tailors. Only employees were inside the two aforementioned shops, and none noticed any untoward event. A large, brightly shining sign featured the front of the gunshop, which had been so miraculously conjured out of nothingness; and the sign constituted the first evidence that the entire scene was nothing but a masterly illusion. For from whichever angle one gazed at it, one seemed to be staring straight at the words, which read:
FINE WEAPONS
THE RIGHT TO BUY WEAPONS
IS THE RIGHT TO BE FREE
The window display was made up of an assortment of rather curiously shaped guns, rifles as well as small arms; and a glowing sign in the window stated:
THE FINEST ENERGY WEAPONS IN THE KNOWN UNIVERSE
Inspector Clayton of the Investigation Branch attempted to enter the shop, but the door seemed to be locked. A few moments later, C. J. (Chris) McAllister, reporter of the Gazette-Bulletin, tried the door, found that it opened, and entered.
Inspector Clayton attempted to follow him, but discovered that the door was again locked. It is believed that McAllister went through to the back, as several spectators reported seeing him. Immediately after his reappearance, the strange building vanished as abruptly as it had appeared.
Police state they are baffled as to how the master magician created so detailed an illusion for so long a period before so large a crowd. They are prepared to recommend his show, when it comes, without reservations.
(Author's Note: The foregoing account did not mention that the police, dissatisfied with the affair, attempted to contact McAllister for a further interview, but were unable to locate him. Weeks have passed; and he has still not been found. What did happen to McAllister from the instant that he found the door of the gunshop unlocked?)
There was a curious quality about the gunshop door. It was not so much that it opened at his first touch as that, when he pulled, it came away like a weightless thing. McAllister had the impression that the knob had freed itself into his palm.
He stood very still, startled. The thought that came finally had to do with Inspector Clayton who, a minute earlier, had found the door locked. The thought was like a signal. From behind him boomed the voice of the inspector:
"Ah, McAllister, I'll handle this now."
It was dark inside the shop beyond the door, too dark to see anything, and somehow, his eyes wouldn't accustom themselves to the intense gloom. Pure reporter's instinct made him step forward toward the blackness that pressed from beyond the rectangle of door. Out of the corner of one eye, he saw Inspector Clayton's hand reaching for the door handle that his own fingers had let go a moment before. And he knew instantly that if the inspector could prevent it, no reporter would get inside that building. His head was still turned, his gaze more on the police officer than on the darkness in front; and it was as he began another step forward that the remarkable thing happened.
The door handle would not allow Inspector Clayton to touch it. It twisted in some queer way, in some energy way, for it was still there, a strange, blurred shape. The door itself, without visible movement it was so swift, was suddenly touching McAllister's heel. Light, almost weightless, was that touch; and then, before he could think or react to what had happened, the momentum of his forward movement had carried him inside. As he breasted the darkness, there was a sudden, agonized tensing along his nerves. Then the door shut tight. the brief, unexpected agony faded. Ahead was a brightly-lit shop; behind-were unbelievable things!
For McAllister, the moment that followed was one of blank impression. He stood, body twisted awkwardly, only vaguely conscious of the shop's interior, but tremendously aware in the brief moment before he was interrupted of what lay beyond the transparent panels of the door through which he had just come.
There was no unyielding blackness anywhere, no Inspector Clayton, no muttering crowd of gaping spectators, no dingy row of shops across the way. It was not even the same street. There was no street. Instead, a peaceful park was visible. Beyond it, brilliant under a noon sun, was the skyline of a vast city. From behind him, a husky, musical, woman's voice said:
"You will be wanting a gun?"
McAllister turned. The movement was automatic reaction to a sound. And because the affair was still like a dream, the city scene faded almost instantly; his mind focused on the young woman who was advancing slowly from the rear section of the store. Briefly, his thought wouldn't come clear. A conviction that he ought to say something was tangled with first impressions of the girl's appearance. She had a slender well-shaped body; her face was creased with a pleasant smile. She had brown eyes, and wavy brown hair. Her simple frock and sandals seemed so normal at first glance that he gave them no further thought. He was able to say:
"What I can't understand is why the police officer, who tried to follow me, couldn't get in. And where is he now?"
To his surprise, the girl's smile became faintly apologetic: "We know that people consider it silly of us to keep harping on that ancient feud." Her voice grew firmer. "We even know how clever the propaganda is that stresses the silliness of our stand. Meanwhile, we never allow any of her men in here. We continue to take our principles very seriously."
She paused as if she expected comprehension from him. But McAllister saw from the slow puzzlement creeping into her eyes that his face must look as blank as the thoughts behind it. Her men! The girl had spoken the words as if she were referring to some personage, and in direct reply to his use of the word, police officer. That meant her men, whoever she was, were policemen; and they weren't allowed in this gunshop. So the door was hostile, and wouldn't admit them. An emptiness struck into McAllister's mind, matching the hollowness that was beginning to afflict the pit of his stomach, a sense of un-plumbed depths, the first staggering conviction that all was not as it should be. The girl was speaking in a sharper tone:
"You mean you know nothing of all this, that for generations the gunmaker's guild has existed in this age of devastating energies as the common man's only protection against enslavement? The right to buy guns-" She stopped, her narrowed eyes searching him; then: "Come to think of it, there's something very peculiar about you. Your outlandish clothes-you're not from the northern farm plains are you?"
He shook his head
dumbly, more annoyed with his reactions every passing second. But he couldn't help it. A tightness was growing in him now, becoming more unbearable instant by instant, as if somewhere a vital mainspring was being wound to the breaking point.
The young woman went on more swiftly: "And come to think of it, it is astounding that a policeman should have tried the door, and there was no alarm."
Her hand moved. Metal flashed in it, metal as bright as steel in blinding sunlight. There was not the slightest hint of an apology in her voice as she said: "You will stay where you are, sir, until I have called my father. In our business, with our responsibilities, we never take chances. Something is very wrong here."
Curiously, it was at that point that McAllister's mind began to function clearly. The thought that came paralleled hers. How had this gunshop appeared on a 1951 street? How had he corne here into this fantastic world? Something was very wrong indeed.
It was the gun that held his attention. It was a tiny thing, shaped like a pistol, but with three cubes projecting in a half circle from the top of the slightly-bulbous firing chamber. He began to feel shaken, looking at it, for that wicked little instrument, glittering there in her browned fingers, was as real as herself.
"Good Heaven," he whispered. "What the devil kind of a gun is it? Lower that thing and let's try to find out what all this is about."
She seemed not to be listening. He noticed that her gaze was flicking to a point on the wall somewhat to his left. He followed her look in time to see seven miniature white lights flash on. Curious lights! He was fascinated by the play of light and shade, the waxing and waning from one tiny globe to the next, a rippling movement of infinitesimal increments and decrements, an incredibly delicate effect of instantaneous reaction to some supersensitive barometer. The lights steadied; his gaze reverted to the girl. To his surprise, she was putting away her gun. She must have noticed his expression.
"It's all right," she said coolly. "The automatics are on you now. If we're wrong about you, we'll be glad to apologize. Meanwhile, if you're still interested in buying a gun, I'll be happy to demonstrate."
So the automatics were on him. McAllister thought. He felt no relief at the information. Whatever the automatics were, they wouldn't be working in his favor. The young woman putting away her gun in spite of her suspicions spoke volumes for the efficiency of the new watchdogs. He'd have to get out of this place, of course. Meanwhile, the girl was assuming that a man who came into a gun-shop would, under ordinary circumstances, want to buy a gun. It struck him, suddenly, that of all the things he could think of, what he most wanted to see was one of those strange guns. There were incredible implications in the very shape of the instruments. Aloud he said:
"Yes, by all means show me." A thought occurred to him. He added, "I have no doubt your father is somewhere in the background making some sort of study of me."
The young woman made no move to bring out any weapons. Instead, she stared at him in puzzlement.
"You may not realize it," she said slowly, "but you have already upset our entire establishment. The lights of the automatics should have gone on the moment father pressed the buttons, as he did when I called him. They didn't! That's unnatural, and yet-" her frown deepened-"if you were one of them, how did you get through that door? Is it possible that her scientists have discovered human beings who do not affect the sensitive energies? And that you are but one of many such, sent as an experiment to determine whether or not entrance could be gained? Yet that isn't logical either. If they had even a hope of success, they wouldn't risk the chance of throwing away an overwhelming surprise. In that case, you would be the entering wedge of an attack on a vast scale. She is ruthless, she's brilliant; and she craves complete power over poor fools like you who have no more sense than to worship her and the splendor of the Imperial Court
."
The young woman paused, with the faintest of smiles. "There I go again, making a political speech. But you can see that there are at least a few reasons why we should be careful about you."
There was a chair in one corner. McAllister started for it. His mind was calmer. "Look," he began, "I don't know what you're talking about. I don't even know how I came to be in this shop. I agree with you that the whole thing requires explanation, but I mean that differently than you do."
His voice trailed. He had been half lowered over the chair, but instead of sinking into it, he came erect, slowly, like an old, old man. His eyes fixed on lettering that shone above a glass case of guns behind her. He said hoarsely:
"Is that-a calendar?"
She followed his gaze, puzzled. "Yes, it's June 3rd. What's wrong?"
"I don't mean that. I mean-" He caught himself with an effort. "I mean those figures above that: I mean-what year is this?"
The girl looked surprised. She started to say something, then stopped and backed away. Finally: "Don't look like that! There's nothing wrong. This is eighty-four of the four thousand seven hundredth year of the Imperial House of Isher. It's quite all right."
II
Very deliberately McAllister sat down, and the conscious wonder came: Exactly how should he feel? Not even surprise came to his aid. The events were beginning to fall into a kind of distorted pattern. The building front superimposed on those two 1951 shops; the way the door had acted. The great exterior sign with its odd linking of freedom with the right to buy weapons. The actual display of weapons in the window, the finest energy weapons in the known universe!...He grew aware that the girl was talking earnestly with a tall, gray-haired man who was standing on the threshold of the door through which she had originally come. There was a tenseness in the way they were talking. Their low-spoken words made a blur of sound in his ears, strange and unsettling. McAllister could not quite analyze the meaning of it until the girl turned, and said:
"What is your name?"
McAllister gave it.
The girl hesitated, then: "Mr. McAllister, my father wants to know what year you're from!"
The gray-haired man stepped forward. "I'm afraid," he said gravely, "that there is no time to explain. What has happened is what we gunmakers have feared for generations: that once again would come one who lusted for unlimited power; and who, to attain tyranny, must necessarily seek first to destroy us. Your presence here is a manifestation of the energy force that she has turned against us-something so new that we did not even suspect it was being used against us. But I have no time to waste. Get all the information you can, Lystra, and warn him of his own personal danger." The man turned. The door closed noiselessly behind his tall figure.
McAllister asked: "What did he mean-personal danger?"
He saw the girl's brown eyes were uneasy as they rested on him. "It's hard to explain," she began in an uncomfortable voice. "First of all, come to the window and I'll try to make everything clear. It's all very confusing to you, I suppose."
McAllister drew a deep breath. "Now we're getting somewhere."
His alarm was gone. The gray-haired man seemed to know what it was all about. That meant there should be no difficulty getting home again. As for all this danger to the gunmaker's guild, that was their worry, not his. He stepped forward, closer to the girl. To his amazement, she cringed away as if he had threatened her. As he stared blankly, she laughed humorlessly; and finally she said:
"Don't think I'm being silly; don't be offended-but for your life's sake, don't touch any human body you might come in contact with."
McAllister was conscious of a chill. Then, suddenly, he felt a surge of impatience at the fear that showed in the girl's face. "Now look," he began, "I want to get things clear. We can talk here without danger, providing I don't touch, or come near you. Is that right?"
She nodded. "The floor, the walls, every piece of furniture-in fact the entire shop is made of non-conducting material."
McAllister had a sense of being balanced on a tight rope over a bottomless abyss. He forced calm onto his mind. "Let's start," he said, "at the beginning. How did you and your
father know that I was not of-" he paused before the odd phrase, then went on-"of this time?"
"Father photographed you," the girl said. "He photographed the contents of your pockets. That was how he first found out what was the matter. You see, the sensitive energies themselves become carriers of the energy, with which you're charged. That's what was wrong. That's why the automatics wouldn't focus on you, and-"
"Energy-charged?" said McAllister.
The girl was staring at him. "Don't you understand?" she gasped. "You've come across seven thousand years of time. And of all the energies in the universe, time is the most potent. You're charged with trillions of trillions of time-energy units. If you should step outside this shop, you'd blow up Imperial City and half a hundred miles of land beyond.
"You-" she finished on an unsteady, upward surge of her voice-"you could conceivably destroy the Earth."
III
He hadn't noticed the mirror before. Funny, too, because it was large enough, at least eight feet high, and directly in front of him on the wall where, a minute before (he could have sworn) had been solid metal.
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