Denise followed, handbag hanging from her shoulder, not saying a word. She opened the refrigerator, brought out a can of Bud and placed it on the table in front of Hazen. He said, “We not talking this morning. Still seepy-eyed? We could go back to bed, you want.” He popped open the can and Denise watched him pour the beer down his throat, his Adam’s apple bouncing as he swallowed, watched him lower the can, his eyes shining wet, and say, “Jesus, I’ve come back to life.”
She brought a glass ashtray from the sink and placed it with her handbag on the other end of the table from Hazen. Now she took a pack of Winston and a Bic lighter from the bag, lit a cigarette and dropped the pack and lighter back inside.
“Gotta have that first smoke, huh?” Hazen said. “What I want you to do for me is call Mr. Ben Webster, get him to come over here.”
“Why?” Denise said.
“Settle our business.”
“I thought you changed your mind—your dad going back to prison and all.”
It got him to hesitate. “Where’d you hear that?”
“My cleaning lady.”
“Your cleaning lady.” Hazen squinting at her now. “How’d she know?”
“What difference does it make?” Denise said, and blew smoke at him. “You’re leaving, aren’t you?”
Now he changed again, using his sly Jack Nicholson eyes. “If I am,” Hazen said, “we got one last chance to go upstairs and fall in love.”
She saw Ben in the terry-cloth robe too small for him appear in the doorway behind Hazen, and said, “I don’t think Tenkiller would like it.”
Hazen said, “Who?”
Now Ben came in past Hazen to Denise’s end of the table, looking around to say, “I wouldn’t waste any time. I think you ought to get out of here’s fast as you can.”
Hazen put his beer on the table and stared at Ben in the fluffy skin-tight robe, the sleeves short of his wrists. “Jesus Christ,” Hazen said, “you go around in women’s things, you’re actu’lly queer, aren’t you? One of those fellas likes to take it in the butt. You hear the one, the Indin goes in the whorehouse with a bushel of corn?”
“Front hole money hole,” Denise said, “back hole corn hole. I told it to Ben in the eighth grade.”
Ben remembered it and turned his head to Denise. Hazen said, “Look at me, goddamn it,” and they saw him holding a black semiautomatic pistol on them but mainly on Ben, a big one Denise believed was a Colt .45, like one her dad used to have, Hazen saying now, “I’m through talking,” raised the gun to eye level and put it dead center on Ben.
Ben said, “You’re gonna shoot me? For what? It won’t get you my land.”
Hazen sighted down the barrel. “I’m not talking to you no more.”
Denise’s hand went into the bag close in front of her.
Ben said, “How’s Brother?”
It stopped Hazen because—Denise saw it—he didn’t know and had to ask.
“What happen to him?”
Her hand came out of the bag and laid the pack of Winston on the table.
“He fell off a roof,” Ben said. “He won’t die, but has to be put back together.”
“Goddamn it,” Hazen said, “what’d you do, push him off?”
Denise’s hand went back into the bag.
“I’m trying to get away from him,” Ben said, “and he’s shooting at me up there, and he lost his balance.”
“You care so much,” Denise said, “why don’t you go to the hospital and see him?” She waited a moment and said, “You shoot Ben you’ll have to shoot me, too, won’t you?” Threw that in and got Hazen to look at her and saw his eyes lose their fire, his eyes turning heavy so she’d think he was cool.
“You know your brother,” Ben said. “He likes to fight but doesn’t know how. He’s too quick on the trigger.”
“He’s a moron,” Denise said to Hazen. “That’s why you never let him hang around with you. I really think you ought to take off while you have the chance.”
Ben said, “Why bust your ass dealing in truck parts? If I was a hardcase like yourself, shit, I’d rob banks. My granddad, a famous deputy U.S. marshal in his day, used to tell me robbing banks took nerve, but was the quickest way to get your hands on real money. Even if you get caught and put away, you’re looked up to in prison.”
Denise said, “Really? Is that true?”
Ben said, “Yeah, bank robbers are among the elite,” and looked at Hazen. “You’ve done time. Isn’t that right?”
“Hijackers,” Hazen said, “don’t take any backseats to nobody.”
“It’s a lot of work though, huh? Heavy work.” Ben said, “You want another beer?”
“No,” Denise said, “he’s running out of time. Let him go.”
Hazen put his sleepy eyes on her, looking more tired than cool, and she softened her tone saying to him, “Go on, Hazen, get out of here while you can.” She paused a moment and said, “For my sake. Please.”
And it seemed to move him. Hazen said, “Sometimes it works,” shaking his head, “and sometimes it don’t.” He looked at Denise again to say, “This one wasn’t my trip,” and walked out with his big Colt .45.
Neither one of them moved until they heard the front door slam.
“What did you mean,” Ben said, “you told him to leave for your sake?”
Denise’s hand came out of the bag holding her SIG Sauer and laid it on the table.
“So I wouldn’t have to shoot him.”
“You think you would’ve?”
“If it looked like you and I were through before we even got started? I’m not a victim type.” She said, “That man is really stupid, isn’t he?”
“Carl said nine out of ten criminals have the brain of a chicken.”
“Your old granddad, known for his wisdom.”
“He could tell a story,” Ben said.
The Extras
I. ALL BY ELMORE: THE CRIME NOVELS; THE WESTERNS
II. SELECTED FILMOGRAPHY
III. IF IT SOUNDS LIKE WRITING, REWRITE IT
V. MARTIN AMIS INTERVIEWS “THE DICKENS OF DETROIT”
This section was prepared by the editorial staff of HarperCollins e-books, who thank Mr. Gregg Sutter, Elmore Leonard’s longtime researcher and aide-de-camp, for his unstinting support and help in the assembling of this material.
Further riches await the reader at the website that Mr. Sutter maintains, www.elmoreleonard.com, and in “The Extras” sections of other HarperCollins editions of Elmore Leonard’s novels (“All by Elmore” and “Selected Filmography” come standard in each e-book).
All by Elmore
The Crime Novels
The Big Bounce (1969); Mr. Majestyk (1974); 52 Pickup (1974); Swag* (1976); Unknown Man #89 (1977); The Hunted (1977); The Switch (1978); City Primeval: High Noon in Detroit (1980); Gold Coast (1980); Split Images (1981); Cat Chaser (1982); Stick (1983); LaBrava (1983); Glitz (1985); Bandits (1987); Touch (1987); Freaky Deaky (1988); Killshot(1989); Get Shorty (1990); Maximum Bob (1991); Rum Punch (1992); Pronto (1993); Riding the Rap(1995); Out of Sight (1996); Be Cool (1999); Pagan Babies (2000); “Fire in the Hole”* (e-book original story, 2001); Tishomingo Blues (2002); When the Women Come Out to Dance: Stories (2002).
The Westerns
The Bounty Hunters* (1953); The Law at Randado* (1954); Escape from Five Shadows* (1956); Last Stand at Saber River* (1959); Hombre* (1961); The Moonshine War* (1969); Valdez Is Coming* (1970); Forty Lashes Less One* (1972); Gunsights* (1979) Cuba Libre (1998); The Tonto Woman and Other Western Stories* (1998).
As of November 2002: Unless otherwise indicated (*), all titles are available from HarperCollins e-books. All titles are available in print form in dazzling new editions by HarperTorch paperbacks, with the exception of: The Moonshine War (1969); Swag (1976); “Fire in the Hole” (2001). “Fire in the Hole” is available within HarperCollins e-book and William Morrow hardcover editions of When the Women Come Out to Dance (2002).
The Crime Novels
> The Big Bounce(1969)
Jack Ryan always wanted to play pro ball. But he couldn’t hit a curveball, so he turned his attention to less legal pursuits. A tough guy who likes walking the razor’s edge, he’s just met his match — and more — in Nancy. She’s a rich man’s plaything, seriously into thrills and risk, and together she and Jack are pure heat ready to explode. But when simple housebreaking and burglary give way to the deadly pursuit of a really big score, the stakes suddenly skyrocket. Because violence and double-cross are the name of this game — and it’s going to take every ounce of cunning Jack and Nancy possess to survive . . . each other.
Houston Chronicle: “[Leonard is] a sage poet of crime.”
From the novel:
She was facing him now, her cold look gone and smiling a little. Of course it’s loaded.
“You going to shoot something?”
“We could. Windows are good.”
“So you brought a gun to shoot at windows.”
“And boats. Boats are fun.”
“I imagine they would be. How about cars?”
“I didn’t think about cars.” She seemed pleasantly surprised. “Isn’t that funny?
“Yeah that is funny.”
“There’s a difference,” Ryan said, “between breaking and entering and armed robbery.”
“And there’s a difference between seventy-eight dollars and fifty thousand dollars.”
Nancy said, “How badly do you want it?”
Mr. Majestyk(1974)
Vincent Majestyk saw too much death in the jungles of Southeast Asia. All he wants to do now is farm his melons and forget. But peace can be an elusive commodity, even in the Arizona hinterlands — and especially when the local mob is calling all the shots. And one quiet, proud man’s refusal to be strong-armed by a powerful hood is about to start a violent chain reaction that will leave Mr. Majestyk ruined, in shackles, and without a friend in the world — except for one tough and beautiful woman. But his tormentors never realized something about their mark: This is not his first war. Vince Majestyk knows more than they’ll ever know about survival . . . and everything about revenge.
Bergen Record: “First rate . . . an excellent thriller . . . well-plotted and smoothly written and crackles with suspense.”
From the novel:
Majestyk was running across the open scrub, weaving through the dusty brush clumps, by the time Renda got out of the car and began firing at him with the automatic, both hands extended in the handcuffs. Majestyk kept running. Renda jumped across the ditch, got to the fence, and laid the .45 on the top of a post, aimed, and squeezed the trigger three times, but the figure out in the scrub was too small now and it would have to be a lucky shot to bring him down. He fired once more and the automatic clicked empty.
Seventy, eighty yards away, Majestyk finally came to a stop, worn out, getting his breath. He turned to look at the man standing by the fence post and, for a while, they stared at one another, each knowing who the other man was and what he felt and not having to say anything. Renda crossed the ditch to the Jag and Majestyk watched it drive away.
52 Pickup (1974)
Detroit businessman Harry Mitchell had had only one affair in his twenty-two years of happy matrimony. Unfortunately someone caught his indiscretion on film and now wants Harry to fork over one hundred grand to keep his infidelity a secret. And if Harry doesn’t pay up, the blackmailer and his associates plan to press a lot harder — up to and including homicide, if necessary. But the psychos picked the wrong pigeon for their murderous scam. Because Harry Mitchell doesn’t get mad . . . he gets even.
Chicago Tribune: “A splendid thriller.”
From the novel:
The Gray Line sightseeing bus was approaching the foot of Woodward Avenue when Bobby Shy started up the aisle in his light-gray business suit and sun-glasses, past the thirty-six heads he had counted from his seat in the rear. They were mostly couples, out-of-town conventioneers and their wives, middle-aged or older, almost all of them wearing glasses and name tags.
“That beautiful structure on the left is the City-Country Building,” the driver was saying into the mike clipped to his lapel. “And the statue in front is the world-famous ‘Spirit of Detroit.’ Sitting there, that man is sixteen feet high and weighs over sixteen thousand pounds. Ahead of us now you see the Detroit River.”
As the bus turned left onto Jefferson, heads raised and gazes shifted to look at the river and dismal gray skyline beyond.
“Across the way, beautiful downtown Windsor, Ontario,” the drive said. “You can get over to Canada by tunnel or bridge. There used to be a ferry, but I believe he was arrested some time back. The amazing thing is that, at this particular point, Canada is south of the United States.”
At the front of the bus now Bobby Shy ducked his head to look out. Straightening again he reached inside the jacket of his light-gray business suit, came out with a .38 Colt Special and placed the barrel gently against the driver’s ear.
“Give me the mike, man,” Bobby Shy said.
Swag (1976)
Three guys with illegal expertise, a plan to snag a tax-free hundred grand, and a taste of summertime Detroit’s sweet life. But it means committing armed robbery. And being smart enough to get away with it.
Publishers Weekly: “An electrifying novel . . . with a murderous, well-timed suspenseful finale.”
The New York Times: “Leonard is nobody’s follower, and he has a style of his own. “Swag” is one of the best of the year.”
From the novel:
There was a photograph of Frank in an ad that ran in the Detroit Free Press and showed all the friendly salesmen at Red Bowers Chevrolet. Under his photo it said Frank J. Ryan. He had on a nice smile, a styled moustache, and a summer-weight suit made out of that material that’s shiny and looks like it has snags in it.
There was a photograph of Stick on file at 1300 Beaubein, Detroit Police Headquarters. Under the photo it said Ernest Stickley, Jr. 89037. He had on a sport shirt that had sailboats and palm trees on it. He’d bought it in Pompano Beach, Florida.
The first time they ever saw each other was the night at Red Bowers Chevrolet Telegraph when Stick was pulling out of the used car lot in the maroon ’73 Camaro. Frank walked up to the side window as the car stopped before turning out on the street. He said, “You mind if I ask where you are going?”
Unknown Man #89(1977)
Detroit process server Jack Ryan has a reputation for being the best in the business at finding people who don’t want to be found. Now he’s looking for a missing stockholder known only as “Unknown Man #89.” But his missing man isn’t “unknown” to everyone: a pretty blonde hates his guts and a very nasty dude named Royal wants him dead in the worst way. Which is very unfortunate for Jack Ryan, who is suddenly caught in the crossfire of a lethal triple-cross and as much a target as his nameless prey.
The New York Times Book Review: “Remarkably ingenious . . . Will keep you on the edge of your chair.”
From the novel:
A friend of Ryan’s said to him one time, “Yeah, but at least you don’t take any shit from anybody.”
Ryan said to his friend, “I don’t know, the way things’ve been going, maybe it’s about time I started taking some.”
This had been a few years ago. Ryan remembered it as finally waking up, deciding to get off his ass and make some kind of run.
His sister drove him down to the Detroit police car auction where he bough a 1970 maroon and white Cougar for $250. His sister didn’t like the Cougar because it had four bullet holes in the door on the driver’s side. Ryan said he didn’t mind. Didn’t mind; he loved them.
The Hunted(1977)
Al Rosen was doing just fine, hiding out in Israel — until he decided to play Good Samaritan and rescue some elderly tourists from a hotel fire. Now his picture’s been carried in the stateside press, and the guys he’s been hiding from know exactly where he is. And they’re coming to get him — crooked lawyers,
men with guns and money, and assorted members of the Detroit mob who are harboring a serious grudge. Playtime in paradise is officially over; Rosen’s a million miles from home with a bull’s eye on his back. And his only ally is a U.S. Embassy marine who’s been looking for a war . . . and who’s damn well found one.
Bergen Record: “Excellent . . . fun to read . . . a plot and a chase as good as anything he has ever written.”
From the novel:
Rosen first noticed the tourist lady on Friday, the day before the fire. He saw her and said to himself, New York.
She had the look — a trim forty-year-old who kept herself together: stylish in a quiet way, neatly combed dark hair and sunglasses; tailored beige sundress, about a size eight or ten; expensive cane-trimmed handbag hanging from her shoulder; nothing overdone, no camera case, no tourist lapel badge that said “Kiss Me, I’m Jewish,” Rosen, watching her walk past the cafe, liked her thin legs, her high can, and her sensible breasts.
The Switch(1978)
Ordell Robbie and Louis Gara hit it off in prison, where they were both doing time for grand theft auto. Now that they’re out, they’re joining forces for one big score. The plan is to kidnap the wife of a wealthy Detroit developer and hold her for ransom. But they didn’t figure the lowlife husband wouldn’t want his lady back. So it’s time for Plan B and the opportunity to make a real killing — with the unlikely help of a beautiful, ticked-off housewife who’s hungry for a large helping of sweet revenge.
Seattle Times: “Nerve-wracking. . . . One of Leonard’s best.”
From the novel:
Ordell brought out his box of Halloween masks set it on the coffee table in front of Louis and said, “Now you know how long I’ve been working on this deal.”
They were in Ordell’s apartment, Louis stretched out in a La-Z-Boy recliner with the Magic Ottoman up. He’d been sitting here four days on and off, since Ordell had met him at Detroit Metro and told Louis he was coming home with him. Louis had said home where? Some Place in Niggerville? Ordell said no, man, nice integrated neighborhoods. Ofays, Arabs, Chaldeans, a few colored folks. Ethnic, man. Eyetaliain grocery, Armenian party store, Lebanese restaurant, a Greek Coney Island Red Hot where the whores had their coffee, a block of Adult Entertainment, 24-hour dirty movies, a club that locked the doors and showed you some bottomless go-go and a park where you could play eighteen holes of golf. Does it excite you?”
When the Women Come Out to Dance: Stories Page 19