"What are they?" Sawyer asked. "Looks like a maze— sewers, maybe? Looks as bad as Injun Joe's cave." He brightened. "Say, didn't the Fantom have some sort of hideout in the sewers of Paris, under the Opera House?"
"If it is the same man." Nemo glanced at the young American. "These, Agent Sawyer, are Leonardo da Vinci's blueprints of Venice, notably its foundations and waterways."
Quatermain studied the drawings. "It's a key, a complete and secret route for the Fantom to reach the secure place where the conference of world leaders is being held. He'll slip inside, and nobody can stop him. Except us."
"So you reckon he'll attack by sea?" Sawyer said.
Quatermain turned to Nemo. "What do you think, Captain?"
As usual, Nemo did not give a straightforward answer. "I think there is still much we do not know about this Fantom."
Since the others had not bothered to gather for dinner, Quatermain sought them out in their cabins. There was little time to decide upon a course of action, or to decipher the Fantoms' true scheme. No one suggested that the masked man had been defeated by the shoot-out at Dorian Gray's house. His plans would not have been so easily thwarted.
Quatermain went first to Grays cabin, where he found the elegant, youthful man's insouciance irritating.
"I have a question for you, Mr. Gray. An appeal to all the 'experience' you bring to our group."
Ever urbane, Gray raised his eyebrows. "Indeed? Ask away."
"According to M, the Fantoms' been abducting scientists from various nations. All of them are versed in creating weapons of war — all except one."
He held up a cardboard photographic print of Karl Draper taken from the files provided by M. The bald, bespectacled man looked mousy, somewhat startled by the flare of the photographer's flash powder.
"So? Why bring him to me?" Grays bored, disinterested attitude had returned.
"Surely time has taught you to see beyond the obvious," Quatermain said. "Consider the question. What is so special about this man? Why is he important to the Fantom? Do you even know who he is?"
Gray grudgingly took the picture and noted the man's name on the back of it. "Karl Draper."
"He's a structural engineer. An architect, not a weapons designer. Why would the Fantom want him?"
"To build a new summer home, perhaps? Someplace without mirrors, so that he can take off his mask and relax on the weekends?"
"That's about as funny as a toothache," Quatermain growled, walking out in disgust. Why had M insisted on including the self-centered sophisticate in their number? For the life of him, Quatermain couldn't imagine that Gray would ever be of any practical use to the League.
It was a busy, restless night, as they all bided their time, faced their fears, and prepared for what was likely to be an unpleasant encounter in Venice. Deep under the sea, it was difficult to tell the hour, day or night; Quatermain followed his own rhythms. He paced the narrow corridors of the Nautilus, deep in thought, a sheaf of files and books under his arm.
A wide-eyed and fidgety Henry Jekyll peered out from his cabin door. "Mr. Quatermain? I'd like to help, if I could. Is there… um, something you would like me to do?"
"Nothing for now, Jekyll," he said, passing by. Then, to reassure the nervous little man, he added, "Don't worry, though. Mr. Hyde will have ample opportunity to get his hands dirty."
The distaste on Jekyll's face showed that this wasn't necessarily what he'd wanted to hear. He looked as if he had swallowed something particularly unpleasant… such as one of the oysters Tom Sawyer had enjoyed so much.
"But try to make sure we don't see Hyde until we actually need him." Quatermain turned a corner and passed Nemo's cabin again. Sawyer had already gone to bed, stuffed from his large meal, but the captain's door was ajar. Nemo knelt before a large, many-armed statue of Kali, muttering in prayerful devotion. He bowed low and touched his turbaned head to the feet of the idol, unaware of the other mans curiosity.
"That's Kali, the Goddess of Death," said Mina's voice in a whisper. She had crept up on the hunter with absolute, unnerving stealth. "Nemo worships death. Can we trust him?"
Quatermain looked over his shoulder at the vampire-woman, embarrassed to be caught observing the man's private devotions. "He's not the one I'm worried about." He walked away, clutching his papers under his arm.
Mina looked back into Nemo's cabin, intent on learning what she could about him. But the dark and mysterious captain rose, went to the door — obviously aware she had been eavesdropping all along — and closed it coldly in her face.
Weary and troubled, very unsure about how well the members of this group would manage together, Quatermain returned to his cabin and sat down. By the light of a single lamp, he began once again to study his files and papers.
His research ranged far from the specific dossiers of the League members to the activities of the Fantom. He perused Scotland Yard criminal reports and several copies of The Strand Magazine. He compared information from an illustrated article in one issue of the periodical, and made a note in his crime files. He saw connections, albeit faint ones, everywhere.
Suddenly, Quatermain sensed something nearby: a breath, a presence. In an instant he turned off his light and, with a single fluid motion, lunged from his chair.
In the pitch black cabin, they were on equal footing. He heard movement, touched skin, and caught a handful of hair. Quatermain struck out, responding to a frantic struggle, and landed several blows, which resulted in a very rewarding series of whimpers.
He reached the cabin door and flung it open, flooding the room with a shaft of light from the hall. Quatermain stood there, glaring. "I want you dressed at all times, Mr. Skinner — or it's my boot up your arse. Now get out!"
Without an apology, the invisible man hurried out. His bare footsteps hurried down the corridor, and the door to his own cabin opened, seemingly by itself.
Satisfied that he was truly alone again, Quatermain slammed the door shut and went to bed.
SEVENTEEN
The Fantom's Secret Headquarters
Venice
Ancient stuccoed buildings loomed on either side of Venice's famous, sluggish canals. The smell of floating garbage, wet stone, and old moss suffused the night mists that crept along the pilings. Overhead, windows were shuttered for the night, most of them dark; only a few denizens of the darkest hours remained awake.
The following night there would be a spectacular Carnival, with dancing and celebrations, music and drinking. Tonight, the people rested, content with anticipation.
But the Fantom did not rest.
In the odorous, gently lapping water that rose and fell like the sleeping breaths of the ocean, several dead fish floated belly-up, far from the reach of the feral cats prowling the alleys. A rank of unoccupied gondolas, moored to brightly striped poles near a boathouse, creaked and knocked.against each other. The black-painted, curved hulls were slender and graceful, resembling dark crescent moons; the single, long oar for each boat had been stored for the night under a patched canvas covering.
The uneasy night silence only made the pained groans and gasps louder by comparison as they drifted down to the water from the boathouse. The sound of an open hand striking flesh was like that of a chef tenderizing a veal cutlet.
Inside the building, behind closed doors and barricaded windows, the Fantom paced in front of the bespectacled German structural engineer. Karl Draper writhed in misery, though he was drugged and only semicoherent. He didn't seem to know where he was, only that he wanted to crawl away.
Beside the Fantom, Dante watched the captive as if the man were nothing more than a smear of something unpleasant he had scraped off the bottom of his shoe.
The Fantom turned his back, holding a wide-barreled syringe with a dauntingly long, thick needle. "My truth serum isn't fully developed, Herr Draper, or I'd know everything by now." In the lamplight that illuminated the boathouse, a final droplet of greenish liquid glistened like a tear at the sharp end. "It has had su
fficient time to work."
In disgust, the Fantom dropped the empty syringe to the boathouse floor and ground it to glass dust under his black heel. He slapped Karl Draper to consciousness, aiming his blows at the bright red welts that already covered the man's cheek. "Still, despite its deficiencies, I'm sure the serum doesn't feel very pleasant coursing through your veins."
Dante unrolled a sheaf of thick, yellowed sheets of paper on a worktable made of rough planks. Judging by the sticky stains and clumped flakes of silver scales, the table had recently been used to gut and clean fish.
"Look at the plans and tell me what I need to know," the Fantom insisted. His voice was low and quiet now, and much more threatening.
"No," the engineer croaked out in German. "I can resist your serum. Nothing will make me tell."
With another backhand, the Fantom knocked Draper's spectacles loose. Dante dutifully retrieved them, holding the glasses a bit too tightly, as if he wanted to clench his fists and twist the frames. Instead, he gave them back to the Fantom.
"You force me to rely on more proven methods," said the Fantom, swirling his black cape. "Fortunately, they are just as effective." He turned to Dante, gave a meaningful glare, and the lieutenant nodded.
Around them in the drarty boathouse room, the Fantom's henchmen worked diligently on their tasks. Each man had his assignment, and they knew better than to debate their masters orders. They worked quietly, muffling any suspicious sounds that might attract too much attention in the still night. The city of Venice would have no advance warning of its doom, and their party tomorrow night would be much different from what they expected.
Two henchmen taped and waterproofed a set of wooden barrels while another group of the Fantom's followers outfitted themselves in thick diving gear: oiled leather suits, rubber-coated gloves, and heavy helmets with glass windows. They strung weights around their waists to help them reach the foundations of the centuries-old buildings and remain in place long enough to complete their tasks.
The boathouse's back rooms and stalls held the Fantom's other prisoners, bound and gagged. The captives crowded together like animals in pens, forced to wait while the evil genius competed his preparations. So far, two of them had died trying to escape; the Fantom had tossed the horribly mutilated bodies back in among the prisoners as "an appropriate lesson." Since then, no one else had made an attempt to break free.
Now, wearing a determined expression, Dante retrieved the German prisoner the Fantom had chosen as his first bargaining chip. The lieutenant brandished his weapon and pulled the man away from his comrades, who shrank back, praying they would not be noticed themselves. Dante shoved the prisoner out of the holding pen and dragged him into the main room. The man stood cringing, barely able to remain on his feet.
The Fantom regarded the man, dismissed him as an inadequate specimen, then returned his attention to Karl Draper. Like a stern mother, he replaced the structural engineer's spectacles on his face, then let him blink at the hapless prisoner until recognition clearly showed on his face.
"Herr Muller you know. I believe you worked together at the Valkyrie Zeppelin Works? Were you friends?"
Predictably, Draper shook his head. The Fantom did not believe him. His scarred lower lip curled. "Of course not. Muller's specialty is motors." He turned his masked face toward the shaking prisoner. Muller swallowed hard, but could say nothing through his gag. "Unfortunately for him, I have all the motors I need. He is perfectly expendable."
The Fantom reached into his dark coat and removed a heavy handgun with a strange, fat cylinder appended to its barrel. Muller's eyes went wide with panic.
Draper, though, struggled to remain calm through the bleary effects of the abortive truth serum. "You will not fire a gunshot here, Herr Fantom. The Venice Polizia will hear you and come to investigate. The people in the buildings will wake, and they will call for help."
The Fantom fingered the device at the end of the gun barrel. "Don't underestimate my imagination, Herr Draper. My lab rats dreamed up this new modification. It uses compressed air to silence the blast. No one will hear a gunshot — or anything at all."
"Impossible," Draper said.
The Fantom aimed the pistol and silently shot Muller in the center of the forehead before the motor specialist could flinch. His head snapped back, and his body drooped to the floor.
Shocked, despite the last vestiges of the drug's effects, the architect wailed and struggled to lurch out of his chair, but muscular Dante held him down. Muller twitched once more, then went completely still.
The Fantom swirled his black cape and leaned close, towering in all his monstrous deformity over the structural engineer. "The new twentieth century will be a time when the word 'impossible' no longer has any meaning." His scars looked like lumpy candle wax, his eyes behind the silver mask filled with demon fire.
"Now, then — I have many more of your colleagues from the zeppelin factory, if we are required to use them for further encouragement."
Hopeless and desperate, Draper struggled to lunge at his tormentor, but the masked villain easily stepped out of the way. When Dante had the mousy architect under control again, the Fantom opened a small closet door behind him. With a theatrical flourish, he revealed a girl held inside, bound and gagged, and isolated from the other captives.
"Or perhaps it would be best to use someone closer to you? Your daughter is so very beautiful, Herr Draper. Eva? Is that her name?" He dragged her out into the open, making her stand not far from the body of the slaughtered motor expert. "I haven't had time to fully… interrogate her yet."
Draper crumbled, tears flooding his eyes. "All right, I'll tell you what you want." His shaking voice could not contain the fullness of his misery.
Returning to the worktable, the Fantom tapped his fingers meaningfully on the old parchment pages spread out before the structural engineer: the original da Vinci blueprints of Venice stolen from the vault of the Bank of England.
"Of course you will," said the Fantom. "Now study these and give me your expert advice."
Trembling, Draper adjusted his spectacles and bent to peer at the faded original drawings, which showed the precise details of Venice's hidden foundations. And all their vulnerabilities.
The engineer had a difficult time concentrating while the Fantom continued to smile cruelly at his terrified daughter, Eva.
EIGHTEEN
The Nautilus
Making good time as it rounded the boot of Italy and cruised up the eastern coast, the Nautilus ran at full power under a magnificent sky. Flying fish swarmed in the churning white wake.
Below the conning tower, in the submarine vessel's control room, sunlight penetrated the sea-splashed windows of the bridge. Wearing a deep frown and scratching his stubbly chin, First Mate Ishmael examined the complex controls and dials. Nemo stood next to him, curious, as Ishmael tapped the crystal plates that covered compasses and heading gauges.
"They're not 'ow I left them, Cap'n. S'all I'm saying."
Nemo glanced down at the deck, then silently crouched to examine something.
"You think it might be sabotage?"
" We ain't that far off course — I caught it in time," Ishmael said. "Still, there's too many strangers aboard this boat, if y' ask me."
"Please don't refer to my Lady as a mere 'boat', Ishmael."
Nemo brushed at the floor and dabbed some of the residue onto his fingertips, then spiffed them. "Powder. I don't recognize the smell. Perhaps Mrs. Harker will be able to—" Suddenly, he felt an unexpected movement in the air, a faint stirring in the control room. Nemo's dark eyebrows knitted together. "Mr. Skinner? Are you here skulking about?"
The silence that followed gave him no answer. He and Ishmael heard nothing more than the thrumming of the Nautilus engines and the rushing sound of the waves against the hull.
Around the corner, Tom Sawyer sauntered up to the bridge, eager to go outside to enjoy some fresh air and sunshine. He thought he heard quick, feathery footst
eps, someone passing unseen? For a moment he was tempted to thrust out a foot to see if he could trip the invisible man, but he couldn't be sure he had actually heard anything. There wasn't much room in the narrow corridor for Skinner to go by, no matter how sneaky the thief might be.
A loud gunshot came from outside, above the bridge, and Sawyer started running.
Already on edge, Nemo and Ishmael went to the observation windows, looking around in alarm as another gunshot rang out from the deck overhead.
But Sawyer was grinning as he started to climb the conning tower. "He said he wouldn't start without me!"
With a slap and a hum, the launcher shot its buoyant target. The colorful shape sailed ahead through the air and landed with a splash far from the racing Nautilus.
At the edge of the foredeck, Quatermain adjusted his spectacles and squinted out at the water. He drew a deep breath, shouldered the stock, sighted along the line, and calmly aimed Matilda. The target bobbed in the water, and Quatermain tracked it, aiming… aiming… aiming. Then, as the colorful floater drifted past, he pulled the trigger.
The elephant gun made a sound like a crack of thunder, and the hunter braced himself against the recoil that punched into his shoulder bone. The target blew out of the waves, bright pieces flying up with a spray of water. Good enough for practice. He called out again in Hindi, "Pull!"
One of Nemo's turbaned crewmen ratcheted back the firing mechanism and launched another target.
When he reached the top of the conning tower, Sawyer blinked in the Mediterranean sunlight and kept watching Quatermain instead of the flying target. The object soared through the air and then splashed down.
The young American didn't venture closer, not wanting to disturb the old adventurers aim. They stood apart, separated by the wide deck. As he aimed carefully, his eyes never leaving the floating target, Quatermain sensed the young man's presence. "Do you want something?"
The League of Extraordinary Gentlemen Page 9