But the close resemblance which the clowns of the stage bear to those of every-day life is perfectly extraordinary. Some people talk with a sigh of the decline of pantomime, and murmur in low and dismal tones the name of Grimaldi. We mean no disparagement to the worthy and excellent old man when we say that this is downright nonsense. Clowns that beat Grimaldi all to nothing turn up every day, and nobody patronizes them—more's the pity!
“I know who you mean,” says some dirty-faced patron of Mr. Osbaldistone's, laying down the Miscellany when he has got thus far, and bestowing upon vacancy a most knowing glance; “you mean C. J. Smith as did Guy Fawkes, and George Barnwell at the Garden.” The dirty-faced gentleman has hardly uttered the words, when he is interrupted by a young gentleman in no shirt-collar and a Petersham coat. “No, no,” says the young gentleman; “he means Brown, King, and Gibson, at the “ Delphi.” Now, with great deference both to the first-named gentleman with the dirty face, and the last-named gentleman in the non-existing shirt-collar, we do NOT mean either the performer who so grotesquely burlesqued the Popish conspirator, or the three unchangeables who have been dancing the same dance under different imposing titles, and doing the same thing under various high-sounding names for some five or six years last past. We have no sooner made this avowal, than the public, who have hitherto been silent witnesses of the dispute, inquire what on earth it is we DO mean; and, with becoming respect, we proceed to tell them.
It is very well known to all playgoers and pantomime-seers, that the scenes in which a theatrical clown is at the very height of his glory are those which are described in the play-bills as “Cheesemonger's shop and Crockery warehouse,” or “Tailor's shop, and Mrs. Queertable's boarding-house,” or places bearing some such title, where the great fun of the thing consists in the hero's taking lodgings which he has not the slightest intention of paying for, or obtaining goods under false pretences, or abstracting the stock-in-trade of the respectable shopkeeper next door, or robbing warehouse porters as they pass under his window, or, to shorten the catalogue, in his swindling everybody he possibly can, it only remaining to be observed that, the more extensive the swindling is, and the more barefaced the impudence of the swindler, the greater the rapture and ecstasy of the audience. Now it is a most remarkable fact that precisely this sort of thing occurs in real life day after day, and nobody sees the humour of it. Let us illustrate our position by detailing the plot of this portion of the pantomime—not of the theatre, but of life.
The Honourable Captain Fitz-Whisker Fiercy, attended by his livery servant Do'em—a most respectable servant to look at, who has grown grey in the service of the captain's family—views, treats for, and ultimately obtains possession of, the unfurnished house, such a number, such a street. All the tradesmen in the neighbourhood are in agonies of competition for the captain's custom; the captain is a good-natured, kind-hearted, easy man, and, to avoid being the cause of disappointment to any, he most handsomely gives orders to all. Hampers of wine, baskets of provisions, cart-loads of furniture, boxes of jewellery, supplies of luxuries of the costliest description, flock to the house of the Honourable Captain Fitz-Whisker Fiercy, where they are received with the utmost readiness by the highly respectable Do'em; while the captain himself struts and swaggers about with that compound air of conscious superiority and general blood-thirstiness which a military captain should always, and does most times, wear, to the admiration and terror of plebeian men. But the tradesmen's backs are no sooner turned, than the captain, with all the eccentricity of a mighty mind, and assisted by the faithful Do'em, whose devoted fidelity is not the least touching part of his character, disposes of everything to great advantage; for, although the articles fetch small sums, still they are sold considerably above cost price, the cost to the captain having been nothing at all. After various manoeuvres, the imposture is discovered, Fitz-Fiercy and Do'em are recognized as confederates, and the police office to which they are both taken is thronged with their dupes.
Who can fail to recognize in this, the exact counterpart of the best portion of a theatrical pantomime—Fitz-Whisker Fiercy by the clown; Do'em by the pantaloon; and supernumeraries by the tradesmen? The best of the joke, too, is, that the very coalmerchant who is loudest in his complaints against the person who defrauded him, is the identical man who sat in the centre of the very front row of the pit last night and laughed the most boisterously at this very same thing,—and not so well done either. Talk of Grimaldi, we say again! Did Grimaldi, in his best days, ever do anything in this way equal to Da Costa?
The mention of this latter justly celebrated clown reminds us of his last piece of humour, the fraudulently obtaining certain stamped acceptances from a young gentleman in the army. We had scarcely laid down our pen to contemplate for a few moments this admirable actor's performance of that exquisite practical joke, than a new branch of our subject flashed suddenly upon us. So we take it up again at once.
All people who have been behind the scenes, and most people who have been before them, know, that in the representation of a pantomime, a good many men are sent upon the stage for the express purpose of being cheated, or knocked down, or both. Now, down to a moment ago, we had never been able to understand for what possible purpose a great number of odd, lazy, large-headed men, whom one is in the habit of meeting here, and there, and everywhere, could ever have been created. We see it all, now. They are the supernumeraries in the pantomime of life; the men who have been thrust into it, with no other view than to be constantly tumbling over each other, and running their heads against all sorts of strange things. We sat opposite to one of these men at a suppertable, only last week. Now we think of it, he was exactly like the gentlemen with the pasteboard heads and faces, who do the corresponding business in the theatrical pantomimes; there was the same broad stolid simper—the same dull leaden eye—the same unmeaning, vacant stare; and whatever was said, or whatever was done, he always came in at precisely the wrong place, or jostled against something that he had not the slightest business with. We looked at the man across the table again and again; and could not satisfy ourselves what race of beings to class him with. How very odd that this never occurred to us before!
We will frankly own that we have been much troubled with the harlequin. We see harlequins of so many kinds in the real living pantomime, that we hardly know which to select as the proper fellow of him of the theatres. At one time we were disposed to think that the harlequin was neither more nor less than a young man of family and independent property, who had run away with an opera-dancer, and was fooling his life and his means away in light and trivial amusements. On reflection, however, we remembered that harlequins are occasionally guilty of witty, and even clever acts, and we are rather disposed to acquit our young men of family and independent property, generally speaking, of any such misdemeanours. On a more mature consideration of the subject, we have arrived at the conclusion that the harlequins of life are just ordinary men, to be found in no particular walk or degree, on whom a certain station, or particular conjunction of circumstances, confers the magic wand. And this brings us to a few words on the pantomime of public and political life, which we shall say at once, and then conclude—merely premising in this place that we decline any reference whatever to the columbine, being in no wise satisfied of the nature of her connection with her parti-coloured lover, and not feeling by any means clear that we should be justified in introducing her to the virtuous and respectable ladies who peruse our lucubrations.
We take it that the commencement of a Session of Parliament is neither more nor less than the drawing up of the curtain for a grand comic pantomime, and that his Majesty's most gracious speech on the opening thereof may be not inaptly compared to the clown's opening speech of “Here we are!” “My lords and gentlemen, here we are!” appears, to our mind at least, to be a very good abstract of the point and meaning of the propitiatory address of the ministry. When we remember how frequently this speech is made, immediately after THE CHANGE too, the parallel
is quite perfect, and still more singular.
Perhaps the cast of our political pantomime never was richer than at this day. We are particularly strong in clowns. At no former time, we should say, have we had such astonishing tumblers, or performers so ready to go through the whole of their feats for the amusement of an admiring throng. Their extreme readiness to exhibit, indeed, has given rise to some ill-natured reflections; it having been objected that by exhibiting gratuitously through the country when the theatre is closed, they reduce themselves to the level of mountebanks, and thereby tend to degrade the respectability of the profession. Certainly Grimaldi never did this sort of thing; and though Brown, King, and Gibson have gone to the Surrey in vacation time, and Mr. C. J. Smith has ruralised at Sadler's Wells, we find no theatrical precedent for a general tumbling through the country, except in the gentleman, name unknown, who threw summersets on behalf of the late Mr. Richardson, and who is no authority either, because he had never been on the regular boards.
But, laying aside this question, which after all is a mere matter of taste, we may reflect with pride and gratification of heart on the proficiency of our clowns as exhibited in the season. Night after night will they twist and tumble about, till two, three, and four o'clock in the morning; playing the strangest antics, and giving each other the funniest slaps on the face that can possibly be imagined, without evincing the smallest tokens of fatigue. The strange noises, the confusion, the shouting and roaring, amid which all this is done, too, would put to shame the most turbulent sixpenny gallery that ever yelled through a boxing-night.
It is especially curious to behold one of these clowns compelled to go through the most surprising contortions by the irresistible influence of the wand of office, which his leader or harlequin holds above his head. Acted upon by this wonderful charm he will become perfectly motionless, moving neither hand, foot, nor finger, and will even lose the faculty of speech at an instant's notice; or on the other hand, he will become all life and animation if required, pouring forth a torrent of words without sense or meaning, throwing himself into the wildest and most fantastic contortions, and even grovelling on the earth and licking up the dust. These exhibitions are more curious than pleasing; indeed, they are rather disgusting than otherwise, except to the admirers of such things, with whom we confess we have no fellow-feeling.
Strange tricks—very strange tricks—are also performed by the harlequin who holds for the time being the magic wand which we have just mentioned. The mere waving it before a man's eyes will dispossess his brains of all the notions previously stored there, and fill it with an entirely new set of ideas; one gentle tap on the back will alter the colour of a man's coat completely; and there are some expert performers, who, having this wand held first on one side and then on the other, will change from side to side, turning their coats at every evolution, with so much rapidity and dexterity, that the quickest eye can scarcely detect their motions. Occasionally, the genius who confers the wand, wrests it from the hand of the temporary possessor, and consigns it to some new performer; on which occasions all the characters change sides, and then the race and the hard knocks begin anew.
We might have extended this chapter to a much greater length—we might have carried the comparison into the liberal professions—we might have shown, as was in fact our original purpose, that each is in itself a little pantomime with scenes and characters of its own, complete; but, as we fear we have been quite lengthy enough already, we shall leave this chapter just where it is. A gentleman, not altogether unknown as a dramatic poet, wrote thus a year or two ago—
“All the world's a stage, And all the men and women merely players:”
and we, tracking out his footsteps at the scarcely-worth-mentioning little distance of a few millions of leagues behind, venture to add, by way of new reading, that he meant a Pantomime, and that we are all actors in The Pantomime of Life.
SOME PARTICULARS CONCERNING A LION
We have a great respect for lions in the abstract. In common with most other people, we have heard and read of many instances of their bravery and generosity. We have duly admired that heroic self-denial and charming philanthropy which prompts them never to eat people except when they are hungry, and we have been deeply impressed with a becoming sense of the politeness they are said to display towards unmarried ladies of a certain state. All natural histories teem with anecdotes illustrative of their excellent qualities; and one old spelling-book in particular recounts a touching instance of an old lion, of high moral dignity and stern principle, who felt it his imperative duty to devour a young man who had contracted a habit of swearing, as a striking example to the rising generation.
All this is extremely pleasant to reflect upon, and, indeed, says a very great deal in favour of lions as a mass. We are bound to state, however, that such individual lions as we have happened to fall in with have not put forth any very striking characteristics, and have not acted up to the chivalrous character assigned them by their chroniclers. We never saw a lion in what is called his natural state, certainly; that is to say, we have never met a lion out walking in a forest, or crouching in his lair under a tropical sun, waiting till his dinner should happen to come by, hot from the baker's. But we have seen some under the influence of captivity, and the pressure of misfortune; and we must say that they appeared to us very apathetic, heavy-headed fellows.
The lion at the Zoological Gardens, for instance. He is all very well; he has an undeniable mane, and looks very fierce; but, Lord bless us! what of that? The lions of the fashionable world look just as ferocious, and are the most harmless creatures breathing. A box-lobby lion or a Regent-street animal will put on a most terrible aspect, and roar, fearfully, if you affront him; but he will never bite, and, if you offer to attack him manfully, will fairly turn tail and sneak off. Doubtless these creatures roam about sometimes in herds, and, if they meet any especially meeklooking and peaceably-disposed fellow, will endeavour to frighten him; but the faintest show of a vigorous resistance is sufficient to scare them even then. These are pleasant characteristics, whereas we make it matter of distinct charge against the Zoological lion and his brethren at the fairs, that they are sleepy, dreamy, sluggish quadrupeds.
We do not remember to have ever seen one of them perfectly awake, except at feeding-time. In every respect we uphold the biped lions against their four-footed namesakes, and we boldly challenge controversy upon the subject.
With these opinions it may be easily imagined that our curiosity and interest were very much excited the other day, when a lady of our acquaintance called on us and resolutely declined to accept our refusal of her invitation to an evening party; “for,” said she, “I have got a lion coming.” We at once retracted our plea of a prior engagement, and became as anxious to go, as we had previously been to stay away.
We went early, and posted ourselves in an eligible part of the drawing-room, from whence we could hope to obtain a full view of the interesting animal. Two or three hours passed, the quadrilles began, the room filled; but no lion appeared. The lady of the house became inconsolable,—for it is one of the peculiar privileges of these lions to make solemn appointments and never keep them,—when all of a sudden there came a tremendous double rap at the street-door, and the master of the house, after gliding out (unobserved as he flattered himself) to peep over the banisters, came into the room, rubbing his hands together with great glee, and cried out in a very important voice, “My dear, Mr.—(naming the lion) has this moment arrived.”
Upon this, all eyes were turned towards the door, and we observed several young ladies, who had been laughing and conversing previously with great gaiety and good humour, grow extremely quiet and sentimental; while some young gentlemen, who had been cutting great figures in the facetious and small-talk way, suddenly sank very obviously in the estimation of the company, and were looked upon with great coldness and indifference. Even the young man who had been ordered from the music shop to play the pianoforte was visibly affected, and struck s
everal false notes in the excess of his excitement.
All this time there was a great talking outside, more than once accompanied by a loud laugh, and a cry of “Oh! capital! excellent!” from which we inferred that the lion was jocose, and that these exclamations were occasioned by the transports of his keeper and our host. Nor were we deceived; for when the lion at last appeared, we overheard his keeper, who was a little prim man, whisper to several gentlemen of his acquaintance, with uplifted hands, and every expression of half-suppressed admiration, that—(naming the lion again) was in SUCH cue to-night!
The lion was a literary one. Of course, there were a vast number of people present who had admired his roarings, and were anxious to be introduced to him; and very pleasant it was to see them brought up for the purpose, and to observe the patient dignity with which he received all their patting and caressing. This brought forcibly to our mind what we had so often witnessed at country fairs, where the other lions are compelled to go through as many forms of courtesy as they chance to be acquainted with, just as often as admiring parties happen to drop in upon them.
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