The Mists of Avalon

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by Marion Zimmer Bradley


  Somewhere in the forest she felt the King Stag fling up his head, sniffing the wind, aware for the scent of an enemy, one of his own, one of the alien tribe of life . . . she did not know whether it was the four-footed King Stag or the two-legged one she had blessed, they were one in the life of the Mother Earth, and their lot was in the hands of the Goddess. Antlers answered the toss of antlers, the sniffing breath taking in the life of the forest, searching it for alien, for prey, for predator, for rival where there could be none.

  Ah, Goddess . . . they were off, crashing through the underbrush, men fleet behind them only more silent, running, running . . . run till the heart throbs like bursting in the chest, run till the life of the body overwhelms all knowledge and thought, fleet, searching and being sought, run with the deer who flee and the men who pursue, run with the spinning life of the great sun and the surge of the spring tides, run with the flow of life. . . .

  Lying motionless, her face pressed into the earth and the flooding sun burning her back, time crawling and racing by turns, Morgaine began to see—and from very far off it seemed that she had seen this before, in vision, sometime, somewhere, a very long time ago—the tall, sinewy youth, gripping his knife, falling, falling among the deer, among the slashing hooves—she knew she screamed aloud, and simultaneously knew that her cry had rung everywhere, so that even the King Stag paused in mid charge, appalled, hearing the shriek. There was a moment when everything stopped, and in that terrible moment of silence she saw that he scrambled to his feet, panting, charging with his head down, swinging his antlers, locking head-on, as he swayed and struggled, wrestling the deer with his strong hands and young body . . . a knife slashed upward; blood spilled on the earth, and he was bleeding too, the Horned One, blood on his hands, blood from a long slash on his side, the blood spilling on the earth, sacrifice spilled to the Mother that life should feed on her blood . . . and then the blood of the King Stag went over him in a gush as his blade found the heart, and the men around him rushed in with their spears. . . .

  She saw him carried back, covered in the blood of his twin and rival, the King Stag. All around him the little dark men were slashing, putting the raw, warm hide over his shoulders. Back they came in triumph, fires rising in the gathering dusk, and when the women lifted Morgaine she saw without surprise that the sun was setting, and she staggered, as if she too had run all day with the hunt and the deer.

  They crowned her again with the crimson of triumph. The Horned One was brought before her, bleeding, and she blessed him and marked his forehead with the blood of the deer. The head was taken with the antlers which would bring down the next King Stag; the antlers which the Horned One had worn this day, broken and splintered, were cast into the fire. Soon there was a smell of burning flesh and she wondered if it was the flesh of man or stag. . . .

  They seated them side by side, and brought the first meats to them, dripping still with blood and the fat juices. Morgaine felt her head swimming, the rich taste of the meat overpowering her after her long fast; she was afraid for a moment that she would be sick again. Next to her he was eating hungrily, and she noticed by firelight that he had fine strong hands . . . she blinked, seeing in a strange moment of doubled vision that serpents twined around them, then they were gone again. All around them the men and women of the Tribe were sharing in the ritual feast, the hymn of triumph, sung in an old language Morgaine could only half understand:

  “He has triumphed, he has slain . . .

  . . . the blood of our Mother is shed upon the earth . . .

  . . . the blood of the God is spilled upon the earth . . .

  . . . and he shall rise and reign forever . . .

  . . . he has triumphed, he shall triumph forever, until the

  end of the world . . .”

  The old priestess who had painted and decked her this morning held a silver cup to her lips; she felt the strong liquor sting her throat and burn all the way down. Fire, with a strong taste of honey behind it. Already she was drunk with the blood of the meat—she had tasted meat only a few times in the last seven years. Her head was swimming as they bore her away, stripped her and bedecked her naked body with more paint and garlands, marking her nipples and brow with the blood of the slain deer.

  The Goddess receives her consort and she will slay him again at the end of time, she shall give birth to her Dark Son who will bring the King Stag down. . . .

  A little girl, painted blue from head to foot and bearing a broad dish, ran across the plowed fields, scattering dark drops as she ran, and Morgaine heard the great cry that went up behind her.

  “The fields are blessed; give us food, O our Mother!”

  And for an instant, some small part of Morgaine, dizzy and drunk and only half in her body at all, remarked coldly that she certainly must be mad; she, a civilized and educated woman, princess and priestess and kin to the royal line of Avalon, Druid-taught, here painted like a savage and smelling of freshly shed blood, enduring this barbarian mummery . . .

  . . . then it was all gone again, as the full moon, serene and proud, rose over the clouds that had barriered it from sight. Bathed naked in the moonlight, Morgaine felt the light of the Goddess streaming over, through her . . . she was Morgaine no more, she was nameless, priestess and maiden and mother . . . they strung a garland of crimson berries about her loins; the crude symbolism struck her with sudden fear, and she felt the full weight of virginity pouring and flooding through her like the spring tide. A torch flared in her eyes and they led her into darkness, echoing silences above and beyond her, a cave. All round her, on the walls, she could see the sacred symbols, painted there from the beginnings of time, the stag and antlers, the man with the horns on his brow, the swollen belly and full breasts of She Who Gives Life. . . .

  The priestess laid Morgaine on the couch of deerskins. For a moment she felt cold and frightened, and she shivered, and the old woman’s brow wrinkled in compassion; she drew Morgaine into her arms and kissed her on the lips, and Morgaine clung for a moment to the old woman, hugging her in sudden terror, as if the woman’s sheltering arms were her mother’s own . . . then the woman smiled at her and kissed her again and touched her breasts in blessing and went away.

  She lay there, feeling the life of the earth around her; she seemed to expand, to fill all the cave, the little scribbled drawings were painted on her breasts and her belly, and above her the great chalk figure, man or deer, strode with erect phallus . . . the invisible moon outside the cave flooding her body with light as the Goddess surged inside her, body and soul. She stretched out her arms, and at her command she knew that outside the cave, in the light of the fecundating fires, man and woman, drawn one to the other by the pulsating surges of life, came together. The little blue-painted girl who had borne the fertilizing blood was drawn down into the arms of a sinewy old hunter, and Morgaine saw her briefly struggle and cry out, go down under his body, her legs opening to the irresistible force of nature in them. She saw without sight, her eyes closed against the glare of the torch, hearing the cries.

  Now he was in the door of the cave, the antlers gone from his brow, his hair streaked, his body smeared blue and stained with blood, white skin like the white chalk of the body of the huge figure above the cave . . . the Horned One, the consort. He moved dizzily, too, naked, except for a garland like her own about his loins, and she could see the erect life surging in him like that of the chalk figure. He knelt by her side, and by the torchlight, dazzled, she could see that he was no more than a boy, not one of the little dark people, but tall and fair. . . . Why have they chosen a king who is not one of their own? The thought darted across her mind like a moonbeam and was gone; she was not thinking at all.

  Now it is the time for the Goddess to welcome the Horned One—he was kneeling at the edge of the deerskin couch, swaying, blinking by the light of the torch. She reached up to him, gripped his hands, drew him down to her, feeling the soft warmth and weight of his body. She had to guide him. I am the Great Mother who knows al
l things, who is maiden and mother and all-wise, guiding the virgin and her consort . . . dazed, terrified, exalted, only half conscious, she felt the life force take them both, moving her body without volition, moving him too, guiding him fiercely into her, till they were both moving without knowledge of what force gripped them. She heard herself crying out as if from a great distance, heard his voice high and shaken in the silence, never knowing what either of them cried out at that moment. The torch guttered and went out in the darkness as all the fierce fury of his young life burst and spurted into her womb.

  He moaned and fell forward across her, lifeless except for his hoarse breathing. She eased him away, cradling his weight in her arms, holding him with weary warmth. She felt him kiss her naked breast. Then slowly, tiredly, his breathing quieted to normal, and after a moment she knew that he slept in her arms. She kissed his hair and his soft cheek with a wild tenderness, and then she too slept.

  When she woke the night was far advanced; moonlight had crept into the cave. She was utterly weary, her whole body aching, and she felt between her legs and knew that she was bleeding. She flung her damp hair back, looking down by the moonlight at the sprawled pale body still sleeping the sleep of long exhaustion beside her. He was tall and strong and beautiful, though by moonlight she could not see his features clearly, and the magical Sight had deserted her; now there was only the moon’s light and brilliance, no longer the compelling face of the Goddess. She was Morgaine again, not the shadow of the Great Mother; she was herself again, clear in her mind about what had happened.

  She thought for a moment of Lancelet, whom she had loved, and to whom she had hungered to give this gift. Now it had come, not to a lover but to a faceless stranger . . . no, she must not think like that. She was not a woman, she was a priestess, and she had given the force of the Virgin to the Horned One, as had been ordained for her fate before the walls of the world were laid. She had accepted her destiny as a priestess of Avalon must do, and she sensed that something of shattering importance had happened here in the night past.

  She was cold and lay down, covering herself with the deerskin coverlet. She wrinkled her nose a little at its rankness; they had strewn it with sweet herbs, so at least there would not be fleas. Experienced at judging the tides, she guessed it was about an hour before sunrise. At her side the boy felt her stir and sat up sleepily.

  “Where are we?” he asked. “Oh yes, I remember. In the cave. Why, it’s already getting light.” He smiled and reached for her; she let him pull her down and kiss her, wrapping her in strong arms. “Last night you were the Goddess,” he murmured, “but I wake and I find you are a woman.”

  She laughed softly. “And you are not the God, but a man?”

  “I think I have had enough of being a God, and besides, it seems to me that it is presumptuous for a man of flesh and blood,” he said, holding her against him. “I am content to be no more than a man.”

  She said, “Perhaps there is a time to be Goddess and God, and a time to be no more than flesh and blood.”

  “I was afraid of you last night,” he confessed. “I thought you the Goddess, all larger than life . . . and you are such a little thing!” Suddenly he blinked and said, “Why, you speak my language, I had not noticed—you are not one of this tribe, then?”

  “I am a priestess from the Holy Isle.”

  “And the priestess is a woman,” he said, his hands gently exploring her breasts, which stirred into sudden life and hunger at his touch. “Do you think the Goddess will be angry with me if I like the woman better?”

  She laughed and said, “The Goddess is wise in the ways of men.”

  “And is her priestess?”

  Suddenly she felt shy. “No—I have never known a man before this,” she said, “and it was not I, but the Goddess—”

  He said in the dimness, drawing her close to him, “Since the God and the Goddess have known pleasure, should not the man and the woman know it also?” His hands were growing bolder, and she pulled him down to her. “It seems only fitting,” she said.

  This time in full awareness she could savor it, the softness and hardness, the strong young hands and the surprising gentleness behind his bold approach. She laughed in delight at the unexpected pleasure, fully open to him, sensing his enjoyment as her own. She had never been so happy in her life. Spent, they lay, limbs twined, caressing each other in a pleasant fatigue.

  At last, in the growing light, he sighed.

  “They will be coming for me soon,” he said, “and there is much more of this—I am to be taken somewhere and given a sword, and many other things.” He sat up and smiled at her. “And I would like to wash, and have clothes befitting a civilized man, and free myself of all this blood and blue dye . . . how everything passes! Last night I did not even know I was all smeared with blood—look, you too are covered with the stag’s blood where I lay on you—”

  “I think when they come for me, they will bathe me and give me fresh garments,” she said, “and you too, in a running stream.”

  He sighed with a gentle, boyish melancholy. His voice was breaking, an uncertain baritone; how could he be so young, this young giant who had fought the King Stag and killed him with his flint knife?

  “I do not suppose I will ever meet you again,” he said, “for you are a priestess and dedicated to the Goddess. But I want to say this to you—” and he leaned down and kissed her between her breasts. “You were the very first. No matter how many women I may have, for all my life I will always remember you and love you and bless you. I promise you that.”

  There were tears on his cheek. Morgaine reached for her garment and tenderly dried the tears, cradling his head against her.

  At the gesture he seemed to stop breathing.

  “Your voice,” he whispered, “and what you just did—why do I seem to know you? Is it because you are the Goddess, and in her all women are the same? No—” He stiffened, raised himself, took her face between his hands. In the growing light she saw the boyish features strengthened into the lines of a man. Still only half aware of why she seemed to know him, she heard his hoarse cry. “Morgaine! You are Morgaine! Morgaine, my sister! Ah, God, Mary Virgin, what have we done?”

  She put her hands up to her eyes, slowly. “My brother,” she whispered. “Ah, Goddess! Brother! Gwydion—”

  “Arthur,” he muttered.

  She held him tight, and after a moment he sobbed, still holding her. “No wonder it seemed to me that I have known you since before the world was made,” he said, weeping. “I have always loved you, and this—ah, God, what have we done—”

  “Don’t cry,” she said, helplessly, “don’t cry. We are in the hands of her who brought us here. It doesn’t matter. We are not brother and sister here, we are man and woman before the Goddess, no more.”

  And I never knew you again. My brother, my baby, the one who lay on my breast like a little child. Morgaine, Morgaine, I told you to take care of the baby, as she went away and left us, and he cried himself to sleep in my arms. And I did not know.

  “It’s all right,” she said again, rocking him, “don’t cry, my brother, my beloved, my little one, don’t cry, it’s all right.”

  But even as she soothed him, despair beat at her.

  Why did you do this to us? Great Mother, Lady, why?

  And she did not know whether she was calling to Viviane, or to the Goddess.

  16

  All the long road to Avalon, Morgaine lay in her litter, her head throbbing, and that question beating in her mind: Why? She was exhausted after the three days of fasting and the long day of ritual. She knew vaguely that the night’s feasting and lovemaking had been intended to release that force, and they would have done so, returning her to normal, except for the morning’s shock.

  She knew herself well enough to know that when the shock and exhaustion wore off, they would be followed by rage, and she wished that she could reach Viviane before the rage exploded, while she could still maintain some semblance of calm.


  They took the Lake route this time, and she was allowed, at her own earnest request, to walk a part of the way; she was no longer the ritually shielded Maiden of the ceremony, but only one of the priestess attendants of the Lady of the Lake. Returning with the barge across the Lake, she was asked to summon the mists for the making of the gateway to Avalon; she rose to do so almost perfunctorily, so much had she come to take this Mystery for granted as a part of her life.

  Yet as she raised her arms for the summoning, she had a sudden, paralyzing moment of doubt. The change within her seemed so great, did she still retain the force to make the gateway? So great was her rebellion that for an instant she hesitated, and the men in the boat looked at her in polite concern. She felt pierced by their eyes, and by a moment of intense shame, as if all that had befallen her the night before must somehow be printed on her face in the language of lust. The sound of church bells rang out quietly over the Lake, and suddenly Morgaine was back in childhood, listening to Father Columba speaking earnestly of chastity as the greatest approach to the holiness of Mary, Mother of God, who by miracle had borne her Son without even a momentary stain of the world’s sin. Even at the time, Morgaine had thought, What great nonsense that is, how could any woman bear a child without knowing a man? But at the sound of the holy bells, something within her seemed to crumple and fold itself away, and she felt tears suddenly streaming down her face.

 

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