“Oh, dearest papa,” cried Aennchen, overjoyed, “just look there! The silken palace is gone! The abominable monster is off and away with all his tribe of salad-princes, cucumber-ministers, and Lord knows what all!” And she ran away to the vegetable garden, delighted, Herr Dapsul following as fast as he could. Herr Amandus went behind them, muttering to himself, “I’m sure I don’t know quite what to make of all this. But this I maintain, that that ugly little carrot creature is a vile, prosaic lubber, and none of your poetical kings, or my sublime lay wouldn’t have given him the stomach-ache, and sent him scuttling into the ground.”
As Fräulein Aennchen was standing in the vegetable garden, where there wasn’t the trace of a green blade to be seen, she suddenly felt a sharp pain in the finger which had on the fateful ring. At the same time a cry of piercing sorrow sounded from the ground, and the tip of a carrot peeped out. Guided by her inspiration she quickly took the ring off (it came quite easily this time), stuck it on the carrot, and the latter disappeared while the cry of sorrow ceased. But, oh, wonder of wonders! all at once Fräulein Aennchen was as pretty as ever, well-proportioned, and as fair and white as a country lady can be expected to be. She and her father rejoiced greatly, while Amandus stood puzzled, not knowing what to make of it all.
Fräulein Aennchen took the spade from the maid, who had come running up, and flourished it in the air with a joyful shout of “Now let’s set to work,” in doing which she was unfortunate enough to deal Herr Amandus such a thwack on the head with it (just at the place where the Sensorium Commune is supposed to be situated) that he fell down as if dead.
Aennchen threw the murderous weapon far from her, cast herself down beside her beloved, and broke out into the most despairing lamentations, while the maid poured the contents of a watering pot over him, and Herr Dapsul quickly ascended the astronomic tower to consult the stars with as little delay as possible as to whether Herr Amandus was dead or not. But it was not long before the latter opened his eyes again, jumped to his legs, clasped Fräulein Aennchen in his arms, and cried, with all the rapture of affection, “Now, my best and dearest Anna, we are one another again.”
The very remarkable, scarcely credible effect of this occurrence on the two lovers very soon made itself perceptible. Fräulein Aennchen took a dislike to touching a spade, and she did really reign like a queen over the vegetable world, inasmuch as, though taking care that her vassals were properly supervised and attended to, she set no hand to the work herself, but entrusted it to maids in whom she had confidence.
Herr Amandus, for his part, saw now that everything he had ever written in the shape of verses was wretched, miserable trash, and, burying himself in the works of the real poets, both of ancient and modern times, his being was soon so filled with a beneficent enthusiasm that no room was left for any consideration of himself. He arrived at the conviction that a real poem has got to be something other than a confused jumble of words shaken together under the influence of a crude, jejune delirium, and threw all his own (so-called) poetry, of which he had had such a tremendous opinion, into the fire, becoming once more quite the sensible young gentleman, clear and open in heart and mind, which he had been originally.
And one morning Herr Dapsul did actually come down from his astronomical tower to go to church with Fräulein Aennchen and Herr Amandus von Nebelstern on the occasion of their marriage.
They led an exceedingly happy wedded life. But as to whether Herr Dapsul’s union with the Sylph Nehabilah ever actually came to anything the Chronicle of Dapsulheim is silent.
A CATALOG OF SELECTED
DOVER BOOKS
IN ALL FIELDS OF INTEREST
A CATALOG OF SELECTED DOVER BOOKS IN ALL FIELDS OF INTEREST
CONCERNING THE SPIRITUAL IN ART, Wassily Kandinsky. Pioneering work by father of abstract art. Thoughts on color theory, nature of art. Analysis of earlier masters. 12 illustrations. 80pp. of text. 5 x 8½.
0-486-23411-8
CELTIC ART: The Methods of Construction, George Bain. Simple geometric techniques for making Celtic interlacements, spirals, Kells-type initials, animals, humans, etc. Over 500 illustrations. 160pp. 9 x 12. (Available in U.S. only.)
0-486-22923-8
AN ATLAS OF ANATOMY FOR ARTISTS, Fritz Schider. Most thorough reference work on art anatomy in the world. Hundreds of illustrations, including selections from works by Vesalius, Leonardo, Goya, Ingres, Michelangelo, others. 593 illustrations. 192pp. 7 x 10¼.
0-486-20241-0
CELTIC HAND STROKE-BY-STROKE (Irish Half-Uncial from “The Book of Kells”): An Arthur Baker Calligraphy Manual, Arthur Baker. Complete guide to creating each letter of the alphabet in distinctive Celtic manner. Covers hand position, strokes, pens, inks, paper, more. Illustrated. 48pp. 8¼ x 11.
0-486-24336-2
EASY ORIGAMI, John Montroll. Charming collection of 32 projects (hat, cup, pelican, piano, swan, many more) specially designed for the novice origami hobbyist. Clearly illustrated easy-to-follow instructions insure that even beginning papercrafters will achieve successful results. 48pp. 8¼ x 11.
0-486-27298-2
BLOOMINGDALE’S ILLUSTRATED 1886 CATALOG: Fashions, Dry Goods and Housewares, Bloomingdale Brothers. Famed merchants’ extremely rare catalog depicting about 1,700 products: clothing, housewares, firearms, dry goods, jewelry, more. Invaluable for dating, identifying vintage items. Also, copyright-free graphics for artists, designers. Co-published with Henry Ford Museum & Greenfield Village. 160pp. 8¼ x 11.
0-486-25780-0
THE ART OF WORLDLY WISDOM, Baltasar Gracian. “Think with the few and speak with the many,” “Friends are a second existence,” and “Be able to forget” are among this 1637 volume’s 300 pithy maxims. A perfect source of mental and spiritual refreshment, it can be opened at random and appreciated either in brief or at length. 128pp. 5 x 8½.
0-486-44034-6
JOHNSON’S DICTIONARY: A Modern Selection, Samuel Johnson (E. L. McAdam and George Milne, eds.). This modern version reduces the original 1755 edition’s 2,300 pages of definitions and literary examples to a more manageable length, retaining the verbal pleasure and historical curiosity of the original. 480pp. 5 x 8¼
0-486-44089-3
ADVENTURES OF HUCKLEBERRY FINN, Mark Twain, Illustrated by E. W. Kemble. A work of eternal richness and complexity, a source of ongoing critical debate, and a literary landmark, Twain’s 1885 masterpiece about a barefoot boy’s journey of self-discovery has enthralled readers around the world. This handsome clothbound reproduction of the first edition features all 174 of the original black-and-white illustrations. 368pp. 5 x 8½.
0-486-44322-1
LIGHT AND SHADE: A Classic Approach to Three-Dimensional Drawing, Mrs. Mary P. Merrifield. Handy reference clearly demonstrates principles of light and shade by revealing effects of common daylight, sunshine, and candle or artificial light on geometrical solids. 13 plates. 64pp. 5 x 8½.
0-486-44143-1
ASTROLOGY AND ASTRONOMY: A Pictorial Archive of Signs and Symbols, Ernst and Johanna Lehner. Treasure trove of stories, lore, and myth, accompanied by more than 300 rare illustrations of planets, the Milky Way, signs of the zodiac, comets, meteors, and other astronomical phenomena. 192pp. 8 x 11.
0-486-43981-X
JEWELRY MAKING: Techniques for Metal, Tim McCreight. Easy-to-follow instructions and carefully executed illustrations describe tools and techniques, use of gems and enamels, wire inlay, casting, and other topics. 72 line illustrations and diagrams. 176pp. 8¼ x 10.
0-486-44043-5
MAKING BIRDHOUSES: Easy and Advanced Projects, Gladstone Califf. Easy-to-follow instructions include diagrams for everything from a one-room house for bluebirds to a forty-two-room structure for purple martins. 56 plates; 4 figures. 80pp. 8¾ x 6.
0-486-44183-0
LITTLE BOOK OF LOG CABINS: How to Build and Furnish Them, William S. Wicks. Handy how-to manual, with instructions and illustrations for building cabins in the Adirondack style, fireplaces,
stairways, furniture, beamed ceilings, and more. 102 line drawings. 96pp. 8¾ x 6.
0-486-44259-4
THE SEASONS OF AMERICA PAST, Eric Sloane. From “sugaring time” and strawberry picking to Indian summer and fall harvest, a whole year’s activities described in charming prose and enhanced with 79 of the author’s own illustrations. 160pp. 8¼ x 11.
0-486-44220-9
THE METROPOLIS OF TOMORROW, Hugh Ferriss. Generous, prophetic vision of the metropolis of the future, as perceived in 1929. Powerful illustrations of towering structures, wide avenues, and rooftop parks—all features in many of today’s modern cities. 59 illustrations. 144pp. 8¼ x 11.
0-486-43727-2
THE PATH TO ROME, Hilaire Belloc. This 1902 memoir abounds in lively vignettes from a vanished time, recounting a pilgrimage on foot across the Alps and Apennines in order to “see all Europe which the Christian Faith has saved.” 77 of the author’s original line drawings complement his sparkling prose. 272pp. 5 x 8½.
0-486-44001-X
THE HISTORY OF RASSELAS: Prince of Abissinia, Samuel Johnson. Distinguished English writer attacks eighteenth-century optimism and man’s unrealistic estimates of what life has to offer. 112pp. 5 x 8½.
0-486-44094-X
A VOYAGE TO ARCTURUS, David Lindsay. A brilliant flight of pure fancy, where wild creatures crowd the fantastic landscape and demented torturers dominate victims with their bizarre mental powers. 272pp. 5 x 8½.
0-486-44198-9
Paperbound unless otherwise indicated. Available at your book dealer, online at www.doverpublications.com, or by writing to Dept. GI, Dover Publications, Inc., 31 East 2nd Street, Mineola, NY 11501. For current price information or for free catalogs (please indicate field of interest), write to Dover Publications or log on to www.doverpublications.com and see every Dover book in print. Dover publishes more than 400 books each year on science, elementary and advanced mathematics, biology, music, art, literary history, social sciences, and other areas.
1 Dr. Dapertutto’s phial almost certainly contained prussic (hydrocyanic) acid, which is prepared from laurel leaves and bitter almonds. A very small quantity of this liquid, less than an ounce, produces the effects described. Cf. Horns Archia für mediz. Erfahrung, 1813, May to December, page 510.
2 “Slave of a primo uomo”—The male equivalent of a prima donna.
3 “You German beast!”
The Best Tales of Hoffmann Page 60