“Mister Armstrong, time out …”
Near the creek Mr. Schaeffer had seen a sweet gum tree, and he was thinking it would soon be spring and the sweet gum ready to chew. A razory stone ripped open the palm of his hand as he slid off the slippery embankment into the water. He straightened up and began to run; his legs were long, he kept almost abreast of Tico Feo, and icy geysers sprayed around them. Back and forth through the woods the shouts of men boomed hollowly like voices in a cavern, and there were three shots, all highflying, as though the guard were shooting at a cloud of geese.
Mr. Schaeffer did not see the log that lay across the creek. He thought he was still running, and his legs thrashed about him; it was as though he were a turtle stranded on its back.
While he struggled there, it seemed to him that the face of his friend, suspended above him, was part of the white winter sky—it was so distant, judging. It hung there but an instant, like a hummingbird, yet in that time he’d seen that Tico Feo had not wanted him to make it, had never thought he would, and he remembered once thinking that it would be a long time before his friend was a grown man. When they found him, he was still lying in the ankle-deep water as though it were a summer afternoon and he were idly floating on the stream.
Since then three winters have gone by, and each has been said to be the coldest, the longest. Two recent months of rain washed deeper ruts in the clay road leading to the farm, and it is harder than ever to get there, harder to leave. A pair of searchlights has been added to the walls, and they burn there through the night like the eyes of a giant owl. Otherwise, there have not been many changes. Mr. Schaeffer, for instance, looks much the same, except that there is a thicker frost of white in his hair, and as the result of a broken ankle he walks with a limp. It was the Captain himself who said that Mr. Schaeffer had broken his ankle attempting to capture Tico Feo. There was even a picture of Mr. Schaeffer in the newspaper, and under it this caption: “Tried to Prevent Escape.” At the time he was deeply mortified, not because he knew the other men were laughing, but because he thought of Tico Feo seeing it. But he cut it out of the paper anyway, and keeps it in an envelope along with several clippings pertaining to his friend: a spinster woman told the authorities he’d entered her home and kissed her, twice he was reported seen in the Mobile vicinity, finally it was believed that he had left the country.
No one has ever disputed Mr. Schaeffer’s claim to the guitar. Several months ago a new prisoner was moved into the sleep house. He was said to be a fine player, and Mr. Schaeffer was persuaded to lend him the guitar. But all the man’s tunes came out sour, for it was as though Tico Feo, tuning his guitar that last morning, had put a curse upon it. Now it lies under Mr. Schaeffer’s cot, where its glass diamonds are turning yellow; in the night his hand sometimes searches it out, and his fingers drift across the strings: then, the world.
HOUSE OF FLOWERS
(1951)
Ottilie should have been the happiest girl in Port-au-Prince. As Baby said to her, look at all the things that can be put to your credit. Like what? said Ottilie, for she was vain and preferred compliments to pork or perfume. Like your looks, said Baby: you have a lovely light color, even almost blue eyes, and such a pretty, sweet face—there is no girl on the road with steadier customers, every one of them ready to buy you all the beer you can drink. Ottilie conceded that this was true, and with a smile continued to total her fortunes: I have five silk dresses and a pair of green satin shoes, I have three gold teeth worth thirty thousand francs, maybe Mr. Jamison or someone will give me another bracelet. But, Baby, she sighed, and could not express her discontent.
Baby was her best friend; she had another friend too: Rosita. Baby was like a wheel, round, rolling; junk rings had left green circles on several of her fat fingers, her teeth were dark as burnt tree stumps, and when she laughed you could hear her at sea, at least so the sailors claimed. Rosita, the other friend, was taller than most men, and stronger; at night, with the customers on hand, she minced about, lisping in a silly doll voice, but in the daytime she took spacious, loping strides and spoke out in a military baritone. Both of Ottilie’s friends were from the Dominican Republic, and considered it reason enough to feel themselves a cut above the natives of this darker country. It did not concern them that Ottilie was a native. You have brains, Baby told her, and certainly what Baby doted on was a good brain. Ottilie was often afraid that her friends would discover that she could neither read nor write.
The house where they lived and worked was rickety, thin as a steeple, and frosted with fragile, bougainvillea-vined balconies. Though there was no sign outside, it was called the Champs Elysées. The proprietress, a spinsterish, smothered-looking invalid, ruled from an upstairs room, where she stayed locked away rocking in a rocking chair and drinking ten to twenty Coca-Colas a day. All counted, she had eight ladies working for her; with the exception of Ottilie, no one of them was under thirty. In the evening, when the ladies assembled on the porch, where they chatted and flourished paper fans that beat the air like delirious moths, Ottilie seemed a delightful dreaming child surrounded by older, uglier sisters.
Her mother was dead, her father was a planter who had gone back to France, and she had been brought up in the mountains by a rough peasant family, the sons of whom had each at a young age lain with her in some green and shadowy place. Three years earlier, when she was fourteen, she had come down for the first time to the market in Port-au-Prince. It was a journey of two days and a night, and she’d walked carrying a ten-pound sack of grain; to ease the load she’d let a little of the grain spill out, then a little more, and by the time she had reached the market there was almost none left. Ottilie had cried because she thought of how angry the family would be when she came home without the money for the grain; but these tears were not for long: such a jolly nice man helped her dry them. He bought her a slice of coconut, and took her to see his cousin, who was the proprietress of the Champs Elysées. Ottilie could not believe her good luck; the jukebox music, the satin shoes and joking men were as strange and marvelous as the electric-light bulb in her room, which she never tired of clicking on and off. Soon she had become the most talked-of girl on the road, the proprietress was able to ask double for her, and Ottilie grew vain; she could pose for hours in front of a mirror. It was seldom that she thought of the mountains; and yet, after three years, there was much of the mountains still with her: their winds seemed still to move around her, her hard, high haunches had not softened, nor had the soles of her feet, which were rough as lizard’s hide.
When her friends spoke of love, of men they had loved, Ottilie became sulky: How do you feel if you’re in love? she asked. Ah, said Rosita with swooning eyes, you feel as though pepper has been sprinkled on your heart, as though tiny fish are swimming in your veins. Ottilie shook her head; if Rosita was telling the truth, then she had never been in love, for she had never felt that way about any of the men who came to the house.
This so troubled her that at last she went to see a Houngan who lived in the hills above town. Unlike her friends, Ottilie did not tack Christian pictures on the walls of her room; she did not believe in God, but many gods: of food, light, of death, ruin. The Houngan was in touch with these gods; he kept their secrets on his altar, could hear their voices in the rattle of a gourd, could dispense their power in a potion. Speaking through the gods, the Houngan gave her this message: You must catch a wild bee, he said, and hold it in your closed hand … if the bee does not sting, then you will know you have found love.
On the way home she thought of Mr. Jamison. He was a man past fifty, an American connected with an engineering project. The gold bracelets chattering on her wrists were presents from him, and Ottilie, passing a fence snowy with honeysuckle, wondered if after all she was not in love with Mr. Jamison. Black bees festooned the honeysuckle. With a brave thrust of her hand she caught one dozing. Its stab was like a blow that knocked her to her knees; and there she knelt, weeping until it was hard to know whether the bee had stun
g her hand or her eyes.
It was March, and events were leading toward carnival. At the Champs Elysées the ladies were sewing on their costumes; Ottilie’s hands were idle, for she had decided not to wear a costume at all. On rah-rah weekends, when drums sounded at the rising moon, she sat at her window and watched with a wandering mind the little bands of singers dancing and drumming their way along the road; she listened to the whistling and the laughter and felt no desire to join in. Somebody would think you were a thousand years old, said Baby, and Rosita said: Ottilie, why don’t you come to the cockfight with us?
She was not speaking of an ordinary cockfight. From all parts of the island contestants had arrived bringing their fiercest birds. Ottilie thought she might as well go, and screwed a pair of pearls into her ears. When they arrived the exhibition was already under way; in a great tent a sea-sized crowd sobbed and shouted, while a second crowd, those who could not get in, thronged on the outskirts. Entry was no problem to the ladies from the Champs Elysées: a policeman friend cut a path for them and made room on a bench by the ring. The country people surrounding them seemed embarrassed to find themselves in such stylish company. They looked shyly at Baby’s lacquered nails, the rhinestone combs in Rosita’s hair, the glow of Ottilie’s pearl earrings. However, the fights were exciting, and the ladies were soon forgotten; Baby was annoyed that this should be so, and her eyes rolled about searching for glances in their direction. Suddenly she nudged Ottilie. Ottilie, she said, you’ve got an admirer: see that boy over there, he’s staring at you like you were something cold to drink.
At first she thought he must be someone she knew, for he was looking at her as though she should recognize him; but how could she know him when she’d never known anyone so beautiful, anyone with such long legs, little ears? She could see that he was from the mountains: his straw country hat and the worn-out blue of his thick shirt told her as much. He was a ginger color, his skin shiny as a lemon, smooth as a guava leaf, and the tilt of his head was as arrogant as the black and scarlet bird he held in his hands. Ottilie was used to boldly smiling at men; but now her smile was fragmentary, it clung to her lips like cake crumbs.
Eventually there was an intermission. The arena was cleared, and all who could crowded into it to dance and stamp while an orchestra of drums and strings sang out carnival tunes. It was then that the young man approached Ottilie; she laughed to see his bird perched like a parrot on his shoulder. Off with you, said Baby, outraged that a peasant should ask Ottilie to dance, and Rosita rose menacingly to stand between the young man and her friend. He only smiled, and said: Please, madame, I would like to speak with your daughter. Ottilie felt herself being lifted, felt her hips meet against his to the rhythm of music, and she did not mind at all, she let him lead her into the thickest tangle of dancers. Rosita said: Did you hear that, he thought I was her mother? And Baby, consoling her, grimly said: After all, what do you expect? They’re only natives, both of them: when she comes back we’ll just pretend we don’t know her.
As it happened, Ottilie did not return to her friends. Royal, this was the young man’s name, Royal Bonaparte, he told her, had not wanted to dance. We must walk in a quiet place, he said, hold my hand and I will take you. She thought him strange, but did not feel strange with him, for the mountains were still with her, and he was of the mountains. With her hands together, and the iridescent cock swaying on his shoulder, they left the tent and wandered lazily down a white road, then along a soft lane where birds of sunlight fluttered through the greenness of leaning acacia trees.
I have been sad, he said, not looking sad. In my village Juno is a champion, but the birds here are strong and ugly, and if I let him fight I would only have a dead Juno. So I will take him home and say that he won. Ottilie, will you have a dip of snuff?
She sneezed voluptuously. Snuff reminded her of her childhood, and mean as those years had been, nostalgia touched her with its far-reaching wand. Royal, she said, be still a minute, I want to take off my shoes.
Royal himself did not have shoes; his golden feet were slender and airy, and the prints they left were like the track of a delicate animal. He said: How is it that I find you here, in all the world here, where nothing is good, where the rum is bad and the people thieves? Why do I find you here, Ottilie?
Because I must make my way, the same as you, and here there is a place for me. I work in a—oh, kind of hotel.
We have our own place, he said. All the side of a hill, and there at the top of the hill is my cool house. Ottilie, will you come and sit inside it?
Crazy, said Ottilie, teasing him, crazy, and she ran between the trees, and he was after her, his arms out as though he held a net. The bird Juno flared his wings, crowed, flew to the ground. Scratchy leaves and fur of moss thrilled the soles of Ottilie’s feet as she lilted through the shade and shadows; abruptly, into a veil of rainbow fern, she fell with a thorn in her heel. She winced when Royal pulled out the thorn; he kissed the place where it had been, his lips moved to her hands, her throat, and it was as though she were among drifting leaves. She breathed the odor of him, the dark, clean smell that was like the roots of things, of geraniums, of heavy trees.
Now that’s enough, she pleaded, though she did not feel that this was so: it was only that after an hour of him her heart was about to give out. He was quiet then, his tickly haired head rested above her heart, and shoo she said to the gnats that clustered about his sleeping eyes, shush she said to Juno who pranced around crowing at the sky.
While she lay there, Ottilie saw her old enemy, the bees. Silently, in a line like ants, the bees were crawling in and out of a broken stump that stood not far from her. She loosened herself from Royal’s arms, and smoothed a place on the ground for his head. Her hand was trembling as she lay it in the path of the bees, but the first that came along tumbled onto her palm, and when she closed her fingers it made no move to hurt her. She counted ten, just to be sure, then opened her hand, and the bee, in spiraling arcs, climbed the air with a joyful singing.
The proprietress gave Baby and Rosita a piece of advice: Leave her alone, let her go, a few weeks and she will be back. The proprietress spoke in the calm of defeat: to keep Ottilie with her, she’d offered the best room in the house, a new gold tooth, a Kodak, an electric fan, but Ottilie had not wavered, she had gone right on putting her belongings in a cardboard box. Baby tried to help, but she was crying so much that Ottilie had to stop her: it was bound to be bad luck, all those tears falling on a bride’s possessions. And to Rosita she said: Rosita, you ought to be glad for me instead of standing there wringing your hands.
It was only two days after the cockfight that Royal shouldered Ottilie’s cardboard box and walked her in the dusk toward the mountains. When it was learned that she was no longer at the Champs Elysées many of the customers took their trade elsewhere; others, though remaining loyal to the old place, complained of a gloom in the atmosphere: some evenings there was hardly anyone to buy the ladies a beer. Gradually it began to be felt that Ottilie after all would not come back; at the end of six months the proprietress said: She must be dead.
Royal’s house was like a house of flowers; wisteria sheltered the roof, a curtain of vines shaded the windows, lilies bloomed at the door. From the windows one could see far, faint winkings of the sea, as the house was high up a hill; here the sun burned hot but the shadows were cold. Inside, the house was always dark and cool, and the walls rustled with pasted pink and green newspapers. There was only one room; it contained a stove, a teetering mirror on top a marble table, and a brass bed big enough for three fat men.
But Ottilie did not sleep in this grand bed. She was not allowed even to sit upon it, for it was the property of Royal’s grandmother, Old Bonaparte. A charred, lumpy creature, bowlegged as a dwarf and bald as a buzzard, Old Bonaparte was much respected for miles around as a maker of spells. There were many who were afraid to have her shadow fall upon them; even Royal was wary of her, and he stuttered when he told her that he’d brought hom
e a wife. Motioning Ottilie to her, the old woman bruised her here and there with vicious little pinches, and informed her grandson that his bride was too skinny: She will die with her first.
Each night the young couple waited to make love until they thought Old Bonaparte had gone to sleep. Sometimes, stretched on the straw moonlit pallet where they slept, Ottilie was sure that Old Bonaparte was awake and watching them. Once she saw a gummy, star-struck eye shining in the dark. There was no use complaining to Royal, he only laughed: What harm was there in an old woman who had seen so much of life wanting to see a little more?
Because she loved Royal, Ottilie put away her grievances and tried not to resent Old Bonaparte. For a long while she was happy; she did not miss her friends or the life in Port-au-Prince; even so, she kept her souvenirs of those days in good repair: with a sewing basket Baby had given her as a wedding gift she mended the silk dresses, the green silk stockings that now she never wore, for there was no place to wear them: only men congregated at the café in the village, at the cockfights. When women wanted to meet they met at the washing stream. But Ottilie was too busy to be lonesome. At daybreak she gathered eucalyptus leaves to start a fire and begin their meals; there were chickens to feed, a goat to be milked, there was Old Bonaparte’s whining for attention. Three and four times a day she filled a bucket of drinking water and carried it to where Royal worked in the cane fields a mile below the house. She did not mind that on these visits he was gruff with her: she knew that he was showing off before the other men who worked in the fields, and who grinned at her like split watermelons. But at night, when she had him home, she’d pull his ears and pout that he treated her like a dog until, in the dark of the yard where the fireflies flamed, he would hold her and whisper something to make her smile.
SSC (2004) The Complete Stories of Truman Capote Page 21