Gone Girl

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Gone Girl Page 3

by Gillian Flynn


  eyeroll and a smile. ‘He sure is here, one moment, please!’ To me, she mouthed: ‘Carl.’

  Carl Pelley lived across the street from me and Amy. Retired three years. Divorced two years. Moved into our development right after. He’d been a traveling salesman – children’s party supplies – and I sensed that after four decades of motel living, he wasn’t quite at home being home. He showed up at the bar nearly every day with a pungent Hardee’s bag, complaining about his budget until he was offered a first drink on the house. (This was another thing I learned about Carl from his days in The Bar – that he was a functioning but serious alcoholic.) He had the good grace to accept whatever we were ‘trying to get rid of,’ and he meant it: For one full month Carl drank nothing but dusty Zimas, circa 1992, that we’d discovered in the basement. When a hangover kept Carl home, he’d find a reason to call: Your mailbox looks awfully full today, Nicky, maybe a package came. Or: It’s supposed to rain, you might want to close your windows. The reasons were bogus. Carl just needed to hear the clink of glasses, the glug of a drink being poured.

  I picked up the phone, shaking a tumbler of ice near the receiver so Carl could imagine his gin.

  ‘Hey, Nicky,’ Carl’s watery voice came over. ‘Sorry to bother you. I just thought you should know … your door is wide open, and that cat of yours is outside. It isn’t supposed to be, right?’

  I gave a non-commital grunt.

  ‘I’d go over and check, but I’m a little under the weather,’ Carl said heavily.

  ‘Don’t worry,’ I said. ‘It’s time for me to go home anyway.’

  It was a fifteen-minute drive, straight north along River Road. Driving into our development occasionally makes me shiver, the sheer number of gaping dark houses – homes that have never known inhabitants, or homes that have known owners and seen them ejected, the house standing triumphantly voided, humanless.

  When Amy and I moved in, our only neighbors descended on us: one middle-aged single mom of three, bearing a casserole; a young father of triplets with a six-pack of beer (his wife left at home with the triplets); an older Christian couple who lived a few houses down; and of course, Carl from across the street. We sat out on our back deck and watched the river, and they all talked ruefully about ARMs, and zero percent interest, and zero money down, and then they all remarked how Amy and I were the only ones with river access, the only ones without children. ‘Just the two of you? In this whole big house?’ the single mom asked, doling out a scrambled-egg something.

  ‘Just the two of us,’ I confirmed with a smile, and nodded in appreciation as I took a mouthful of wobbly egg.

  ‘Seems lonely.’

  On that she was right.

  Four months later, the whole big house lady lost her mortgage battle and disappeared in the night with her three kids. Her house has remained empty. The living room window still has a child’s picture of a butterfly taped to it, the bright Magic Marker sun-faded to brown. One evening not long ago, I drove past and saw a man, bearded, bedraggled, staring out from behind the picture, floating in the dark like some sad aquarium fish. He saw me see him and flickered back into the depths of the house. The next day I left a brown paper bag full of sandwiches on the front step; it sat in the sun untouched for a week, decaying wetly, until I picked it back up and threw it out.

  Quiet. The complex was always disturbingly quiet. As I neared our home, conscious of the noise of the car engine, I could see the cat was definitely on the steps. Still on the steps, twenty minutes after Carl’s call. This was strange. Amy loved the cat, the cat was declawed, the cat was never let outside, never ever, because the cat, Bleecker, was sweet but extremely stupid, and despite the LoJack tracking device pelleted somewhere in his fat furry rolls, Amy knew she’d never see the cat again if he ever got out. The cat would waddle straight into the Mississippi River – deedle-de-dum – and float all the way to the Gulf of Mexico into the maw of a hungry bull shark.

  But it turned out the cat wasn’t even smart enough to get past the steps. Bleecker was perched on the edge of the porch, a pudgy but proud sentinel – Private Tryhard. As I pulled in to the drive, Carl came out and stood on his own front steps, and I could feel the cat and the old man both watching me as I got out of the car and walked toward the house, the red peonies along the border looking fat and juicy, asking to be devoured.

  I was about to go into blocking position to get the cat when I saw that the front door was open. Carl had said as much, but seeing it was different. This wasn’t taking-out-the-trash-back-in-a-minute open. This was wide-gaping-ominous open.

  Carl hovered across the way, waiting for my response, and like some awful piece of performance art, I felt myself enacting Concerned Husband. I stood on the middle step and frowned, then took the stairs quickly, two at a time, calling out my wife’s name.

  Silence.

  ‘Amy, you home?’

  I ran straight upstairs. No Amy. The ironing board was set up, the iron still on, a dress waiting to be pressed.

  ‘Amy!’

  As I ran back downstairs, I could see Carl still framed in the open doorway, hands on hips, watching. I swerved into the living room, and pulled up short. The carpet glinted with shards of glass, the coffee table shattered. End tables were on their sides, books slid across the floor like a card trick. Even the heavy antique ottoman was belly-up, its four tiny feet in the air like something dead. In the middle of the mess was a pair of good sharp scissors.

  ‘Amy!’

  I began running, bellowing her name. Through the kitchen, where a kettle was burning, down to the basement, where the guest room stood empty, and then out the back door. I pounded across our yard onto the slender boat deck leading out over the river. I peeked over the side to see if she was in our rowboat, where I had found her one day, tethered to the dock, rocking in the water, her face to the sun, eyes closed, and as I’d peered down into the dazzling reflections of the river, at her beautiful, still face, she’d suddenly opened her blue eyes and said nothing to me, and I’d said nothing back and gone into the house alone.

  ‘Amy!’

  She wasn’t on the water, she wasn’t in the house. Amy was not there.

  Amy was gone.

  AMY ELLIOTT

  SEPTEMBER 18, 2005

  – Diary entry –

  Well, well, well. Guess who’s back? Nick Dunne, Brooklyn party boy, sugar-cloud kisser, disappearing act. Eight months, two weeks, couple of days, no word, and then he resurfaces, like it was all part of the plan. Turns out, he’d lost my phone number. His cell was out of juice, so he’d written it on a stickie. Then he’d tucked the stickie into his jeans pocket and put the jeans in the washer, and it turned the stickie into a piece of cyclone-shaped pulp. He tried to unravel it but could only see a 3 and an 8. (He said.)

  And then work clobbered him and suddenly it was March and too embarrassingly late to try to find me. (He said.)

  Of course I was angry. I had been angry. But now I’m not. Let me set the scene. (She said.) Today. Gusty September winds. I’m walking along Seventh Avenue, making a lunchtime contemplation of the sidewalk bodega bins – endless plastic containers of cantaloupe and honeydew and melon perched on ice like the day’s catch – and I could feel a man barnacling himself to my side as I sailed along, and I corner-eyed the intruder and realized who it was. It was him. The boy in ‘I met a boy!’

  I didn’t break my stride, just turned to him and said:

  a) ‘Do I know you?’ (manipulative, challenging)

  b) ‘Oh, wow, I’m so happy to see you!’ (eager, doormatlike)

  c) ‘Go fuck yourself.’ (aggressive, bitter)

  d) ‘Well, you certainly take your time about it, don’t you, Nick?’ (light, playful, laid-back)

  Answer: D

  And now we’re together. Together, together. It was that easy.

  It’s interesting, the timing. Propitious, if you will. (And I will.) Just last night was my parents’ book party. Amazing Amy and the Big Day. Yup, Rand and
Marybeth couldn’t resist. They’ve given their daughter’s namesake what they can’t give their daughter: a husband! Yes, for book twenty, Amazing Amy is getting married! Wheeeeeee. No one cares. No one wanted Amazing Amy to grow up, least of all me. Leave her in kneesocks and hair ribbons and let me grow up, unencumbered by my literary alter ego, my paperbound better half, the me I was supposed to be.

  But Amy is the Elliott bread and butter, and she’s served us well, so I suppose I can’t begrudge her a perfect match. She’s marrying good old Able Andy, of course. They’ll be just like my parents: happy-happy.

  Still, it was unsettling, the incredibly small order the publisher put in. A new Amazing Amy used to get a first print of a hundred thousand copies back in the ’80s. Now ten thousand. The book-launch party was, accordingly, unfabulous. Off-tone. How do you throw a party for a fictional character who started life as a precocious moppet of six and is now a thirty-year-old bride-to-be who still speaks like a child? (‘Sheesh,’ thought Amy, ‘my dear fiance´ sure is a grouch-monster when he doesn’t get his way …’ That is an actual quote. The whole book made me want to punch Amy right in her stupid, spotless vagina.) The book is a nostalgia item, intended to be purchased by women who grew up with Amazing Amy, but I’m not sure who will actually want to read it. I read it, of course. I gave the book my blessing – multiple times. Rand and Marybeth feared that I might take Amy’s marriage as some jab at my perpetually single state. (‘I, for one, don’t think women should marry before thirty-five,’ said my mom, who married my dad at twenty-three.)

  My parents have always worried that I’d take Amy too personally – they always tell me not to read too much into her. And yet I can’t fail to notice that whenever I screw something up, Amy does it right: When I finally quit violin at age twelve, Amy was revealed as a prodigy in the next book. (‘Sheesh, violin can be hard work, but hard work is the only way to get better!’) When I blew off the junior tennis championship at age sixteen to do a beach weekend with friends, Amy recommitted to the game. (‘Sheesh, I know it’s fun to spend time with friends, but I’d be letting myself and everyone else down if I didn’t show up for the tournament.’) This used to drive me mad, but after I went off to Harvard (and Amy correctly chose my parents’ alma mater), I decided it was all too ridiculous to think about. That my parents, two child psychologists, chose this particular public form of passive-aggressiveness toward their child was not just fucked up but also stupid and weird and kind of hilarious. So be it.

  The book party was as schizophrenic as the book – at Bluenight, off Union Square, one of those shadowy salons with wingback chairs and art deco mirrors that are supposed to make you feel like a Bright Young Thing. Gin martinis wobbling on trays lofted by waiters with rictus smiles. Greedy journalists with knowing smirks and hollow legs, getting the free buzz before they go somewhere better.

  My parents circulate the room hand in hand – their love story is always part of the Amazing Amy story: husband and wife in mutual creative labor for a quarter century. Soul mates. They really call themselves that, which makes sense, because I guess they are. I can vouch for it, having studied them, little lonely only child, for many years. They have no harsh edges with each other, no spiny conflicts, they ride through life like conjoined jellyfish – expanding and contracting instinctively, filling each other’s spaces liquidly. Making it look easy, the soul-mate thing. People say children from broken homes have it hard, but the children of charmed marriages have their own particular challenges.

  Naturally, I have to sit on some velvety banquette in the corner of the room, out of the noise, so I can give a few interviews to a sad handful of kid interns who’ve gotten stuck with the ‘grab a quote’ assignment from their editors.

  How does it feel to see Amy finally married to Andy? Because you’re not married, right?

  Question asked by:

  a) a sheepish, bug-eyed kid balancing a notebook on top of his messenger bag

  b) an overdressed, sleek-haired young thing with fuck-me stilettos

  c) an eager, tattooed rockabilly girl who seemed way more interested in Amy than one would guess a tattooed rockabilly girl would be

  d) all of the above

  Answer: D

  Me: ‘Oh, I’m thrilled for Amy and Andy, I wish them the best. Ha, ha.’

  My answers to all the other questions, in no particular order:

  ‘Some parts of Amy are inspired by me, and some are just fiction.’

  ‘I’m happily single right now, no Able Andy in my life!’

  ‘No, I don’t think Amy oversimplifies the male-female dynamic.’

  ‘No, I wouldn’t say Amy is dated; I think the series is a classic.’

  ‘Yes, I am single. No Able Andy in my life right now.’

  ‘Why is Amy amazing and Andy’s just able? Well, don’t you know a lot of powerful, fabulous women who settle for regular guys, Average Joes and Able Andys? No, just kidding, don’t write that.’

  ‘Yes, I am single.’

  ‘Yes, my parents are definitely soul mates.’

  ‘Yes, I would like that for myself one day.’

  ‘Yep, single, motherfucker.’

  Same questions over and over, and me trying to pretend they’re thought-provoking. And them trying to pretend they’re thought-provoking. Thank God for the open bar.

  Then no one else wants to talk to me – that fast – and the PR girl pretends it’s a good thing: Now you can get back to your party! I wriggle back into the (small) crowd, where my parents are in full hosting mode, their faces flushed – Rand with his toothy prehistoric-monster-fish smile, Marybeth with her chickeny, cheerful head bobs, their hands intertwined, making each other laugh, enjoying each other, thrilled with each other – and I think, I am so fucking lonely.

  I go home and cry for a while. I am almost thirty-two. That’s not old, especially not in New York, but fact is, it’s been years since I even really liked someone. So how likely is it I’ll meet someone I love, much less someone I love enough to marry? I’m tired of not knowing who I’ll be with, or if I’ll be with anyone.

  I have many friends who are married – not many who are happily married, but many married friends. The few happy ones are like my parents: They’re baffled by my singleness. A smart, pretty, nice girl like me, a girl with so many interests and enthusiasms, a cool job, a loving family. And let’s say it: money. They knit their eyebrows and pretend to think of men they can set me up with, but we all know there’s no one left, no one good left, and I know that they secretly think there’s something wrong with me, something hidden away that makes me unsatisfiable, unsatisfying.

  The ones who are not soul-mated – the ones who have settled – are even more dismissive of my singleness: It’s not that hard to find someone to marry, they say. No relationship is perfect, they say – they, who make do with dutiful sex and gassy bedtime rituals, who settle for TV as conversation, who believe that husbandly capitulation – yes, honey, okay, honey – is the same as concord. He’s doing what you tell him to do because he doesn’t care enough to argue, I think. Your petty demands simply make him feel superior, or resentful, and someday he will fuck his pretty, young coworker who asks nothing of him, and you will actually be shocked. Give me a man with a little fight in him, a man who calls me on my bullshit. (But who also kind of likes my bullshit.) And yet: Don’t land me in one of those relationships where we’re always pecking at each other, disguising insults as jokes, rolling our eyes and ‘playfully’ scrapping in front of our friends, hoping to lure them to our side of an argument they could not care less about. Those awful if only relationships: This marriage would be great if only … and you sense the if only list is a lot longer than either of them realizes.

  So I know I am right not to settle, but it doesn’t make me feel better as my friends pair off and I stay home on Friday night with a bottle of wine and make myself an extravagant meal and tell myself, This is perfect, as if I’m the one dating me. As I go to endless rounds of parties and b
ar nights, perfumed and sprayed and hopeful, rotating myself around the room like some dubious dessert. I go on dates with men who are nice and good-looking and smart – perfect-on-paper men who make me feel like I’m in a foreign land, trying to explain myself, trying to make myself known. Because isn’t that the point of every relationship: to be known by someone else, to be understood? He gets me. She gets me. Isn’t that the simple magic phrase?

  So you suffer through the night with the perfect-on-paper man – the stutter of jokes misunderstood, the witty remarks lobbed and missed. Or maybe he understands that you’ve made a witty remark but, unsure of what to do with it, he holds it in his hand like some bit of conversational phlegm he will wipe away later. You spend another hour trying to find each other, to recognise each other, and you drink a little too much and try a little too hard. And you go home to a cold bed and think, That was fine. And your life is a long line of fine.

  And then you run into Nick Dunne on Seventh Avenue as you’re buying diced cantaloupe, and pow, you are known, you are recognised, the both of you. You both find the exact same things worth remembering. (Just one olive, though). You have the same rhythm. Click. You just know each other. All of a sudden you see reading in bed and waffles on Sunday and laughing at nothing and his mouth on yours. And it’s so far beyond fine that you know you can never go back to fine. That fast. You think: Oh, here is the rest of my life. It’s finally arrived.

  NICK DUNNE

  THE DAY OF

  I waited for the police first in the kitchen, but the acrid smell of the burnt teakettle was curling up in the back of my throat, underscoring my need to retch, so I drifted out on the front porch, sat on the top stair, and willed myself to be calm. I kept trying Amy’s cell, and it kept going to voice mail, that quick-clip cadence swearing she’d phone right back. Amy always phoned right back. It had been three hours, and I’d left five messages, and Amy had not phoned back.

  I didn’t expect her to. I’d tell the police: Amy would never have left the house with the teakettle on. Or the door open. Or anything waiting to be ironed. The woman got shit done, and she was not one to abandon a project (say, her fixer-upper husband, for instance), even if she decided she didn’t like it. She’d made a grim figure on the Fiji beach during our two-week honeymoon, battling her way through a million mystical pages of The Wind-Up Bird Chronicle, casting pissy glances at me as I devoured thriller after thriller. Since our move back to Missouri, the loss of her job, her life had revolved (devolved?) around the completion of endless tiny, inconsequential projects. The dress would have been ironed.

  And there was the living room, signs pointing to a struggle. I already knew Amy wasn’t phoning back. I wanted the next part to start.

  It was the best time of day, the July sky cloudless, the slowly setting sun a spotlight on the east, turning everything golden and lush, a Flemish painting. The police rolled up. It felt casual, me sitting on the steps, an evening bird singing in the tree, these two cops getting out of their car at a leisurely pace, as if they were dropping by a neighborhood picnic. Kid cops, mid-twenties, confident and uninspired, accustomed to soothing worried parents of curfew-busting teens. A Hispanic girl, her hair in a long dark braid, and a black guy with a marine’s stance. Carthage had become a bit (a very tiny bit) less Caucasian while I was away, but it was still so severely segregated that the only people of color I saw in my daily routine tended to be occupational roamers: delivery men, medics, postal workers. Cops. (‘This place is so white, it’s disturbing,’ said Amy, who, back in the melting pot of Manhattan, counted a single African-American among her friends. I accused her of craving ethnic window dressing, minorities as backdrops. It did not go well.)

  ‘Mr Dunne? I’m Officer Velásquez,’ said the woman, ‘and this is Officer Riordan. We understand you’re concerned about your wife?’

  Riordan looked down the road, sucking on a piece of candy. I could see his eyes follow a darting bird out over the river. Then he snapped his gaze back toward me, his curled lips telling me he saw what everyone else did. I have a face you want to punch: I’m a working-class Irish kid trapped in the body of a total trust-fund douchebag. I smile a lot to make up for my face, but this only sometimes works. In college, I even wore glasses for a bit, fake spectacles with clear lenses that I thought would lend me an affable, unthreatening vibe. ‘You do realize that makes you even more of a dick?’ Go reasoned. I threw them out and smiled harder.

  I waved in the cops: ‘Come inside the house and see.’

  The two climbed the steps, accompanied by the squeaking and shuffling noises of their belts and guns. I stood in the entry to the living room and pointed at the destruction.

  ‘Oh,’ said Officer Riordan, and gave a brisk crack of his knuckles. He suddenly looked less bored.

  Riordan and Velásquez leaned forward in their seats at the dining room table as they asked me all the initial questions: who, where, how long. Their ears were literally pricked. A call had been made out of my hearing, and Riordan informed me that detectives were being dispatched. I had the grave pride of being taken seriously.

  Riordan was asking me for the second time if I’d seen any strangers in the neighborhood lately, was reminding me for the third time about Carthage’s roving bands of homeless men, when the phone rang. I launched myself across the room and grabbed it.

  A surly woman’s voice: ‘Mr Dunne, this is Comfort Hill Assisted Living.’ It was where Go and I boarded our Alzheimer’s-riddled father.

  ‘I can’t talk right now, I’ll call you back,’ I snapped, and hung up. I despised the women who staffed Comfort Hill: unsmiling, uncomforting. Underpaid, gruelingly underpaid, which was probably why they never smiled or comforted. I knew my anger toward them was misdirected – it absolutely infuriated me that my father lingered on while my mom was in the ground.

  It was Go’s turn to send the check. I was pretty sure it was Go’s turn for July. And I’m sure she was positive it was mine. We’d done this before. Go said we must be mutually subliminally forgetting to mail those checks, that what we really wanted to forget was our dad.

  I was telling Riordan about the strange man I’d seen in our neighbor’s vacated house when the doorbell rang. The doorbell rang. It sounded so normal, like I was expecting a pizza.

  The two detectives entered with end-of-shift weariness. The man was rangy and thin, with a face that tapered severely into a dribble of a chin. The woman was surprisingly ugly – brazenly, beyond the scope of everyday ugly: tiny round eyes set tight as buttons, a long twist of a nose, skin spackled with tiny bumps, long lank hair the color of a dust bunny. I have an affinity for ugly women. I was raised by a trio of women who were hard on the eyes – my grandmother, my mom, her sister – and they were all smart and kind and funny and sturdy, good, good women. Amy was the first pretty girl I ever dated, really dated.

  The ugly woman spoke first, an echo of Miss Officer Velásquez. ‘Mr Dunne? I’m

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